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Best Famous Plato Poems

Here is a collection of the all-time best famous Plato poems. This is a select list of the best famous Plato poetry. Reading, writing, and enjoying famous Plato poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of plato poems.

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Written by C S Lewis | Create an image from this poem

Evolutionary Hymn

 Lead us, Evolution, lead us
Up the future's endless stair;
Chop us, change us, prod us, weed us.
For stagnation is despair:
Groping, guessing, yet progressing,
Lead us nobody knows where.

Wrong or justice, joy or sorrow,
In the present what are they
while there's always jam-tomorrow,
While we tread the onward way?
Never knowing where we're going,
We can never go astray.

To whatever variation
Our posterity may turn
Hairy, squashy, or crustacean,
Bulbous-eyed or square of stern,
Tusked or toothless, mild or ruthless,
Towards that unknown god we yearn.

Ask not if it's god or devil,
Brethren, lest your words imply
Static norms of good and evil
(As in Plato) throned on high;
Such scholastic, inelastic,
Abstract yardsticks we deny.

Far too long have sages vainly
Glossed great Nature's simple text;
He who runs can read it plainly,
'Goodness = what comes next.'
By evolving, Life is solving
All the questions we perplexed.

Oh then! Value means survival-
Value. If our progeny
Spreads and spawns and licks each rival,
That will prove its deity
(Far from pleasant, by our present,
Standards, though it may well be).


Written by Maggie Estep | Create an image from this poem

**** Me

 **** ME
I'm all screwed up so
**** ME.

**** ME
and take out the garbage
feed the cat and **** ME
you can do it, I know you can.

**** ME
and theorize about
Sado Masochism's relationship
to classical philosophy
tell me how this stimulates
the fabric of most human relationships,
I love that kind of pointless intellectualism
so do it again and
**** ME.

Stop being logical
stop contemplating
the origins of evil
and the beauty of death
this is not a TV movie about Plato sex life,
this is **** ME
so **** ME

It's the pause that refreshes
just add water and
**** ME.

I wrote this
so I'd have a good excuse to say "**** ME"
over and over
and over
so I could get a lot of attention
and look, it worked!
So thank you
thank you
and **** ME.
Written by Allen Ginsberg | Create an image from this poem

The Lion For Real

 "Soyez muette pour moi, Idole contemplative..."


I came home and found a lion in my living room
Rushed out on the fire escape screaming Lion! Lion!
Two stenographers pulled their brunnette hair and banged the window shut
I hurried home to Patterson and stayed two days

Called up old Reichian analyst
who'd kicked me out of therapy for smoking marijuana
'It's happened' I panted 'There's a Lion in my living room'
'I'm afraid any discussion would have no value' he hung up

I went to my old boyfriend we got drunk with his girlfriend
I kissed him and announced I had a lion with a mad gleam in my eye
We wound up fighting on the floor I bit his eyebrow he kicked me out
I ended up masturbating in his jeep parked in the street moaning 'Lion.'

Found Joey my novelist friend and roared at him 'Lion!'
He looked at me interested and read me his spontaneous ignu high poetries
I listened for lions all I heard was Elephant Tiglon Hippogriff Unicorn
 Ants
But figured he really understood me when we made it in Ignaz Wisdom's 
 bathroom.

But next day he sent me a leaf from his Smoky Mountain retreat
'I love you little Bo-Bo with your delicate golden lions
But there being no Self and No Bars therefore the Zoo of your dear Father
 hath no lion
You said your mother was mad don't expect me to produce the Monster for
 your Bridegroom.'

Confused dazed and exalted bethought me of real lion starved in his stink
 in Harlem
Opened the door the room was filled with the bomb blast of his anger
He roaring hungrily at the plaster walls but nobody could hear outside
 thru the window
My eye caught the edge of the red neighbor apartment building standing in
 deafening stillness
We gazed at each other his implacable yellow eye in the red halo of fur
Waxed rhuemy on my own but he stopped roaring and bared a fang
 greeting.
I turned my back and cooked broccoli for supper on an iron gas stove
boilt water and took a hot bath in the old tup under the sink board.

He didn't eat me, tho I regretted him starving in my presence.
Next week he wasted away a sick rug full of bones wheaten hair falling out
enraged and reddening eye as he lay aching huge hairy head on his paws
by the egg-crate bookcase filled up with thin volumes of Plato, & Buddha.

Sat by his side every night averting my eyes from his hungry motheaten
 face
stopped eating myself he got weaker and roared at night while I had 
 nightmares
Eaten by lion in bookstore on Cosmic Campus, a lion myself starved by
 Professor Kandisky, dying in a lion's flophouse circus,
I woke up mornings the lion still added dying on the floor--'Terrible
 Presence!'I cried'Eat me or die!'

It got up that afternoon--walked to the door with its paw on the south wall to
 steady its trembling body
Let out a soul-rending creak from the bottomless roof of his mouth
thundering from my floor to heaven heavier than a volcano at night in
 Mexico
Pushed the door open and said in a gravelly voice "Not this time Baby--
 but I will be back again."

Lion that eats my mind now for a decade knowing only your hunger
Not the bliss of your satisfaction O roar of the universe how am I chosen
In this life I have heard your promise I am ready to die I have served
Your starved and ancient Presence O Lord I wait in my room at your
 Mercy.

 Paris, March 1958
Written by William Butler Yeats | Create an image from this poem

Among School Children

 I

I walk through the long schoolroom questioning;
A kind old nun in a white hood replies;
The children learn to cipher and to sing,
To study reading-books and histories,
To cut and sew, be neat in everything
In the best modern way - the children's eyes
In momentary wonder stare upon
A sixty-year-old smiling public man.

 II

I dream of a Ledaean body, bent
Above a sinking fire. a tale that she
Told of a harsh reproof, or trivial event
That changed some childish day to tragedy -
Told, and it seemed that our two natures blent
Into a sphere from youthful sympathy,
Or else, to alter Plato's parable,
Into the yolk and white of the one shell.

 III

And thinking of that fit of grief or rage
I look upon one child or t'other there
And wonder if she stood so at that age -
For even daughters of the swan can share
Something of every paddler's heritage -
And had that colour upon cheek or hair,
And thereupon my heart is driven wild:
She stands before me as a living child.

 IV

Her present image floats into the mind -
Did Quattrocento finger fashion it
Hollow of cheek as though it drank the wind
And took a mess of shadows for its meat?
And I though never of Ledaean kind
Had pretty plumage once - enough of that,
Better to smile on all that smile, and show
There is a comfortable kind of old scarecrow.

 V

What youthful mother, a shape upon her lap
Honey of generation had betrayed,
And that must sleep, shriek, struggle to escape
As recollection or the drug decide,
Would think her Son, did she but see that shape
With sixty or more winters on its head,
A compensation for the pang of his birth,
Or the uncertainty of his setting forth?

 VI

Plato thought nature but a spume that plays
Upon a ghostly paradigm of things;
Solider Aristotle played the taws
Upon the bottom of a king of kings;
World-famous golden-thighed Pythagoras
Fingered upon a fiddle-stick or strings
What a star sang and careless Muses heard:
Old clothes upon old sticks to scare a bird.

 VII

Both nuns and mothers worship images,
But thos the candles light are not as those
That animate a mother's reveries,
But keep a marble or a bronze repose.
And yet they too break hearts - O presences
That passion, piety or affection knows,
And that all heavenly glory symbolise -
O self-born mockers of man's enterprise;

 VIII

Labour is blossoming or dancing where
The body is not bruised to pleasure soul.
Nor beauty born out of its own despair,
Nor blear-eyed wisdom out of midnight oil.
O chestnut-tree, great-rooted blossomer,
Are you the leaf, the blossom or the bole?
O body swayed to music, O brightening glance,
How can we know the dancer from the dance?
Written by T S (Thomas Stearns) Eliot | Create an image from this poem

The Naming Of Cats

 The Naming of Cats is a difficult matter,
It isn't just one of your holiday games;
You may think at first I'm as mad as a hatter
When I tell you, a cat must have THREE DIFFERENT NAMES.
First of all, there's the name that the family use daily,
Such as Peter, Augustus, Alonzo or James,
Such as Victor or Jonathan, George or Bill Bailey--
All of them sensible everyday names.
There are fancier names if you think they sound sweeter,
Some for the gentlemen, some for the dames:
Such as Plato, Admetus, Electra, Demeter--
But all of them sensible everyday names.
But I tell you, a cat needs a name that's particular,
A name that's peculiar, and more dignified,
Else how can he keep up his tail perpendicular,
Or spread out his whiskers, or cherish his pride?
Of names of this kind, I can give you a quorum,
Such as Munkustrap, Quaxo, or Coricopat,
Such as Bombalurina, or else Jellylorum-
Names that never belong to more than one cat.
But above and beyond there's still one name left over,
And that is the name that you never will guess;
The name that no human research can discover--
But THE CAT HIMSELF KNOWS, and will never confess.
When you notice a cat in profound meditation,
The reason, I tell you, is always the same:
His mind is engaged in a rapt contemplation
Of the thought, of the thought, of the thought of his name:
His ineffable effable
Effanineffable
Deep and inscrutable singular Name.


Written by Barry Tebb | Create an image from this poem

A Hope For Poetry: Remembering The Sixties

 There was a hope for poetry in the sixties

And for education and society, teachers free

To do as they wanted: I could and did teach

Poetry and art all day and little else -

That was my way.



I threw rainbows against the classroom walls,

Gold and silver dragons in the corridors and

Halls; the children’s eyes were full of stars;

I taught the alphabet in Greek and spoke of

Peace and war in Vietnam, of birth and sex and

Death and immortality - the essences of lyric poetry;

Richards and Ogden on ‘The Meaning of Meaning’,

Schopenhauer on sadness, Nietzsche and Lawrence on

Civilisation and Plato on the Theory of Forms;

I read aloud ‘The Rainbow’ and the children drew

The waterfall with Gudrun bathing, I showed

Them Gauguin and Fra Angelico in gold and a film

On painting from life, and the nude girls

Bothered no-one.



It was the Sixties -

Art was life and life was art and in the

Staff-room we talked of poetry and politics

And passionately I argued with John. a clinical

Psychologist, on Freud and Jung; Anne, at forty

One, wanted to be sterilised and amazingly asked

My advice but that was how it was then: Dianne

Went off to join weekly rep at Brighton, Dave

Clark had given up law to teach a ‘D’ stream in the

Inner city. I was more lucky and had the brightest

Children - Sheila Pritchard my genius child-poet with

Her roguish eye and high bright voice, drawing skulls

In Avernus and burning white chrysanthemums, teasing me

With her long legs and gold salmon-flecked eyes.



It was a surprise when I made it into Penguin Books;

Michael Horovitz busy then as now and madly idealistic

As me; getting ready for the Albert Hall jamboree,

The rainbow bomb of peace and poetry.
Written by William Butler Yeats | Create an image from this poem

The Tower

 I

What shall I do with this absurdity -
O heart, O troubled heart - this caricature,
Decrepit age that has been tied to me
As to a dog's tail?
 Never had I more
Excited, passionate, fantastical
Imagination, nor an ear and eye
That more expected the impossible -
No, not in boyhood when with rod and fly,
Or the humbler worm, I climbed Ben Bulben's back
And had the livelong summer day to spend.
It seems that I must bid the Muse go pack,
Choose Plato and Plotinus for a friend
Until imagination, ear and eye,
Can be content with argument and deal
In abstract things; or be derided by
A sort of battered kettle at the heel.

 II

I pace upon the battlements and stare
On the foundations of a house, or where
Tree, like a sooty finger, starts from the earth;
And send imagination forth
Under the day's declining beam, and call
Images and memories
From ruin or from ancient trees,
For I would ask a question of them all.

Beyond that ridge lived Mrs. French, and once
When every silver candlestick or sconce
Lit up the dark mahogany and the wine.
A serving-man, that could divine
That most respected lady's every wish,
Ran and with the garden shears
Clipped an insolent farmer's ears
And brought them in a little covered dish.

Some few remembered still when I was young
A peasant girl commended by a Song,
Who'd lived somewhere upon that rocky place,
And praised the colour of her face,
And had the greater joy in praising her,
Remembering that, if walked she there,
Farmers jostled at the fair
So great a glory did the song confer.

And certain men, being maddened by those rhymes,
Or else by toasting her a score of times,
Rose from the table and declared it right
To test their fancy by their sight;
But they mistook the brightness of the moon
For the prosaic light of day -
Music had driven their wits astray -
And one was drowned in the great bog of Cloone.

Strange, but the man who made the song was blind;
Yet, now I have considered it, I find
That nothing strange; the tragedy began
With Homer that was a blind man,
And Helen has all living hearts betrayed.
O may the moon and sunlight seem
One inextricable beam,
For if I triumph I must make men mad.

And I myself created Hanrahan
And drove him drunk or sober through the dawn
From somewhere in the neighbouring cottages.
Caught by an old man's juggleries
He stumbled, tumbled, fumbled to and fro
And had but broken knees for hire
And horrible splendour of desire;
I thought it all out twenty years ago:

Good fellows shuffled cards in an old bawn;
And when that ancient ruffian's turn was on
He so bewitched the cards under his thumb
That all but the one card became
A pack of hounds and not a pack of cards,
And that he changed into a hare.
Hanrahan rose in frenzy there
And followed up those baying creatures towards -

O towards I have forgotten what - enough!
I must recall a man that neither love
Nor music nor an enemy's clipped ear
Could, he was so harried, cheer;
A figure that has grown so fabulous
There's not a neighbour left to say
When he finished his dog's day:
An ancient bankrupt master of this house.

Before that ruin came, for centuries,
Rough men-at-arms, cross-gartered to the knees
Or shod in iron, climbed the narrow stairs,
And certain men-at-arms there were
Whose images, in the Great Memory stored,
Come with loud cry and panting breast
To break upon a sleeper's rest
While their great wooden dice beat on the board.

As I would question all, come all who can;
Come old, necessitous. half-mounted man;
And bring beauty's blind rambling celebrant;
The red man the juggler sent
Through God-forsaken meadows; Mrs. French,
Gifted with so fine an ear;
The man drowned in a bog's mire,
When mocking Muses chose the country wench.

Did all old men and women, rich and poor,
Who trod upon these rocks or passed this door,
Whether in public or in secret rage
As I do now against old age?
But I have found an answer in those eyes
That are impatient to be gone;
Go therefore; but leave Hanrahan,
For I need all his mighty memories.

Old lecher with a love on every wind,
Bring up out of that deep considering mind
All that you have discovered in the grave,
For it is certain that you have
Reckoned up every unforeknown, unseeing
plunge, lured by a softening eye,
Or by a touch or a sigh,
Into the labyrinth of another's being;

Does the imagination dwell the most
Upon a woman won or woman lost?
If on the lost, admit you turned aside
From a great labyrinth out of pride,
Cowardice, some silly over-subtle thought
Or anything called conscience once;
And that if memory recur, the sun's
Under eclipse and the day blotted out.

 III

It is time that I wrote my will;
I choose upstanding men
That climb the streams until
The fountain leap, and at dawn
Drop their cast at the side
Of dripping stone; I declare
They shall inherit my pride,
The pride of people that were
Bound neither to Cause nor to State.
Neither to slaves that were spat on,
Nor to the tyrants that spat,
The people of Burke and of Grattan
That gave, though free to refuse -
pride, like that of the morn,
When the headlong light is loose,
Or that of the fabulous horn,
Or that of the sudden shower
When all streams are dry,
Or that of the hour
When the swan must fix his eye
Upon a fading gleam,
Float out upon a long
Last reach of glittering stream
And there sing his last song.
And I declare my faith:
I mock plotinus' thought
And cry in plato's teeth,
Death and life were not
Till man made up the whole,
Made lock, stock and barrel
Out of his bitter soul,
Aye, sun and moon and star, all,
And further add to that
That, being dead, we rise,
Dream and so create
Translunar paradise.
I have prepared my peace
With learned Italian things
And the proud stones of Greece,
Poet's imaginings
And memories of love,
Memories of the words of women,
All those things whereof
Man makes a superhuman,
Mirror-resembling dream.

As at the loophole there
The daws chatter and scream,
And drop twigs layer upon layer.
When they have mounted up,
The mother bird will rest
On their hollow top,
And so warm her wild nest.

I leave both faith and pride
To young upstanding men
Climbing the mountain-side,
That under bursting dawn
They may drop a fly;
Being of that metal made
Till it was broken by
This sedentary trade.

Now shall I make my soul,
Compelling it to study
In a learned school
Till the wreck of body,
Slow decay of blood,
Testy delirium
Or dull decrepitude,
Or what worse evil come -
The death of friends, or death
Of every brilliant eye
That made a catch in the breath -
Seem but the clouds of the sky
When the horizon fades;
Or a bird's sleepy cry
Among the deepening shades.
Written by Edwin Markham | Create an image from this poem

The Man With The Hoe

 BOWED by the weight of centuries he leans 
Upon his hoe and gazes on the ground, 
The emptiness of ages in his face, 
And on his back the burden of the world. 
Who made him dead to rapture and despair, 
A thing that grieves not and that never hopes, 
Stolid and stunned, a brother to the ox? 
Who loosened and let down this brutal jaw? 
Whose was the hand that slanted back this brow? 
Whose breath blew out the light within this brain? 
Is this the Thing the Lord God made and gave 
To have dominion over sea and land; 
To trace the stars and search the heavens for power. 
To feel the passion of Eternity? 
Is this the Dream He dreamed who shaped the suns 
And marked their ways upon the ancient deep? 
Down all the stretch of Hell to its last gulf 
There is no shape more terrible than this-- 
More tongued with censure of the world’s blind greed-- 
More filled with signs and portents for the soul-- 
More fraught with menace to the universe. 

What gulfs between him and the seraphim! 
Slave of the wheel of labor, what to him 
Are Plato and the swing of Pleiades?
What the long reaches of the peaks of song, 
The rift of dawn, the reddening of the rose? 
Through this dread shape the suffering ages look; 
Time’s tragedy is in that aching stoop; 
Through this dread shape humanity betrayed, 
Plundered, profaned and disinherited, 
Cries protest to the Judges of the World, 
A protest that is also prophecy. 

O masters, lords and rulers in all lands, 
Is this the handiwork you give to God, 
This monstrous thing distorted and soul-quenched? 
How will you ever straighten up this shape; 
Touch it again with immortality; 
Give back the upward looking and the light; 
Rebuild in it the music and the dream; 
Make right the immemorial infamies, 
Perfidious wrongs, immedicable woes? 

O masters, lords and rulers in all lands, 
How will the Future reckon with this Man? 
How answer his brute question in that hour 
When whirlwinds of rebellion shake the world? 
How will it be with kingdoms and with kings-- 
With those who shaped him to the thing he is-- 
When this dumb Terror shall reply to God, 
After the silence of the centuries?
Written by Ogden Nash | Create an image from this poem

Lines To Be Embroidered On A Bib

 OR
The Child Is Father Of The Man, But Not For Quite A While

So Thomas Edison
Never drank his medicine;
So Blackstone and Hoyle
Refused cod-liver oil;
So Sir Thomas Malory
Never heard of a calory;
So the Earl of Lennox
Murdered Rizzio without the aid of vitamins or calisthenox;
So Socrates and Plato
Ate dessert without finishing their potato;
So spinach was too spinachy
For Leonardo da Vinaci;
Well, it's all immaterial,
So eat your nice cereal,
And if you want to name your ration,
First go get a reputation.
Written by William Blake | Create an image from this poem

The Song of Los

 AFRICA 

I will sing you a song of Los. the Eternal Prophet: 
He sung it to four harps at the tables of Eternity. 
In heart-formed Africa. 
Urizen faded! Ariston shudderd! 
And thus the Song began 

Adam stood in the garden of Eden: 
And Noah on the mountains of Ararat; 
They saw Urizen give his Laws to the Nations 
By the hands of the children of Los. 

Adam shudderd! Noah faded! black grew the sunny African 
When Rintrah gave Abstract Philosophy to Brama in the East: 
(Night spoke to the Cloud! 
Lo these Human form'd spirits in smiling hipocrisy. War 
Against one another; so let them War on; slaves to the eternal Elements) 
Noah shrunk, beneath the waters; 
Abram fled in fires from Chaldea; 
Moses beheld upon Mount Sinai forms of dark delusion: 

To Trismegistus. Palamabron gave an abstract Law: 
To Pythagoras Socrates & Plato. 

Times rolled on o'er all the sons of Har, time after time 
Orc on Mount Atlas howld, chain'd down with the Chain of Jealousy 
Then Oothoon hoverd over Judah & Jerusalem 
And Jesus heard her voice (a man of sorrows) he recievd 
A Gospel from wretched Theotormon. 

The human race began to wither, for the healthy built 
Secluded places, fearing the joys of Love 
And the disease'd only propagated: 
So Antamon call'd up Leutha from her valleys of delight: 
And to Mahomet a loose Bible gave. 
But in the North, to Odin, Sotha gave a Code of War, 
Because of Diralada thinking to reclaim his joy. 

These were the Churches: Hospitals: Castles: Palaces: 
Like nets & gins & traps to catch the joys of Eternity 
And all the rest a desart; 
Till like a dream Eternity was obliterated & erased. 

Since that dread day when Har and Heva fled. 
Because their brethren & sisters liv'd in War & Lust; 
And as they fled they shrunk 
Into two narrow doleful forms: 
Creeping in reptile flesh upon 
The bosom of the ground: 
And all the vast of Nature shrunk 
Before their shrunken eyes. 

Thus the terrible race of Los & Enitharmon gave 
Laws & Religions to the sons of Har binding them more 
And more to Earth: closing and restraining: 
Till a Philosophy of Five Senses was complete 
Urizen wept & gave it into the hands of Newton & Locke 

Clouds roll heavy upon the Alps round Rousseau & Voltaire: 
And on the mountains of Lebanon round the deceased Gods 
Of Asia; & on the deserts of Africa round the Fallen Angels 
The Guardian Prince of Albion burns in his nightly tent 


ASIA 

The Kings of Asia heard 
The howl rise up from Europe! 
And each ran out from his Web; 
From his ancient woven Den; 
For the darkness of Asia was startled 
At the thick-flaming, thought-creating fires of Orc. 

And the Kings of Asia stood 
And cried in bitterness of soul. 

Shall not the King call for Famine from the heath? 
Nor the Priest, for Pestilence from the fen? 
To restrain! to dismay! to thin! 
The inhabitants of mountain and plain; 
In the day, of full-feeding prosperity; 
And the night of delicious songs. 

Shall not the Councellor throw his curb 
Of Poverty on the laborious? 
To fix the price of labour; 
To invent allegoric riches: 

And the privy admonishers of men 
Call for fires in the City 
For heaps of smoking ruins, 
In the night of prosperity & wantonness 

To turn man from his path, 
To restrain the child from the womb, 

To cut off the bread from the city, 
That the remnant may learn to obey. 
That the pride of the heart may fail; 
That the lust of the eyes may be quench'd: 
That the delicate ear in its infancy 

May be dull'd; and the nostrils clos'd up; 
To teach mortal worms the path 
That leads from the gates of the Grave. 

Urizen heard them cry! 
And his shudd'ring waving wings 
Went enormous above the red flames 
Drawing clouds of despair thro' the heavens 
Of Europe as he went: 
And his Books of brass iron & gold 
Melted over the land as he flew, 

Heavy-waving, howling, weeping. 

And he stood over Judea: 
And stay'd in his ancient place: 
And stretch'd his clouds over Jerusalem; 

For Adam, a mouldering skeleton 
Lay bleach'd on the garden of Eden; 
And Noah as white as snow 
On the mountains of Ararat. 

Then the thunders of Urizen bellow'd aloud 
From his woven darkness above. 

Orc raging in European darkness 
Arose like a pillar of fire above the Alps 
Like a serpent of fiery flame! 
The sullen Earth 
Shrunk! 

Forth from the dead dust rattling bones to bones 
Join: shaking convuls'd the shivring clay breathes 
And all flesh naked stands: Fathers and Friends; 
Mothers & Infants; Kings & Warriors: 

The Grave shrieks with delight, & shakes 
Her hollow womb, & clasps the solid stem: 
Her bosom swells with wild desire: 
And milk & blood & glandous wine.

Book: Radiant Verses: A Journey Through Inspiring Poetry