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Best Famous Proportioned Poems

Here is a collection of the all-time best famous Proportioned poems. This is a select list of the best famous Proportioned poetry. Reading, writing, and enjoying famous Proportioned poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of proportioned poems.

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Written by Mark Doty | Create an image from this poem

The Ancient World

 Today the Masons are auctioning 
their discarded pomp: a trunk of turbans, 
gemmed and ostrich-plumed, and operetta costumes 
labeled inside the collar "Potentate" 
and "Vizier." Here their chairs, blazoned 
with the Masons' sign, huddled 
like convalescents, lean against one another 

on the grass. In a casket are rhinestoned poles 
the hierophants carried in parades; 
here's a splendid golden staff some ranking officer waved, 
topped with a golden pyramid and a tiny, 
inquisitive sphinx. No one's worn this stuff 
for years, and it doesn't seem worth buying; 
where would we put it? Still, 

I want that staff. I used to love 
to go to the library -- the smalltown brick refuge 
of those with nothing to do, really, 
'Carnegie' chiseled on the pediment 
above columns that dwarfed an inconsequential street. 
Embarrassed to carry the same book past 
the water fountain's plaster centaurs 

up to the desk again, I'd take 
The Wonders of the World to the Reading Room 
where Art and Industry met in the mural 
on the dome. The room smelled like two decades 
before I was born, when the name 
carved over the door meant something. 
I never read the second section, 

"Wonders of the Modern World"; 
I loved the promise of my father's blueprints, 
the unfulfilled turquoise schemes, 
but in the real structures 
you could hardly imagine a future. 
I wanted the density of history, 
which I confused with the smell of the book: 

Babylon's ziggurat tropical with ferns, 
engraved watercourses rippling; 
the Colossus of Rhodes balanced 
over the harbormouth on his immense ankles. 
Athena filled one end of the Parthenon, 
in an "artist's reconstruction", 
like an adult in a dollhouse. 

At Halicarnassus, Mausolus remembered himself 
immensely, though in the book 
there wasn't even a sketch, 
only a picture of huge fragments. 
In the pyramid's deep clockworks, 
did the narrow tunnels mount toward 
the eye of God? That was the year 

photos were beamed back from space; 
falling asleep I used to repeat a new word 
to myself, telemetry, liking the way 
it seemed to allude to something storied. 
The earth was whorled marble, 
at that distance. Even the stuck-on porticoes 
and collonades downtown were narrative, 

somehow, but the buildings my father engineered 
were without stories. All I wanted 
was something larger than our ordinary sadness -- 
greater not in scale but in context, 
memorable, true to a proportioned, 
subtle form. Last year I knew a student, 
a half mad boy who finally opened his arms 

with a razor, not because he wanted to die 
but because he wanted to design something grand 
on his own body. Once he said, When a child 
realizes his parents aren't enough,
he turns to architecture. 
I think I know what he meant. 
Imagine the Masons parading, 

one of them, in his splendid get-up, 
striding forward with the golden staff, 
above his head Cheops' beautiful shape -- 
a form we cannot separate 
from the stories about the form, 
even if we hardly know them, 
even if it no longer signifies, if it only shines.


Written by Emily Dickinson | Create an image from this poem

There is a flower that Bees prefer

 There is a flower that Bees prefer --
And Butterflies -- desire --
To gain the Purple Democrat
The Humming Bird -- aspire --

And Whatsoever Insect pass --
A Honey bear away
Proportioned to his several dearth
And her -- capacity --

Her face be rounder than the Moon
And ruddier than the Gown
Or Orchis in the Pasture --
Or Rhododendron -- worn --

She doth not wait for June --
Before the World be Green --
Her sturdy little Countenance
Against the Wind -- be seen --

Contending with the Grass --
Near Kinsman to Herself --
For Privilege of Sod and Sun --
Sweet Litigants for Life --

And when the Hills be full --
And newer fashions blow --
Doth not retract a single spice
For pang of jealousy --

Her Public -- be the Noon --
Her Providence -- the Sun --
Her Progress -- by the Bee -- proclaimed --
In sovereign -- Swerveless Tune --

The Bravest -- of the Host --
Surrendering -- the last --
Nor even of Defeat -- aware --
What cancelled by the Frost --
Written by John Dryden | Create an image from this poem

Ode

 To the Pious Memory of the Accomplished Young Lady, Mrs Anne Killigrew,
Excellent in the Two Sister-arts of Poesy and Painting

Thou youngest Virgin Daughter of the skies,
Made in the last promotion of the blest;
Whose palms, new-plucked from Paradise,
In spreading branches more sublimely rise,
Rich with immortal green, above the rest:
Whether, adopted to some neighbouring star,
Thou roll'st above us in thy wand'ring race,
Or, in procession fixed and regular
Moved with the heavens' majestic pace;
Or, called to more superior bliss,
Thou tread'st with seraphims the vast abyss:
Whatever happy region be thy place,
Cease thy celestial song a little space;
(Thou wilt have time enough for hymns divine,
Since Heaven's eternal year is thine.)
Hear then a mortal muse thy praise rehearse
In no ignoble verse;
But such as thy own voice did practise here,
When thy first fruits of poesie were given,
To make thyself a welcome inmate there;
While yet a young probationer
And candidate of Heaven.

If by traduction came thy mind,
Our wonder is the less to find
A soul so charming from a stock so good;
Thy father was transfused into thy blood:
So wert thou born into the tuneful strain,
(An early, rich, and inexhausted vein.)
But if thy pre-existing soul
Was formed, at first, with myriads more,
It did through all the mighty poets roll
Who Greek or Latin laurels wore,
And was that Sappho last, which once it was before;
If so, then cease thy flight, O Heav'n-born mind!
Thou hast no dross to purge from thy rich ore:
Nor can thy soul a fairer mansion find
Than was the beauteous frame she left behind:
Return, to fill or mend the choir of thy celestial kind.

May we presume to say that at thy birth
New joy was sprung in Heav'n as well as here on earth?
For sure the milder planets did combine
On thy auspicious horoscope to shine,
And ev'n the most malicious were in trine.
Thy brother-angels at thy birth
Strung each his lyre, and tuned it high,
That all the people of the sky
Might know a poetess was born on earth;
And then if ever, mortal ears
Had heard the music of the spheres!
And if no clust'ring swarm of bees
On thy sweet mouth distilled their golden dew,
'Twas that such vulgar miracles
Heav'n had not leisure to renew:
For all the blest fraternity of love
Solemnized there thy birth, and kept thy holyday above.

O gracious God! how far have we
Profaned thy Heav'nly gift of poesy!
Made prostitute and profligate the Muse,
Debased to each obscene and impious use,
Whose harmony was first ordained above,
For tongues of angels and for hymns of love!
Oh wretched we! why were we hurried down
This lubrique and adult'rate age
(Nay, added fat pollutions of our own)
T' increase the steaming ordures of the stage?
What can we say t' excuse our second fall?
Let this thy vestal, Heav'n, atone for all:
Her Arethusian stream remains unsoiled,
Unmixed with foreign filth and undefiled;
Her wit was more than man, her innocence a child.

Art she had none, yet wanted none,
For nature did that want supply:
So rich in treasures of her own,
She might our boasted stores defy:
Such noble vigour did her verse adorn,
That it seemed borrowed, where 'twas only born.
Her morals too were in her bosom bred
By great examples daily fed,
What in the best of books, her father's life, she read.
And to be read herself she need not fear;
Each test and ev'ry light her muse will bear,
Though Epictetus with his lamp were there.
Ev'n love (for love sometimes her muse expressed)
Was but a lambent-flame which played about her breast,
Light as the vapours of a morning dream;
So cold herself, while she such warmth expressed,
'Twas Cupid bathing in Diana's stream.

Born to the spacious empire of the Nine,
One would have thought she should have been content
To manage well that mighty government;
But what can young ambitious souls confine?
To the next realm she stretched her sway,
For painture near adjoining lay,
A plenteous province, and alluring prey.
A chamber of dependences was framed,
(As conquerers will never want pretence,
When armed, to justify th' offence),
And the whole fief, in right of poetry, she claimed.
The country open lay without defence;
For poets frequent inroads there had made,
And perfectly could represent
The shape, the face, with ev'ry lineament;

And all the large domains which the dumb-sister swayed,
All bowed beneath her government,
Received in triumph wheresoe'er she went.
Her pencil drew whate'er her soul designed,
And oft the happy draught surpassed the image in her mind.
The sylvan scenes of herds and flocks,
And fruitful plains and barren rocks;
Of shallow brooks that flowed so clear,
The bottom did the top appear;
Of deeper too and ampler floods
Which as in mirrors showed the woods;
Of lofty trees, with sacred shades,
And perspectives of pleasant glades,
Where nymphs of brightest form appear,
And shaggy satyrs standing near,
Which them at once admire and fear.
The ruins too of some majestic piece,
Boasting the pow'r of ancient Rome or Greece,
Whose statues, friezes, columns, broken lie,
And, though defaced, the wonder of the eye;
What nature, art, bold fiction, e'er durst frame,
Her forming hand gave feature to the name.
So strange a concourse ne'er was seen before,
But when the peopled ark the whole creation bore.

The scene then changed; with bold erected look
Our martial king the sight with rev'rence strook:
For, not content t' express his outward part,
Her hand called out the image of his heart,
His warlike mind, his soul devoid of fear,
His high-designing thoughts were figured there,
As when, by magic, ghosts are made appear.
Our phoenix Queen was portrayed too so bright,
Beauty alone could beauty take so right:
Her dress, her shape, her matchless grace,
Were all observed, as well as heavenly face.
With such a peerless majesty she stands,
As in that day she took the crown from sacred hands:
Before a train of heroines was seen,
In beauty foremost, as in rank, the Queen!
Thus nothing to her genius was denied,
But like a ball of fire, the farther thrown,
Still with a greater blaze she shone,
And her bright soul broke out on ev'ry side.
What next she had designed, Heaven only knows:
To such immod'rate growth her conquest rose,
That Fate alone its progress could oppose.

Now all those charms, that blooming grace,
That well-proportioned shape, and beauteous face,
Shall never more be seen by mortal eyes;
In earth the much-lamented virgin lies!
Not wit nor piety could Fate prevent;

Nor was the cruel destiny content
To finish all the murder at a blow,
To sweep at once her life and beauty too;
But, like a hardened felon, took a pride
To work more mischievously slow,
And plundered first, and then destroyed.
O double sacrilege on things divine,
To rob the relic, and deface the shrine!
But thus Orinda died:
Heaven, by the same disease, did both translate;
As equal were their souls, so equal was their fate.

Meantime, her warlike brother on the seas
His waving streamers to the winds displays,
And vows for his return, with vain devotion, pays.
Ah, gen'rous youth! that wish forbear,
The winds too soon will waft thee here!
Slack all thy sails, and fear to come,
Alas, thou know'st not, thou art wrecked at home!
No more shalt thou behold thy sister's face,
Thou hast already had her last embrace.
But look aloft, and if thou kenn'st from far
Among the Pleiads a new-kindled star,
If any sparkles than the rest more bright,
'Tis she that shines in that propitious light.

When in mid-air the golden trump shall sound,
To raise the nations underground;
When in the valley of Jehosaphat
The judging God shall close the book of Fate;
And there the last assizes keep
For those who wake and those who sleep;
When rattling bones together fly
From the four corners of the sky,
When sinews o'er the skeletons are spread,
Those clothed with flesh, and life inspires the dead;
The sacred poets first shall hear the sound,
And foremost from the tomb shall bound:
For they are covered with the lightest ground;
And straight with in-born vigour, on the wing,
Like mounting larks, to the New Morning sing.
There thou, sweet saint, before the choir shall go,
As harbinger of Heav'n, the way to show,
The way which thou so well hast learned below.
Written by Emily Dickinson | Create an image from this poem

That Love is all there is

 That Love is all there is,
Is all we know of Love;
It is enough, the freight should be
Proportioned to the groove.
Written by Andrew Barton Paterson | Create an image from this poem

Jim Carew

 Born of a thoroughbred English race, 
Well proportioned and closely knit, 
Neat, slim figure and handsome face, 
Always ready and always fit, 
Hardy and wiry of limb and thew, 
That was the ne'er-do-well Jim Carew. 
One of the sons of the good old land -- 
Many a year since his like was known; 
Never a game but he took command, 
Never a sport but he held his own; 
Gained at his college a triple blue -- 
Good as they make them was Jim Carew. 
Came to grief -- was it card or horse? 
Nobody asked and nobody cared; 
Ship him away to the bush of course, 
Ne'er-do-well fellows are easily spared; 
Only of women a sorrowing few 
Wept at parting from Jim Carew. 

Gentleman Jiim on the cattle-camp, 
Sitting his horse with an easy grace; 
But the reckless living has left its stamp 
In the deep drawn linies of that handsome face, 
And the harder look in those eyes of blue: 
Prompt at a quarrel is Jim Carew. 

Billy the Lasher was out for gore -- 
Twelve-stone navvy with chest of hair -- 
When he opened out with a hungry roar 
On a ten-stone man, it was hardly fair; 
But his wife was wise if his face she knew 
By the time you were done with him, Jim Carew. 
Gentleman Jim in the stockmen's hut 
Works with them, toils with them, side by side; 
As to his past -- well, his lips are shut. 
"Gentleman once," say his mates with pride, 
And the wildest Cornstalk can ne'er outdo 
In feats of recklessness Jim Carew. 

What should he live for? A dull despair! 
Drink is his master and drags him down, 
Water of Lethe that drowns all care. 
Gentleman Jiim has a lot to drown, 
And he reigns as king with a drunken crew, 
Sinking to misery, Jim Carew. 

Such is the end of the ne'er-do-well -- 
Jimmy the Boozer, all down at heel; 
But he straightens up when he's asked to tell 
His name and race, and a flash of steel 
Still lightens up in those eyes of blue -- 
"I am, or -- no, I was -- Jim Carew."


Written by Emily Dickinson | Create an image from this poem

Had I not This or This I said

 Had I not This, or This, I said,
Appealing to Myself,
In moment of prosperity --
Inadequate -- were Life --

"Thou hast not Me, nor Me" -- it said,
In Moment of Reverse --
"And yet Thou art industrious --
No need -- hadst Thou -- of us"?

My need -- was all I had -- I said --
The need did not reduce --
Because the food -- exterminate --
The hunger -- does not cease --

But diligence -- is sharper --
Proportioned to the Chance --
To feed upon the Retrograde --
Enfeebles -- the Advance --

Book: Reflection on the Important Things