Best Famous Puckering Poems

Here is a collection of the all-time best famous Puckering poems. This is a select list of the best famous Puckering poetry. Reading, writing, and enjoying famous Puckering poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of puckering poems.

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Written by Robert Lowell | Create an image from this poem

The Withdrawal

 1
Only today and just for this minute,
when the sunslant finds its true angle,
you can see yellow and pinkish leaves spangle
our gentle, fluffy tree—
suddenly the green summer is momentary...
Autumn is my favorite season—
why does it change clothes and withdraw?

This week the house went on the market—
suddenly I woke up among strangers;
when I go into a room, it moves
with embarrassment, and joins another room.

I don't need conversation, but you to laugh with—
you and a room and a fire,
cold starlight blowing through an open window—
whither?

 2
After sunfall, heaven is melodramatic,
a temporary, puckering, burning green.
The patched-up oak
and blacker, indelible pines
have the indigestible meagerness of spines.

One wishes heaven had less solemnity:
a sensual table
with five half-filled bottles of red wine
set round the hectic carved roast—
Bohemia for ourselves
and the familiars of a lifetime
charmed to communion by resurrection—
running together in the rain to mail a single letter,
not the chafe and cling
of this despondent chaff.

 3
Yet for a moment, the children
could play truant from their tuition.

 4
When I look back, I see a collapsing
accordion of my receding houses,
and myself receding
to a boy of twenty-five or thirty,
too shopworn for less, too impressionable for more—
blackmaned, illmade
in a washed blue workshirt and coalblack trousers,
moving from house to house,
still seeking a boy's license
to see the countryside without arrival.

Hell?

Darling,
terror in happiness may not cure the hungry future,
the time when any illness is chronic,
and the years of discretion are spent on complaint—

until the wristwatch is taken from the wrist.

Written by Wilfred Owen | Create an image from this poem

Exposure

 I

Our brains ache, in the merciless iced east winds that knife us . . .
Wearied we keep awake because the night is silent . . .
Low drooping flares confuse our memory of the salient . . .
Worried by silence, sentries whisper, curious, nervous,
 But nothing happens.

Watching, we hear the mad gusts tugging on the wire.
Like twitching agonies of men among its brambles.
Northward incessantly, the flickering gunnery rumbles,
Far off, like a dull rumour of some other war.
 What are we doing here?

The poignant misery of dawn begins to grow . . .
We only know war lasts, rain soaks, and clouds sag stormy.
Dawn massing in the east her melancholy army
Attacks once more in ranks on shivering ranks of gray,
 But nothing happens.

Sudden successive flights of bullets streak the silence.
Less deadly than the air that shudders black with snow,
With sidelong flowing flakes that flock, pause and renew,
We watch them wandering up and down the wind's nonchalance,
 But nothing happens.


 II

Pale flakes with lingering stealth come feeling for our faces --
We cringe in holes, back on forgotten dreams, and stare, snow-dazed,
Deep into grassier ditches. So we drowse, sun-dozed,
Littered with blossoms trickling where the blackbird fusses.
 Is it that we are dying?

Slowly our ghosts drag home: glimpsing the sunk fires glozed
With crusted dark-red jewels; crickets jingle there;
For hours the innocent mice rejoice: the house is theirs;
Shutters and doors all closed: on us the doors are closed --
 We turn back to our dying.

Since we believe not otherwise can kind fires burn;
Now ever suns smile true on child, or field, or fruit.
For God's invincible spring our love is made afraid;
Therefore, not loath, we lie out here; therefore were born,
 For love of God seems dying.

To-night, His frost will fasten on this mud and us,
Shrivelling many hands and puckering foreheads crisp.
The burying-party, picks and shovels in their shaking grasp,
Pause over half-known faces. All their eyes are ice,
 But nothing happens.
Written by Anne Sexton | Create an image from this poem

Elizabeth Gone

 1.

You lay in the nest of your real death,
Beyond the print of my nervous fingers
Where they touched your moving head;
Your old skin puckering, your lungs' breath
Grown baby short as you looked up last
At my face swinging over the human bed,
And somewhere you cried, let me go let me go.

You lay in the crate of your last death,
But were not you, not finally you.
They have stuffed her cheeks, I said;
This clay hand, this mask of Elizabeth
Are not true. From within the satin
And the suede of this inhuman bed,
Something cried, let me go let me go.

2.

They gave me your ash and bony shells,
Rattling like gourds in the cardboard urn,
Rattling like stones that their oven had blest.
I waited you in the cathedral of spells
And I waited you in the country of the living,
Still with the urn crooned to my breast,
When something cried, let me go let me go.

So I threw out your last bony shells
And heard me scream for the look of you,
Your apple face, the simple creche
Of your arms, the August smells
Of your skin. Then I sorted your clothes
And the loves you had left, Elizabeth,
Elizabeth, until you were gone.
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