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Best Famous Profuse Poems

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Written by Percy Bysshe Shelley | Create an image from this poem

To a Skylark

HAIL to thee, blithe spirit! 
Bird thou never wert, 
That from heaven, or near it, 
Pourest thy full heart 
In profuse strains of unpremeditated art.

Higher still and higher 
From the earth thou springest, 
Like a cloud of fire 
The blue deep thou wingest, 
And singing still dost soar, and soaring ever singest.

In the golden lightning 
Of the sunken sun, 
O'er which clouds are bright'ning, 
Thou dost float and run, 
Like an unbodied joy whose race is just begun.

The pale purple even 
Melts around thy flight; 
Like a star of heaven 
In the broad daylight, 
Thou art unseen, but yet I hear thy shrill delight

Keen as are the arrows 
Of that silver sphere, 
Whose intense lamp narrows 
In the white dawn clear 
Until we hardly see, we feel that it is there.

All the earth and air 
With thy voice is loud¡ª 
As, when night is bare, 
From one lonely cloud 
The moon rains out her beams, and heaven is overflow'd. 

What thou art we know not; 
What is most like thee?¡ª 
From rainbow clouds there flow not 
Drops so bright to see 
As from thy presence showers a rain of melody: 

Like a poet hidden 
In the light of thought, 
Singing hymns unbidden, 
Till the world is wrought 
To sympathy with hopes and fears it heeded not: 

Like a high-born maiden 
In a palace tower, 
Soothing her love-laden 
Soul in secret hour 
With music sweet as love, which overflows her bower: 

Like a glow-worm golden 
In a dell of dew, 
Scattering unbeholden 
Its aerial hue 
Among the flowers and grass, which screen it from the view: 

Like a rose embower'd 
In its own green leaves, 
By warm winds deflower'd, 
Till the scent it gives 
Makes faint with too much sweet these heavy-wing¨¨d thieves.

Sound of vernal showers 
On the twinkling grass, 
Rain-awaken'd flowers¡ª 
All that ever was 
Joyous, and clear, and fresh, thy music doth surpass. 

Teach us, sprite or bird, 
What sweet thoughts are thine: 
I have never heard 
Praise of love or wine 
That panted forth a flood of rapture so divine.

Chorus hymeneal, 
Or triumphal chaunt, 
Match'd with thine, would be all 
But an empty vaunt¡ª 
A thing wherein we feel there is some hidden want.

What objects are the fountains 
Of thy happy strain? 
What fields, or waves, or mountains? 
What shapes of sky or plain? 
What love of thine own kind? what ignorance of pain? 

With thy clear keen joyance 
Languor cannot be; 
Shadow of annoyance 
Never came near thee: 
Thou lovest; but ne'er knew love's sad satiety.

Waking or asleep, 
Thou of death must deem 
Things more true and deep 
Than we mortals dream, 
Or how could thy notes flow in such a crystal stream? 

We look before and after, 
And pine for what is not: 
Our sincerest laughter 
With some pain is fraught; 
Our sweetest songs are those that tell of saddest thought. 

Yet if we could scorn 
Hate, and pride, and fear; 
If we were things born 
Not to shed a tear, 
I know not how thy joy we ever should come near.

Better than all measures 
Of delightful sound, 
Better than all treasures 
That in books are found, 
Thy skill to poet were, thou scorner of the ground! 

Teach me half the gladness 
That thy brain must know
Such harmonious madness 
From my lips would flow, 
The world should listen then, as I am listening now! 


Written by Louisa May Alcott | Create an image from this poem

The Lay of a Golden Goose

 Long ago in a poultry yard 
One dull November morn, 
Beneath a motherly soft wing 
A little goose was born. 

Who straightway peeped out of the shell 
To view the world beyond, 
Longing at once to sally forth 
And paddle in the pond. 

"Oh! be not rash," her father said, 
A mild Socratic bird; 
Her mother begged her not to stray 
With many a warning word. 

But little goosey was perverse, 
And eagerly did cry, 
"I've got a lovely pair of wings, 
Of course I ought to fly." 

In vain parental cacklings, 
In vain the cold sky's frown, 
Ambitious goosey tried to soar, 
But always tumbled down. 

The farmyard jeered at her attempts, 
The peacocks screamed, "Oh fie! 
You're only a domestic goose, 
So don't pretend to fly." 

Great cock-a-doodle from his perch 
Crowed daily loud and clear, 
"Stay in the puddle, foolish bird, 
That is your proper sphere," 

The ducks and hens said, one and all, 
In gossip by the pool, 
"Our children never play such pranks; 
My dear, that fowl's a fool." 

The owls came out and flew about, 
Hooting above the rest, 
"No useful egg was ever hatched 
From transcendental nest." 

Good little goslings at their play 
And well-conducted chicks 
Were taught to think poor goosey's flights 
Were naughty, ill-bred tricks. 

They were content to swim and scratch, 
And not at all inclined 
For any wild goose chase in search 
Of something undefined. 

Hard times she had as one may guess, 
That young aspiring bird, 
Who still from every fall arose 
Saddened but undeterred. 

She knew she was no nightingale 
Yet spite of much abuse, 
She longed to help and cheer the world, 
Although a plain gray goose 

She could not sing, she could not fly, 
Nor even walk, with grace, 
And all the farmyard had declared 
A puddle was her place. 

But something stronger than herself 
Would cry, "Go on, go on! 
Remember, though an humble fowl, 
You're cousin to a swan." 

So up and down poor goosey went, 
A busy, hopeful bird. 
Searched many wide unfruitful fields, 
And many waters stirred. 

At length she came unto a stream 
Most fertile of all Niles, 
Where tuneful birds might soar and sing 
Among the leafy isles. 

Here did she build a little nest 
Beside the waters still, 
Where the parental goose could rest 
Unvexed by any bill. 

And here she paused to smooth her plumes, 
Ruffled by many plagues; 
When suddenly arose the cry, 
"This goose lays golden eggs." 

At once the farmyard was agog; 
The ducks began to quack; 
Prim Guinea fowls relenting called, 
"Come back, come back, come back." 

Great chanticleer was pleased to give 
A patronizing crow, 
And the contemptuous biddies clucked, 
"I wish my chicks did so." 

The peacocks spread their shining tails, 
And cried in accents soft, 
"We want to know you, gifted one, 
Come up and sit aloft." 

Wise owls awoke and gravely said, 
With proudly swelling breasts, 
"Rare birds have always been evoked 
From transcendental nests!" 

News-hunting turkeys from afar 
Now ran with all thin legs 
To gobble facts and fictions of 
The goose with golden eggs. 

But best of all the little fowls 
Still playing on the shore, 
Soft downy chicks and goslings gay, 
Chirped out, "Dear Goose, lay more." 

But goosey all these weary years 
Had toiled like any ant, 
And wearied out she now replied 
"My little dears, I can't. 

"When I was starving, half this corn 
Had been of vital use, 
Now I am surfeited with food 
Like any Strasbourg goose." 

So to escape too many friends, 
Without uncivil strife, 
She ran to the Atlantic pond 
And paddled for her life. 

Soon up among the grand old Alps 
She found two blessed things, 
The health she had so nearly lost, 
And rest for weary limbs. 

But still across the briny deep 
Couched in most friendly words, 
Came prayers for letters, tales, or verse 
From literary birds. 

Whereat the renovated fowl 
With grateful thanks profuse, 
Took from her wing a quill and wrote 
This lay of a Golden Goose.
Written by Victor Hugo | Create an image from this poem

Pirates' Song

 ("Nous emmenions en esclavage.") 
 
 {VIII., March, 1828.} 


 We're bearing fivescore Christian dogs 
 To serve the cruel drivers: 
 Some are fair beauties gently born, 
 And some rough coral-divers. 
 We hardy skimmers of the sea 
 Are lucky in each sally, 
 And, eighty strong, we send along 
 The dreaded Pirate Galley. 
 
 A nunnery was spied ashore, 
 We lowered away the cutter, 
 And, landing, seized the youngest nun 
 Ere she a cry could utter; 
 Beside the creek, deaf to our oars, 
 She slumbered in green alley, 
 As, eighty strong, we sent along 
 The dreaded Pirate Galley. 
 
 "Be silent, darling, you must come— 
 The wind is off shore blowing; 
 You only change your prison dull 
 For one that's splendid, glowing! 
 His Highness doats on milky cheeks, 
 So do not make us dally"— 
 We, eighty strong, who send along 
 The dreaded Pirate Galley. 
 
 She sought to flee back to her cell, 
 And called us each a devil! 
 We dare do aught becomes Old Scratch, 
 But like a treatment civil, 
 So, spite of buffet, prayers, and calls— 
 Too late her friends to rally— 
 We, eighty strong, bore her along 
 Unto the Pirate Galley. 
 
 The fairer for her tears profuse, 
 As dews refresh the flower, 
 She is well worth three purses full, 
 And will adorn the bower— 
 For vain her vow to pine and die 
 Thus torn from her dear valley: 
 She reigns, and we still row along 
 The dreaded Pirate Galley. 


 




Written by Anne Bradstreet | Create an image from this poem

In Honour of that High and Mighty Princess Queen ELIZABETH

 Proem. 

1.1 Although great Queen, thou now in silence lie,
1.2 Yet thy loud Herald Fame, doth to the sky
1.3 Thy wondrous worth proclaim, in every clime, 
1.4 And so has vow'd, whilst there is world or time. 
1.5 So great's thy glory, and thine excellence, 
1.6 The sound thereof raps every human sense 
1.7 That men account it no impiety 
1.8 To say thou wert a fleshly Deity. 
1.9 Thousands bring off'rings (though out of date) 
1.10 Thy world of honours to accumulate. 
1.11 'Mongst hundred Hecatombs of roaring Verse, 
1.12 'Mine bleating stands before thy royal Hearse. 
1.13 Thou never didst, nor canst thou now disdain, 
1.14 T' accept the tribute of a loyal Brain. 
1.15 Thy clemency did yerst esteem as much
1.16 The acclamations of the poor, as rich, 
1.17 Which makes me deem, my rudeness is no wrong, 
1.18 Though I resound thy greatness 'mongst the throng. 

The Poem. 

2.1 No Ph{oe}nix Pen, nor Spenser's Poetry, 
2.2 No Speed's, nor Camden's learned History; 
2.3 Eliza's works, wars, praise, can e're compact, 
2.4 The World's the Theater where she did act. 
2.5 No memories, nor volumes can contain, 
2.6 The nine Olymp'ades of her happy reign, 
2.7 Who was so good, so just, so learn'd, so wise, 
2.8 From all the Kings on earth she won the prize. 
2.9 Nor say I more than truly is her due. 
2.10 Millions will testify that this is true. 
2.11 She hath wip'd off th' aspersion of her Sex, 
2.12 That women wisdom lack to play the Rex. 
2.13 Spain's Monarch sa's not so, not yet his Host: 
2.14 She taught them better manners to their cost. 
2.15 The Salic Law had not in force now been, 
2.16 If France had ever hop'd for such a Queen. 
2.17 But can you Doctors now this point dispute, 
2.18 She's argument enough to make you mute, 
2.19 Since first the Sun did run, his ne'er runn'd race, 
2.20 And earth had twice a year, a new old face; 
2.21 Since time was time, and man unmanly man, 
2.22 Come shew me such a Ph{oe}nix if you can. 
2.23 Was ever people better rul'd than hers? 
2.24 Was ever Land more happy, freed from stirs? 
2.25 Did ever wealth in England so abound? 
2.26 Her Victories in foreign Coasts resound? 
2.27 Ships more invincible than Spain's, her foe
2.28 She rack't, she sack'd, she sunk his Armadoe. 
2.29 Her stately Troops advanc'd to Lisbon's wall, 
2.30 Don Anthony in's right for to install. 
2.31 She frankly help'd Franks' (brave) distressed King, 
2.32 The States united now her fame do sing. 
2.33 She their Protectrix was, they well do know, 
2.34 Unto our dread Virago, what they owe. 
2.35 Her Nobles sacrific'd their noble blood, 
2.36 Nor men, nor coin she shap'd, to do them good. 
2.37 The rude untamed Irish she did quell, 
2.38 And Tiron bound, before her picture fell. 
2.39 Had ever Prince such Counsellors as she? 
2.40 Her self Minerva caus'd them so to be. 
2.41 Such Soldiers, and such Captains never seen, 
2.42 As were the subjects of our (Pallas) Queen: 
2.43 Her Sea-men through all straits the world did round, 
2.44 Terra incognitæ might know her sound. 
2.45 Her Drake came laded home with Spanish gold, 
2.46 Her Essex took Cadiz, their Herculean hold. 
2.47 But time would fail me, so my wit would too, 
2.48 To tell of half she did, or she could do. 
2.49 Semiramis to her is but obscure; 
2.50 More infamy than fame she did procure. 
2.51 She plac'd her glory but on Babel's walls, 
2.52 World's wonder for a time, but yet it falls. 
2.53 Fierce Tomris (Cirus' Heads-man, Sythians' Queen) 
2.54 Had put her Harness off, had she but seen
2.55 Our Amazon i' th' Camp at Tilbury,
2.56 (Judging all valour, and all Majesty) 
2.57 Within that Princess to have residence, 
2.58 And prostrate yielded to her Excellence. 
2.59 Dido first Foundress of proud Carthage walls 
2.60 (Who living consummates her Funerals), 
2.61 A great Eliza, but compar'd with ours, 
2.62 How vanisheth her glory, wealth, and powers.
2.63 Proud profuse Cleopatra, whose wrong name, 
2.64 Instead of glory, prov'd her Country's shame: 
2.65 Of her what worth in Story's to be seen, 
2.66 But that she was a rich Ægyptian Queen. 
2.67 Zenobia, potent Empress of the East, 
2.68 And of all these without compare the best 
2.69 (Whom none but great Aurelius could quell) 
2.70 Yet for our Queen is no fit parallel: 
2.71 She was a Ph{oe}nix Queen, so shall she be, 
2.72 Her ashes not reviv'd more Ph{oe}nix she. 
2.73 Her personal perfections, who would tell, 
2.74 Must dip his Pen i' th' Heliconian Well, 
2.75 Which I may not, my pride doth but aspire 
2.76 To read what others write and then admire. 
2.77 Now say, have women worth, or have they none? 
2.78 Or had they some, but with our Queen is't gone? 
2.79 Nay Masculines, you have thus tax'd us long, 
2.80 But she, though dead, will vindicate our wrong. 
2.81 Let such as say our sex is void of reason 
2.82 Know 'tis a slander now, but once was treason. 
2.83 But happy England, which had such a Queen, 
2.84 O happy, happy, had those days still been, 
2.85 But happiness lies in a higher sphere. 
2.86 Then wonder not, Eliza moves not here. 
2.87 Full fraught with honour, riches, and with days, 
2.88 She set, she set, like Titan in his rays. 
2.89 No more shall rise or set such glorious Sun, 
2.90 Until the heaven's great revolution: 
2.91 If then new things, their old form must retain, 
2.92 Eliza shall rule Albian once again. 

Her Epitaph. 

3.1 Here sleeps T H E Queen, this is the royal bed 
3.2 O' th' Damask Rose, sprung from the white and red, 
3.3 Whose sweet perfume fills the all-filling air, 
3.4 This Rose is withered, once so lovely fair: 
3.5 On neither tree did grow such Rose before, 
3.6 The greater was our gain, our loss the more. 

Another. 

4.1 Here lies the pride of Queens, pattern of Kings: 
4.2 So blaze it fame, here's feathers for thy wings. 
4.3 Here lies the envy'd, yet unparallel'd Prince, 
4.4 Whose living virtues speak (though dead long since). 
4.5 If many worlds, as that fantastic framed, 
4.6 In every one, be her great glory famed
Written by Robert Browning | Create an image from this poem

Rabbi Ben Ezra

 Grow old along with me!
The best is yet to be,
The last of life, for which the first was made:
Our times are in His hand
Who saith 'A whole I planned,
Youth shows but half; trust God: see all, nor be afraid!'

Not that, amassing flowers,
Youth sighed 'Which rose make ours,
Which lily leave and then as best recall?'
Not that, admiring stars,
It yearned 'Nor Jove, nor Mars;
Mine be some figured flame which blends, transcends them all!'

Not for such hopes and fears
Annulling youth's brief years,
Do I remonstrate: folly wide the mark!
Rather I prize the doubt
Low kinds exist without,
Finished and finite clods, untroubled by a spark.

Poor vaunt of life indeed,
Were man but formed to feed
On joy, to solely seek and find and feast:
Such feasting ended, then
As sure an end to men;
Irks care the crop-full bird? Frets doubt the maw-crammed beast?

Rejoice we are allied
To That which doth provide
And not partake, effect and not receive!
A spark disturbs our clod;
Nearer we hold of God
Who gives, than of His tribes that take, I must believe.

Then, welcome each rebuff
That turns earth's smoothness rough,
Each sting that bids nor sit nor stand but go!
Be our joys three-parts pain!
Strive, and hold cheap the strain;
Learn, nor account the pang; dare, never grudge the throe!

For thence,--a paradox
Which comforts while it mocks,--
Shall life succeed in that it seems to fail:
What I aspired to be,
And was not, comforts me:
A brute I might have been, but would not sink i' the scale.

What is he but a brute
Whose flesh has soul to suit,
Whose spirit works lest arms and legs want play?
To man, propose this test--
Thy body at its best,
How far can that project thy soul on its lone way?

Yet gifts should prove their use:
I own the Past profuse
Of power each side, perfection every turn:
Eyes, ears took in their dole,
Brain treasured up the whole;
Should not the heart beat once 'How good to live and learn?'

Not once beat 'Praise be Thine!
I see the whole design,
I, who saw power, see now love perfect too:
Perfect I call Thy plan:
Thanks that I was a man!
Maker, remake, complete,--I trust what Thou shalt do!'

For pleasant is this flesh;
Our soul, in its rose-mesh
Pulled ever to the earth, still yearns for rest;
Would we some prize might hold
To match those manifold
Possessions of the brute,--gain most, as we did best!

Let us not always say,
'Spite of this flesh to-day
I strove, made head, gained ground upon the whole!'
As the bird wings and sings,
Let us cry 'All good things
Are ours, nor soul helps flesh more, now, than flesh helps soul!'

Therefore I summon age
To grant youth's heritage,
Life's struggle having so far reached its term:
Thence shall I pass, approved
A man, for aye removed
From the developed brute; a god though in the germ.

And I shall thereupon
Take rest, ere I be gone
Once more on my adventure brave and new:
Fearless and unperplexed,
When I wage battle next,
What weapons to select, what armour to indue.

Youth ended, I shall try
My gain or loss thereby;
Leave the fire ashes, what survives is gold:
And I shall weigh the same,
Give life its praise or blame:
Young, all lay in dispute; I shall know, being old.

For note, when evening shuts,
A certain moment cuts
The deed off, calls the glory from the grey:
A whisper from the west
Shoots--'Add this to the rest,
Take it and try its worth: here dies another day.'

So, still within this life,
Though lifted o'er its strife,
Let me discern, compare, pronounce at last,
This rage was right i' the main,
That acquiescence vain:
The Future I may face now I have proved the Past.'

For more is not reserved
To man, with soul just nerved
To act to-morrow what he learns to-day:
Here, work enough to watch
The Master work, and catch
Hints of the proper craft, tricks of the tool's true play.

As it was better, youth
Should strive, through acts uncouth,
Toward making, than repose on aught found made:
So, better, age, exempt
From strife, should know, than tempt
Further. Thou waitedst age: wait death nor be afraid!
Enough now, if the Right
And Good and Infinite
Be named here, as thou callest thy hand thine own
With knowledge absolute,
Subject to no dispute
From fools that crowded youth, nor let thee feel alone.

Be there, for once and all,
Severed great minds from small,
Announced to each his station in the Past!
Was I, the world arraigned,
Were they, my soul disdained,
Right? Let age speak the truth and give us peace at last!

Now, who shall arbitrate?
Ten men love what I hate,
Shun what I follow, slight what I receive;
Ten, who in ears and eyes
Match me: we all surmise,
They this thing, and I that: whom shall my soul believe?

Not on the vulgar mass
Called 'work,' must sentence pass,
Things done, that took the eye and had the price;
O'er which, from level stand,
The low world laid its hand,
Found straightway to its mind, could value in a trice:

But all, the world's coarse thumb
And finger failed to plumb,
So passed in making up the main account;
All instincts immature,
All purposes unsure,
That weighed not as his work, yet swelled the man's amount:

Thoughts hardly to be packed
Into a narrow act,
Fancies that broke through language and escaped;
All I could never be,
All, men ignored in me,
This, I was worth to God, whose wheel the pitcher shaped.

Ay, note that Potter's wheel,
That metaphor! and feel
Why time spins fast, why passive lies our clay,--
Thou, to whom fools propound,
When the wine makes its round,
'Since life fleets, all is change; the Past gone, seize to-day!'

Fool! All that is, at all,
Lasts ever, past recall;
Earth changes, but thy soul and God stand sure:
What entered into thee,
That was, is, and shall be:
Time's wheel runs back or stops: Potter and clay endure.

He fixed thee mid this dance
Of plastic circumstance,
This Present, thou, forsooth, wouldst fain arrest:
Machinery just meant
To give thy soul its bent,
Try thee and turn thee forth, sufficiently impressed.

What though the earlier grooves,
Which ran the laughing loves
Around thy base, no longer pause and press?
What though, about thy rim,
Skull-things in order grim
Grow out, in graver mood, obey the sterner stress?

Look not thou down but up!
To uses of a cup,
The festal board, lamp's flash and trumpet's peal,
The new wine's foaming flow,
The Master's lips a-glow!
Thou, heaven's consummate cup, what need'st thou with earth's wheel?

But I need, now as then,
Thee, God, who mouldest men;
And since, not even while the whirl was worst,
Did I,--to the wheel of life
With shapes and colours rife,
Bound dizzily,--mistake my end, to slake Thy thirst:

So, take and use Thy work:
Amend what flaws may lurk,
What strain o' the stuff, what warpings past the aim!
My times be in Thy hand!
Perfect the cup as planned!
Let age approve of youth, and death complete the same!


Written by John Milton | Create an image from this poem

Arcades

 Part of an entertainment presented to the Countess Dowager of
Darby at Harefield, by som Noble persons of her Family, who
appear on the Scene in pastoral habit, moving toward the seat
of State with this Song.

I. SONG.

Look Nymphs, and Shepherds look,
What sudden blaze of majesty
Is that which we from hence descry
Too divine to be mistook:
This this is she
To whom our vows and wishes bend,
Heer our solemn search hath end.

Fame that her high worth to raise,
Seem'd erst so lavish and profuse,
We may justly now accuse 
Of detraction from her praise,
Less then half we find exprest,
Envy bid conceal the rest.

Mark what radiant state she spreds,
In circle round her shining throne,
Shooting her beams like silver threds,
This this is she alone,
Sitting like a Goddes bright,
In the center of her light.
Might she the wise Latona be, 
Or the towred Cybele,
Mother of a hunderd gods;
Juno dare's not give her odds;
Who had thought this clime had held
A deity so unparalel'd?

As they com forward, the genius of the Wood appears, and
turning toward them, speaks.

GEN. Stay gentle Swains, for though in this disguise,
I see bright honour sparkle through your eyes,
Of famous Arcady ye are, and sprung
Of that renowned flood, so often sung,
Divine Alpheus, who by secret sluse, 
Stole under Seas to meet his Arethuse;
And ye the breathing Roses of the Wood,
Fair silver-buskind Nymphs as great and good,
I know this quest of yours, and free intent
Was all in honour and devotion ment
To the great Mistres of yon princely shrine,
Whom with low reverence I adore as mine,
And with all helpful service will comply
To further this nights glad solemnity;
And lead ye where ye may more neer behold 
What shallow-searching Fame hath left untold;
Which I full oft amidst these shades alone
Have sate to wonder at, and gaze upon:
For know by lot from Jove I am the powr
Of this fair wood, and live in Oak'n bowr,
To nurse the Saplings tall, and curl the grove
With Ringlets quaint, and wanton windings wove.
And all my Plants I save from nightly ill,
Of noisom winds, and blasting vapours chill.
And from the Boughs brush off the evil dew, 
And heal the harms of thwarting thunder blew,
Or what the cross dire-looking Planet smites,
Or hurtfull Worm with canker'd venom bites.
When Eev'ning gray doth rise, I fetch my round
Over the mount, and all this hallow'd ground,
And early ere the odorous breath of morn
Awakes the slumbring leaves, or tasseld horn
Shakes the high thicket, haste I all about,
Number my ranks, and visit every sprout
With puissant words, and murmurs made to bless, 
But els in deep of night when drowsines
Hath lockt up mortal sense, then listen I
To the celestial Sirens harmony,
That sit upon the nine enfolded Sphears,
And sing to those that hold the vital shears,
And turn the Adamantine spindle round,
On which the fate of gods and men is wound.
Such sweet compulsion doth in musick ly,
To lull the daughters of Necessity,
And keep unsteddy Nature to her law, 
And the low world in measur'd motion draw
After the heavenly tune, which none can hear
Of human mould with grosse unpurged ear;
And yet such musick worthiest were to blaze
The peerles height of her immortal praise,
Whose lustre leads us, and for her most fit,
If my inferior hand or voice could hit
Inimitable sounds, yet as we go,
What ere the skill of lesser gods can show,
I will assay, her worth to celebrate, 
And so attend ye toward her glittering state;
Where ye may all that are of noble stemm
Approach, and kiss her sacred vestures hemm.


2. SONG.

O're the smooth enameld green
Where no print of step hath been,
Follow me as I sing,
And touch the warbled string.
Under the shady roof
Of branching Elm Star-proof,
Follow me, 
I will bring you where she sits
Clad in splendor as befits
Her deity.
Such a rural Queen
All Arcadia hath not seen.


3. SONG.

Nymphs and Shepherds dance no more
By sandy Ladons Lillied banks.
On old Lycaeus or Cyllene hoar,
Trip no more in twilight ranks,
Though Erynanth your loss deplore, 
A better soyl shall give ye thanks.
From the stony Maenalus,
Bring your Flocks, and live with us,
Here ye shall have greater grace,
To serve the Lady of this place.
Though Syrinx your Pans Mistres were,
Yet Syrinx well might wait on her.
Such a rural Queen
All Arcadia hath not seen.

Note: 22 hunderd] Milton's own spelling here is hundred. But in
the Errata to Paradise Lost (i. 760) he corrects hundred to hunderd.
Written by Alexander Pope | Create an image from this poem

Epistles to Several Persons: Epistle IV To Richard Boyle

 Est brevitate opus, ut currat sententia, neu se 
Impediat verbis lassas onerantibus aures: 
Et sermone opus est modo tristi, saepe jocoso, 
Defendente vicem modo Rhetoris atque Poetae, 
Interdum urbani, parcentis viribus, atque
Extenuantis eas consulto.
(Horace, Satires, I, x, 17-22)
'Tis strange, the miser should his cares employ 
To gain those riches he can ne'er enjoy:
Is it less strange, the prodigal should waste
His wealth to purchase what he ne'er can taste?
Not for himself he sees, or hears, or eats;
Artists must choose his pictures, music, meats:
He buys for Topham, drawings and designs,
For Pembroke, statues, dirty gods, and coins;
Rare monkish manuscripts for Hearne alone,
And books for Mead, and butterflies for Sloane.
Think we all these are for himself? no more
Than his fine wife, alas! or finer whore.

For what his Virro painted, built, and planted?
Only to show, how many tastes he wanted.
What brought Sir Visto's ill got wealth to waste?
Some daemon whisper'd, "Visto! have a taste."
Heav'n visits with a taste the wealthy fool,
And needs no rod but Ripley with a rule.
See! sportive fate, to punish awkward pride,
Bids Bubo build, and sends him such a guide:
A standing sermon, at each year's expense,
That never coxcomb reach'd magnificence!
You show us, Rome was glorious, not profuse,
And pompous buildings once were things of use.
Yet shall (my Lord) your just, your noble rules
Fill half the land with imitating fools;
Who random drawings from your sheets shall take,
And of one beauty many blunders make;
Load some vain church with old theatric state,
Turn arcs of triumph to a garden gate;
Reverse your ornaments, and hang them all
On some patch'd dog-hole ek'd with ends of wall;
Then clap four slices of pilaster on't,
That lac'd with bits of rustic, makes a front.
Or call the winds through long arcades to roar,
Proud to catch cold at a Venetian door;
Conscious they act a true Palladian part,
And, if they starve, they starve by rules of art.

Oft have you hinted to your brother peer,
A certain truth, which many buy too dear:
Something there is more needful than expense,
And something previous ev'n to taste--'tis sense:
Good sense, which only is the gift of Heav'n,
And though no science, fairly worth the sev'n:
A light, which in yourself you must perceive;
Jones and Le Notre have it not to give.

To build, to plant, whatever you intend,
To rear the column, or the arch to bend,
To swell the terrace, or to sink the grot;
In all, let Nature never be forgot.
But treat the goddess like a modest fair,
Nor overdress, nor leave her wholly bare;
Let not each beauty ev'rywhere be spied,
Where half the skill is decently to hide.
He gains all points, who pleasingly confounds,
Surprises, varies, and conceals the bounds.

Consult the genius of the place in all;
That tells the waters or to rise, or fall;
Or helps th' ambitious hill the heav'ns to scale,
Or scoops in circling theatres the vale;
Calls in the country, catches opening glades,
Joins willing woods, and varies shades from shades,
Now breaks, or now directs, th' intending lines;
Paints as you plant, and, as you work, designs.

Still follow sense, of ev'ry art the soul,
Parts answ'ring parts shall slide into a whole,
Spontaneous beauties all around advance,
Start ev'n from difficulty, strike from chance;
Nature shall join you; time shall make it grow
A work to wonder at--perhaps a Stowe.

Without it, proud Versailles! thy glory falls;
And Nero's terraces desert their walls:
The vast parterres a thousand hands shall make,
Lo! Cobham comes, and floats them with a lake:
Or cut wide views through mountains to the plain,
You'll wish your hill or shelter'd seat again.
Ev'n in an ornament its place remark,
Nor in an hermitage set Dr. Clarke.

Behold Villario's ten years' toil complete;
His quincunx darkens, his espaliers meet;
The wood supports the plain, the parts unite,
And strength of shade contends with strength of light;
A waving glow his bloomy beds display,
Blushing in bright diversities of day,
With silver-quiv'ring rills meander'd o'er--
Enjoy them, you! Villario can no more;
Tir'd of the scene parterres and fountains yield,
He finds at last he better likes a field.

Through his young woods how pleas'd Sabinus stray'd,
Or sat delighted in the thick'ning shade,
With annual joy the redd'ning shoots to greet,
Or see the stretching branches long to meet!
His son's fine taste an op'ner vista loves,
Foe to the dryads of his father's groves;
One boundless green, or flourish'd carpet views,
With all the mournful family of yews;
The thriving plants ignoble broomsticks made,
Now sweep those alleys they were born to shade.

At Timon's villa let us pass a day,
Where all cry out, "What sums are thrown away!"
So proud, so grand of that stupendous air,
Soft and agreeable come never there.
Greatness, with Timon, dwells in such a draught
As brings all Brobdingnag before your thought.
To compass this, his building is a town,
His pond an ocean, his parterre a down:
Who but must laugh, the master when he sees,
A puny insect, shiv'ring at a breeze!
Lo, what huge heaps of littleness around!
The whole, a labour'd quarry above ground.
Two cupids squirt before: a lake behind
Improves the keenness of the Northern wind.
His gardens next your admiration call,
On ev'ry side you look, behold the wall!
No pleasing intricacies intervene,
No artful wildness to perplex the scene;
Grove nods at grove, each alley has a brother,
And half the platform just reflects the other.
The suff'ring eye inverted Nature sees,
Trees cut to statues, statues thick as trees;
With here a fountain, never to be play'd;
And there a summerhouse, that knows no shade;
Here Amphitrite sails through myrtle bow'rs;
There gladiators fight, or die in flow'rs;
Unwater'd see the drooping sea horse mourn,
And swallows roost in Nilus' dusty urn.

My Lord advances with majestic mien,
Smit with the mighty pleasure, to be seen:
But soft--by regular approach--not yet--
First through the length of yon hot terrace sweat;
And when up ten steep slopes you've dragg'd your thighs,
Just at his study door he'll bless your eyes.

His study! with what authors is it stor'd?
In books, not authors, curious is my Lord;
To all their dated backs he turns you round:
These Aldus printed, those Du Sueil has bound.
Lo, some are vellum, and the rest as good
For all his Lordship knows, but they are wood.
For Locke or Milton 'tis in vain to look,
These shelves admit not any modern book.

And now the chapel's silver bell you hear,
That summons you to all the pride of pray'r:
Light quirks of music, broken and uneven,
Make the soul dance upon a jig to heaven.
On painted ceilings you devoutly stare,
Where sprawl the saints of Verrio or Laguerre,
On gilded clouds in fair expansion lie,
And bring all paradise before your eye.
To rest, the cushion and soft dean invite,
Who never mentions Hell to ears polite.

But hark! the chiming clocks to dinner call;
A hundred footsteps scrape the marble hall:
The rich buffet well-colour'd serpents grace,
And gaping Tritons spew to wash your face.
Is this a dinner? this a genial room?
No, 'tis a temple, and a hecatomb.
A solemn sacrifice, perform'd in state,
You drink by measure, and to minutes eat.
So quick retires each flying course, you'd swear
Sancho's dread doctor and his wand were there.
Between each act the trembling salvers ring,
From soup to sweet wine, and God bless the King.
In plenty starving, tantaliz'd in state,
And complaisantly help'd to all I hate,
Treated, caress'd, and tir'd, I take my leave,
Sick of his civil pride from morn to eve;
I curse such lavish cost, and little skill,
And swear no day was ever pass'd so ill.

Yet hence the poor are cloth'd, the hungry fed;
Health to himself, and to his infants bread
The lab'rer bears: What his hard heart denies,
His charitable vanity supplies.

Another age shall see the golden ear
Embrown the slope, and nod on the parterre,
Deep harvests bury all his pride has plann'd,
And laughing Ceres reassume the land.

Who then shall grace, or who improve the soil?
Who plants like Bathurst, or who builds like Boyle.
'Tis use alone that sanctifies expense,
And splendour borrows all her rays from sense.

His father's acres who enjoys in peace,
Or makes his neighbours glad, if he increase:
Whose cheerful tenants bless their yearly toil,
Yet to their Lord owe more than to the soil;
Whose ample lawns are not asham'd to feed
The milky heifer and deserving steed;
Whose rising forests, not for pride or show,
But future buildings, future navies, grow:
Let his plantations stretch from down to down,
First shade a country, and then raise a town.

You too proceed! make falling arts your care,
Erect new wonders, and the old repair;
Jones and Palladio to themselves restore,
And be whate'er Vitruvius was before:
Till kings call forth th' ideas of your mind,
Proud to accomplish what such hands design'd,
Bid harbours open, public ways extend,
Bid temples, worthier of the God, ascend;
Bid the broad arch the dang'rous flood contain,
The mole projected break the roaring main;
Back to his bounds their subject sea command,
And roll obedient rivers through the land;
These honours, peace to happy Britain brings,
These are imperial works, and worthy kings.
Written by Victor Hugo | Create an image from this poem

Outside The Ball-room

 ("Ainsi l'Hôtel de Ville illumine.") 
 
 {VI., May, 1833.} 


 Behold the ball-room flashing on the sight, 
 From step to cornice one grand glare of light; 
 The noise of mirth and revelry resounds, 
 Like fairy melody on haunted grounds. 
 But who demands this profuse, wanton glee, 
 These shouts prolonged and wild festivity— 
 Not sure our city—web, more woe than bliss, 
 In any hour, requiring aught but this! 
 
 Deaf is the ear of all that jewelled crowd 
 To sorrow's sob, although its call be loud. 
 Better than waste long nights in idle show, 
 To help the indigent and raise the low— 
 To train the wicked to forsake his way, 
 And find th' industrious work from day to day! 
 Better to charity those hours afford, 
 Which now are wasted at the festal board! 
 
 And ye, O high-born beauties! in whose soul 
 Virtue resides, and Vice has no control; 
 Ye whom prosperity forbids to sin, 
 So fair without—so chaste, so pure within— 
 Whose honor Want ne'er threatened to betray, 
 Whose eyes are joyous, and whose heart is gay; 
 Around whose modesty a hundred arms, 
 Aided by pride, protect a thousand charms; 
 For you this ball is pregnant with delight; 
 As glitt'ring planets cheer the gloomy night:— 
 But, O, ye wist not, while your souls are glad, 
 How millions wander, homeless, sick and sad! 
 Hazard has placed you in a happy sphere, 
 And like your own to you all lots appear; 
 For blinded by the sun of bliss your eyes 
 Can see no dark horizon to the skies. 
 
 Such is the chance of life! Each gallant thane, 
 Prince, peer, and noble, follow in your train;— 
 They praise your loveliness, and in your ear 
 They whisper pleasing things, but insincere; 
 Thus, as the moths enamoured of the light, 
 Ye seek these realms of revelry each night. 
 But as ye travel thither, did ye know 
 What wretches walk the streets through which you go. 
 Sisters, whose gewgaws glitter in the glare 
 Of your great lustre, all expectant there, 
 Watching the passing crowd with avid eye, 
 Till one their love, or lust, or shame may buy; 
 Or, with commingling jealousy and rage, 
 They mark the progress of your equipage; 
 And their deceitful life essays the while 
 To mask their woe beneath a sickly smile! 
 
 G.W.M. REYNOLDS. 


 




Written by Alfred Lord Tennyson | Create an image from this poem

Milton (Alcaics)

 O mighty-mouth'd inventor of harmonies,
O skill'd to sing of Time or Eternity,
God-gifted organ-voice of England,
Milton, a name to resound for ages;
Whose Titan angels, Gabriel, Abdiel,
Starr'd from Jehovah's gorgeous armouries,
Tower, as the deep-domed empyrean
Rings to the roar of an angel onset--
Me rather all that bowery loneliness,
The brooks of Eden mazily murmuring,
And bloom profuse and cedar arches
Charm, as a wanderer out in ocean,
Where some refulgent sunset of India
Streams o'er a rich ambrosial ocean isle,
And crimson-hued the stately palm-woods
Whisper in odorous heights of even.
Written by Eugene Field | Create an image from this poem

The jaffa and jerusalem railway

 A tortuous double iron track; a station here, a station there;
A locomotive, tender, tanks; a coach with stiff reclining chair;
Some postal cars, and baggage, too; a vestibule of patent make;
With buffers, duffers, switches, and the soughing automatic brake--
This is the Orient's novel pride, and Syria's gaudiest modern gem:
The railway scheme that is to ply 'twixt Jaffa and Jerusalem.

Beware, O sacred Mooley cow, the engine when you hear its bell;
Beware, O camel, when resounds the whistle's shrill, unholy swell;
And, native of that guileless land, unused to modern travel's snare,
Beware the fiend that peddles books--the awful peanut-boy beware.
Else, trusting in their specious arts, you may have reason to condemn
The traffic which the knavish ply 'twixt Jaffa and Jerusalem.

And when, ah, when the bonds fall due, how passing wroth will wax the
state
From Nebo's mount to Nazareth will spread the cry "Repudiate"!
From Hebron to Tiberius, from Jordan's banks unto the sea,
Will rise profuse anathemas against "that ---- monopoly!"
And F.M.B.A. shepherd-folk, with Sockless Jerry leading them,
Will swamp that corporation line 'twixt Jaffa and Jerusalem.

Book: Radiant Verses: A Journey Through Inspiring Poetry