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Best Famous Plumbed Poems

Here is a collection of the all-time best famous Plumbed poems. This is a select list of the best famous Plumbed poetry. Reading, writing, and enjoying famous Plumbed poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of plumbed poems.

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Written by Emily Dickinson | Create an image from this poem

How Human Nature dotes

 How Human Nature dotes
On what it can't detect.
The moment that a Plot is plumbed
Prospective is extinct --

Prospective is the friend
Reserved for us to know
When Constancy is clarified
Of Curiosity --

Of subjects that resist
Redoubtablest is this
Where go we --
Go we anywhere
Creation after this?


Written by Seamus Heaney | Create an image from this poem

The Otter

 When you plunged
The light of Tuscany wavered
And swung through the pool
From top to bottom.

I loved your wet head and smashing crawl,
Your fine swimmer's back and shoulders
Surfacing and surfacing again
This year and every year since.

I sat dry-throated on the warm stones.
You were beyond me.
The mellowed clarities, the grape-deep air
Thinned and disappointed.

Thank God for the slow loadening,
When I hold you now
We are close and deep
As the atmosphere on water.

My two hands are plumbed water.
You are my palpable, lithe
Otter of memory
In the pool of the moment,

Turning to swim on your back,
Each silent, thigh-shaking kick
Re-tilting the light,
Heaving the cool at your neck.

And suddenly you're out,
Back again, intent as ever,
Heavy and frisky in your freshened pelt,
Printing the stones.
Written by Edward Estlin (E E) Cummings | Create an image from this poem

proud of his scientific attitude

proud of his scientific attitude

and liked the prince of wales wife wants to die
but the doctors won't let her comman considers fr
ood
whom he pronounces young mistaken and
cradles in rubbery one somewhat hand
the paper destinies of nations sic
item a bounceless period unshy
the empty house is full O Yes of guk
rooms daughter item son a woopsing *****
colon hobby photography never has plumbed
the heights of prowst but respects artists if
they are sincere proud of his scientif
ic attitude and liked the king of)hear

ye!the godless are the dull and the dull are the
damned
Written by Dylan Thomas | Create an image from this poem

Authors Prologue

 This day winding down now
At God speeded summer's end
In the torrent salmon sun,
In my seashaken house
On a breakneck of rocks
Tangled with chirrup and fruit,
Froth, flute, fin, and quill
At a wood's dancing hoof,
By scummed, starfish sands
With their fishwife cross
Gulls, pipers, cockles, and snails,
Out there, crow black, men
Tackled with clouds, who kneel
To the sunset nets,
Geese nearly in heaven, boys
Stabbing, and herons, and shells
That speak seven seas,
Eternal waters away
From the cities of nine
Days' night whose towers will catch
In the religious wind
Like stalks of tall, dry straw,
At poor peace I sing
To you strangers (though song
Is a burning and crested act,
The fire of birds in
The world's turning wood,
For my swan, splay sounds),
Out of these seathumbed leaves
That will fly and fall
Like leaves of trees and as soon
Crumble and undie
Into the dogdayed night.
Seaward the salmon, sucked sun slips,
And the dumb swans drub blue
My dabbed bay's dusk, as I hack
This rumpus of shapes
For you to know
How I, a spining man,
Glory also this star, bird
Roared, sea born, man torn, blood blest.
Hark: I trumpet the place,
From fish to jumping hill! Look:
I build my bellowing ark
To the best of my love
As the flood begins,
Out of the fountainhead
Of fear, rage read, manalive,
Molten and mountainous to stream
Over the wound asleep
Sheep white hollow farms
To Wales in my arms.
Hoo, there, in castle keep,
You king singsong owls, who moonbeam
The flickering runs and dive
The dingle furred deer dead!
Huloo, on plumbed bryns,
O my ruffled ring dove
in the hooting, nearly dark
With Welsh and reverent rook,
Coo rooning the woods' praise,
who moons her blue notes from her nest
Down to the curlew herd!
Ho, hullaballoing clan
Agape, with woe
In your beaks, on the gabbing capes!
Heigh, on horseback hill, jack
Whisking hare! who
Hears, there, this fox light, my flood ship's
Clangour as I hew and smite
(A clash of anvils for my
Hubbub and fiddle, this tune
On atounged puffball)
But animals thick as theives
On God's rough tumbling grounds
(Hail to His beasthood!).
Beasts who sleep good and thin,
Hist, in hogback woods! The haystacked
Hollow farms ina throng
Of waters cluck and cling,
And barnroofs cockcrow war!
O kingdom of neighbors finned
Felled and quilled, flash to my patch
Work ark and the moonshine
Drinking Noah of the bay,
With pelt, and scale, and fleece:
Only the drowned deep bells
Of sheep and churches noise
Poor peace as the sun sets
And dark shoals every holy field.
We will ride out alone then,
Under the stars of Wales,
Cry, Multiudes of arks! Across
The water lidded lands,
Manned with their loves they'll move
Like wooden islands, hill to hill.
Huloo, my prowed dove with a flute!
Ahoy, old, sea-legged fox,
Tom tit and Dai mouse!
My ark sings in the sun
At God speeded summer's end
And the flood flowers now.
Written by Barry Tebb | Create an image from this poem

To Four Psychoanalysts

 Richard Chessick, John Gedo, James Grotstein and Vamik Voltan



What darknesses have you lit up for me

What depths of infinite space plumbed

With your finely honed probes

What days of unending distress lightened 

With your wisdom, skills and jouissance?

Conquistadores of the unconscious

For three decades how often have I come to you

And from your teachings gathered the manna

Of meaning eluding me alone in my northern eyrie?

Chance or God’s guidance – being a poet I chose the latter – 

Brought me to dip my ankle like an amah’s blessing

Into the Holy Ganges of prelude and grosse fuge 

Of ego and unconscious, wandering alone

In uncharted waters and faltering

Until I raised my hand and found it grasped

By your firm fingers pulling inexorably shoreward.

Did I know, how could I know, madness 

Would descend on my family, first a sad grandfather

Who had wrought destruction on three generations

Including our children’s?


I locked with the horns of madness,

Trusted my learning, won from you at whose feet I sat

Alone and in spirit; yet not once did you let me down,

In ward rounds, staying on after the other visitors –

How few and lost – had gone, chatting to a charge nurse

While together we made our case

To the well meaning but unenlightened psychiatrist,

Chair of the department no less, grumbling good-naturedly

At our fumbling formulations of splitting as a diagnostic aid.

When Cyril’s nightmare vision of me in a white coat

Leading a posse of nurses chasing him round his flat

With a flotilla of ambulances on witches’ brooms

Bringing his psychotic core to the fore and 

The departmental chairman finally signing the form.



Cyril discharged on Largactil survived two years

To die on a dual carriageway ‘high on morphine’

And I learned healing is caring as much as knowing,

The slow hard lesson of a lifetime, the concentration

Of a chess master, the footwork of a dancer,

The patience of a scholar and a saint’s humility,

While I have only a poet’s quickness, a journalist’s 

Ability to speed-read and the clumsiness 

Of a circus clown.


Written by Thomas Hardy | Create an image from this poem

Under The Waterfall

 'Whenever I plunge my arm, like this, 
In a basin of water, I never miss 
The sweet sharp sense of a fugitive day 
Fetched back from its thickening shroud of gray. 
Hence the only prime 
And real love-rhyme 
That I know by heart, 
And that leaves no smart, 
Is the purl of a little valley fall 
About three spans wide and two spans tall 
Over a table of solid rock, 
And into a scoop of the self-same block; 
The purl of a runlet that never ceases 
In stir of kingdoms, in wars, in peaces; 
With a hollow boiling voice it speaks 
And has spoken since hills were turfless peaks.'

'And why gives this the only prime 
Idea to you of a real love-rhyme? 
And why does plunging your arm in a bowl 
Full of spring water, bring throbs to your soul?'

'Well, under the fall, in a crease of the stone, 
Though precisely where none ever has known, 
Jammed darkly, nothing to show how prized, 
And by now with its smoothness opalized, 
Is a grinking glass: 
For, down that pass 
My lover and I 
Walked under a sky 
Of blue with a leaf-wove awning of green, 
In the burn of August, to paint the scene, 
And we placed our basket of fruit and wine 
By the runlet's rim, where we sat to dine; 
And when we had drunk from the glass together, 
Arched by the oak-copse from the weather, 
I held the vessel to rinse in the fall, 
Where it slipped, and it sank, and was past recall, 
Though we stooped and plumbed the little abyss 
With long bared arms. There the glass still is. 
And, as said, if I thrust my arm below 
Cold water in a basin or bowl, a throe 
From the past awakens a sense of that time, 
And the glass we used, and the cascade's rhyme. 
The basin seems the pool, and its edge 
The hard smooth face of the brook-side ledge, 
And the leafy pattern of china-ware 
The hanging plants that were bathing there.

'By night, by day, when it shines or lours, 
There lies intact that chalice of ours, 
And its presence adds to the rhyme of love 
Persistently sung by the fall above. 
No lip has touched it since his and mine 
In turns therefrom sipped lovers' wine.'
Written by Edmund Blunden | Create an image from this poem

Perch-Fishing

On the far hill the cloud of thunder grew
And sunlight blurred below; but sultry blue
Burned yet on the valley water where it hoards
Behind the miller's elmen floodgate boards,
And there the wasps, that lodge them ill-concealed
In the vole's empty house, still drove afield
To plunder touchwood from old crippled trees
And build their young ones their hutched nurseries;
Still creaked the grasshoppers' rasping unison
Nor had the whisper through the tansies run
Nor weather-wisest bird gone home.
             How then
Should wry eels in the pebbled shallows ken
Lightning coming? troubled up they stole
To the deep-shadowed sullen water-hole,
Among whose warty snags the quaint perch lair.
As cunning stole the boy to angle there,
Muffling least tread, with no noise balancing through
The hangdog alder-boughs his bright bamboo.
Down plumbed the shuttled ledger, and the quill
On the quicksilver water lay dead still.

A sharp snatch, swirling to-fro of the line,
He's lost, he's won, with splash and scuffling shine
Past the low-lapping brandy-flowers drawn in,
The ogling hunchback perch with needled fin.
And there beside him one as large as he,
Following his hooked mate, careless who shall see
Or what befall him, close and closer yet —
The startled boy might take him in his net
That folds the other.
Slow, while on the clay,
The other flounces, slow he sinks away.
What agony usurps that watery brain
For comradeship of twenty summers slain,
For such delights below the flashing weir
And up the sluice-cut, playing buccaneer
Among the minnows; lolling in hot sun
When bathing vagabonds had drest and done;
Rootling in salty flannel-weed for meal
And river shrimps, when hushed the trundling wheel;
Snapping the dapping moth, and with new wonder
Prowling through old drowned barges falling asunder.
And O a thousand things the whole year through
They did together, never more to do.

Book: Reflection on the Important Things