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Best Famous Pursues Poems

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Written by Anne Bronte | Create an image from this poem

Power of Love

 Love, indeed thy strength is mighty
Thus, alone, such strife to bear --
Three 'gainst one, and never ceasing --
Death, and Madness, and Despair! 
'Tis not my own strength has saved me;
Health, and hope, and fortitude,
But for love, had long since failed me;
Heart and soul had sunk subdued.

Often, in my wild impatience,
I have lost my trust in Heaven,
And my soul has tossed and struggled,
Like a vessel tempest-driven;

But the voice of my beloved
In my ear has seemed to say --
'O, be patient if thou lov'st me!'
And the storm has passed away.

When outworn with weary thinking,
Sight and thought were waxing dim,
And my mind began to wander,
And my brain began to swim,

Then those hands outstretched to save me
Seemed to call me back again --
Those dark eyes did so implore me
To resume my reason's reign,

That I could not but remember
How her hopes were fixed on me,
And, with one determined effort,
Rose, and shook my spirit free.

When hope leaves my weary spirit --
All the power to hold it gone --
That loved voice so loudly prays me,
'For my sake, keep hoping on,'

That, at once my strength renewing,
Though Despair had crushed me down,
I can burst his bonds asunder,
And defy his deadliest frown.

When, from nights of restless tossing,
Days of gloom and pining care,
Pain and weakness, still increasing,
Seem to whisper 'Death is near,'

And I almost bid him welcome,
Knowing he would bring release,
Weary of this restless struggle --
Longing to repose in peace,

Then a glance of fond reproval
Bids such selfish longings flee
And a voice of matchless music
Murmurs 'Cherish life for me!'

Roused to newborn strength and courage,
Pain and grief, I cast away,
Health and life, I keenly follow,
Mighty Death is held at bay.

Yes, my love, I will be patient!
Firm and bold my heart shall be:
Fear not -- though this life is dreary,
I can bear it well for thee.

Let our foes still rain upon me
Cruel wrongs and taunting scorn;
'Tis for thee their hate pursues me,
And for thee, it shall be borne!


Written by Federico García Lorca | Create an image from this poem

The Gypsy and the Wind

 Playing her parchment moon
Precosia comes
along a watery path of laurels and crystal lights.
The starless silence, fleeing
from her rhythmic tambourine,
falls where the sea whips and sings,
his night filled with silvery swarms.
High atop the mountain peaks
the sentinels are weeping;
they guard the tall white towers
of the English consulate.
And gypsies of the water
for their pleasure erect
little castles of conch shells
and arbors of greening pine.

Playing her parchment moon
Precosia comes.
The wind sees her and rises,
the wind that never slumbers.
Naked Saint Christopher swells,
watching the girl as he plays
with tongues of celestial bells
on an invisible bagpipe.

Gypsy, let me lift your skirt
and have a look at you.
Open in my ancient fingers
the blue rose of your womb.

Precosia throws the tambourine
and runs away in terror.
But the virile wind pursues her
with his breathing and burning sword.

The sea darkens and roars,
while the olive trees turn pale.
The flutes of darkness sound,
and a muted gong of the snow.

Precosia, run, Precosia!
Or the green wind will catch you!
Precosia, run, Precosia!
And look how fast he comes!
A satyr of low-born stars
with their long and glistening tongues.

Precosia, filled with fear,
now makes her way to that house
beyond the tall green pines
where the English consul lives.

Alarmed by the anguished cries,
three riflemen come running,
their black capes tightly drawn,
and berets down over their brow.

The Englishman gives the gypsy
a glass of tepid milk
and a shot of Holland gin
which Precosia does not drink.

And while she tells them, weeping,
of her strange adventure,
the wind furiously gnashes
against the slate roof tiles.
Written by T S (Thomas Stearns) Eliot | Create an image from this poem

A Game Of Chess

  The Chair she sat in, like a burnished throne,
  Glowed on the marble, where the glass
  Held up by standards wrought with fruited vines
  From which a golden Cupidon peeped out                                  80
  (Another hid his eyes behind his wing)
  Doubled the flames of sevenbranched candelabra
  Reflecting light upon the table as
  The glitter of her jewels rose to meet it,
  From satin cases poured in rich profusion;
  In vials of ivory and coloured glass
  Unstoppered, lurked her strange synthetic perfumes,
  Unguent, powdered, or liquid— troubled, confused
  And drowned the sense in odours; stirred by the air
  That freshened from the window, these ascended                          90
  In fattening the prolonged candle-flames,
  Flung their smoke into the laquearia,
  Stirring the pattern on the coffered ceiling.
  Huge sea-wood fed with copper
  Burned green and orange, framed by the coloured stone,
  In which sad light a carved dolphin swam.
  Above the antique mantel was displayed
  As though a window gave upon the sylvan scene
  The change of Philomel, by the barbarous king
  So rudely forced; yet there the nightingale                             100
  Filled all the desert with inviolable voice
  And still she cried, and still the world pursues,
  "Jug Jug" to dirty ears.
  And other withered stumps of time
  Were told upon the walls; staring forms
  Leaned out, leaning, hushing the room enclosed.
  Footsteps shuffled on the stair.
  Under the firelight, under the brush, her hair
  Spread out in fiery points
  Glowed into words, then would be savagely still.                        110

  "My nerves are bad to-night. Yes, bad. Stay with me.
  "Speak to me. Why do you never speak. Speak.
  "What are you thinking of? What thinking? What?
  "I never know what you are thinking. Think."

  I think we are in rats' alley
  Where the dead men lost their bones.

  "What is that noise?"
                               The wind under the door.
  "What is that noise now? What is the wind doing?"
                               Nothing again nothing.                     120
                                                                    "Do
  "You know nothing? Do you see nothing? Do you remember
  "Nothing?"

     I remember
  Those are pearls that were his eyes.
  "Are you alive, or not? Is there nothing in your head?"
                                                                      But
  O O O O that Shakespeherian Rag—
  It's so elegant
  So intelligent                                                          130
  "What shall I do now? What shall I do?"
  I shall rush out as I am, and walk the street
  "With my hair down, so. What shall we do to-morrow?
  "What shall we ever do?"
                                       The hot water at ten.
  And if it rains, a closed car at four.
  And we shall play a game of chess,
  Pressing lidless eyes and waiting for a knock upon the door.

  When Lil's husband got demobbed, I said—
  I didn't mince my words, I said to her myself,                          140
  HURRY UP PLEASE ITS TIME
  Now Albert's coming back, make yourself a bit smart.
  He'll want to know what you done with that money he gave you
  To get yourself some teeth. He did, I was there.
  You have them all out, Lil, and get a nice set,
  He said, I swear, I can't bear to look at you.
  And no more can't I, I said, and think of poor Albert,
  He's been in the army four years, he wants a good time,
  And if you don't give it him, there's others will, I said.
  Oh is there, she said. Something o' that, I said.                       150
  Then I'll know who to thank, she said, and give me a straight look.
  HURRY UP PLEASE ITS TIME
  If you don't like it you can get on with it, I said.
  Others can pick and choose if you can't.
  But if Albert makes off, it won't be for lack of telling.
  You ought to be ashamed, I said, to look so antique.
  (And her only thirty-one.)
  I can't help it, she said, pulling a long face,
  It's them pills I took, to bring it off, she said.
  (She's had five already, and nearly died of young George.)              160
  The chemist said it would be alright, but I've never been the same.
  You are a proper fool, I said.
  Well, if Albert won't leave you alone, there it is, I said,
  What you get married for if you don't want children?
  HURRY UP PLEASE ITS TIME
  Well, that Sunday Albert was home, they had a hot gammon,
  And they asked me in to dinner, to get the beauty of it hot—
  HURRY UP PLEASE ITS TIME
  HURRY UP PLEASE ITS TIME
  Goonight Bill. Goonight Lou. Goonight May. Goonight.                    170
  Ta ta. Goonight. Goonight.
  Good night, ladies, good night, sweet ladies, good night, good night.

Written by Charlotte Bronte | Create an image from this poem

The Letter

 What is she writing? Watch her now, 
How fast her fingers move !
How eagerly her youthful brow 
Is bent in thought above !
Her long curls, drooping, shade the light, 
She puts them quick aside,
Nor knows, that band of crystals bright, 
Her hasty touch untied.
It slips adown her silken dress, 
Falls glittering at her feet;
Unmarked it falls, for she no less 
Pursues her labour sweet. 

The very loveliest hour that shines, 
Is in that deep blue sky;
The golden sun of June declines, 
It has not caught her eye.
The cheerful lawn, and unclosed gate, 
The white road, far away,
In vain for her light footsteps wait, 
She comes not forth to-day.
There is an open door of glass
Close by that lady's chair,
From thence, to slopes of mossy grass, 
Descends a marble stair. 

Tall plants of bright and spicy bloom
Around the threshold grow;
Their leaves and blossoms shade the room,
From that sun's deepening glow.
Why does she not a moment glance
Between the clustering flowers,
And mark in heaven the radiant dance
Of evening's rosy hours ?
O look again ! Still fixed her eye,
Unsmiling, earnest, still,
And fast her pen and fingers fly,
Urged by her eager will. 

Her soul is in th' absorbing task;
To whom, then, doth she write ?
Nay, watch her still more closely, ask
Her own eyes' serious light;
Where do they turn, as now her pen
Hangs o'er th' unfinished line ?
Whence fell the tearful gleam that then
Did in their dark spheres shine ?
The summer-parlour looks so dark,
When from that sky you turn,
And from th' expanse of that green park,
You scarce may aught discern. 

Yet o'er the piles of porcelain rare,
O'er flower-stand, couch, and vase,
Sloped, as if leaning on the air,
One picture meets the gaze. 
'Tis there she turns; you may not see
Distinct, what form defines
The clouded mass of mystery
Yon broad gold frame confines.
But look again; inured to shade
Your eyes now faintly trace
A stalwart form, a massive head,
A firm, determined face. 

Black Spanish locks, a sunburnt cheek,
A brow high, broad, and white,
Where every furrow seems to speak
Of mind and moral might.
Is that her god ? I cannot tell;
Her eye a moment met
Th' impending picture, then it fell
Darkened and dimmed and wet.
A moment more, her task is done,
And sealed the letter lies;
And now, towards the setting sun
She turns her tearful eyes. 

Those tears flow over, wonder not,
For by the inscription, see
In what a strange and distant spot
Her heart of hearts must be !
Three seas and many a league of land
That letter must pass o'er,
E'er read by him to whose loved hand
'Tis sent from England's shore. 
Remote colonial wilds detain
Her husband, loved though stern;
She, 'mid that smiling English scene,
Weeps for his wished return.
Written by Anne Kingsmill Finch | Create an image from this poem

The Change

 POOR River, now thou'rt almost dry, 
What Nymph, or Swain, will near thee lie? 
Since brought, alas! to sad Decay, 
What Flocks, or Herds, will near thee stay? 
The Swans, that sought thee in thy Pride, 
Now on new Streams forgetful ride: 
And Fish, that in thy Bosom lay, 
Chuse in more prosp'rous Floods to play. 
All leave thee, now thy Ebb appears, 
To waste thy sad Remains in Tears; 
Nor will thy mournful Murmurs heed. 
Fly, wretched Stream, with all thy speed, 
Amongst those solid Rocks thy Griefs bestow; 
For Friends, like those alas! thou ne'er did'st know. 

And thou, poor Sun! that sat'st on high; 
But late, the Splendour of the Sky; 
What Flow'r, tho' by thy Influence born, 
Now Clouds prevail, will tow'rds thee turn? 
Now Darkness sits upon thy Brow, 
What Persian Votary will bow? 
What River will her Smiles reflect, 
Now that no Beams thou can'st direct? 
By watry Vapours overcast, 
Who thinks upon thy Glories past? 
If present Light, nor Heat we get, 
Unheeded thou may'st rise, and set. 
Not all the past can one Adorer keep, 
Fall, wretched Sun, to the more faithful Deep. 


Nor do thou, lofty Structure! boast, 
Since undermin'd by Time and Frost: 
Since thou canst no Reception give, 
In untrod Meadows thou may'st live. 
None from his ready Road will turn, 
With thee thy wretched Change to mourn. 
Not the soft Nights, or chearful Days 
Thou hast bestow'd, can give thee Praise. 

No lusty Tree that near thee grows, 
(Tho' it beneath thy Shelter rose) 
Will to thy Age a Staff become. 
Fall, wretched Building! to thy Tomb. 
Thou, and thy painted Roofs, in Ruin mixt, 
Fall to the Earth, for That alone is fixt. 

The same, poor Man, the same must be 
Thy Fate, now Fortune frowns on thee. 
Her Favour ev'ry one pursues, 
And losing Her, thou all must lose. 
No Love, sown in thy prosp'rous Days, 
Can Fruit in this cold Season raise: 
No Benefit, by thee conferr'd, 
Can in this time of Storms be heard. 
All from thy troubl'd Waters run; 
Thy stooping Fabrick all Men shun. 
All do thy clouded Looks decline, 
As if thou ne'er did'st on them shine. 

O wretched Man! to other World's repair; 
For Faith and Gratitude are only there.


Written by Henry Wadsworth Longfellow | Create an image from this poem

The Ghosts

 Never stoops the soaring vulture
On his quarry in the desert,
On the sick or wounded bison,
But another vulture, watching
From his high aerial look-out,
Sees the downward plunge, and follows;
And a third pursues the second,
Coming from the invisible ether,
First a speck, and then a vulture,
Till the air is dark with pinions.
So disasters come not singly;
But as if they watched and waited,
Scanning one another's motions,
When the first descends, the others
Follow, follow, gathering flock-wise
Round their victim, sick and wounded,
First a shadow, then a sorrow,
Till the air is dark with anguish.
Now, o'er all the dreary North-land,
Mighty Peboan, the Winter,
Breathing on the lakes and rivers,
Into stone had changed their waters.
From his hair he shook the snow-flakes,
Till the plains were strewn with whiteness,
One uninterrupted level,
As if, stooping, the Creator
With his hand had smoothed them over.
Through the forest, wide and wailing,
Roamed the hunter on his snow-shoes;
In the village worked the women,
Pounded maize, or dressed the deer-skin;
And the young men played together
On the ice the noisy ball-play,
On the plain the dance of snow-shoes.
One dark evening, after sundown,
In her wigwam Laughing Water
Sat with old Nokomis, waiting
For the steps of Hiawatha
Homeward from the hunt returning.
On their faces gleamed the firelight,
Painting them with streaks of crimson,
In the eyes of old Nokomis
Glimmered like the watery moonlight,
In the eyes of Laughing Water
Glistened like the sun in water;
And behind them crouched their shadows
In the corners of the wigwam,
And the smoke In wreaths above them
Climbed and crowded through the smoke-flue.
Then the curtain of the doorway
From without was slowly lifted;
Brighter glowed the fire a moment,
And a moment swerved the smoke-wreath,
As two women entered softly,
Passed the doorway uninvited,
Without word of salutation,
Without sign of recognition,
Sat down in the farthest corner,
Crouching low among the shadows.
From their aspect and their garments,
Strangers seemed they in the village;
Very pale and haggard were they,
As they sat there sad and silent,
Trembling, cowering with the shadows.
Was it the wind above the smoke-flue,
Muttering down into the wigwam?
Was it the owl, the Koko-koho,
Hooting from the dismal forest?
Sure a voice said in the silence:
"These are corpses clad in garments,
These are ghosts that come to haunt you,
From the kingdom of Ponemah,
From the land of the Hereafter!"
Homeward now came Hiawatha
From his hunting in the forest,
With the snow upon his tresses,
And the red deer on his shoulders.
At the feet of Laughing Water
Down he threw his lifeless burden;
Nobler, handsomer she thought him,
Than when first he came to woo her,
First threw down the deer before her,
As a token of his wishes,
As a promise of the future.
Then he turned and saw the strangers,
Cowering, crouching with the shadows;
Said within himself, "Who are they?
What strange guests has Minnehaha?"
But he questioned not the strangers,
Only spake to bid them welcome
To his lodge, his food, his fireside.
When the evening meal was ready,
And the deer had been divided,
Both the pallid guests, the strangers,
Springing from among the shadows,
Seized upon the choicest portions,
Seized the white fat of the roebuck,
Set apart for Laughing Water,
For the wife of Hiawatha;
Without asking, without thanking,
Eagerly devoured the morsels,
Flitted back among the shadows
In the corner of the wigwam.
Not a word spake Hiawatha,
Not a motion made Nokomis,
Not a gesture Laughing Water;
Not a change came o'er their features;
Only Minnehaha softly
Whispered, saying, "They are famished;
Let them do what best delights them;
Let them eat, for they are famished."
Many a daylight dawned and darkened,
Many a night shook off the daylight
As the pine shakes off the snow-flakes
From the midnight of its branches;
Day by day the guests unmoving
Sat there silent in the wigwam;
But by night, in storm or starlight,
Forth they went into the forest,
Bringing fire-wood to the wigwam,
Bringing pine-cones for the burning,
Always sad and always silent.
And whenever Hiawatha
Came from fishing or from hunting,
When the evening meal was ready,
And the food had been divided,
Gliding from their darksome corner,
Came the pallid guests, the strangers,
Seized upon the choicest portions
Set aside for Laughing Water,
And without rebuke or question
Flitted back among the shadows.
Never once had Hiawatha
By a word or look reproved them;
Never once had old Nokomis
Made a gesture of impatience;
Never once had Laughing Water
Shown resentment at the outrage.
All had they endured in silence,
That the rights of guest and stranger,
That the virtue of free-giving,
By a look might not be lessened,
By a word might not be broken.
Once at midnight Hiawatha,
Ever wakeful, ever watchful,
In the wigwam, dimly lighted
By the brands that still were burning,
By the glimmering, flickering firelight
Heard a sighing, oft repeated,
From his couch rose Hiawatha,
From his shaggy hides of bison,
Pushed aside the deer-skin curtain,
Saw the pallid guests, the shadows,
Sitting upright on their couches,
Weeping in the silent midnight.
And he said: "O guests! why is it
That your hearts are so afflicted,
That you sob so in the midnight?
Has perchance the old Nokomis,
Has my wife, my Minnehaha,
Wronged or grieved you by unkindness,
Failed in hospitable duties?"
Then the shadows ceased from weeping,
Ceased from sobbing and lamenting,
And they said, with gentle voices:
"We are ghosts of the departed,
Souls of those who once were with you.
From the realms of Chibiabos
Hither have we come to try you,
Hither have we come to warn you.
"Cries of grief and lamentation
Reach us in the Blessed Islands;
Cries of anguish from the living,
Calling back their friends departed,
Sadden us with useless sorrow.
Therefore have we come to try you;
No one knows us, no one heeds us.
We are but a burden to you,
And we see that the departed
Have no place among the living.
"Think of this, O Hiawatha!
Speak of it to all the people,
That henceforward and forever
They no more with lamentations
Sadden the souls of the departed
In the Islands of the Blessed.
"Do not lay such heavy burdens
In the graves of those you bury,
Not such weight of furs and wampum,
Not such weight of pots and kettles,
For the spirits faint beneath them.
Only give them food to carry,
Only give them fire to light them.
"Four days is the spirit's journey
To the land of ghosts and shadows,
Four its lonely night encampments;
Four times must their fires be lighted.
Therefore, when the dead are buried,
Let a fire, as night approaches,
Four times on the grave be kindled,
That the soul upon its journey
May not lack the cheerful firelight,
May not grope about in darkness.
"Farewell, noble Hiawatha!
We have put you to the trial,
To the proof have put your patience,
By the insult of our presence,
By the outrage of our actions.
We have found you great and noble.
Fail not in the greater trial,
Faint not In the harder struggle."
When they ceased, a sudden darkness
Fell and filled the silent wigwam.
Hiawatha heard a rustle
As of garments trailing by him,
Heard the curtain of the doorway
Lifted by a hand he saw not,
Felt the cold breath of the night air,
For a moment saw the starlight;
But he saw the ghosts no longer,
Saw no more the wandering spirits
From the kingdom of Ponemah,
From the land of the Hereafter.
Written by Kahlil Gibran | Create an image from this poem

Song of Love XXIV

 I am the lover's eyes, and the spirit's 
Wine, and the heart's nourishment. 
I am a rose. My heart opens at dawn and 
The virgin kisses me and places me 
Upon her breast. 


I am the house of true fortune, and the 
Origin of pleasure, and the beginning 
Of peace and tranquility. I am the gentle 
Smile upon his lips of beauty. When youth 
Overtakes me he forgets his toil, and his 
Whole life becomes reality of sweet dreams. 


I am the poet's elation, 
And the artist's revelation, 
And the musician's inspiration. 


I am a sacred shrine in the heart of a 
Child, adored by a merciful mother. 


I appear to a heart's cry; I shun a demand; 
My fullness pursues the heart's desire; 
It shuns the empty claim of the voice. 


I appeared to Adam through Eve 
And exile was his lot; 
Yet I revealed myself to Solomon, and 
He drew wisdom from my presence. 


I smiled at Helena and she destroyed Tarwada; 
Yet I crowned Cleopatra and peace dominated 
The Valley of the Nile. 


I am like the ages -- building today 
And destroying tomorrow; 
I am like a god, who creates and ruins; 
I am sweeter than a violet's sigh; 
I am more violent than a raging tempest. 


Gifts alone do not entice me; 
Parting does not discourage me; 
Poverty does not chase me; 
Jealousy does not prove my awareness; 
Madness does not evidence my presence. 


Oh seekers, I am Truth, beseeching Truth; 
And your Truth in seeking and receiving 
And protecting me shall determine my 
Behavior.
Written by William Blake | Create an image from this poem

Blind Mans Buff

 When silver snow decks Susan's clothes,
And jewel hangs at th' shepherd's nose,
The blushing bank is all my care,
With hearth so red, and walls so fair;
`Heap the sea-coal, come, heap it higher,
The oaken log lay on the fire.'
The well-wash'd stools, a circling row,
With lad and lass, how fair the show!
The merry can of nut-brown ale,
The laughing jest, the love-sick tale,
Till, tir'd of chat, the game begins.
The lasses prick the lads with pins;
Roger from Dolly twitch'd the stool,
She, falling, kiss'd the ground, poor fool!
She blush'd so red, with sidelong glance
At hob-nail Dick, who griev'd the chance.
But now for Blind man's Buff they call;
Of each encumbrance clear the hall--
Jenny her silken 'kerchief folds,
And blear-eyed Will the black lot holds.
Now laughing stops, with `Silence! hush!'
And Peggy Pout gives Sam a push.
The Blind man's arms, extended wide,
Sam slips between:--`O woe betide
Thee, clumsy Will!'--but titt'ring Kate
Is penn'd up in the corner straight!
And now Will's eyes beheld the play;
He thought his face was t'other way.
`Now, Kitty, now! what chance hast thou,
Roger so near thee!--Trips, I vow!'
She catches him--then Roger ties
His own head up--but not his eyes;
For thro' the slender cloth he sees,
And runs at Sam, who slips with ease
His clumsy hold; and, dodging round,
Sukey is tumbled on the ground!--
`See what it is to play unfair!
Where cheating is, there's mischief there.'
But Roger still pursues the chase,--
`He sees! he sees!' cries, softly, Grace;
`O Roger, thou, unskill'd in art,
Must, surer bound, go thro' thy part!'
Now Kitty, pert, repeats the rimes,
And Roger turns him round three times,
Then pauses ere he starts--but Dick
Was mischief bent upon a trick;
Down on his hands and knees he lay
Directly in the Blind man's way,
Then cries out `Hem!' Hodge heard, and ran
With hood-wink'd chance--sure of his man;
But down he came. -- Alas, how frail
Our best of hopes, how soon they fail!
With crimson drops he stains the ground;
Confusion startles all around.
Poor piteous Dick supports his head,
And fain would cure the hurt he made.
But Kitty hasted with a key,
And down his back they straight convey
The cold relief; the blood is stay'd,
And Hodge again holds up his head.
Such are the fortunes of the game,
And those who play should stop the same
By wholesome laws; such as all those
Who on the blinded man impose
Stand in his stead; as, long a-gone,
When men were first a nation grown,
Lawless they liv'd, till wantonness
A 1000 nd liberty began t' increase,
And one man lay in another's way;
Then laws were made to keep fair play.
Written by Pythagoras | Create an image from this poem

The Golden Verses of Pythagoras

1. First worship the Immortal Gods, as they are established and ordained by the Law.
2. Reverence the Oath, and next the Heroes, full of goodness and light.
3. Honour likewise the Terrestrial Daemons by rendering them the worship lawfully due to them.
4. Honour likewise your parents, and those most nearly related to you.
5. Of all the rest of mankind, make him your friend who distinguishes himself by his virtue.
6. Always give ear to his mild exhortations, and take example from his virtuous and useful actions.
7. Avoid as much as possible hating your friend for a slight fault.
8. Power is a near neighbour to necessity.
9. Know that all these things are just as what I have told you; and accustom yourself to overcome and vanquish these passions:--
10. First gluttony, sloth, sensuality, and anger.
11. Do nothing evil, neither in the presence of others, nor privately;
12. But above all things respect yourself.
13. In the next place, observe justice in your actions and in your words.
14. And do not accustom yourself to behave yourself in any thing without rule, and without reason.
15. But always make this reflection, that it is ordained by destiny that all men shall die.
16. And that the goods of fortune are uncertain; and that just as they may be acquired, they may likewise be lost.
17. Concerning all the calamities that men suffer by divine fortune,
18. Support your lot with patience, it is what it may be, and never complain at it.
19. But endeavour what you can to remedy it.
20. And consider that fate does not send the greatest portion of these misfortunes to good men.
21. There are many sorts of reasonings among men, good and bad;
22. Do not admire them too easily, nor reject them.
23. But if falsehoods are advanced, hear them with mildness, and arm yourself with patience.
24. Observe well, on every occasion, what I am going to tell you:--
25. Do not let any man either by his words, or by his deeds, ever seduce you.
26. Nor lure you to say or to do what is not profitable for yourself.
27. Consult and deliberate before you act, that you may not commit foolish actions.
28. For it is the part of a miserable man to speak and to act without reflection.
29. But do the thing which will not afflict you afterwards, nor oblige you to repentance.
30. Never do anything which you do not understand.
31. But learn all you ought to know, and by that means you will lead a very pleasant life.
32. in no way neglect the health of your body;
33. But give it drink and meat in due measure, and also the exercise of which it needs.
34. Now by measure I mean what will not discomfort you.
35. Accustom yourself to a way of living that is neat and decent without luxury.
36. Avoid all things that will occasion envy.
37. And do not be prodigal out of season, like someone who does not know what is decent and honourable.
38. Neither be covetous nor stingy; a due measure is excellent in these things.
39. Only do the things that cannot hurt you, and deliberate before you do them.
40. Never allow sleep to close your eyelids, after you went to bed,
41. Until you have examined all your actions of the day by your reason.
42. In what have I done wrong? What have I done? What have I omitted that I ought to have done?
43. If in this examination you find that you have done wrong, reprove yourself severely for it;
44. And if you have done any good, rejoice.
45. Practise thoroughly all these things; meditate on them well; you ought to love them with all your heart.
46. It is those that will put you in the way of divine virtue.
47. I swear it by he who has transmitted into our souls the Sacred Quaternion, the source of nature, whose cause is eternal.
48. But never begin to set your hand to any work, until you have first prayed the gods to accomplish what you are going to begin.
49. When you have made this habit familiar to you,
50. You will know the constitution of the Immortal Gods and of men.
51. Even how far the different beings extend, and what contains and binds them together.
52. You shall likewise know that according to Law, the nature of this universe is in all things alike,
53. So that you shall not hope what you ought not to hope; and nothing in this world shall be hidden from you.
54. You will likewise know, that men draw upon themselves their own misfortunes voluntarily, and of their own free choice.
55. Unhappy they are! They neither see nor understand that their good is near them.
56. Few know how to deliver themselves out of their misfortunes.
57. Such is the fate that blinds humankind, and takes away his senses.
58. Like huge cylinders they roll back and forth, and always oppressed with innumerable ills.
59. For fatal strife, natural, pursues them everywhere, tossing them up and down; nor do they perceive it.
60. Instead of provoking and stirring it up, they ought to avoid it by yielding.
61. Oh! Jupiter, our Father! If you would deliver men from all the evils that oppress them,
62. Show them of what daemon they make use.
63. But take courage; the race of humans is divine.
64. Sacred nature reveals to them the most hidden mysteries.
65. If she impart to you her secrets, you will easily perform all the things which I have ordained thee.
66. And by the healing of your soul, you wilt deliver it from all evils, from all afflictions.
67. But you should abstain from the meats, which we have forbidden in the purifications and in the deliverance of the soul;
68. Make a just distinction of them, and examine all things well.
69. Leave yourself always to be guided and directed by the understanding that comes from above, and that ought to hold the reins.
70. And when, after having deprived yourself of your mortal body, you arrived at the most pure Aither,
71. You shall be a God, immortal, incorruptible, and Death shall have no more dominion over you.
Written by Robert Louis Stevenson | Create an image from this poem

After Reading Antony And Cleopatra

 AS when the hunt by holt and field
Drives on with horn and strife,
Hunger of hopeless things pursues
Our spirits throughout life.

The sea's roar fills us aching full
Of objectless desire -
The sea's roar, and the white moon-shine,
And the reddening of the fire.

Who talks to me of reason now?
It would be more delight
To have died in Cleopatra's arms
Than be alive to-night.

Book: Reflection on the Important Things