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Best Famous Portioned Poems

Here is a collection of the all-time best famous Portioned poems. This is a select list of the best famous Portioned poetry. Reading, writing, and enjoying famous Portioned poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of portioned poems.

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Written by Anne Bronte | Create an image from this poem

Last Lines

 Jan 7th

A dreadful darkness closes in
On my bewildered mind;
O let me suffer and not sin,
Be tortured yet resigned. 

Through all this world of whelming mist
Still let me look to Thee,
And give me courage to resist
The Tempter till he flee.

Weary I am -- O give me strength
And leave me not to faint;
Say Thou wilt comfort me at length
And pity my complaint.

I've begged to serve Thee heart and soul,
To sacrifice to Thee
No niggard portion, but the whole
Of my identity.

I hoped amid the brave and strong
My portioned task might lie,
To toil amid the labouring throng
With purpose pure and high.

But Thou hast fixed another part,
And Thou hast fixed it well;
I said so with my breaking heart
When first the anguish fell.

For Thou hast taken my delight
And hope of life away,
And bid me watch the painful night
And wait the weary day.

The hope and the delight were Thine;
I bless Thee for their loan;
I gave Thee while I deemed them mine
Too little thanks, I own.

Shall I with joy Thy blessings share
And not endure their loss?
Or hope the martyr's crown to wear
And cast away the cross?

These weary hours will not be lost,
These days of passive misery,
These nights of darkness anguish tost
If I can fix my heart on Thee.

Weak and weary though I lie,
Crushed with sorrow, worn with pain,
Still I may lift to Heaven mine eyes
And strive and labour not in vain,

That inward strife against the sins
That ever wait on suffering;
To watch and strike where first begins
Each ill that would corruption bring,

That secret labour to sustain
With humble patience every blow,
To gather fortitude from pain
And hope and holiness from woe.

Thus let me serve Thee from my heart
Whatever be my written fate,
Whether thus early to depart
Or yet awhile to wait.

If Thou shouldst bring me back to life
More humbled I should be;
More wise, more strengthened for the strife,
More apt to lean on Thee.

Should Death be standing at the gate
Thus should I keep my vow;
But, Lord, whate'er my future fate
So let me serve Thee now.

Finished. Jan. 28, 1849.


Written by Wallace Stevens | Create an image from this poem

The Idea of Order at Key West

She sang beyond the genius of the sea.
The water never formed to mind or voice,
Like a body wholly body, fluttering
Its empty sleeves; and yet its mimic motion
Made constant cry, caused constantly a cry,
That was not ours although we understood,
Inhuman, of the veritable ocean.

The sea was not a mask. No more was she.
The song and water were not medleyed sound
Even if what she sang was what she heard.
Since what she sang was uttered word by word.
It may be that in all her phrases stirred
The grinding water and the gasping wind;
But it was she and not the sea we heard.

For she was the maker of the song she sang.
The ever-hooded, tragic-gestured sea
Was merely a place by which she walked to sing.
Whose spirit is this? we said, because we knew
It was the spirit that we sought and knew
That we should ask this often as she sang.

If it was only the dark voice of the sea
That rose, or even colored by many waves;
If it was only the outer voice of sky
And cloud, of the sunken coral water-walled,
However clear, it would have been deep air,
The heaving speech of air, a summer sound
Repeated in a summer without end
And sound alone. But it was more than that,
More even than her voice, and ours, among
The meaningless plungings of water and the wind,
Theatrical distances, bronze shadows heaped
On high horizons, mountainous atmospheres
Of sky and sea.
It was her voice that made
The sky acutest at its vanishing.
She measured to the hour its solitude.
She was the single artificer of the world
In which she sang. And when she sang, the sea,
Whatever self it had, became the self
That was her song, for she was the maker. Then we,
As we beheld her striding there alone,
Knew that there never was a world for her
Except the one she sang and, singing, made.

Ramon Fernandez, tell me, if you know,
Why, when the singing ended and we turned
Toward the town, tell why the glassy lights,
The lights in the fishing boats at anchor there,
As night descended, tilting in the air,
Mastered the night and portioned out the sea,
Fixing emblazoned zones and fiery poles,
Arranging, deepening, enchanting night.

Oh! Blessed rage for order, pale Ramon,
The maker's rage to order words of the sea,
Words of the fragrant portals, dimly-starred,
And of ourselves and of our origins,
In ghostlier demarcations, keener sounds.

Book: Reflection on the Important Things