Best Famous Primal Poems

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Written by Paul Eluard | Create an image from this poem

The Human Face

 I. Soon 

Of all the springtimes of the world 
This one is the ugliest 
Of all of my ways of being 
To be trusting is the best 

Grass pushes up snow 
Like the stone of a tomb 
But I sleep within the storm 
And awaken eyes bright 

Slowness, brief time ends 
Where all streets must pass 
Through my innermost recesses 
So that I would meet someone 

I don’t listen to monsters 
I know them and all that they say 
I see only beautiful faces 
Good faces, sure of themselves 
Certain soon to ruin their masters 

II. The women’s role 

As they sing, the maids dash forward 
To tidy up the killing fields 
Well-powdered girls, quickly to their knees 

Their hands -- reaching for the fresh air -- 
Are blue like never before 
What a glorious day! 

Look at their hands, the dead 
Look at their liquid eyes 

This is the toilet of transience 
The final toilet of life 
Stones sink and disappear 
In the vast, primal waters 
The final toilet of time 

Hardly a memory remains 
the dried-up well of virtue 
In the long, oppressive absences 
One surrenders to tender flesh 
Under the spell of weakness 

III. As deep as the silence 

As deep as the silence 
Of a corpse under ground 
With nothing but darkness in mind 

As dull and deaf 
As autumn by the pond 
Covered with stale shame 

Poison, deprived of its flower 
And of its golden beasts 
out its night onto man 

IV. Patience 

You, my patient one 
My patience 
My parent 
Head held high and proudly 
Organ of the sluggish night 
Bow down 
Concealing all of heaven 
And its favor 
Prepare for vengeance 
A bed where I'll be born 

V. First march, the voice of another 

Laughing at sky and planets 
Drunk with their confidence 
The wise men wish for sons 
And for sons from their sons 

Until they all perish in vain 
Time burdens only fools 
While Hell alone prospers 
And the wise men are absurd 

VI. A wolf 

Day surprises me and night scares me 
haunts me and winter follows me 
An animal walking on the snow has placed 
Its paws in the sand or in the mud 

Its paws have traveled 
From further afar than my own steps 
On a path where death 
Has the imprints of life 

VII. A flawless fire 

The threat under the red sky 
Came from below -- jaws 
And scales and links 
Of a slippery, heavy chain 

Life was spread about generously 
So that death took seriously 
The debt it was paid without a thought 

Death was the God of love 
And the conquerors in a kiss 
Swooned upon their victims 
Corruption gained courage 

And yet, beneath the red sky 
Under the appetites for blood 
Under the dismal starvation 
The cavern closed 

The kind earth filled 
The graves dug in advance 
Children were no longer afraid 
Of maternal depths 

And madness and stupidity 
And vulgarity make way 
For humankind and brotherhood 
No longer fighting against life -- 
For an everlasting humankind 

VIII. Liberty 

On my school notebooks 
On my desk, on the trees 
On the sand, on the snow 
I write your name 
On all the read pages 
On all the empty pages 
Stone, blood, paper or ash 
I write your name 

On the golden images 
On the weapons of warriors 
On the crown of kings 
I write your name 

On the jungle and the desert 
On the nests, on the broom 
On the echo of my childhood 
I write your name 

On the wonders of nights 
On the white bread of days 
On the seasons betrothed 
I write your name 

d'azur On all my blue rags 
On the sun-molded pond 
On the moon-enlivened lake 
I write your name 

On the fields, on the horizon 
On the wings of birds 
And on the mill of shadows 
I write your name 

On every burst of dawn 
On the sea, on the boats 
On the insane mountain 
I write your name 

On the foam of clouds 
On the sweat of the storm 
On the rain, thick and insipid 
I write your name 

On the shimmering shapes 
On the colorful bells 
On the physical truth 
I write your name

On the alert pathways 
On the wide-spread roads 
On the overflowing places 
I write your name 

On the lamp that is ignited 
On the lamp that is dimmed 
On my reunited houses 
I write your name 

On the fruit cut in two 
Of the mirror and of my room 
On my bed, an empty shell 
I write your name 

On my dog, young and greedy 
On his pricked-up ears 
On his clumsy paw 
I write your name 

On the springboard of my door 
On the familiar objects 
On the wave of blessed fire 
I write your name 

On all harmonious flesh 
On the face of my friends 
On every out-stretched hand 
I write your name 

On the window-pane of surprises 
On the careful lips 
Well-above silence 
I write your name 

On my destroyed shelter 
On my collapsed beacon 
On the walls of my weariness 
I write your name 

On absence without want 
On naked solitude 
On the steps of death 
I write your name 

On regained health 
On vanished risk 
On hope free from memory 
I write your name 

And by the power of one word 
I begin my life again 
I am born to know you 

To call you by name: Liberty!

Written by Robert Seymour Bridges | Create an image from this poem

From The Testament of Beauty

 'Twas at that hour of beauty when the setting sun
squandereth his cloudy bed with rosy hues, to flood
his lov'd works as in turn he biddeth them Good-night;
and all the towers and temples and mansions of men
face him in bright farewell, ere they creep from their pomp
naked beneath the darkness;- while to mortal eyes
'tis given, ifso they close not of fatigue, nor strain
at lamplit tasks-'tis given, as for a royal boon
to beggarly outcasts in homeless vigil, to watch
where uncurtain's behind the great windows of space
Heav'n's jewel'd company circleth unapproachably-
'Twas at sunset that I, fleeing to hide my soul
in refuge of beauty from a mortal distress,
walk'd alone with the Muse in her garden of thought,
discoursing at liberty with the mazy dreams
that came wavering pertinaciously about me; as when
the small bats, issued from their hangings, flitter o'erhead
thru' the summer twilight, with thin cries to and fro
hunting in muffled flight atween the stars and flowers.
Then fell I in strange delusion, illusion strange to tell;
for as a man who lyeth fast asleep in his bed
may dream he waketh, and that he walketh upright
pursuing some endeavour in full conscience-so 'twas
with me; but contrawise; for being in truth awake
methought I slept and dreamt; and in thatt dream methought
I was telling a dream; nor telling was I as one
who, truly awaked from a true sleep, thinketh to tell
his dream to a friend, but for his scant remembrances
findeth no token of speech-it was not so with me;
for my tale was my dream and my dream the telling,
and I remember wondring the while I told it
how I told it so tellingly. And yet now 'twould seem
that Reason inveighed me with her old orderings;
as once when she took thought to adjust theology,
peopling the inane that vex'd her between God and man
with a hierarchy of angels; like those asteroids
wherewith she later fill'd the gap 'twixt Jove and Mars.
Verily by Beauty it is that we come as WISDOM,
yet not by Reason at Beauty; and now with many words
pleasing myself betimes I am fearing lest in the end
I play the tedious orator who maundereth on
for lack of heart to make an end of his nothings.
Wherefor as when a runner who hath run his round
handeth his staff away, and is glad of his rest,
here break I off, knowing the goal was not for me
the while I ran on telling of what cannot be told.

For not the Muse herself can tell of Goddes love;
which cometh to the child from the Mother's embrace,
an Idea spacious as the starry firmament's
inescapable infinity of radiant gaze,
that fadeth only as it outpasseth mortal sight:
and this direct contact is 't with eternities,
this springtide miracle of the soul's nativity
that oft hath set philosophers adrift in dream;
which thing Christ taught, when he set up a little child
to teach his first Apostles and to accuse their pride,
saying, 'Unless ye shall receive it as a child,
ye cannot enter into the kingdom of heaven.'
So thru'out all his young mental apprenticehood
the child of very simplicity, and in the grace
and beauteous attitude of infantine wonder,
is apt to absorb Ideas in primal purity,
and by the assimilation of thatt immortal food
may build immortal life; but ever with the growth
of understanding, as the sensible images
are more and more corrupt, troubled by questioning thought,
or with vainglory alloy'd, 'tis like enought the boy
in prospect of his manhood wil hav cast to th' winds
his Baptism with his Babyhood; nor might he escape
the fall of Ev'ryman, did not a second call
of nature's Love await him to confirm his Faith
or to revoke him if he is whollylapsed therefrom.
And so mighty is this second vision, which cometh
in puberty of body and adolescence of mind
that, forgetting his Mother, he calleth it 'first Love';
for it mocketh at suasion or stubbornness of heart,
as the oceantide of the omnipotent Pleasur of God,
flushing all avenues of life, and unawares
by thousandfold approach forestalling its full flood
with divination of the secret contacts of Love,--
of faintest ecstasies aslumber in Nature's calm,
like thought in a closed book, where some poet long since
sang his throbbing passion to immortal sleep-with coy
tenderness delicat as the shifting hues
that sanctify the silent dawn with wonder-gleams,
whose evanescence is the seal of their glory,
consumed in self-becoming of eternity;
til every moment as it flyeth, cryeth 'Seize!
Seize me ere I die! I am the Life of Life.'
'Tis thus by near approach to an eternal presence
man's heart with divine furor kindled and possess'd
falleth in blind surrender; and finding therewithal
in fullest devotion the full reconcilement
betwixt his animal and spiritual desires,
such welcome hour of bliss standeth for certain pledge
of happiness perdurable: and coud he sustain
this great enthusiasm, then the unbounded promise
would keep fulfilment; since the marriage of true minds
is thatt once fabled garden, amidst of which was set
the single Tree that bore such med'cinable fruit
that if man ate thereof he should liv for ever.
Friendship is in loving rather than in being lov'd,
which is its mutual benediction and recompense;
and tho' this be, and tho' love is from lovers learn'd,
it springeth none the less from the old essence of self.
No friendless man ('twas well said) can be truly himself;
what a man looketh for in his friend and findeth,
and loving self best, loveth better than himself,
is his own better self, his live lovable idea,
flowering by expansion in the loves of his life.
And in the nobility of our earthly friendships
we hav al grades of attainment, and the best may claim
perfection of kind; and so, since ther be many bonds
other than breed (friendships of lesser motiv, found
even in the brutes) and since our politick is based
on actual association of living men, 'twil come
that the spiritual idea of Friendship, the huge
vastidity of its essence, is fritter'd away
in observation of the usual habits of men;
as happ'd with the great moralist, where his book saith
that ther can be no friendship betwixt God and man
because of their unlimited disparity.
From this dilemma of pagan thought, this poison of faith,
Man-soul made glad escape in the worship of Christ;
for his humanity is God's Personality,
and communion with him is the life of the soul.
Of which living ideas (when in the struggle of thought
harden'd by language they became symbols of faith)
Reason builded her maze, wherefrom none should escape,
wandering intent to map and learn her tortuous clews,
chanting their clerkly creed to the high-echoing stones
of their hand-fashion'd temple: but the Wind of heav'n
bloweth where it listeth, and Christ yet walketh the earth,
and talketh still as with those two disciples once 
on the road to Emmaus-where they walk and are sad;
whose vision of him then was his victory over death,
thatt resurrection which all his lovers should share,
who in loving him had learn'd the Ethick of happiness;
whereby they too should come where he was ascended
to reign over men's hearts in the Kingdom of God.
Our happiest earthly comradeships hold a foretaste
of the feast of salvation and by thatt virtue in them
provoke desire beyond them to out-reach and surmount
their humanity in some superhumanity
and ultimat perfection: which, howe'ever 'tis found
or strangeley imagin'd, answereth to the need of each
and pulleth him instinctivly as to a final cause.
Thus unto all who hav found their high ideal in Christ,
Christ is to them the essence discern'd or undeiscern'd
of all their human friendships; and each lover of him
and of his beauty must be as a bud on the Vine
and hav participation in him; for Goddes love
is unescapable as nature's environment,
which if a man ignore or think to thrust it off
he is the ill-natured fool that runneth blindly on death.
This Individualism is man's true Socialism.
This is the rife Idea whose spiritual beauty
multiplieth in communion to transcendant might.
This is thatt excelent way whereon if we wil walk
all things shall be added unto us-thatt Love which inspired
the wayward Visionary in his doctrinal ode
to the three christian Graces, the Church's first hymn
and only deathless athanasian creed,--the which
'except a man believe he cannot be saved.'
This is the endearing bond whereby Christ's company
yet holdeth together on the truth of his promise
that he spake of his grat pity and trust in man's love,
'Lo, I am with you always ev'n to the end of the world.'
Truly the Soul returneth the body's loving
where it hath won it...and God so loveth the world...
and in the fellowship of the friendship of Christ
God is seen as the very self-essence of love,
Creator and mover of all as activ Lover of all,
self-express'd in not-self, mind and body, mother and child,
'twixt lover and loved, God and man: but ONE ETERNAL
in the love of Beauty and in the selfhood of Love.
Written by William Vaughn Moody | Create an image from this poem

An Ode in Time of Hesitation

 After seeing at Boston the statue of Robert Gould Shaw, killed while storming Fort Wagner, July 18, 1863, at the head of the first enlisted ***** regiment, the Fifty-fourth Massachusetts.


I 

Before the solemn bronze Saint Gaudens made 
To thrill the heedless passer's heart with awe, 
And set here in the city's talk and trade 
To the good memory of Robert Shaw, 
This bright March morn I stand, 
And hear the distant spring come up the land; 
Knowing that what I hear is not unheard 
Of this boy soldier and his ***** band, 
For all their gaze is fixed so stern ahead, 
For all the fatal rhythm of their tread. 
The land they died to save from death and shame 
Trembles and waits, hearing the spring's great name, 
And by her pangs these resolute ghosts are stirred. 


II 

Through street and mall the tides of people go 
Heedless; the trees upon the Common show 
No hint of green; but to my listening heart 
The still earth doth impart 
Assurance of her jubilant emprise, 
And it is clear to my long-searching eyes 
That love at last has might upon the skies. 
The ice is runneled on the little pond; 
A telltale patter drips from off the trees; 
The air is touched with southland spiceries, 
As if but yesterday it tossed the frond 
Of pendant mosses where the live-oaks grow 
Beyond Virginia and the Carolines, 
Or had its will among the fruits and vines 
Of aromatic isles asleep beyond 
Florida and the Gulf of Mexico. 


III 

Soon shall the Cape Ann children shout in glee, 
Spying the arbutus, spring's dear recluse; 
Hill lads at dawn shall hearken the wild goose 
Go honking northward over Tennessee; 
West from Oswego to Sault Sainte-Marie, 
And on to where the Pictured Rocks are hung, 
And yonder where, gigantic, wilful, young, 
Chicago sitteth at the northwest gates, 
With restless violent hands and casual tongue 
Moulding her mighty fates, 
The Lakes shall robe them in ethereal sheen; 
And like a larger sea, the vital green 
Of springing wheat shall vastly be outflung 
Over Dakota and the prairie states. 
By desert people immemorial 
On Arizonan mesas shall be done 
Dim rites unto the thunder and the sun; 
Nor shall the primal gods lack sacrifice 
More splendid, when the white Sierras call 
Unto the Rockies straightway to arise 
And dance before the unveiled ark of the year, 
Sounding their windy cedars as for shawms, 
Unrolling rivers clear 
For flutter of broad phylacteries; 
While Shasta signals to Alaskan seas 
That watch old sluggish glaciers downward creep 
To fling their icebergs thundering from the steep, 
And Mariposa through the purple calms 
Gazes at far Hawaii crowned with palms 
Where East and West are met, -- 
A rich seal on the ocean's bosom set 
To say that East and West are twain, 
With different loss and gain: 
The Lord hath sundered them; let them be sundered yet. 


IV 

Alas! what sounds are these that come 
Sullenly over the Pacific seas, -- 
Sounds of ignoble battle, striking dumb 
The season's half-awakened ecstasies? 
Must I be humble, then, 
Now when my heart hath need of pride? 
Wild love falls on me from these sculptured men; 
By loving much the land for which they died 
I would be justified. 
My spirit was away on pinions wide 
To soothe in praise of her its passionate mood 
And ease it of its ache of gratitude. 
Too sorely heavy is the debt they lay 
On me and the companions of my day. 
I would remember now 
My country's goodliness, make sweet her name. 
Alas! what shade art thou 
Of sorrow or of blame 
Liftest the lyric leafage from her brow, 
And pointest a slow finger at her shame? 


V 

Lies! lies! It cannot be! The wars we wage 
Are noble, and our battles still are won 
By justice for us, ere we lift the gage. 
We have not sold our loftiest heritage. 
The proud republic hath not stooped to cheat 
And scramble in the market-place of war; 
Her forehead weareth yet its solemn star. 
Here is her witness: this, her perfect son, 
This delicate and proud New England soul 
Who leads despisèd men, with just-unshackled feet, 
Up the large ways where death and glory meet, 
To show all peoples that our shame is done, 
That once more we are clean and spirit-whole. 


VI 

Crouched in the sea fog on the moaning sand 
All night he lay, speaking some simple word 
From hour to hour to the slow minds that heard, 
Holding each poor life gently in his hand 
And breathing on the base rejected clay 
Till each dark face shone mystical and grand 
Against the breaking day; 
And lo, the shard the potter cast away 
Was grown a fiery chalice crystal-fine 
Fulfilled of the divine 
Great wine of battle wrath by God's ring-finger stirred. 
Then upward, where the shadowy bastion loomed 
Huge on the mountain in the wet sea light, 
Whence now, and now, infernal flowerage bloomed, 
Bloomed, burst, and scattered down its deadly seed, -- 
They swept, and died like freemen on the height, 
Like freemen, and like men of noble breed; 
And when the battle fell away at night 
By hasty and contemptuous hands were thrust 
Obscurely in a common grave with him 
The fair-haired keeper of their love and trust. 
Now limb doth mingle with dissolvèd limb 
In nature's busy old democracy 
To flush the mountain laurel when she blows 
Sweet by the southern sea, 
And heart with crumbled heart climbs in the rose: -- 
The untaught hearts with the high heart that knew 
This mountain fortress for no earthly hold 
Of temporal quarrel, but the bastion old 
Of spiritual wrong, 
Built by an unjust nation sheer and strong, 
Expugnable but by a nation's rue 
And bowing down before that equal shrine 
By all men held divine, 
Whereof his band and he were the most holy sign. 


VII 

O bitter, bitter shade! 
Wilt thou not put the scorn 
And instant tragic question from thine eye? 
Do thy dark brows yet crave 
That swift and angry stave -- 
Unmeet for this desirous morn -- 
That I have striven, striven to evade? 
Gazing on him, must I not deem they err 
Whose careless lips in street and shop aver 
As common tidings, deeds to make his cheek 
Flush from the bronze, and his dead throat to speak? 
Surely some elder singer would arise, 
Whose harp hath leave to threaten and to mourn 
Above this people when they go astray. 
Is Whitman, the strong spirit, overworn? 
Has Whittier put his yearning wrath away? 
I will not and I dare not yet believe! 
Though furtively the sunlight seems to grieve, 
And the spring-laden breeze 
Out of the gladdening west is sinister 
With sounds of nameless battle overseas; 
Though when we turn and question in suspense 
If these things be indeed after these ways, 
And what things are to follow after these, 
Our fluent men of place and consequence 
Fumble and fill their mouths with hollow phrase, 
Or for the end-all of deep arguments 
Intone their dull commercial liturgies -- 
I dare not yet believe! My ears are shut! 
I will not hear the thin satiric praise 
And muffled laughter of our enemies, 
Bidding us never sheathe our valiant sword 
Till we have changed our birthright for a gourd 
Of wild pulse stolen from a barbarian's hut; 
Showing how wise it is to cast away 
The symbols of our spiritual sway, 
That so our hands with better ease 
May wield the driver's whip and grasp the jailer's keys. 


VIII 

Was it for this our fathers kept the law? 
This crown shall crown their struggle and their ruth? 
Are we the eagle nation Milton saw 
Mewing its mighty youth, 
Soon to possess the mountain winds of truth, 
And be a swift familiar of the sun 
Where aye before God's face his trumpets run? 
Or have we but the talons and the maw, 
And for the abject likeness of our heart 
Shall some less lordly bird be set apart? -- 
Some gross-billed wader where the swamps are fat? 
Some gorger in the sun? Some prowler with the bat? 


IX 

Ah no! 
We have not fallen so. 
We are our fathers' sons: let those who lead us know! 
'T was only yesterday sick Cuba's cry 
Came up the tropic wind, "Now help us, for we die!" 
Then Alabama heard, 
And rising, pale, to Maine and Idaho 
Shouted a burning word. 
Proud state with proud impassioned state conferred, 
And at the lifting of a hand sprang forth, 
East, west, and south, and north, 
Beautiful armies. Oh, by the sweet blood and young 
Shed on the awful hill slope at San Juan, 
By the unforgotten names of eager boys 
Who might have tasted girls' love and been stung 
With the old mystic joys 
And starry griefs, now the spring nights come on, 
But that the heart of youth is generous, -- 
We charge you, ye who lead us, 
Breathe on their chivalry no hint of stain! 
Turn not their new-world victories to gain! 
One least leaf plucked for chaffer from the bays 
Of their dear praise, 
One jot of their pure conquest put to hire, 
The implacable republic will require; 
With clamor, in the glare and gaze of noon, 
Or subtly, coming as a thief at night, 
But surely, very surely, slow or soon 
That insult deep we deeply will requite. 
Tempt not our weakness, our cupidity! 
For save we let the island men go free, 
Those baffled and dislaureled ghosts 
Will curse us from the lamentable coasts 
Where walk the frustrate dead. 
The cup of trembling shall be drainèd quite, 
Eaten the sour bread of astonishment, 
With ashes of the hearth shall be made white 
Our hair, and wailing shall be in the tent; 
Then on your guiltier head 
Shall our intolerable self-disdain 
Wreak suddenly its anger and its pain; 
For manifest in that disastrous light 
We shall discern the right 
And do it, tardily. -- O ye who lead, 
Take heed! 
Blindness we may forgive, but baseness we will smite.
Written by Carl Sandburg | Create an image from this poem

Who am I?

 My head knocks against the stars.
My feet are on the hilltops.
My finger-tips are in the valleys and shores of
universal life.
Down in the sounding foam of primal things I
reach my hands and play with pebbles of
destiny.
I have been to hell and back many times.
I know all about heaven, for I have talked with God.
I dabble in the blood and guts of the terrible.
I know the passionate seizure of beauty
And the marvelous rebellion of man at all signs
reading "Keep Off."

My name is Truth and I am the most elusive captive
in the universe.
Written by John Greenleaf Whittier | Create an image from this poem

The Norsemen (From Narrative and Legendary Poems )

 GIFT from the cold and silent Past! 
A relic to the present cast, 
Left on the ever-changing strand 
Of shifting and unstable sand, 
Which wastes beneath the steady chime 
And beating of the waves of Time! 
Who from its bed of primal rock 
First wrenched thy dark, unshapely block? 
Whose hand, of curious skill untaught, 
Thy rude and savage outline wrought? 
The waters of my native stream 
Are glancing in the sun's warm beam; 
From sail-urged keel and flashing oar 
The circles widen to its shore; 
And cultured field and peopled town 
Slope to its willowed margin down. 
Yet, while this morning breeze is bringing 
The home-life sound of school-bells ringing, 
And rolling wheel, and rapid jar 
Of the fire-winged and steedless car, 
And voices from the wayside near 
Come quick and blended on my ear,-- 
A spell is in this old gray stone, 
My thoughts are with the Past alone! 

A change! -- The steepled town no more 
Stretches along the sail-thronged shore; 
Like palace-domes in sunset's cloud, 
Fade sun-gilt spire and mansion proud: 
Spectrally rising where they stood, 
I see the old, primeval wood; 
Dark, shadow-like, on either hand 
I see its solemn waste expand; 
It climbs the green and cultured hill, 
It arches o'er the valley's rill, 
And leans from cliff and crag to throw 
Its wild arms o'er the stream below. 
Unchanged, alone, the same bright river 
Flows on, as it will flow forever! 
I listen, and I hear the low 
Soft ripple where its water go; 
I hear behind the panther's cry, 
The wild-bird's scream goes thrilling by, 
And shyly on the river's brink 
The deer is stooping down to drink. 

But hard! -- from wood and rock flung back, 
What sound come up the Merrimac? 
What sea-worn barks are those which throw 
The light spray from each rushing prow? 
Have they not in the North Sea's blast 
Bowed to the waves the straining mast? 
Their frozen sails the low, pale sun 
Of Thulë's night has shone upon; 
Flapped by the sea-wind's gusty sweep 
Round icy drift, and headland steep. 
Wild Jutland's wives and Lochlin's daughters 
Have watched them fading o'er the waters, 
Lessening through driving mist and spray, 
Like white-winged sea-birds on their way! 

Onward they glide, -- and now I view 
Their iron-armed and stalwart crew; 
Joy glistens in each wild blue eye, 
Turned to green earth and summer sky. 
Each broad, seamed breast has cast aside 
Its cumbering vest of shaggy hide; 
Bared to the sun and soft warm air, 
Streams back the Northmen's yellow hair. 
I see the gleam of axe and spear, 
A sound of smitten shields I hear, 
Keeping a harsh and fitting time 
To Saga's chant, and Runic rhyme; 
Such lays as Zetland's Scald has sung, 
His gray and naked isles among; 
Or mutter low at midnight hour 
Round Odin's mossy stone of power. 
The wolf beneath the Arctic moon 
Has answered to that startling rune; 
The Gael has heard its stormy swell, 
The light Frank knows its summons well; 
Iona's sable-stoled Culdee 
Has heard it sounding o'er the sea, 
And swept, with hoary beard and hair, 
His altar's foot in trembling prayer! 

'T is past, -- the 'wildering vision dies 
In darkness on my dreaming eyes! 
The forest vanishes in air, 
Hill-slope and vale lie starkly bare; 
I hear the common tread of men, 
And hum of work-day life again; 
The mystic relic seems alone 
A broken mass of common stone; 
And if it be the chiselled limb 
Of Berserker or idol grim, 
A fragment of Valhalla's Thor, 
The stormy Viking's god of War, 
Or Praga of the Runic lay, 
Or love-awakening Siona, 
I know not, -- for no graven line, 
Nor Druid mark, nor Runic sign, 
Is left me here, by which to trace 
Its name, or origin, or place. 
Yet, for this vision of the Past, 
This glance upon its darkness cast, 
My spirit bows in gratitude 
Before the Giver of all good, 
Who fashioned so the human mind, 
That, from the waste of Time behind, 
A simple stone, or mound of earth, 
Can summon the departed forth; 
Quicken the Past to life again, 
The Present lose in what hath been, 
And in their primal freshness show 
The buried forms of long ago. 
As if a portion of that Thought 
By which the Eternal will is wrought, 
Whose impulse fills anew with breath 
The frozen solitude of Death, 
To mortal mind were sometimes lent, 
To mortal musing sometimes sent, 
To whisper -- even when it seems 
But Memory's fantasy of dreams -- 
Through the mind's waste of woe and sin, 
Of an immortal origin!

Written by Countee Cullen | Create an image from this poem

Heritage

 What is Africa to me:
Copper sun or scarlet sea,
Jungle star or jungle track,
Strong bronzed men, or regal black
Women from whose loins I sprang
When the birds of Eden sang?
One three centuries removed
From the scenes his fathers loved,
Spicy grove, cinnamon tree,
What is Africa to me?

So I lie, who all day long
Want no sound except the song
Sung by wild barbaric birds
Goading massive jungle herds,
Juggernauts of flesh that pass
Trampling tall defiant grass
Where young forest lovers lie,
Plighting troth beneath the sky.
So I lie, who always hear,
Though I cram against my ear
Both my thumbs, and keep them there,
Great drums throbbing through the air.
So I lie, whose fount of pride,
Dear distress, and joy allied,
Is my somber flesh and skin,
With the dark blood dammed within
Like great pulsing tides of wine
That, I fear, must burst the fine
Channels of the chafing net
Where they surge and foam and fret.

Africa?A book one thumbs
Listlessly, till slumber comes.
Unremembered are her bats
Circling through the night, her cats
Crouching in the river reeds,
Stalking gentle flesh that feeds
By the river brink; no more
Does the bugle-throated roar
Cry that monarch claws have leapt
From the scabbards where they slept.
Silver snakes that once a year
Doff the lovely coats you wear,
Seek no covert in your fear
Lest a mortal eye should see;
What's your nakedness to me?
Here no leprous flowers rear
Fierce corollas in the air;
Here no bodies sleek and wet,
Dripping mingled rain and sweat,
Tread the savage measures of 
Jungle boys and girls in love.
What is last year's snow to me,
Last year's anything?The tree
Budding yearly must forget
How its past arose or set­­
Bough and blossom, flower, fruit,
Even what shy bird with mute
Wonder at her travail there,
Meekly labored in its hair.
One three centuries removed
From the scenes his fathers loved,
Spicy grove, cinnamon tree,
What is Africa to me?

So I lie, who find no peace
Night or day, no slight release
From the unremittent beat
Made by cruel padded feet
Walking through my body's street.
Up and down they go, and back,
Treading out a jungle track.
So I lie, who never quite
Safely sleep from rain at night--
I can never rest at all
When the rain begins to fall;
Like a soul gone mad with pain
I must match its weird refrain;
Ever must I twist and squirm,
Writhing like a baited worm,
While its primal measures drip
Through my body, crying, "Strip!
Doff this new exuberance.
Come and dance the Lover's Dance!"
In an old remembered way
Rain works on me night and day.

Quaint, outlandish heathen gods
Black men fashion out of rods,
Clay, and brittle bits of stone,
In a likeness like their own,
My conversion came high-priced;
I belong to Jesus Christ,
Preacher of humility;
Heathen gods are naught to me.

Father, Son, and Holy Ghost,
So I make an idle boast;
Jesus of the twice-turned cheek,
Lamb of God, although I speak
With my mouth thus, in my heart
Do I play a double part.
Ever at Thy glowing altar
Must my heart grow sick and falter,
Wishing He I served were black,
Thinking then it would not lack
Precedent of pain to guide it,
Let who would or might deride it;
Surely then this flesh would know
Yours had borne a kindred woe.
Lord, I fashion dark gods, too,
Daring even to give You
Dark despairing features where,
Crowned with dark rebellious hair,
Patience wavers just so much as
Mortal grief compels, while touches
Quick and hot, of anger, rise
To smitten cheek and weary eyes.
Lord, forgive me if my need
Sometimes shapes a human creed.

All day long and all night through,
One thing only must I do:
Quench my pride and cool my blood,
Lest I perish in the flood.
Lest a hidden ember set
Timber that I thought was wet
Burning like the dryest flax,
Melting like the merest wax,
Lest the grave restore its dead.
Not yet has my heart or head
In the least way realized
They and I are civilized.
Written by W. E. B. Du Bois | Create an image from this poem

A Hymn to the Peoples

O Truce of God!
And primal meeting of the Sons of Man,
Foreshadowing the union of the World!
From all the ends of earth we come!
Old Night, the elder sister of the Day,
Mother of Dawn in the golden East,
Meets in the misty twilight with her brood,
Pale and black, tawny, red and brown,
The mighty human rainbow of the world,
Spanning its wilderness of storm.
Softly in sympathy the sunlight falls,
Rare is the radiance of the moon;
And on the darkest midnight blaze the stars—
The far-flown shadows of whose brilliance
Drop like a dream on the dim shores of Time,
Forecasting Days that are to these
As day to night.
So sit we all as one.
So, gloomed in tall and stone-swathed groves,
The Buddha walks with Christ!
And Al-Koran and Bible both be holy!
Almighty Word!
In this Thine awful sanctuary,
First and flame-haunted City of the Widened World,
Assoil us, Lord of Lands and Seas!
We are but weak and wayward men,
Distraught alike with hatred and vainglory;
Prone to despise the Soul that breathes within—
High visioned hordes that lie and steal and kill,
Sinning the sin each separate heart disclaims,
Clambering upon our riven, writhing selves,
Besieging Heaven by trampling men to Hell!
We be blood-guilty! Lo, our hands be red!
Not one may blame the other in this sin!
But here—here in the white Silence of the Dawn,
Before the Womb of Time,
With bowed hearts all flame and shame,
We face the birth-pangs of a world:
We hear the stifled cry of Nations all but born—
The wail of women ravished of their stunted brood!
We see the nakedness of Toil, the poverty of Wealth,
We know the Anarchy of Empire, and doleful Death of Life!
And hearing, seeing, knowing all, we cry:
Save us, World-Spirit, from our lesser selves!
Grant us that war and hatred cease,
Reveal our souls in every race and hue!
Help us, O Human God, in this Thy Truce,
To make Humanity divine!
Written by Walt Whitman | Create an image from this poem

Give me the Splendid Silent Sun

 1
GIVE me the splendid silent sun, with all his beams full-dazzling; 
Give me juicy autumnal fruit, ripe and red from the orchard; 
Give me a field where the unmow’d grass grows; 
Give me an arbor, give me the trellis’d grape; 
Give me fresh corn and wheat—give me serene-moving animals, teaching content;
Give me nights perfectly quiet, as on high plateaus west of the Mississippi, and I looking
 up
 at the
 stars; 
Give me odorous at sunrise a garden of beautiful flowers, where I can walk
 undisturb’d; 
Give me for marriage a sweet-breath’d woman, of whom I should never tire; 
Give me a perfect child—give me, away, aside from the noise of the world, a rural,
 domestic
 life; 
Give me to warble spontaneous songs, reliev’d, recluse by myself, for my own ears
 only;
Give me solitude—give me Nature—give me again, O Nature, your primal sanities! 
—These, demanding to have them, (tired with ceaseless excitement, and rack’d by
 the
 war-strife;) 
These to procure, incessantly asking, rising in cries from my heart, 
While yet incessantly asking, still I adhere to my city; 
Day upon day, and year upon year, O city, walking your streets,
Where you hold me enchain’d a certain time, refusing to give me up; 
Yet giving to make me glutted, enrich’d of soul—you give me forever faces; 
(O I see what I sought to escape, confronting, reversing my cries; 
I see my own soul trampling down what it ask’d for.) 

2
Keep your splendid, silent sun;
Keep your woods, O Nature, and the quiet places by the woods; 
Keep your fields of clover and timothy, and your corn-fields and orchards; 
Keep the blossoming buckwheat fields, where the Ninth-month bees hum; 
Give me faces and streets! give me these phantoms incessant and endless along the
 trottoirs! 
Give me interminable eyes! give me women! give me comrades and lovers by the thousand!
Let me see new ones every day! let me hold new ones by the hand every day! 
Give me such shows! give me the streets of Manhattan! 
Give me Broadway, with the soldiers marching—give me the sound of the trumpets and
 drums! 
(The soldiers in companies or regiments—some, starting away, flush’d and
 reckless; 
Some, their time up, returning, with thinn’d ranks—young, yet very old, worn,
 marching,
 noticing nothing;)
—Give me the shores and the wharves heavy-fringed with the black ships! 
O such for me! O an intense life! O full to repletion, and varied! 
The life of the theatre, bar-room, huge hotel, for me! 
The saloon of the steamer! the crowded excursion for me! the torch-light procession! 
The dense brigade, bound for the war, with high piled military wagons following;
People, endless, streaming, with strong voices, passions, pageants; 
Manhattan streets, with their powerful throbs, with the beating drums, as now; 
The endless and noisy chorus, the rustle and clank of muskets, (even the sight of the
 wounded;)

Manhattan crowds, with their turbulent musical chorus—with varied chorus, and light
 of the
 sparkling eyes; 
Manhattan faces and eyes forever for me.
Written by Edith Wharton | Create an image from this poem

An Autumn Sunset

 I

Leaguered in fire
The wild black promontories of the coast extend
Their savage silhouettes;
The sun in universal carnage sets,
And, halting higher,
The motionless storm-clouds mass their sullen threats,
Like an advancing mob in sword-points penned,
That, balked, yet stands at bay.
Mid-zenith hangs the fascinated day
In wind-lustrated hollows crystalline,
A wan Valkyrie whose wide pinions shine
Across the ensanguined ruins of the fray,
And in her hand swings high o'erhead,
Above the waste of war,
The silver torch-light of the evening star
Wherewith to search the faces of the dead.

II

Lagooned in gold,
Seem not those jetty promontories rather
The outposts of some ancient land forlorn,
Uncomforted of morn, Where old oblivions gather,
The melancholy unconsoling fold
Of all things that go utterly to death
And mix no more, no more
With life's perpetually awakening breath?
Shall Time not ferry me to such a shore,
Over such sailless seas,
To walk with hope's slain importunities
In miserable marriage? Nay, shall not
All things be there forgot,
Save the sea's golden barrier and the black
Close-crouching promontories?
Dead to all shames, forgotten of all glories,
Shall I not wander there, a shadow's shade,
A spectre self-destroyed,
So purged of all remembrance and sucked back
Into the primal void,
That should we on that shore phantasmal meet
I should not know the coming of your feet?
Written by G K Chesterton | Create an image from this poem

The Black Virgin

 One in thy thousand statues we salute thee 
On all thy thousand thrones acclaim and claim 
Who walk in forest of thy forms and faces 
Walk in a forest calling on one name 
And, most of all, how this thing may be so 
Who know thee not are mystified to know
That one cries "Here she stands" and one cries "Yonder" 
And thou wert home in heaven long ago. 

Burn deep in Bethlehem in the golden shadows,
Ride above Rome upon the horns of stone,
From low Lancastrian or South Saxon shelters
Watch through dark years the dower that was shine own:
Ghost of our land, White Lady of Walsinghame,
Shall they not live that call upon thy name
If an old song on a wild wind be blowing
Crying of the holy country whence they came? 

Root deep in Chartres the roses blown of glass 
Burning above thee in the high vitrailles, 
On Cornish crags take for salute of swords 
O'er peacock seas the far salute of sails, 
Glooming in bronze or gay in painted wood, 
A great doll given when the child is good, 
Save that She gave the Child who gave the doll, 
In whom all dolls are dreams of motherhood. 

I have found thee like a little shepherdess 
Gay with green ribbons; and passed on to find 
Michael called Angel hew the Mother of God 
Like one who fills a mountain with a mind: 
Molten in silver or gold or garbed in blue, 
Or garbed in red where the inner robe burns through, 
Of the King's daughter glorious within: 
Change shine unchanging light with every hue. 

Clothed with the sun or standing on the moon 
Crowned with the stars or single, a morning star, 
Sunlight and moonlight are thy luminous shadows, 
Starlight and twilight thy refractions are, 
Lights and half-lights and all lights turn about thee, 
But though we dazed can neither see nor doubt thee, 
Something remains. Nor can man live without it 
Nor can man find it bearable without thee. 

There runs a dark thread through the tapestries 
That time has woven with all the tints of time 
Something not evil but grotesque and groping, 
Something not clear; not final; not sublime; 
Quaint as dim pattern of primal plant or tree 
Or fish, the legless elfins of the sea, 
Yet rare as this shine image in ebony 
Being most strange in its simplicity. 

Rare as the rushing of the wild black swans
The Romans saw; or rocks remote and grim
Where through black clouds the black sheep runs accursed 
And through black clouds the Shepherd follows him. 
By the black oak of the aeon-buried grove 
By the black gems of the miner's treasure-trove 
Monsters and freaks and fallen stars and sunken- 
Most holy dark, cover our uncouth love. 

From shine high rock look down on Africa 
The living darkness of devouring green 
The loathsome smell of life unquenchable, 
Look on low brows and blinking eyes between, 
On the dark heart where white folk find no place, 
On the dark bodies of an antic race, 
On all that fear thy light and love thy shadow, 
Turn thou the mercy of thy midnight face. 

This also is in thy spectrum; this dark ray; 
Beyond the deepening purples of thy Lent 
Darker than violet vestment; dark and secret 
Clot of old night yet cloud of heaven sent: 
As the black moon of some divine eclipse, 
As the black sun of the Apocalypse, 
As the black flower that blessed Odysseus back 
From witchcraft; and he saw again the ships. 

In all thy thousand images we salute thee, 
Claim and acclaim on all thy thousand thrones 
Hewn out of multi-colored rocks and risen 
Stained with the stored-up sunsets in all tones- 
If in all tones and shades this shade I feel, 
Come from the black cathedrals of Castille 
Climbing these flat black stones of Catalonia, 
To thy most merciful face of night I kneel.
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