Written by
Gil Scott-Heron |
You will not be able to stay home, brother
You will not be able to plug in, turn on and cop out
You will not be able to lose yourself on skag
And skip out for beer during commercials
Because the revolution will not be televised
The revolution will not be televised
The revolution will not be brought to you by Xerox
In 4 parts without commercial interruptions
The revolution will not show you pictures of Nixon
Blowing a bugle and leading a charge by John Mitchell
General Abrams and Spiro Agnew to eat hog maws
Confiscated from a Harlem sanctuary
The revolution will not be televised
The revolution will not be brought to you by the
Schaefer Award Theater and will not star Natalie Woods
And Steve McQueen or Bullwinkle and Julia
The revolution will not give your mouth sex appeal
The revolution will not get rid of the nubs
The revolution will not make you look five pounds thinner
Because the revolution will not be televised, Brother
There will be no pictures of you and Willie May
Pushing that shopping cart down the block on the dead run
Or trying to slide that color TV into a stolen ambulance
NBC will not be able predict the winner at 8:32
Or report from 29 districts
The revolution will not be televised
There will be no pictures of pigs shooting down
Brothers on the instant replay
There will be no pictures of pigs shooting down
Brothers on the instant replay
There will be no pictures of Whitney Young
Being run out of Harlem on a rail with a brand new process
There will be no slow motion or still life of Roy Wilkens
Strolling through Watts in a red, black and green
Liberation jumpsuit that he had been saving
For just the proper occasion
Green Acres, The Beverly Hillbillies and Hooter ville Junction
Will no longer be so damned relevant
And women will not care if Dick finally gets down with Jane
On search for tomorrow because black people
Will be in the street looking for a brighter day
The revolution will not be televised
There will be no highlights on the eleven o'clock news
And no pictures of hairy armed women liberationists
And Jackie Onassis blowing her nose
The theme song will not be written by Jim Webb
Francis Scott Key, nor sung by Glen Campbell, Tom Jones
Johnny Cash, Englebert Humperdink or the Rare Earth
The revolution will not be televised
The revolution will not be right back after a message
About a white tornado, white lightning, or white people
You will not have to worry about a dove in your bedroom
The tiger in your tank or the giant in your toilet bowl
The revolution will not go better with Coke
The revolution will not fight the germs that may cause bad breath
The revolution will put you in the driver's seat
The revolution will not be televised, will not be televised
Will not be televised, will not be televised
The revolution will be no re-run brothers
The revolution will be live
|
Written by
Sharon Olds |
On the then-below-zero day, it was on,
near the patients' chair, the old heater
kept by the analyst's couch, at the end,
like the infant's headstone that was added near the foot
of my father's grave.
And it was hot, with the almost
laughing satire of a fire's heat,
the little coils like hairs in Hell.
And it was making a group of sick noises-
I wanted the doctor to turn it off
but I couldn't seem to ask, so I just
stared, but it did not budge.
The doctor
turned his heavy, soft palm
outward, toward me, inviting me to speak, I
said, "If you're cold-are you cold? But if it's on
for me.
.
.
" He held his palm out toward me,
I tried to ask, but I only muttered,
but he said, "Of course," as if I had asked,
and he stood up and approached the heater, and then
stood on one foot, and threw himself
toward the wall with one hand, and with the other hand
reached down, behind the couch, to pull
the plug out.
I looked away,
I had not known he would have to bend
like that.
And I was so moved, that he
would act undignified, to help me,
that I cried, not trying to stop, but as if
the moans made sentences which bore
some human message.
If he would cast himself toward the
outlet for me, as if bending with me in my old
shame and horror, then I would rest
on his art-and the heater purred, like a creature
or the familiar of a creature, or the child of a familiar,
the father of a child, the spirit of a father,
the healing of a spirit, the vision of healing,
the heat of vision, the power of heat,
the pleasure of power.
|
Written by
Rita Dove |
She was thinner, with a mannered gauntness
as she paused just inside the double
glass doors to survey the room, silvery cape
billowing dramatically behind her.
What's this,
I thought, lifting a hand until
she nodded and started across the parquet;
that's when I saw she was dressed all in gray,
from a kittenish cashmere skirt and cowl
down to the graphite signature of her shoes.
"Sorry I'm late," she panted, though
she wasn't, sliding into the chair, her cape
tossed off in a shudder of brushed steel.
We kissed.
Then I leaned back to peruse
my blighted child, this wary aristocratic mole.
"How's business?" I asked, and hazarded
a motherly smile to keep from crying out:
Are you content to conduct your life
as a cliché and, what's worse,
an anachronism, the brooding artist's demimonde?
Near the rue Princesse they had opened
a gallery cum souvenir shop which featured
fuzzy off-color Monets next to his acrylics, no doubt,
plus beared African drums and the occasional miniature
gargoyle from Notre Dame the Great Artist had
carved at breakfast with a pocket knife.
"Tourists love us.
The Parisians, of course"--
she blushed--"are amused, though not without
a certain admiration .
.
.
"
The Chateaubriand
arrived on a bone-white plate, smug and absolute
in its fragrant crust, a black plug steaming
like the heart plucked from the chest of a worthy enemy;
one touch with her fork sent pink juices streaming.
"Admiration for what?"Wine, a bloody
Pinot Noir, brought color to her cheeks.
"Why,
the aplomb with which we've managed
to support our Art"--meaning he'd convinced
her to pose nude for his appalling canvases,
faintly futuristic landscapes strewn
with carwrecks and bodies being chewed
by rabid cocker spaniels.
"I'd like to come by
the studio," I ventured, "and see the new stuff.
"
"Yes, if you wish .
.
.
"A delicate rebuff
before the warning: "He dresses all
in black now.
Me, he drapes in blues and carmine--
and even though I think it's kinda cute,
in company I tend toward more muted shades.
"
She paused and had the grace
to drop her eyes.
She did look ravishing,
spookily insubstantial, a lipstick ghost on tissue,
or as if one stood on a fifth-floor terrace
peering through a fringe of rain at Paris'
dreaming chimney pots, each sooty issue
wobbling skyward in an ecstatic oracular spiral.
"And he never thinks of food.
I wish
I didn't have to plead with him to eat.
.
.
.
"Fruit
and cheese appeared, arrayed on leaf-green dishes.
I stuck with café crème.
"This Camembert's
so ripe," she joked, "it's practically grown hair,"
mucking a golden glob complete with parsley sprig
onto a heel of bread.
Nothing seemed to fill
her up: She swallowed, sliced into a pear,
speared each tear-shaped lavaliere
and popped the dripping mess into her pretty mouth.
Nowhere the bright tufted fields, weighted
vines and sun poured down out of the south.
"But are you happy?"Fearing, I whispered it
quickly.
"What?You know, Mother"--
she bit into the starry rose of a fig--
"one really should try the fruit here.
"
I've lost her, I thought, and called for the bill.
|
Written by
Margaret Atwood |
This is a word we use to plug
holes with.
It's the right size for those warm
blanks in speech, for those red heart-
shaped vacancies on the page that look nothing
like real hearts.
Add lace
and you can sell
it.
We insert it also in the one empty
space on the printed form
that comes with no instructions.
There are whole
magazines with not much in them
but the word love, you can
rub it all over your body and you
can cook with it too.
How do we know
it isn't what goes on at the cool
debaucheries of slugs under damp
pieces of cardboard? As for the weed-
seedlings nosing their tough snouts up
among the lettuces, they shout it.
Love! Love! sing the soldiers, raising
their glittering knives in salute.
Then there's the two
of us.
This word
is far too short for us, it has only
four letters, too sparse
to fill those deep bare
vacuums between the stars
that press on us with their deafness.
It's not love we don't wish
to fall into, but that fear.
this word is not enough but it will
have to do.
It's a single
vowel in this metallic
silence, a mouth that says
O again and again in wonder
and pain, a breath, a finger
grip on a cliffside.
You can
hold on or let go.
|
Written by
Philip Levine |
I walk among the rows of bowed heads--
the children are sleeping through fourth grade
so as to be ready for what is ahead,
the monumental boredom of junior high
and the rush forward tearing their wings
loose and turning their eyes forever inward.
These are the children of Flint, their fathers
work at the spark plug factory or truck
bottled water in 5 gallon sea-blue jugs
to the widows of the suburbs.
You can see
already how their backs have thickened,
how their small hands, soiled by pig iron,
leap and stutter even in dreams.
I would like
to sit down among them and read slowly
from The Book of Job until the windows
pale and the teacher rises out of a milky sea
of industrial scum, her gowns streaming
with light, her foolish words transformed
into song, I would like to arm each one
with a quiver of arrows so that they might
rush like wind there where no battle rages
shouting among the trumpets, Hal Ha!
How dear the gift of laughter in the face
of the 8 hour day, the cold winter mornings
without coffee and oranges, the long lines
of mothers in old coats waiting silently
where the gates have closed.
Ten years ago
I went among these same children, just born,
in the bright ward of the Sacred Heart and leaned
down to hear their breaths delivered that day,
burning with joy.
There was such wonder
in their sleep, such purpose in their eyes
dosed against autumn, in their damp heads
blurred with the hair of ponds, and not one
turned against me or the light, not one
said, I am sick, I am tired, I will go home,
not one complained or drifted alone,
unloved, on the hardest day of their lives.
Eleven years from now they will become
the men and women of Flint or Paradise,
the majors of a minor town, and I
will be gone into smoke or memory,
so I bow to them here and whisper
all I know, all I will never know.
|
Written by
Stephen Dunn |
To hold a damaged sparrow
under water until you feel it die
is to know a small something
about the mind; how, for example,
it blames the cat for the original crime,
how it wants praise for its better side.
And yet it's as human
as pulling the plug on your Dad
whose world has turned
to feces and fog, human as--
Well, let's admit, it's a mild thing
as human things go.
But I felt the one good wing
flutter in my palm--
the smallest protest, if that's what it was,
I ever felt or heard.
Reminded me of how my eyelid has twitched,
the need to account for it.
Hard to believe no one notices.
|
Written by
Derek Walcott |
Those five or six young guys
lunched on the stoop
that oven-hot summer night
whistled me over.
Nice
and friendly.
So, I stop.
MacDougal or Christopher
Street in chains of light.
A summer festival.
Or some
saint's.
I wasn't too far from
home, but not too bright
for a ******, and not too dark.
I figured we were all
one, wop, ******, jew,
besides, this wasn't Central Park.
I'm coming on too strong? You figure
right! They beat this yellow ******
black and blue.
Yeah.
During all this, scared
on case one used a knife,
I hung my olive-green, just-bought
sports coat on a fire plug.
I did nothing.
They fought
each other, really.
Life
gives them a few kcks,
that's all.
The spades, the spicks.
My face smashed in, my bloddy mug
pouring, my olive-branch jacket saved
from cuts and tears,
I crawled four flights upstairs.
Sprawled in the gutter, I
remember a few watchers waved
loudly, and one kid's mother shouting
like "Jackie" or "Terry,"
"now that's enough!"
It's nothing really.
They don't get enough love.
You know they wouldn't kill
you.
Just playing rough,
like young Americans will.
Still it taught me somthing
about love.
If it's so tough,
forget it.
|
Written by
Audre Lorde |
An upright abutment in the mouth
of the Willis Avenue bridge
a beige Honda leaps the divider
like a steel gazelle inescapable
sleek leather boots on the pavement
rat-a-tat-tat best intentions
going down for the third time
stuck in the particular
You cannot make love to concrete
if you care about being
non-essential wrong or worn thin
if you fear ever becoming
diamonds or lard
you cannot make love to concrete
if you cannot pretend
concrete needs your loving
To make love to concrete
you need an indelible feather
white dresses before you are ten
a confirmation lace veil milk-large bones
and air raid drills in your nightmares
no stars till you go to the country
and one summer when you are twelve
Con Edison pulls the plug
on the street-corner moons Walpurgisnacht
and there are sudden new lights in the sky
stone chips that forget you need
to become a light rope a hammer
a repeatable bridge
garden-fresh broccoli two dozen dropped eggs
and a hint of you
caught up between my fingers
the lesson of a wooden beam
propped up on barrels
across a mined terrain
between forgiving too easily
and never giving at all.
|
Written by
Seamus Heaney |
I
He would drink by himself
And raise a weathered thumb
Towards the high shelf,
Calling another rum
And blackcurrant, without
Having to raise his voice,
Or order a quick stout
By a lifting of the eyes
And a discreet dumb-show
Of pulling off the top;
At closing time would go
In waders and peaked cap
Into the showery dark,
A dole-kept breadwinner
But a natural for work.
I loved his whole manner,
Sure-footed but too sly,
His deadpan sidling tact,
His fisherman's quick eye
And turned observant back.
Incomprehensible
To him, my other life.
Sometimes on the high stool,
Too busy with his knife
At a tobacco plug
And not meeting my eye,
In the pause after a slug
He mentioned poetry.
We would be on our own
And, always politic
And shy of condescension,
I would manage by some trick
To switch the talk to eels
Or lore of the horse and cart
Or the Provisionals.
But my tentative art
His turned back watches too:
He was blown to bits
Out drinking in a curfew
Others obeyed, three nights
After they shot dead
The thirteen men in Derry.
PARAS THIRTEEN, the walls said,
BOGSIDE NIL.
That Wednesday
Everyone held
His breath and trembled.
II
It was a day of cold
Raw silence, wind-blown
Surplice and soutane:
Rained-on, flower-laden
Coffin after coffin
Seemed to float from the door
Of the packed cathedral
Like blossoms on slow water.
The common funeral
Unrolled its swaddling band,
Lapping, tightening
Till we were braced and bound
Like brothers in a ring.
But he would not be held
At home by his own crowd
Whatever threats were phoned,
Whatever black flags waved.
I see him as he turned
In that bombed offending place,
Remorse fused with terror
In his still knowable face,
His cornered outfaced stare
Blinding in the flash.
He had gone miles away
For he drank like a fish
Nightly, naturally
Swimming towards the lure
Of warm lit-up places,
The blurred mesh and murmur
Drifting among glasses
In the gregarious smoke.
How culpable was he
That last night when he broke
Our tribe's complicity?
'Now, you're supposed to be
An educated man,'
I hear him say.
'Puzzle me
The right answer to that one.
'
III
I missed his funeral,
Those quiet walkers
And sideways talkers
Shoaling out of his lane
To the respectable
Purring of the hearse.
.
.
They move in equal pace
With the habitual
Slow consolation
Of a dawdling engine,
The line lifted, hand
Over fist, cold sunshine
On the water, the land
Banked under fog: that morning
I was taken in his boat,
The screw purling, turning
Indolent fathoms white,
I tasted freedom with him.
To get out early, haul
Steadily off the bottom,
Dispraise the catch, and smile
As you find a rhythm
Working you, slow mile by mile,
Into your proper haunt
Somewhere, well out, beyond.
.
.
Dawn-sniffing revenant,
Plodder through midnight rain,
Question me again.
|
Written by
Robert William Service |
This is the yarn he told me
As we sat in Casey's Bar,
That Rooshun mug who scammed from the jug
In the Land of the Crimson Star;
That Soviet guy with the single eye,
And the face like a flaming scar.
Where Lenin lies the red flag flies, and the rat-grey workers wait
To tread the gloom of Lenin's Tomb, where the Comrade lies in state.
With lagging pace they scan his face, so weary yet so firm;
For years a score they've laboured sore to save him from the worm.
The Kremlin walls are grimly grey, but Lenin's Tomb is red,
And pilgrims from the Sour Lands say: "He sleeps and is not dead.
"
Before their eyes in peace he lies, a symbol and a sign,
And as they pass that dome of glass they see - a God Divine.
So Doctors plug him full of dope, for if he drops to dust,
So will collapse their faith and hope, the whole combine will bust.
But say, Tovarich; hark to me .
.
.
a secret I'll disclose,
For I did see what none did see; I know what no one knows.
I was a Cheko terrorist - Oh I served the Soviets well,
Till they put me down on the bone-yard list, for the fear that I might tell;
That I might tell the thing I saw, and that only I did see,
They held me in quod with a firing squad to make a corpse of me.
But I got away, and here today I'm telling my tale to you;
Though it may sound weird, by Lenin's beard, so help me God it's true.
I slouched across that great Red Square, and watched the waiting line.
The mongrel sons of Marx were there, convened to Lenin's shrine;
Ten thousand men of Muscovy, Mongol and Turkoman,
Black-bonnets of the Aral Sea and Tatars of Kazan.
Kalmuck and Bashkir, Lett and Finn, Georgian, Jew and Lapp,
Kirghiz and Kazakh, crowding in to gaze at Lenin's map.
Aye, though a score of years had run I saw them pause and pray,
As mourners at the Tomb of one who died but yesterday.
I watched them in a bleary daze of bitterness and pain,
For oh, I missed the cheery blaze of vodka in my brain.
I stared, my eyes were hypnotized by that saturnine host,
When with a start that shook my heart I saw - I saw a ghost.
As in foggèd glass I saw him pass, and peer at me and grin -
A man I knew, a man I slew, Prince Boris Mazarin.
Now do not think because I drink I love the flowing bowl;
But liquor kills remorse and stills the anguish of the soul.
And there's so much I would forget, stark horrors I have seen,
Faces and forms that haunt me yet, like shadows on a screen.
And of these sights that mar my nights the ghastliest by far
Is the death of Boris Mazarin, that soldier of the Czar.
A mighty nobleman was he; we took him by surprise;
His mother, son and daughters three we slew before his eyes.
We tortured him, with jibes and threats; then mad for glut of gore,
Upon our reeking bayonets we nailed him to the door.
But he defied us to the last, crying: "O carrion crew!
I'd die with joy could I destroy a hundred dogs like you.
"
I thrust my sword into his throat; the blade was gay with blood;
We flung him to his castle moat, and stamped him in its mud.
That mighty Cossack of the Don was dead with all his race.
.
.
.
And now I saw him coming on, dire vengeance in his face.
(Or was it some fantastic dream of my besotted brain?)
He looked at me with eyes a-gleam, the man whom I had slain.
He looked and bade me follow him; I could not help but go;
I joined the throng that passed along, so sorrowful and slow.
I followed with a sense of doom that shadow gaunt and grim;
Into the bowels of the Tomb I followed, followed him.
The light within was weird and dim, and icy cold the air;
My brow was wet with bitter sweat, I stumbled on the stair.
I tried to cry; my throat was dry; I sought to grip his arm;
For well I knew this man I slew was there to do us harm.
Lo! he was walking by my side, his fingers clutched my own,
This man I knew so well had died, his hand was naked bone.
His face was like a skull, his eyes were caverns of decay .
.
.
And so we came to the crystal frame where lonely Lenin lay.
Without a sound we shuffled round> I sought to make a sign,
But like a vice his hand of ice was biting into mine.
With leaden pace around the place where Lenin lies at rest,
We slouched, I saw his bony claw go fumbling to his breast.
With ghastly grin he groped within, and tore his robe apart,
And from the hollow of his ribs he drew his blackened heart.
.
.
.
Ah no! Oh God! A bomb, a BOMB! And as I shrieked with dread,
With fiendish cry he raised it high, and .
.
.
swung at Lenin's head.
Oh I was blinded by the flash and deafened by the roar,
And in a mess of bloody mash I wallowed on the floor.
Then Alps of darkness on me fell, and when I saw again
The leprous light 'twas in a cell, and I was racked with pain;
And ringèd around by shapes of gloom, who hoped that I would die;
For of the crowd that crammed the Tomb the sole to live was I.
They told me I had dreamed a dream that must not be revealed,
But by their eyes of evil gleam I knew my doom was sealed.
I need not tell how from my cell in Lubianka gaol,
I broke away, but listen, here's the point of all my tale.
.
.
.
Outside the "Gay Pay Oo" none knew of that grim scene of gore;
They closed the Tomb, and then they threw it open as before.
And there was Lenin, stiff and still, a symbol and a sign,
And rancid races come to thrill and wonder at his Shrine;
And hold the thought: if Lenin rot the Soviets will decay;
And there he sleeps and calm he keeps his watch and ward for aye.
Yet if you pass that frame of glass, peer closely at his phiz,
So stern and firm it mocks the worm, it looks like wax .
.
.
and is.
They tell you he's a mummy - don't you make that bright mistake:
I tell you - he's a dummy; aye, a fiction and a fake.
This eye beheld the bloody bomb that bashed him on the bean.
I heard the crash, I saw the flash, yet .
.
.
there he lies serene.
And by the roar that rocked the Tomb I ask: how could that be?
But if you doubt that deed of doom, just go yourself and see.
You think I'm mad, or drunk, or both .
.
.
Well, I don't care a damn:
I tell you this: their Lenin is a waxen, show-case SHAM.
Such was the yarn he handed me,
Down there in Casey's Bar,
That Rooshun bug with the scrambled mug
From the land of the Commissar.
It may be true, I leave it you
To figger out how far.
|