Written by
Allen Ginsberg |
I
In the depths of the Greyhound Terminal
sitting dumbly on a baggage truck looking at the sky
waiting for the Los Angeles Express to depart
worrying about eternity over the Post Office roof in
the night-time red downtown heaven
staring through my eyeglasses I realized shuddering
these thoughts were not eternity, nor the poverty
of our lives, irritable baggage clerks,
nor the millions of weeping relatives surrounding the
buses waving goodbye,
nor other millions of the poor rushing around from
city to city to see their loved ones,
nor an indian dead with fright talking to a huge cop
by the Coke machine,
nor this trembling old lady with a cane taking the last
trip of her life,
nor the red-capped cynical porter collecting his quar-
ters and smiling over the smashed baggage,
nor me looking around at the horrible dream,
nor mustached ***** Operating Clerk named Spade,
dealing out with his marvelous long hand the
fate of thousands of express packages,
nor fairy Sam in the basement limping from leaden
trunk to trunk,
nor Joe at the counter with his nervous breakdown
smiling cowardly at the customers,
nor the grayish-green whale's stomach interior loft
where we keep the baggage in hideous racks,
hundreds of suitcases full of tragedy rocking back and
forth waiting to be opened,
nor the baggage that's lost, nor damaged handles,
nameplates vanished, busted wires & broken
ropes, whole trunks exploding on the concrete
floor,
nor seabags emptied into the night in the final
warehouse.
II
Yet Spade reminded me of Angel, unloading a bus,
dressed in blue overalls black face official Angel's work-
man cap,
pushing with his belly a huge tin horse piled high with
black baggage,
looking up as he passed the yellow light bulb of the loft
and holding high on his arm an iron shepherd's crook.
III
It was the racks, I realized, sitting myself on top of
them now as is my wont at lunchtime to rest
my tired foot,
it was the racks, great wooden shelves and stanchions
posts and beams assembled floor to roof jumbled
with baggage,
--the Japanese white metal postwar trunk gaudily
flowered & headed for Fort Bragg,
one Mexican green paper package in purple rope
adorned with names for Nogales,
hundreds of radiators all at once for Eureka,
crates of Hawaiian underwear,
rolls of posters scattered over the Peninsula, nuts to
Sacramento,
one human eye for Napa,
an aluminum box of human blood for Stockton
and a little red package of teeth for Calistoga-
it was the racks and these on the racks I saw naked
in electric light the night before I quit,
the racks were created to hang our possessions, to keep
us together, a temporary shift in space,
God's only way of building the rickety structure of
Time,
to hold the bags to send on the roads, to carry our
luggage from place to place
looking for a bus to ride us back home to Eternity
where the heart was left and farewell tears
began.
IV
A swarm of baggage sitting by the counter as the trans-
continental bus pulls in.
The clock registering 12:15 A.
M.
, May 9, 1956, the
second hand moving forward, red.
Getting ready to load my last bus.
-Farewell, Walnut
Creek Richmond Vallejo Portland Pacific
Highway
Fleet-footed Quicksilver, God of transience.
One last package sits lone at midnight sticking up out
of the Coast rack high as the dusty fluorescent
light.
The wage they pay us is too low to live on.
Tragedy
reduced to numbers.
This for the poor shepherds.
I am a communist.
Farewell ye Greyhound where I suffered so much,
hurt my knee and scraped my hand and built
my pectoral muscles big as a vagina.
May 9, 1956
|
Written by
Robinson Jeffers |
There is a jaggle of masonry here, on a small hill
Above the gray-mouthed Pacific, cottages and a thick-walled tower, all made of rough sea rock
And Portland cement.
I imagine, fifty years from now,
A mist-gray figure moping about this place in mad moonlight, examining the mortar-joints, pawing the
Parasite ivy: "Does the place stand? How did it take that last earthquake?" Then someone comes
From the house-door, taking a poodle for his bedtime walk.
The dog snarls and retreats; the man
Stands rigid, saying "Who are you? What are you doing here?" "Nothing to hurt you," it answers, "I am just looking
At the walls that I built.
I see that you have played hell
With the trees that I planted.
" "There has to be room for people," he answers.
"My God," he says, "That still!"
|
Written by
A E Housman |
Oh who is that young sinner with the handcuffs on his wrists?
And what has he been after that they groan and shake their fists?
And wherefore is he wearing such a conscience-stricken air?
Oh they're taking him to prison for the color of his hair.
'Tis a shame to human nature, such a head of hair as his;
In the good old time 'twas hanging for the color that it is;
Though hanging isn't bad enough and flaying would be fair
For the nameless and abominable color of his hair.
Oh a deal of pains he's taken and a pretty price he's paid
To hide his poll or dye it of a mentionable shade;
But they've pulled the beggar's hat off for the world to see and stare,
And they're taking him to justice for the color of his hair.
Now 'tis oakum for his fingers and the treadmill for his feet,
And the quarry-gang on Portland in the cold and in the heat,
And between his spells of labor in the time he has to spare
He can curse the God that made him for the color of his hair.
|
Written by
Gary Snyder |
Snowfall in March:
I sit in the white glow reading a thesis
About you.
Your poems, your life.
The author's my student,
He even quotes me.
Forty years since we joked in a kitchen in Portland
Twenty since you disappeared.
All those years and their moments—
Crackling bacon, slamming car doors,
Poems tried out on friends,
Will be one more archive,
One more shaky text.
But life continues in the kitchen
Where we still laugh and cook,
Watching snow.
|
Written by
A E Housman |
The star-filled seas are smooth tonight
From France to England strown;
Black towers above Portland light
The felon-quarried stone.
On yonder island; not to rise,
Never to stir forth free,
Far from his folk a dead lad lies
That once was friends with me.
Lie you easy, dream you light,
And sleep you fast for aye;
And luckier may you find the night
Than you ever found the day.
|
Written by
Barry Tebb |
The years become you as Oxford becomes you,
As you became Oxford through the protest years;
From Magdalen’s grey gargoyles to its bridge in May,
From the cement buttresses of Wellington Square
To Balliol, Balliol in the rain.
The years become you as the Abbey Road becomes you,
As you became that road through silent years,
From the famous crossing to the stunted bridge
Caparisoned with carnivals of children,
Cohorts of coloured clowns and Father Christmases.
The years become you as the Clothworkers’ Hall in gold
Became you, and you became it through the protest years,
When the Brotherton’s Portland stone, its white stone
Of innocence was snow in the School of English garden,
‘A living sculpture’, a Grene Knicht awaiting spring.
The years become you, Oxford, Leeds and London,
As you became them through the years of poems,
Through passing, silent crowds, through the cherry blossom
You sat under, plucked and ploughed, ‘a dissenting voice’,
And Balliol, Balliol in the rain.
|
Written by
William Topaz McGonagall |
'Twas on a Sunday morning, and in the year of 1888,
The steamer "Saxmundham," laden with coal and coke for freight,
Was run into amidships by the Norwegian barque "Nor,"
And sunk in the English Channel, while the storm fiend did roar.
She left Newcastle on Friday, in November, about two o'clock,
And proceeded well on her way until she received a shock;
And the effects of the collision were so serious within,
That, within twenty minutes afterwards, with water she was full to the brim.
The effects of the collision were so serious the water cduldn't be staunched,
So immediately the "Saxmundham's" jolly-boat was launched;
While the brave crew were busy, and loudly did clatter,
Because, at this time, the stem of the steamer was under water.
Then the bold crew launched the lifeboat, without dismay,
While their hearts did throb, but not a word did they say;
They they tried to launch the port lifeboat, but in that they failed,
Owing to the heavy sea, so their sad fate they bewailed.
Then into the jolly-boat and lifeboat jumped fifteen men in all,
And immediately the steamer foundered, which did their hearts appal,
As the good ship sank beneath the briny wave,
But they thanked God fervently that did them save.
Oh! it was a miracle how any of them were saved,
But it was by the aid of God, and how the crew behaved;
Because God helps those that help themselves,
And those that don't try to do so are silly elves.
So the two boats cruised about for some time,
Before it was decided to pull for St.
Catherine;
And while cruising about they must have been ill,
But they succeeded in picking up an engineer and fireman, also Captain Milne.
And at daybreak on Sunday morning the men in the lifeboat
Were picked up by the schooner "Waterbird" as towards her they did float,
And landed at Weymouth, and made all right
By the authorities, who felt for them in their sad plight.
But regarding the barque "Nor," to her I must return,
And, no doubt, for the drowned men, many will mourn;
Because the crew's sufferings must have been great,
Which, certainly, is soul-harrowing to relate.
The ill-fated barque was abandoned in a sinking state,
But all her crew were saved, which I'm happy to relate;
They were rescued by the steamer "Hagbrook" in the afternoon,
When after taking to their boats, and brought to Portland very soon.
The barque "Nor" was bound from New York to Stettin,
And when she struck the "Saxmundham," oh! what terrible din!
Because the merciless water did rush in,
Then the ship carpenters to patch the breach did begin.
But, alas! all their efforts proved in vain,
For still the water did on them gain;
Still they resolved to save her whatever did betide,
But, alas! the ill-fated "Nor" sank beneath the tide.
But thanks be to God, the major part of the men have been saved,
And all honour to both crews that so manfully behaved;
And may God protect the mariner by night and by day
When on the briny deep, far, far away!
|
Written by
Robert Burns |
DAUGHTER of Chaos’ doting years,
Nurse of ten thousand hopes and fears,
Whether thy airy, insubstantial shade
(The rights of sepulture now duly paid)
Spread abroad its hideous form
On the roaring civil storm,
Deafening din and warring rage
Factions wild with factions wage;
Or under-ground, deep-sunk, profound,
Among the demons of the earth,
With groans that make the mountains shake,
Thou mourn thy ill-starr’d, blighted birth;
Or in the uncreated Void,
Where seeds of future being fight,
With lessen’d step thou wander wide,
To greet thy Mother—Ancient Night.
And as each jarring, monster-mass is past,
Fond recollect what once thou wast:
In manner due, beneath this sacred oak,
Hear, Spirit, hear! thy presence I invoke!
By a Monarch’s heaven-struck fate,
By a disunited State,
By a generous Prince’s wrongs.
By a Senate’s strife of tongues,
By a Premier’s sullen pride,
Louring on the changing tide;
By dread Thurlow’s powers to awe
Rhetoric, blasphemy and law;
By the turbulent ocean—
A Nation’s commotion,
By the harlot-caresses
Of borough addresses,
By days few and evil,
(Thy portion, poor devil!)
By Power, Wealth, and Show,
(The Gods by men adored,)
By nameless Poverty,
(Their hell abhorred,)
By all they hope, by all they fear,
Hear! and appear!
Stare not on me, thou ghastly Power!
Nor, grim with chained defiance, lour:
No Babel-structure would I build
Where, order exil’d from his native sway,
Confusion may the REGENT-sceptre wield,
While all would rule and none obey:
Go, to the world of man relate
The story of thy sad, eventful fate;
And call presumptuous Hope to hear
And bid him check his blind career;
And tell the sore-prest sons of Care,
Never, never to despair!
Paint Charles’ speed on wings of fire,
The object of his fond desire,
Beyond his boldest hopes, at hand:
Paint all the triumph of the Portland Band;
Mark how they lift the joy-exulting voice,
And how their num’rous creditors rejoice;
But just as hopes to warm enjoyment rise,
Cry CONVALESCENCE! and the vision flies.
Then next pourtray a dark’ning twilight gloom,
Eclipsing sad a gay, rejoicing morn,
While proud Ambition to th’ untimely tomb
By gnashing, grim, despairing fiends is borne:
Paint ruin, in the shape of high D[undas]
Gaping with giddy terror o’er the brow;
In vain he struggles, the fates behind him press,
And clam’rous hell yawns for her prey below:
How fallen That, whose pride late scaled the skies!
And This, like Lucifer, no more to rise!
Again pronounce the powerful word;
See Day, triumphant from the night, restored.
Then know this truth, ye Sons of Men!
(Thus ends thy moral tale,)
Your darkest terrors may be vain,
Your brightest hopes may fail.
|
Written by
Rg Gregory |
wherever there's a tear in the fabric
around weymouth - portland appears
from abbotsbury hill it's just a long
thin line humped at one end
closer (from chesil beach) a head-on
massive lump of rock gnashed by the sea
if you stand at sandsfoot castle
there's a military feel - an armed guard
of an island harsh with prisons
snarling with secrets visitors don't probe
but on the road up out of town
towards the east a different spirit
rides inland over caravans and hedges
especially in soft light
portland softens like a pear
in syrup (yearning to be consumed)
elsewhere at other times it broods
a sleeping lion its paw upon
the carcase of its prey - but look
at portland if you can by night
its outline traced by street lights
its harshnesses seduced to
shadows - then the island hangs
beneath the sky in still festivity
its truths intact its wounds of stone
find blessing in the herbal dark
nothing of this of course is meaningful
unless inside us all there rests
a portland ravaged daily ill-at-ease
that has to use the night-time
for its solace - and each glimpse we get
of it assuages different guilts
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