Written by
Henry Van Dyke |
"Lights out" along the land,
"Lights out" upon the sea.
The night must put her hiding hand
O'er peaceful towns where children sleep,
And peaceful ships that darkly creep
Across the waves, as if they were not free.
The dragons of the air,
The hell-hounds of the deep,
Lurking and prowling everywhere,
Go forth to seek their helpless prey,
Not knowing whom they maim or slay--
Mad harvesters, who care not what they reap.
Out with the tranquil lights,
Out with the lights that burn
For love and law and human rights!
Set back the clock a thousand years:
All they have gained now disappears,
And the dark ages suddenly return.
Kaiser who loosed wild death,
And terror in the night--
God grant you draw no quiet breath,
Until the madness you began
Is ended, and long-suffering man,
Set free from war lords, cries, "Let there be Light."
|
Written by
Elizabeth Bishop |
Now can you see the monument? It is of wood
built somewhat like a box. No. Built
like several boxes in descending sizes
one above the other.
Each is turned half-way round so that
its corners point toward the sides
of the one below and the angles alternate.
Then on the topmost cube is set
a sort of fleur-de-lys of weathered wood,
long petals of board, pierced with odd holes,
four-sided, stiff, ecclesiastical.
From it four thin, warped poles spring out,
(slanted like fishing-poles or flag-poles)
and from them jig-saw work hangs down,
four lines of vaguely whittled ornament
over the edges of the boxes
to the ground.
The monument is one-third set against
a sea; two-thirds against a sky.
The view is geared
(that is, the view's perspective)
so low there is no "far away,"
and we are far away within the view.
A sea of narrow, horizontal boards
lies out behind our lonely monument,
its long grains alternating right and left
like floor-boards--spotted, swarming-still,
and motionless. A sky runs parallel,
and it is palings, coarser than the sea's:
splintery sunlight and long-fibred clouds.
"Why does the strange sea make no sound?
Is it because we're far away?
Where are we? Are we in Asia Minor,
or in Mongolia?"
An ancient promontory,
an ancient principality whose artist-prince
might have wanted to build a monument
to mark a tomb or boundary, or make
a melancholy or romantic scene of it...
"But that ***** sea looks made of wood,
half-shining, like a driftwood, sea.
And the sky looks wooden, grained with cloud.
It's like a stage-set; it is all so flat!
Those clouds are full of glistening splinters!
What is that?"
It is the monument.
"It's piled-up boxes,
outlined with shoddy fret-work, half-fallen off,
cracked and unpainted. It looks old."
--The strong sunlight, the wind from the sea,
all the conditions of its existence,
may have flaked off the paint, if ever it was painted,
and made it homelier than it was.
"Why did you bring me here to see it?
A temple of crates in cramped and crated scenery,
what can it prove?
I am tired of breathing this eroded air,
this dryness in which the monument is cracking."
It is an artifact
of wood. Wood holds together better
than sea or cloud or and could by itself,
much better than real sea or sand or cloud.
It chose that way to grow and not to move.
The monument's an object, yet those decorations,
carelessly nailed, looking like nothing at all,
give it away as having life, and wishing;
wanting to be a monument, to cherish something.
The crudest scroll-work says "commemorate,"
while once each day the light goes around it
like a prowling animal,
or the rain falls on it, or the wind blows into it.
It may be solid, may be hollow.
The bones of the artist-prince may be inside
or far away on even drier soil.
But roughly but adequately it can shelter
what is within (which after all
cannot have been intended to be seen).
It is the beginning of a painting,
a piece of sculpture, or poem, or monument,
and all of wood. Watch it closely.
|
Written by
T S (Thomas Stearns) Eliot |
GROWLTIGER was a Bravo Cat, who lived upon a barge;
In fact he was the roughest cat that ever roamed at large.
From Gravesend up to Oxford he pursued his evil aims,
Rejoicing in his title of "The Terror of the Thames."
His manners and appearance did not calculate to please;
His coat was torn and seedy, he was baggy at the knees;
One ear was somewhat missing, no need to tell you why,
And he scowled upon a hostile world from one forbidding eye.
The cottagers of Rotherhithe knew something of his fame,
At Hammersmith and Putney people shuddered at his name.
They would fortify the hen-house, lock up the silly goose,
When the rumour ran along the shore: GROWLTIGER'S ON THE LOOSE!
Woe to the weak canary, that fluttered from its cage;
Woe to the pampered Pekinese, that faced Growltiger's rage.
Woe to the bristly Bandicoot, that lurks on foreign ships,
And woe to any Cat with whom Growltiger came to grips!
But most to Cats of foreign race his hatred had been vowed;
To Cats of foreign name and race no quarter was allowed.
The Persian and the Siamese regarded him with fear--
Because it was a Siamese had mauled his missing ear.
Now on a peaceful summer night, all nature seemed at play,
The tender moon was shining bright, the barge at Molesey lay.
All in the balmy moonlight it lay rocking on the tide--
And Growltiger was disposed to show his sentimental side.
His bucko mate, GRUMBUSKIN, long since had disappeared,
For to the Bell at Hampton he had gone to wet his beard;
And his bosun, TUMBLEBRUTUS, he too had stol'n away-
In the yard behind the Lion he was prowling for his prey.
In the forepeak of the vessel Growltiger sate alone,
Concentrating his attention on the Lady GRIDDLEBONE.
And his raffish crew were sleeping in their barrels and their bunks--
As the Siamese came creeping in their sampans and their junks.
Growltiger had no eye or ear for aught but Griddlebone,
And the Lady seemed enraptured by his manly baritone,
Disposed to relaxation, and awaiting no surprise--
But the moonlight shone reflected from a thousand bright blue eyes.
And closer still and closer the sampans circled round,
And yet from all the enemy there was not heard a sound.
The lovers sang their last duet, in danger of their lives--
For the foe was armed with toasting forks and cruel carving knives.
Then GILBERT gave the signal to his fierce Mongolian horde;
With a frightful burst of fireworks the Chinks they swarmed aboard.
Abandoning their sampans, and their pullaways and junks,
They battened down the hatches on the crew within their bunks.
Then Griddlebone she gave a screech, for she was badly skeered;
I am sorry to admit it, but she quickly disappeared.
She probably escaped with ease, I'm sure she was not drowned--
But a serried ring of flashing steel Growltiger did surround.
The ruthless foe pressed forward, in stubborn rank on rank;
Growltiger to his vast surprise was forced to walk the plank.
He who a hundred victims had driven to that drop,
At the end of all his crimes was forced to go ker-flip, ker-flop.
Oh there was joy in Wapping when the news flew through the land;
At Maidenhead and Henley there was dancing on the strand.
Rats were roasted whole at Brentford, and at Victoria Dock,
And a day of celebration was commanded in Bangkok.
|
Written by
Walt Whitman |
NATIONS ten thousand years before These States, and many times ten thousand years before
These
States;
Garner’d clusters of ages, that men and women like us grew up and travel’d their
course, and pass’d on;
What vast-built cities—what orderly republics—what pastoral tribes and nomads;
What histories, rulers, heroes, perhaps transcending all others;
What laws, customs, wealth, arts, traditions;
What sort of marriage—what costumes—what physiology and phrenology;
What of liberty and slavery among them—what they thought of death and the soul;
Who were witty and wise—who beautiful and poetic—who brutish and
undevelop’d;
Not a mark, not a record remains—And yet all remains.
O I know that those men and women were not for nothing, any more than we are for nothing;
I know that they belong to the scheme of the world every bit as much as we now belong to
it,
and as all will henceforth belong to it.
Afar they stand—yet near to me they stand,
Some with oval countenances, learn’d and calm,
Some naked and savage—Some like huge collections of insects,
Some in tents—herdsmen, patriarchs, tribes, horsemen,
Some prowling through woods—Some living peaceably on farms, laboring, reaping,
filling
barns,
Some traversing paved avenues, amid temples, palaces, factories, libraries, shows, courts,
theatres, wonderful monuments.
Are those billions of men really gone?
Are those women of the old experience of the earth gone?
Do their lives, cities, arts, rest only with us?
Did they achieve nothing for good, for themselves?
I believe of all those billions of men and women that fill’d the unnamed lands, every
one
exists this hour, here or elsewhere, invisible to us, in exact proportion to what he or
she
grew from in life, and out of what he or she did, felt, became, loved, sinn’d, in
life.
I believe that was not the end of those nations, or any person of them, any more than this
shall be the end of my nation, or of me;
Of their languages, governments, marriage, literature, products, games, wars, manners,
crimes,
prisons, slaves, heroes, poets, I suspect their results curiously await in the yet unseen
world—counterparts of what accrued to them in the seen world.
I suspect I shall meet them there,
I suspect I shall there find each old particular of those unnamed lands.
|
Written by
John Greenleaf Whittier |
The blast from Freedom's Northern hills, upon its Southern way,
Bears greeting to Virginia from Massachusetts Bay:
No word of haughty challenging, nor battle bugle's peal,
Nor steady tread of marching files, nor clang of horsemen's steel,
No trains of deep-mouthed cannon along our highways go;
Around our silent arsenals untrodden lies the snow;
And to the land-breeze of our ports, upon their errands far,
A thousand sails of commerce swell, but none are spread for war.
We hear thy threats, Virginia! thy stormy words and high
Swell harshly on the Southern winds which melt along our sky;
Yet not one brown, hard hand foregoes its honest labor here,
No hewer of our mountain oaks suspends his axe in fear.
Wild are the waves which lash the reefs along St. George's bank;
Cold on the shores of Labrador the fog lies white and dank;
Through storm, and wave, and blinding mist, stout are the hearts which man
The fishing-smacks of Marblehead, the sea-boats of Cape Ann.
The cold north light and wintry sun glare on their icy forms,
Bent grimly o'er their straining lines or wrestling with the storms;
Free as the winds they drive before, rough as the waves they roam,
They laugh to scorn the slaver's threat against their rocky home.
What means the Old Dominion? Hath she forgot the day
When o'er her conquered valleys swept the Briton's steel array?
How, side by side with sons of hers, the Massachusetts men
Encountered Tarleton's charge of fire, and stout Cornwallis, then?
Forgets she how the Bay State, in answer to the call
Of her old House of Burgesses, spoke out from Faneuil Hall?
When, echoing back her Henry's cry, came pulsing on each breath
Of Northern winds the thrilling sounds of 'Liberty or Death!'
What asks the Old Dominion? If now her sons have proved
False to their fathers' memory, false to the faith they loved;
If she can scoff at Freedom, and its great charter spurn,
Must we of Massachusetts from truth and duty turn?
We hunt your bondmen, flying from Slavery's hateful hell;
Our voices, at your bidding, take up the bloodhound's yell;
We gather, at your summons, above our fathers' graves,
From Freedom's holy altar-horns to tear your wretched slaves!
Thank God! not yet so vilely can Massachusetts bow;
The spirit of her early time is with her even now;
Dream not because her Pilgrim blood moves slow and calm and cool,
She thus can stoop her chainless neck, a sister's slave and tool!
All that a sister State should do, all that a free State may,
Heart, hand, and purse we proffer, as in our early day;
But that one dark loathsome burden ye must stagger with alone,
And reap the bitter harvest which ye yourselves have sown!
Hold, while ye may, your struggling slaves, and burden God's free air
With woman's shriek beneath the lash, and manhood's wild despair;
Cling closer to the 'cleaving curse' that writes upon your plains
The blasting of Almighty wrath against a land of chains.
Still shame your gallant ancestry, the cavaliers of old,
By watching round the shambles where human flesh is sold;
Gloat o'er the new-born child, and count his market value, when
The maddened mother's cry of woe shall pierce the slaver's den!
Lower than plummet soundeth, sink the Virginia name;
Plant, if ye will, your fathers' graves with rankest weeds of shame;
Be, if ye will, the scandal of God's fair universe;
We wash our hands forever of your sin and shame and curse.
A voice from lips whereon the coal from Freedom's shrine hath been,
Thrilled, as but yesterday, the hearts of Berkshire's mountain men:
The echoes of that solemn voice are sadly lingering still
In all our sunny valleys, on every wind-swept hill.
And when the prowling man-thief came hunting for his prey
Beneath the very shadow of Bunker's shaft of gray,
How, through the free lips of the son, the father's warning spoke;
How, from its bonds of trade and sect, the Pilgrim city broke!
A hundred thousand right arms were lifted up on high,
A hundred thousand voices sent back their loud reply;
Through the thronged towns of Essex the startling summons rang,
And up from bench and loom and wheel her young mechanics sprang!
The voice of free, broad Middlesex, of thousands as of one,
The shaft of Bunker calling to that Lexington;
From Norfolk's ancient villages, from Plymouth's rocky bound
To where Nantucket feels the arms of ocean close to her round;
From rich and rural Worcester, where through the calm repose
Of cultured vales and fringing woods the gentle Nashua flows,
To where Wachuset's wintry blasts the mountain larches stir,
Swelled up to Heaven the thrilling cry of 'God save Latimer!'
And sandy Barnstable rose up, wet with the salt sea spray;
And Bristol sent her answering shout down Narragansett Bay!
Along the broad Connecticut old Hampden felt the thrill,
And the cheer of Hampshire's woodmen swept down from Holyoke Hill.
The voice of Massachusetts! Of her free sons and daughters,
Deep calling unto deep aloud, the sound of many waters!
Against the burden of that voice what tyrant power shall stand?
No fetters in the Bay State! No slave upon her land!
Look to it well, Virginians! In calmness we have borne,
In answer to our faith and trust, your insult and your scorn;
You've spurned our kindest counsels; you've hunted for our lives;
And shaken round our hearths and homes your manacles and gyves!
We wage no war, we lift no arm, we fling no torch within
The fire-damps of the quaking mine beneath your soil of sin;
We leave ye with your bondmen, to wrestle, while ye can,
With the strong upward tendencies and God-like soul of man!
But for us and for our children, the vow which we have given
For freedom and humanity is registered in heaven;
No slave-hunt in our borders, - no pirate on our strand!
No fetters in the Bay State, - no slave upon our land!
|
Written by
Vachel Lindsay |
I. THEIR BASIC SAVAGERY
Fat black bucks in a wine-barrel room,
Barrel-house kings, with feet unstable,
Sagged and reeled and pounded on the table,
A deep rolling bass.
Pounded on the table,
Beat an empty barrel with the handle of a broom,
Hard as they were able,
Boom, boom, BOOM,
With a silk umbrella and the handle of a broom,
Boomlay, boomlay, boomlay, BOOM.
THEN I had religion, THEN I had a vision.
I could not turn from their revel in derision.
THEN I SAW THE CONGO, CREEPING THROUGH THE BLACK,
More deliberate. Solemnly chanted.
CUTTING THROUGH THE FOREST WITH A GOLDEN TRACK.
Then along that riverbank
A thousand miles
Tattooed cannibals danced in files;
Then I heard the boom of the blood-lust song
And a thigh-bone beating on a tin-pan gong.
A rapidly piling climax of speed & racket.
And "BLOOD" screamed the whistles and the fifes of the warriors,
"BLOOD" screamed the skull-faced, lean witch-doctors,
"Whirl ye the deadly voo-doo rattle,
Harry the uplands,
Steal all the cattle,
Rattle-rattle, rattle-rattle,
Bing.
Boomlay, boomlay, boomlay, BOOM,"
A roaring, epic, rag-time tune
With a philosophic pause.
From the mouth of the Congo
To the Mountains of the Moon.
Death is an Elephant,
Torch-eyed and horrible,
Shrilly and with a heavily accented metre.
Foam-flanked and terrible.
BOOM, steal the pygmies,
BOOM, kill the Arabs,
BOOM, kill the white men,
HOO, HOO, HOO.
Listen to the yell of Leopold's ghost
Like the wind in the chimney.
Burning in Hell for his hand-maimed host.
Hear how the demons chuckle and yell
Cutting his hands off, down in Hell.
Listen to the creepy proclamation,
Blown through the lairs of the forest-nation,
Blown past the white-ants' hill of clay,
Blown past the marsh where the butterflies play: --
"Be careful what you do,
Or Mumbo-Jumbo, God of the Congo,
All the "O" sounds very golden. Heavy accents very heavy. Light accents very light. Last line whispered.
And all of the other
Gods of the Congo,
Mumbo-Jumbo will hoo-doo you,
Mumbo-Jumbo will hoo-doo you,
Mumbo-Jumbo will hoo-doo you."
II. THEIR IRREPRESSIBLE HIGH SPIRITS
Wild crap-shooters with a whoop and a call
Rather shrill and high.
Danced the juba in their gambling-hall
And laughed fit to kill, and shook the town,
And guyed the policemen and laughed them down
With a boomlay, boomlay, boomlay, BOOM.
THEN I SAW THE CONGO, CREEPING THROUGH THE BLACK,
Read exactly as in first section.
CUTTING THROUGH THE FOREST WITH A GOLDEN TRACK.
A ***** fairyland swung into view,
Lay emphasis on the delicate ideas. Keep as light-footed as possible.
A minstrel river
Where dreams come true.
The ebony palace soared on high
Through the blossoming trees to the evening sky.
The inlaid porches and casements shone
With gold and ivory and elephant-bone.
And the black crowd laughed till their sides were sore
At the baboon butler in the agate door,
And the well-known tunes of the parrot band
That trilled on the bushes of that magic land.
A troupe of skull-faced witch-men came
With pomposity.
Through the agate doorway in suits of flame,
Yea, long-tailed coats with a gold-leaf crust
And hats that were covered with diamond-dust.
And the crowd in the court gave a whoop and a call
And danced the juba from wall to wall.
But the witch-men suddenly stilled the throng
With a great deliberation & ghostliness.
With a stern cold glare, and a stern old song: --
"Mumbo-Jumbo will hoo-doo you." ...
Just then from the doorway, as fat as shotes,
With overwhelming assurance, good cheer, and pomp.
Came the cake-walk princes in their long red coats,
Canes with a brilliant lacquer shine,
And tall silk hats that were red as wine.
And they pranced with their butterfly partners there,
With growing speed and sharply marked dance-rhythm
Coal-black maidens with pearls in their hair,
Knee-skirts trimmed with the jassamine sweet,
And bells on their ankles and little black-feet.
And the couples railed at the chant and the frown
Of the witch-men lean, and laughed them down.
(O rare was the revel, and well worth while
That made those glowering witch-men smile.)
The cake-walk royalty then began
To walk for a cake that was tall as a man
To the tune of "Boomlay, boomlay, BOOM,"
While the witch-men laughed, with a sinister air,
With a touch of ***** dialect, and as rapidly as possible toward the end.
And sang with the scalawags prancing there: --
"Walk with care, walk with care,
Or Mumbo-Jumbo, God of the Congo,
And all the other
Gods of the Congo,
Mumbo-Jumbo will hoo-doo you.
Beware, beware, walk with care,
Boomlay, boomlay, boomlay, boom.
Boomlay, boomlay, boomlay, boom.
Boomlay, boomlay, boomlay, boom.
Boomlay, boomlay, boomlay,
BOOM."
Oh rare was the revel, and well worth while
Slow philosophic calm.
That made those glowering witch-men smile.
III. THE HOPE OF THEIR RELIGION
A good old ***** in the slums of the town
Heavy bass. With a literal imitation of camp-meeting racket, and trance.
Preached at a sister for her velvet gown.
Howled at a brother for his low-down ways,
His prowling, guzzling, sneak-thief days.
Beat on the Bible till he wore it out
Starting the jubilee revival shout.
And some had visions, as they stood on chairs,
And sang of Jacob, and the golden stairs,
And they all repented, a thousand strong
From their stupor and savagery and sin and wrong
And slammed with their hymn books till they shook the room
With "glory, glory, glory,"
And "Boom, boom, BOOM."
THEN I SAW THE CONGO, CREEPING THROUGH THE BLACK,
Exactly as in the first section. Begin with terror and power, end with joy.
CUTTING THROUGH THE FOREST WITH A GOLDEN TRACK.
And the gray sky opened like a new-rent veil
And showed the Apostles with their coats of mail.
In bright white steel they were seated round
And their fire-eyes watched where the Congo wound.
And the twelve Apostles, from their thrones on high
Thrilled all the forest with their heavenly cry: --
"Mumbo-Jumbo will die in the jungle;
Sung to the tune of "Hark, ten thousand harps and voices."
Never again will he hoo-doo you,
Never again will he hoo-doo you."
Then along that river, a thousand miles
With growing deliberation and joy.
The vine-snared trees fell down in files.
Pioneer angels cleared the way
For a Congo paradise, for babes at play,
For sacred capitals, for temples clean.
Gone were the skull-faced witch-men lean.
There, where the wild ghost-gods had wailed
In a rather high key -- as delicately as possible.
A million boats of the angels sailed
With oars of silver, and prows of blue
And silken pennants that the sun shone through.
'Twas a land transfigured, 'twas a new creation.
Oh, a singing wind swept the ***** nation
And on through the backwoods clearing flew: --
"Mumbo-Jumbo is dead in the jungle.
To the tune of "Hark, ten thousand harps and voices."
Never again will he hoo-doo you.
Never again will he hoo-doo you.
Redeemed were the forests, the beasts and the men,
And only the vulture dared again
By the far, lone mountains of the moon
To cry, in the silence, the Congo tune: --
"Mumbo-Jumbo will hoo-doo you,
Dying down into a penetrating, terrified whisper.
"Mumbo-Jumbo will hoo-doo you.
Mumbo ... Jumbo ... will ... hoo-doo ... you."
|
Written by
Emily Dickinson |
Bloom -- is Result -- to meet a Flower
And casually glance
Would scarcely cause one to suspect
The minor Circumstance
Assisting in the Bright Affair
So intricately done
Then offered as a Butterfly
To the Meridian --
To pack the Bud -- oppose the Worm --
Obtain its right of Dew --
Adjust the Heat -- elude the Wind --
Escape the prowling Bee
Great Nature not to disappoint
Awaiting Her that Day --
To be a Flower, is profound
Responsibility --
|
Written by
D. H. Lawrence |
The acrid scents of autumn,
Reminiscent of slinking beasts, make me fear
Everything, tear-trembling stars of autumn
And the snore of the night in my ear.
For suddenly, flush-fallen,
All my life, in a rush
Of shedding away, has left me
Naked, exposed on the bush.
I, on the bush of the globe,
Like a newly-naked berry, shrink
Disclosed: but I also am prowling
As well in the scents that slink
Abroad: I in this naked berry
Of flesh that stands dismayed on the bush;
And I in the stealthy, brindled odours
Prowling about the lush
And acrid night of autumn;
My soul, along with the rout,
Rank and treacherous, prowling,
Disseminated out.
For the night, with a great breath intaken,
Has taken my spirit outside
Me, till I reel with disseminated consciousness,
Like a man who has died.
At the same time I stand exposed
Here on the bush of the globe,
A newly-naked berry of flesh
For the stars to probe.
|
Written by
Edwin Arlington Robinson |
Think not, because I wonder where you fled,
That I would lift a pin to see you there;
You may, for me, be prowling anywhere,
So long as you show not your little head:
No dark and evil story of the dead
Would leave you less pernicious or less fair—
Not even Lilith, with her famous hair;
And Lilith was the devil, I have read.
I cannot hate you, for I loved you then.
The woods were golden then. There was a road
Through beeches; and I said their smooth feet showed
Like yours. Truth must have heard me from afar,
For I shall never have to learn again
That yours are cloven as no beech’s are.
|
Written by
Thomas Chatterton |
Where the rough Caigra rolls the surgy wave,
Urging his thunders thro' the echoing cave;
Where the sharp rocks, in distant horror seen,
Drive the white currents thro' the spreading green;
Where the loud tiger, pawing in his rage,
Bids the black archers of the wilds engage;
Stretch'd on the sand, two panting warriors lay,
In all the burning torments of the day;
Their bloody jav'lins reeked one living steam,
Their bows were broken at the roaring stream;
Heccar the Chief of Jarra's fruitful hill,
Where the dark vapours nightly dews distil,
Saw Gaira the companion of his soul,
Extended where loud Caigra's billows roll;
Gaira, the king of warring archers found,
Where daily lightnings plough the sandy ground,
Where brooding tempests bowl along the sky,
Where rising deserts whirl'd in circles fly.
Heccar.
Gaira, 'tis useless to attempt the chace,
Swifter than hunted wolves they urge the race;
Their lessening forms elude the straining eye,
Upon the plumage of macaws they fly.
Let us return, and strip the reeking slain
Leaving the bodies on the burning plain.
Gaira.
Heccar, my vengeance still exclaims for blood,
'Twould drink a wider stream than Caigra's flood.
This jav'lin, oft in nobler quarrels try'd,
Put the loud thunder of their arms aside.
Fast as the streaming rain, I pour'd the dart,
Hurling a whirlwind thro' the trembling heart;
But now my ling'ring feet revenge denies,
O could I throw my jav'lin from my eyes!
Heccar.
When Gaira the united armies broke,
Death wing'd the arrow; death impell'd the stroke.
See, pil'd in mountains, on the sanguine sand
The blasted of the lightnings of thy hand.
Search the brown desert, and the glossy green;
There are the trophies of thy valour seen.
The scatter'd bones mantled in silver white,
Once animated, dared the force in fight.
The children of the wave, whose pallid face,
Views the faint sun display a languid face,
From the red fury of thy justice fled,
Swifter than torrents from their rocky bed.
Fear with a sickened silver ting'd their hue;
The guilty fear, when vengeance is their due.
Gaira.
Rouse not Remembrance from her shadowy cell,
Nor of those bloody sons of mischief tell.
Cawna, O Cawna! deck'd in sable charms,
What distant region holds thee from my arms?
Cawna, the pride of Afric's sultry vales,
Soft as the cooling murmur of the gales,
Majestic as the many colour'd snake,
Trailing his glories thro' the blossom'd brake;
Black as the glossy rocks, where Eascal roars,
Foaming thro' sandy wastes to Jaghir's shores;
Swift as the arrow, hasting to the breast,
Was Cawna, the companion of my rest.
The sun sat low'ring in the western sky,
The swelling tempest spread around the eye;
Upon my Cawna's bosom I reclin'd,
Catching the breathing whispers of the wind
Swift from the wood a prowling tiger came;
Dreadful his voice, his eyes a glowing flame;
I bent the bow, the never-erring dart
Pierced his rough armour, but escaped his heart;
He fled, tho' wounded, to a distant waste,
I urg'd the furious flight with fatal haste;
He fell, he died-- spent in the fiery toil,
I strip'd his carcase of the furry spoil,
And as the varied spangles met my eye,
On this, I cried, shall my loved Cawna lie.
The dusky midnight hung the skies in grey;
Impell'd by love, I wing'd the airy way;
In the deep valley and mossy plain,
I sought my Cawna, but I sought in vain,
The pallid shadows of the azure waves
Had made my Cawna, and my children slaves.
Reflection maddens, to recall the hour,
The gods had given me to the demon's power.
The dusk slow vanished from the hated lawn,
I gain'd a mountain glaring with the dawn.
There the full sails, expanded to the wind,
Struck horror and distraction in my mind,
There Cawna mingled with a worthless train,
In common slavery drags the hated chain.
Now judge, my Heccar, have I cause for rage?
Should aught the thunder of my arm assuage?
In ever-reeking blood this jav'lin dyed
With vengeance shall be never satisfied;
I'll strew the beaches with the mighty dead
And tinge the lily of their features red.
Heccar.
When the loud shriekings of the hostile cry
Roughly salute my ear, enraged I'll fly;
Send the sharp arrow quivering thro' the heart
Chill the hot vitals with the venom'd dart;
Nor heed the shining steel or noisy smoke,
Gaira and Vengeance shall inspire the stroke.
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