Get Your Premium Membership

Best Famous Plum Tree Poems

Here is a collection of the all-time best famous Plum Tree poems. This is a select list of the best famous Plum Tree poetry. Reading, writing, and enjoying famous Plum Tree poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of plum tree poems.

Search and read the best famous Plum Tree poems, articles about Plum Tree poems, poetry blogs, or anything else Plum Tree poem related using the PoetrySoup search engine at the top of the page.

See Also:
Written by Etheridge Knight | Create an image from this poem

The Violent Space (Or When Your Sister Sleeps Around For Money)

 Exchange in greed the ungraceful signs. Thrust
The thick notes between green apple breasts.
Then the shadow of the devil descends,
The violent space cries and angel eyes,
Large and dark, retreat in innocence and in ice. 
(Run sister run—the Bugga man comes!)

The violent space cries silently,
Like you cried wide years ago
In another space, speckled by the sun
And the leaves of a green plum tree,
And you were stung
By a red wasp and we flew home.
(Run sister run—the Bugga man comes!)

Well, hell, lil sis, wasps still sting.
You are all of seventeen and as alone now
In your pain as you were with the sting
On your brow.
Well, ****. lil sis, here we are:
You and I and this poem. 
And what should I do? should I squat
In the dust and make strange markings on the ground?
Shall I chant a spell to drive the demon away?
(Run sister run—the Bugga man comes!)

In the beginning you were the Virgin Mary,
And you are the Virgin Mary now.
But somewhere between Nazareth and Bethlehem
You lost your name in the nameless void.
"O Mary don't you weep don't you moan"
O Mary shake your butt to the violent juke,
Absord the demon puke and watch the whites eyes pop,
(Run sister run—the Bugga man comes!)

And what do I do. I boil my tears in a twisted spoon
And dance like an angel on the point of a needle. 
I sit counting syllables like Midas gold.
I am not bold. I cannot yet take hold of the demon
And lift his weight from you black belly,
So I grab the air and sing my song.
(But the air cannot stand my singing long.)


Written by Robert Browning | Create an image from this poem

Garden Francies

 I. THE FLOWER'S NAME

Here's the garden she walked across,
Arm in my arm, such a short while since:
Hark, now I push its wicket, the moss
Hinders the hinges and makes them wince!
She must have reached this shrub ere she turned,
As back with that murmur the wicket swung;
For she laid the poor snail, my chance foot spurned,
To feed and forget it the leaves among.

II.

Down this side ofthe gravel-walk
She went while her rope's edge brushed the box:
And here she paused in her gracious talk
To point me a moth on the milk-white phlox.
Roses, ranged in valiant row,
I will never think that she passed you by!
She loves you noble roses, I know;
But yonder, see, where the rock-plants lie!

III.

This flower she stopped at, finger on lip,
Stooped over, in doubt, as settling its claim;
Till she gave me, with pride to make no slip,
Its soft meandering Spanish name:
What a name! Was it love or praise?
Speech half-asleep or song half-awake?
I must learn Spanish, one of these days,
Only for that slow sweet name's sake.

IV.

Roses, if I live and do well,
I may bring her, one of these days,
To fix you fast with as fine a spell,
Fit you each with his Spanish phrase;
But do not detain me now; for she lingers
There, like sunshine over the ground,
And ever I see her soft white fingers
Searching after the bud she found.

V.

Flower, you Spaniard, look that you grow not,
Stay as you are and be loved for ever!
Bud, if I kiss you 'tis that you blow not:
Mind, the shut pink mouth opens never!
For while it pouts, her fingers wrestle,
Twinkling the audacious leaves between,
Till round they turn and down they nestle---
Is not the dear mark still to be seen?

VI.

Where I find her not, beauties vanish;
Whither I follow ber, beauties flee;
Is there no method to tell her in Spanish
June's twice June since she breathed it with me?
Come, bud, show me the least of her traces,
Treasure my lady's lightest footfall!
---Ah, you may flout and turn up your faces---
Roses, you are not so fair after all!


II. SIBRANDUS SCHAFNABURGENSIS.

Plague take all your pedants, say I!
He who wrote what I hold in my hand,
Centuries back was so good as to die,
Leaving this rubbish to cumber the land;
This, that was a book in its time,
Printed on paper and bound in leather,
Last month in the white of a matin-prime
Just when the birds sang all together.

II.

Into the garden I brought it to read,
And under the arbute and laurustine
Read it, so help me grace in my need,
From title-page to closing line.
Chapter on chapter did I count,
As a curious traveller counts Stonehenge;
Added up the mortal amount;
And then proceeded to my revenge.

III.

Yonder's a plum-tree with a crevice
An owl would build in, were he but sage;
For a lap of moss, like a fine pont-levis
In a castle of the Middle Age,
Joins to a lip of gum, pure amber;
When he'd be private, there might he spend
Hours alone in his lady's chamber:
Into this crevice I dropped our friend. 

IV.

Splash, went he, as under he ducked,
---At the bottom, I knew, rain-drippings stagnate:
Next, a handful of blossoms I plucked
To bury him with, my bookshelf's magnate;
Then I went in-doors, brought out a loaf,
Half a cheese, and a bottle of Chablis;
Lay on the grass and forgot the oaf
Over a jolly chapter of Rabelais.

V.

Now, this morning, betwixt the moss
And gum that locked our friend in limbo,
A spider had spun his web across,
And sat in the midst with arms akimbo:
So, I took pity, for learning's sake,
And, _de profundis, accentibus ltis,
Cantate!_ quoth I, as I got a rake;
And up I fished his delectable treatise.

VI.

Here you have it, dry in the sun,
With all the binding all of a blister,
And great blue spots where the ink has run,
And reddish streaks that wink and glister
O'er the page so beautifully yellow:
Oh, well have the droppings played their tricks!
Did he guess how toadstools grow, this fellow?
Here's one stuck in his chapter six!

VII.

How did he like it when the live creatures
Tickled and toused and browsed him all over,
And worm, slug, eft, with serious features,
Came in, each one, for his right of trover? 
---When the water-beetle with great blind deaf face
Made of her eggs the stately deposit,
And the newt borrowed just so much of the preface
As tiled in the top of his black wife's closet?

VIII.

All that life and fun and romping,
All that frisking and twisting and coupling,
While slowly our poor friend's leaves were swamping
And clasps were cracking and covers suppling!
As if you bad carried sour John Knox
To the play-house at Paris, Vienna or Munich,
Fastened him into a front-row box,
And danced off the ballet with trousers and tunic.

IX.

Come, old martyr! What, torment enough is it?
Back to my room shall you take your sweet self.
Good-bye, mother-beetle; husband-eft, _sufficit!_
See the snug niche I have made on my shelf!
A.'s book shall prop you up, B.'s shall cover you,
Here's C. to be grave with, or D. to be gay,
And with E. on each side, and F. right over you,
Dry-rot at ease till the Judgment-day!
Written by Kobayashi Issa | Create an image from this poem

Not very anxious

 Not very anxious
to bloom,
my plum tree.
Written by Eugene Field | Create an image from this poem

The Sugar-Plum Tree

 Have you ever heard of the Sugar-Plum Tree?
'T is a marvel of great renown!
It blooms on the shore of the Lollipop sea
In the garden of Shut-Eye Town;
The fruit that it bears is so wondrously sweet
(As those who have tasted it say)
That good little children have only to eat
Of that fruit to be happy next day. 
When you 've got to the tree, you would have a hard time
To capture the fruit which I sing;
The tree is so tall that no person could climb
To the boughs where the sugar-plums swing!
But up in that tree sits a chocolate cat,
And a gingerbread dog prowls below---
And this is the way you contrive to get at
Those sugar-plums tempting you so: 
You say but the word to that gingerbread dog
And he barks with such terrible zest
That the chocolate cat is at once all agog,
As her swelling proportions attest.
And the chocolate cat goes cavorting around
From this leafy limb unto that,
And the sugar-plums tumble, of course, to the ground---
Hurrah for that chocolate cat! 
There are marshmallows, gumdrops, and peppermint canes,
With stripings of scarlet or gold,
And you carry away of the treasure that rains
As much as your apron can hold!
So come, little child, cuddle closer to me
In your dainty white nightcap and gown,
And I 'll rock you away to that Sugar-Plum Tree
In the garden of Shut-Eye Town.
Written by Bertolt Brecht | Create an image from this poem

Parting

 How I have felt that thing that's called 'to part',
and feel it still: a dark, invincible,
cruel something by which what was joined so well
is once more shown, held out, and torn apart.

In what defenceless gaze at that I've stood,
which, as it, calling to me, let me go,
stayed there, as though it were all womanhood,
yet small and white and nothing more than, oh,

waving, now already unrelated
to me, a sight, continuing wave,--scarce now
explainable: perhaps a plum-tree bough
some perchinig cuckoo's hastily vacated.


Written by Les Murray | Create an image from this poem

Flowering Eucalypt In Autumn

 That slim creek out of the sky
the dried-blood western gum tree
is all stir in its high reaches:

its strung haze-blue foliage is dancing
points down in breezy mobs, swapping
pace and place in an all-over sway

retarded en masse by crimson blossom.
Bees still at work up there tack
around their exploded furry likeness

and the lawn underneath's a napped rug
of eyelash drift, of blooms flared
like a sneeze in a redhaired nostril,

minute urns, pinch-sized rockets
knocked down by winds, by night-creaking
fig-squirting bats, or the daily

parrot gang with green pocketknife wings.
Bristling food tough delicate
raucous life, each flower comes

as a spray in its own turned vase,
a taut starbust, honeyed model
of the tree's fragrance crisping in your head.

When the japanese plum tree 
was shedding in spring, we speculated
there among the drizzling petals

what kind of exquisitely precious
artistic bloom might be gendered
in a pure ethereal compost

of petals potted as they fell.
From unpetalled gun-debris
we know what is grown continually,

a tower of fabulous swish tatters,
a map hoisted upright, a crusted
riverbed with up-country show towns.
Written by Philip Levine | Create an image from this poem

A Woman Waking

 She wakens early remembering 
her father rising in the dark 
lighting the stove with a match 
scraped on the floor. Then measuring 
water for coffee, and later the smell 
coming through. She would hear 
him drying spoons, dropping 
them one by one in the drawer. 
Then he was on the stairs 
going for the milk. So soon 
he would be at her door 
to wake her gently, he thought, 
with a hand at her nape, shaking 
to and fro, smelling of gasoline 
and whispering. Then he left. 
Now she shakes her head, shakes 
him away and will not rise. 
There is fog at the window 
and thickening the high branches 
of the sycamores. She thinks 
of her own kitchen, the dishwasher 
yawning open, the dripping carton 
left on the counter. Her boys 
have gone off steaming like sheep. 
Were they here last night? 
Where do they live? she wonders, 
with whom? Are they home? 
In her yard the young plum tree, 
barely taller than she, drops 
its first yellow leaf. She listens 
and hears nothing. If she rose 
and walked barefoot on the wood floor 
no one would come to lead her 
back to bed or give her 
a glass ofwater. If she 
boiled an egg it would darken 
before her eyes. The sky tires 
and turns away without a word. 
The pillow beside hers is cold, 
the old odor of soap is there. 
Her hands are cold. What time is it?
Written by Robert William Service | Create an image from this poem

Bird Sanctuary

 Between the cliff-rise and the beach
A slip of emerald I own;
With fig and olive, almond, peach,
cherry and plum-tree overgrown;
Glad-watered by a crystal spring
That carols through the silver night,
And populous with birds who sing
Gay madrigals for my delight.

Some merchants fain would buy my land
To build a stately pleasure dome.
Poor fools! they cannot understand
how pricelessly it is my home!
So luminous with living wings,
So musical with feathered joy . . .
Not for all pleasure fortune brings,
Would I such ecstasy destroy.

A thousand birds are in my grove,
Melodious from morn to night;
My fruit trees are their treasure trove,
Their happiness is my delight.
And through the sweet and shining days
They know their lover and their friend;
So I will shield in peace and praise
My innocents unto the end.
Written by Edna St. Vincent Millay | Create an image from this poem

Three Songs Of Shattering

 I

The first rose on my rose-tree
 Budded, bloomed, and shattered,
During sad days when to me
 Nothing mattered.

Grief of grief has drained me clean;
 Still it seems a pity
No one saw,—it must have been
 Very pretty.

 II

Let the little birds sing;
 Let the little lambs play;
Spring is here; and so 'tis spring;—
 But not in the old way!

I recall a place
 Where a plum-tree grew;
There you lifted up your face,
 And blossoms covered you.

If the little birds sing,
 And the little lambs play,
Spring is here; and so 'tis spring—
 But not in the old way!

 III

All the dog-wood blossoms are underneath the tree!
 Ere spring was going—ah, spring is gone!
And there comes no summer to the like of you and me,—
 Blossom time is early, but no fruit sets on.

All the dog-wood blossoms are underneath the tree,
 Browned at the edges, turned in a day;
And I would with all my heart they trimmed a mound for me,
 And weeds were tall on all the paths that led that way!

Book: Radiant Verses: A Journey Through Inspiring Poetry