Written by
Robert Burns |
O ONCE I lov’d a bonie lass,
Ay, and I love her still;
And whilst that virtue warms my breast,
I’ll love my handsome Nell.
As bonie lasses I hae seen,
And mony full as braw;
But, for a modest gracefu’ mein,
The like I never saw.
A bonie lass, I will confess,
Is pleasant to the e’e;
But, without some better qualities,
She’s no a lass for me.
But Nelly’s looks are blythe and sweet,
And what is best of a’,
Her reputation is complete,
And fair without a flaw.
She dresses aye sae clean and neat,
Both decent and genteel;
And then there’s something in her gait
Gars ony dress look weel.
A gaudy dress and gentle air
May slightly touch the heart;
But it’s innocence and modesty
That polishes the dart.
’Tis this in Nelly pleases me,
’Tis this enchants my soul;
For absolutely in my breast
She reigns without control.
Note 1.
The first of my performances.
—R.
B.
[back]
|
Written by
Edward Taylor |
The disorganization to which I currently belong
has skipped several meetings in a row
which is a pattern I find almost fatally attractive.
Down at headquarters there's a secretary
and a janitor who I shall call Suzie
and boy can she ever shoot straight.
She'll shoot you straight in the eye if you ask her to.
I mow the grass every other Saturday
and that's the day she polishes the trivets
whether they need it or not, I don't know
if there is a name for this kind of behavior,
hers or mine, but somebody once said something or another.
That's why I joined up in the first place,
so somebody could teach me a few useful phrases,
such as, "Good afternoon, my dear ****-retentive Doctor,"
and "My, that is a lovely dictionary you have on, Mrs.
Smith.
"
Still, I hardly feel like functioning even on a brute
or loutish level.
My plants think I'm one of them,
and they don't look so good themselves, or so
I tell them.
I like to give them at least several
reasons to be annoyed with me, it's how they exercise
their skinny spectrum of emotions.
Because.
That and cribbage.
Often when I return from the club
late at night, weary-laden, weary-winged, washed out,
I can actually hear the nematodes working, sucking
the juices from the living cells of my narcissus.
I have mentioned this to Suzie on several occasions.
Each time she has backed away from me, panic-stricken
when really I was just making a stab at conversation.
It is not my intention to alarm anyone, but dear Lord
if I find a dead man in the road and his eyes
are crawling with maggots, I refuse to say
have a nice day Suzie just because she's desperate
and her life is a runaway carriage rushing toward a cliff
now can I? Would you let her get away with that kind of crap?
Who are you anyway? And what kind of disorganization is this?
Baron of the Holy Grail? Well it's about time you got here.
I was worried, I was starting to fret.
|
Written by
Joyce Kilmer |
(For Robert Cortez Holliday)
If I should live in a forest
And sleep underneath a tree,
No grove of impudent saplings
Would make a home for me.
I'd go where the old oaks gather,
Serene and good and strong,
And they would not sigh and tremble
And vex me with a song.
The pleasantest sort of poet
Is the poet who's old and wise,
With an old white beard and wrinkles
About his kind old eyes.
For these young flippertigibbets
A-rhyming their hours away
They won't be still like honest men
And listen to what you say.
The young poet screams forever
About his sex and his soul;
But the old man listens, and smokes his pipe,
And polishes its bowl.
There should be a club for poets
Who have come to seventy year.
They should sit in a great hall drinking
Red wine and golden beer.
They would shuffle in of an evening,
Each one to his cushioned seat,
And there would be mellow talking
And silence rich and sweet.
There is no peace to be taken
With poets who are young,
For they worry about the wars to be fought
And the songs that must be sung.
But the old man knows that he's in his chair
And that God's on His throne in the sky.
So he sits by the fire in comfort
And he lets the world spin by.
|
Written by
Vasko Popa |
Until her last breath she enlarges
Her Oxford house
Built in Slavonic
Vowels and consonants
She polishes the corner-stones
Until their Anglo-Saxon shine
Begins to sing
Her death is like a short breath-stop
Under the distant limetrees of her friends
|
Written by
Kenneth Patchen |
Tiny green birds skate over the surface of the room.
A naked girl prepares a basin with steaming water,
And in the corner away from the hearth, the red wheels
Of an up-ended chariot slowly turn.
After a long moment, the door to the other world opens
And the golden figure of a man appears.
He stands
Ruddy as a salmon beside the niche where are kept
The keepsakes of the Prince of Earth; then sadly, drawing
A hammer out of his side, he advances to an oaken desk,
And being careful to strike in exact fury, pounds it to bits.
Another woman has by now taken her station
Beside the bubbling tub.
Her legs are covered with a silken blue fur,
Which in places above the knees
Grows to the thickness of a lion's mane.
The upper sphere of her chest
Is gathered into huge creases by two jeweled pins.
Transparent little boots reveal toes
Which an angel could want.
Beneath her on the floor a beautiful cinnamon cat
Plays with a bunch of yellow grapes, running
Its paws in and out like a boy being a silly king.
Her voice is round and white as she says:
'Your bath is ready, darling.
Don't wait too long.
'
But he has already drawn away to the window
And through its circular opening looks,
As a man into the pages of his death.
'Terrible horsemen are setting fire to the earth.
Houses are burning .
.
.
the people fly before
The red spears of a speckled madness .
.
.
'
'Please, dear,' interrupts the original woman,
'We cannot help them .
.
.
Under the cancerous foot
Of their hatred, they were born to perish -
Like beasts in a well of spiders .
.
.
Come now, sweet; the water will get cold.
'
A little wagon pulled by foxes lowers from the ceiling.
Three men are seated on its cushions which breathe
Like purple breasts.
The head of one is tipped
To the right, where on a bed of snails, a radiant child
Is crowing sleepily; the heads of the other two are turned
Upward, as though in contemplation
Of an authority which is not easily apprehended.
Yet they act as one, lifting the baby from its rosy perch,
And depositing it gently in the tub.
The water hisses over its scream .
.
.
a faint smell
Of horror floats up.
Then the three withdraw
With their hapless burden, and the tinny bark
Of the foxes dies on the air.
'It hasn't grown cold yet,' the golden figure says,
And he strokes the belly of the second woman,
Running his hands over her fur like someone asleep.
They lie together under the shadow of a giant crab
Which polishes its thousand vises beside the fire.
Farther back, nearly obscured by kettles and chairs,
A second landscape can be seen; then a third, fourth,
Fifth .
.
.
until the whole, fluted like a rose,
And webbed in a miraculous workmanship,
Ascends unto the seven thrones
Where Tomorrow sits.
Slowly advancing down these shifting levels,
The white Queen of Heaven approaches.
Stars glitter in her hair.
A tree grows
Out of her side, and gazing through the foliage
The eyes of the Beautiful gleam - 'Hurry, darling,'
The first woman calls.
'The water is getting cold.
'
But he does not hear.
The hilt of the knife is carved like a scepter
And like a scepter gently sways
Above his mutilated throat .
.
.
Smiling like a fashionable hat, the furry girl
Walks quickly to the tub, and throwing off
Her stained gown, eels into the water.
The other watches her sorrowfully; then,
Without haste, as one would strangle an owl,
She flicks the wheel of the chariot - around
Which the black world bends .
.
.
without thrones or gates, without faith,
warmth or light for any of its creatures;
where even the children go mad - and
As though unwound on a scroll, the picture
Of Everyman's murder winks back at God.
Farther away now, nearly hidden by the human,
Another landscape can be seen .
.
.
And the wan, smiling Queen of Heaven appears
For a moment on the balconies of my chosen sleep.
|
Written by
James Tate |
The disorganization to which I currently belong
has skipped several meetings in a row
which is a pattern I find almost fatally attractive.
Down at headquarters there's a secretary
and a janitor who I shall call Suzie
and boy can she ever shoot straight.
She'll shoot you straight in the eye if you ask her to.
I mow the grass every other Saturday
and that's the day she polishes the trivets
whether they need it or not, I don't know
if there is a name for this kind of behavior,
hers or mine, but somebody once said something or another.
That's why I joined up in the first place,
so somebody could teach me a few useful phrases,
such as, "Good afternoon, my dear ****-retentive Doctor,"
and "My, that is a lovely dictionary you have on, Mrs.
Smith.
"
Still, I hardly feel like functioning even on a brute
or loutish level.
My plants think I'm one of them,
and they don't look so good themselves, or so
I tell them.
I like to give them at least several
reasons to be annoyed with me, it's how they exercise
their skinny spectrum of emotions.
Because.
That and cribbage.
Often when I return from the club
late at night, weary-laden, weary-winged, washed out,
I can actually hear the nematodes working, sucking
the juices from the living cells of my narcissus.
I have mentioned this to Suzie on several occasions.
Each time she has backed away from me, panic-stricken
when really I was just making a stab at conversation.
It is not my intention to alarm anyone, but dear Lord
if I find a dead man in the road and his eyes
are crawling with maggots, I refuse to say
have a nice day Suzie just because she's desperate
and her life is a runaway carriage rushing toward a cliff
now can I? Would you let her get away with that kind of crap?
Who are you anyway? And what kind of disorganization is this?
Baron of the Holy Grail? Well it's about time you got here.
I was worried, I was starting to fret.
|
Written by
Sylvia Plath |
Jade --
Stone of the side,
The antagonized
Side of green Adam, I
Smile, cross-legged,
Enigmatical,
Shifting my clarities.
So valuable!
How the sun polishes this shoulder!
And should
The moon, my
Indefatigable cousin
Rise, with her cancerous pallors,
Dragging trees --
Little bushy polyps,
Little nets,
My visibilities hide.
I gleam like a mirror.
At this facet the bridegroom arrives
Lord of the mirrors!
It is himself he guides
In among these silk
Screens, these rustling appurtenances.
I breathe, and the mouth
Veil stirs its curtain
My eye
Veil is
A concatenation of rainbows.
I am his.
Even in his
Absence, I
Revolve in my
Sheath of impossibles,
Priceless and quiet
Among these parrakeets, macaws!
O chatterers
Attendants of the eyelash!
I shall unloose
One feather, like the peacock.
Attendants of the lip!
I shall unloose
One note
Shattering
The chandelier
Of air that all day flies
Its crystals
A million ignorants.
Attendants!
Attendants!
And at his next step
I shall unloose
I shall unloose --
From the small jeweled
Doll he guards like a heart --
The lioness,
The shriek in the bath,
The cloak of holes.
|