Written by
Robert William Service |
Today I opened wide my eyes,
And stared with wonder and surprise,
To see beneath November skies
An apple blossom peer;
Upon a branch as bleak as night
It gleamed exultant on my sight,
A fairy beacon burning bright
Of hope and cheer.
"Alas!" said I, "poor foolish thing,
Have you mistaken this for Spring?
Behold, the thrush has taken wing,
And Winter's near."
Serene it seemed to lift its head:
"The Winter's wrath I do not dread,
Because I am," it proudly said,
"A Pioneer.
"Some apple blossom must be first,
With beauty's urgency to burst
Into a world for joy athirst,
And so I dare;
And I shall see what none shall see -
December skies gloom over me,
And mock them with my April glee,
And fearless fare.
"And I shall hear what none shall hear -
The hardy robin piping clear,
The Storm King gallop dark and drear
Across the sky;
And I shall know what none shall know -
The silent kisses of the snow,
The Christmas candles' silver glow,
Before I die.
"Then from your frost-gemmed window pane
One morning you will look in vain,
My smile of delicate disdain
No more to see;
But though I pass before my time,
And perish in the grale and grime,
Maybe you'll have a little rhyme
To spare for me."
|
Written by
Langston Hughes |
Let America be America again.
Let it be the dream it used to be.
Let it be the pioneer on the plain
Seeking a home where he himself is free.
(America never was America to me.)
Let America be the dream the dreamers dreamed--
Let it be that great strong land of love
Where never kings connive nor tyrants scheme
That any man be crushed by one above.
(It never was America to me.)
O, let my land be a land where Liberty
Is crowned with no false patriotic wreath,
But opportunity is real, and life is free,
Equality is in the air we breathe.
(There's never been equality for me,
Nor freedom in this "homeland of the free.")
Say, who are you that mumbles in the dark?
And who are you that draws your veil across the stars?
I am the poor white, fooled and pushed apart,
I am the ***** bearing slavery's scars.
I am the red man driven from the land,
I am the immigrant clutching the hope I seek--
And finding only the same old stupid plan
Of dog eat dog, of mighty crush the weak.
I am the young man, full of strength and hope,
Tangled in that ancient endless chain
Of profit, power, gain, of grab the land!
Of grab the gold! Of grab the ways of satisfying need!
Of work the men! Of take the pay!
Of owning everything for one's own greed!
I am the farmer, bondsman to the soil.
I am the worker sold to the machine.
I am the *****, servant to you all.
I am the people, humble, hungry, mean--
Hungry yet today despite the dream.
Beaten yet today--O, Pioneers!
I am the man who never got ahead,
The poorest worker bartered through the years.
Yet I'm the one who dreamt our basic dream
In the Old World while still a serf of kings,
Who dreamt a dream so strong, so brave, so true,
That even yet its mighty daring sings
In every brick and stone, in every furrow turned
That's made America the land it has become.
O, I'm the man who sailed those early seas
In search of what I meant to be my home--
For I'm the one who left dark Ireland's shore,
And Poland's plain, and England's grassy lea,
And torn from Black Africa's strand I came
To build a "homeland of the free."
The free?
Who said the free? Not me?
Surely not me? The millions on relief today?
The millions shot down when we strike?
The millions who have nothing for our pay?
For all the dreams we've dreamed
And all the songs we've sung
And all the hopes we've held
And all the flags we've hung,
The millions who have nothing for our pay--
Except the dream that's almost dead today.
O, let America be America again--
The land that never has been yet--
And yet must be--the land where every man is free.
The land that's mine--the poor man's, Indian's, *****'s, ME--
Who made America,
Whose sweat and blood, whose faith and pain,
Whose hand at the foundry, whose plow in the rain,
Must bring back our mighty dream again.
Sure, call me any ugly name you choose--
The steel of freedom does not stain.
From those who live like leeches on the people's lives,
We must take back our land again,
America!
O, yes,
I say it plain,
America never was America to me,
And yet I swear this oath--
America will be!
Out of the rack and ruin of our gangster death,
The rape and rot of graft, and stealth, and lies,
We, the people, must redeem
The land, the mines, the plants, the rivers.
The mountains and the endless plain--
All, all the stretch of these great green states--
And make America again!
|
Written by
Walt Whitman |
1
SAUNTERING the pavement, or riding the country by-road—lo! such faces!
Faces of friendship, precision, caution, suavity, ideality;
The spiritual, prescient face—the always welcome, common, benevolent face,
The face of the singing of music—the grand faces of natural lawyers and judges, broad
at
the
back-top;
The faces of hunters and fishers, bulged at the brows—the shaved blanch’d faces
of
orthodox citizens;
The pure, extravagant, yearning, questioning artist’s face;
The ugly face of some beautiful Soul, the handsome detested or despised face;
The sacred faces of infants, the illuminated face of the mother of many children;
The face of an amour, the face of veneration;
The face as of a dream, the face of an immobile rock;
The face withdrawn of its good and bad, a castrated face;
A wild hawk, his wings clipp’d by the clipper;
A stallion that yielded at last to the thongs and knife of the gelder.
Sauntering the pavement, thus, or crossing the ceaseless ferry, faces, and faces, and
faces:
I see them, and complain not, and am content with all.
2
Do you suppose I could be content with all, if I thought them their own finale?
This now is too lamentable a face for a man;
Some abject louse, asking leave to be—cringing for it;
Some milk-nosed maggot, blessing what lets it wrig to its hole.
This face is a dog’s snout, sniffing for garbage;
Snakes nest in that mouth—I hear the sibilant threat.
This face is a haze more chill than the arctic sea;
Its sleepy and wobbling icebergs crunch as they go.
This is a face of bitter herbs—this an emetic—they need no label;
And more of the drug-shelf, laudanum, caoutchouc, or hog’s-lard.
This face is an epilepsy, its wordless tongue gives out the unearthly cry,
Its veins down the neck distended, its eyes roll till they show nothing but their whites,
Its teeth grit, the palms of the hands are cut by the turn’d-in nails,
The man falls struggling and foaming to the ground while he speculates well.
This face is bitten by vermin and worms,
And this is some murderer’s knife, with a half-pull’d scabbard.
This face owes to the sexton his dismalest fee;
An unceasing death-bell tolls there.
3
Those then are really men—the bosses and tufts of the great round globe!
Features of my equals, would you trick me with your creas’d and cadaverous march?
Well, you cannot trick me.
I see your rounded, never-erased flow;
I see neath the rims of your haggard and mean disguises.
Splay and twist as you like—poke with the tangling fores of fishes or rats;
You’ll be unmuzzled, you certainly will.
I saw the face of the most smear’d and slobbering idiot they had at the asylum;
And I knew for my consolation what they knew not;
I knew of the agents that emptied and broke my brother,
The same wait to clear the rubbish from the fallen tenement;
And I shall look again in a score or two of ages,
And I shall meet the real landlord, perfect and unharm’d, every inch as good as
myself.
4
The Lord advances, and yet advances;
Always the shadow in front—always the reach’d hand bringing up the laggards.
Out of this face emerge banners and horses—O superb! I see what is coming;
I see the high pioneer-caps—I see the staves of runners clearing the way,
I hear victorious drums.
This face is a life-boat;
This is the face commanding and bearded, it asks no odds of the rest;
This face is flavor’d fruit, ready for eating;
This face of a healthy honest boy is the programme of all good.
These faces bear testimony, slumbering or awake;
They show their descent from the Master himself.
Off the word I have spoken, I except not one—red, white, black, are all deific;
In each house is the ovum—it comes forth after a thousand years.
Spots or cracks at the windows do not disturb me;
Tall and sufficient stand behind, and make signs to me;
I read the promise, and patiently wait.
This is a full-grown lily’s face,
She speaks to the limber-hipp’d man near the garden pickets,
Come here, she blushingly cries—Come nigh to me, limber-hipp’d
man,
Stand at my side till I lean as high as I can upon you,
Fill me with albescent honey, bend down to me,
Rub to me with your chafing beard, rub to my breast and shoulders.
5
The old face of the mother of many children!
Whist! I am fully content.
Lull’d and late is the smoke of the First-day morning,
It hangs low over the rows of trees by the fences,
It hangs thin by the sassafras, the wild-cherry, and the cat-brier under them.
I saw the rich ladies in full dress at the soiree,
I heard what the singers were singing so long,
Heard who sprang in crimson youth from the white froth and the water-blue,
Behold a woman!
She looks out from her quaker cap—her face is clearer and more beautiful than the
sky.
She sits in an arm-chair, under the shaded porch of the farmhouse,
The sun just shines on her old white head.
Her ample gown is of cream-hued linen,
Her grandsons raised the flax, and her granddaughters spun it with the distaff and the
wheel.
The melodious character of the earth,
The finish beyond which philosophy cannot go, and does not wish to go,
The justified mother of men.
|
Written by
James Whitcomb Riley |
New Castle, July 4, 1878
or a hundred years the pulse of time
Has throbbed for Liberty;
For a hundred years the grand old clime
Columbia has been free;
For a hundred years our country's love,
The Stars and Stripes, has waved above.
Away far out on the gulf of years--
Misty and faint and white
Through the fogs of wrong--a sail appears,
And the Mayflower heaves in sight,
And drifts again, with its little flock
Of a hundred souls, on Plymouth Rock.
Do you see them there--as long, long since--
Through the lens of History;
Do you see them there as their chieftain prints
In the snow his bended knee,
And lifts his voice through the wintry blast
In thanks for a peaceful home at last?
Though the skies are dark and the coast is bleak,
And the storm is wild and fierce,
Its frozen flake on the upturned cheek
Of the Pilgrim melts in tears,
And the dawn that springs from the darkness there
Is the morning light of an answered prayer.
The morning light of the day of Peace
That gladdens the aching eyes,
And gives to the soul that sweet release
That the present verifies,--
Nor a snow so deep, nor a wind so chill
To quench the flame of a freeman's will!
II
Days of toil when the bleeding hand
Of the pioneer grew numb,
When the untilled tracts of the barren land
Where the weary ones had come
Could offer nought from a fruitful soil
To stay the strength of the stranger's toil.
Days of pain, when the heart beat low,
And the empty hours went by
Pitiless, with the wail of woe
And the moan of Hunger's cry--
When the trembling hands upraised in prayer
Had only the strength to hold them there.
Days when the voice of hope had fled--
Days when the eyes grown weak
Were folded to, and the tears they shed
Were frost on a frozen cheek--
When the storm bent down from the skies and gave
A shroud of snow for the Pilgrim's grave.
Days at last when the smiling sun
Glanced down from a summer sky,
And a music rang where the rivers run,
And the waves went laughing by;
And the rose peeped over the mossy bank
While the wild deer stood in the stream and drank.
And the birds sang out so loud and good,
In a symphony so clear
And pure and sweet that the woodman stood
With his ax upraised to hear,
And to shape the words of the tongue unknown
Into a language all his own--
1
'Sing! every bird, to-day!
Sing for the sky so clear,
And the gracious breath of the atmosphere
Shall waft our cares away.
Sing! sing! for the sunshine free;
Sing through the land from sea to sea;
Lift each voice in the highest key
And sing for Liberty!'
2
'Sing for the arms that fling
Their fetters in the dust
And lift their hands in higher trust
Unto the one Great King;
Sing for the patriot heart and hand;
Sing for the country they have planned;
Sing that the world may understand
This is Freedom's land!'
3
'Sing in the tones of prayer,
Sing till the soaring soul
Shall float above the world's control
In freedom everywhere!
Sing for the good that is to be,
Sing for the eyes that are to see
The land where man at last is free,
O sing for liberty!'
III
A holy quiet reigned, save where the hand
Of labor sent a murmur through the land,
And happy voices in a harmony
Taught every lisping breeze a melody.
A nest of cabins, where the smoke upcurled
A breathing incense to the other world.
A land of languor from the sun of noon,
That fainted slowly to the pallid moon,
Till stars, thick-scattered in the garden-land
Of Heaven by the great Jehovah's hand,
Had blossomed into light to look upon
The dusky warrior with his arrow drawn,
As skulking from the covert of the night
With serpent cunning and a fiend's delight,
With murderous spirit, and a yell of hate
The voice of Hell might tremble to translate:
When the fond mother's tender lullaby
Went quavering in shrieks all suddenly,
And baby-lips were dabbled with the stain
Of crimson at the bosom of the slain,
And peaceful homes and fortunes ruined--lost
In smoldering embers of the holocaust.
Yet on and on, through years of gloom and strife,
Our country struggled into stronger life;
Till colonies, like footprints in the sand,
Marked Freedom's pathway winding through the land--
And not the footprints to be swept away
Before the storm we hatched in Boston Bay,--
But footprints where the path of war begun
That led to Bunker Hill and Lexington,--
For he who "dared to lead where others dared
To follow" found the promise there declared
Of Liberty, in blood of Freedom's host
Baptized to Father, Son, and Holy Ghost!
Oh, there were times when every patriot breast
Was riotous with sentiments expressed
In tones that swelled in volume till the sound
Of lusty war itself was well-nigh drowned.
Oh, those were times when happy eyes with tears
Brimmed o'er as all the misty doubts and fears
Were washed away, and Hope with gracious mien,
Reigned from her throne again a sovereign queen.
Until at last, upon a day like this
When flowers were blushing at the summer's kiss,
And when the sky was cloudless as the face
Of some sweet infant in its angel grace,--
There came a sound of music, thrown afloat
Upon the balmy air--a clanging note
Reiterated from the brazen throat
Of Independence Bell: A sound so sweet,
The clamoring throngs of people in the streets
Were stilled as at the solemn voice of prayer,
And heads were bowed, and lips were moving there
That made no sound--until the spell had passed,
And then, as when all sudden comes the blast
Of some tornado, came the cheer on cheer
Of every eager voice, while far and near
The echoing bells upon the atmosphere
Set glorious rumors floating, till the ear
Of every listening patriot tingled clear,
And thrilled with joy and jubilee to hear.
I
'Stir all your echoes up,
O Independence Bell,
And pour from your inverted cup
The song we love so well.
'Lift high your happy voice,
And swing your iron tongue
Till syllables of praise rejoice
That never yet were sung.
'Ring in the gleaming dawn
Of Freedom--Toll the knell
Of Tyranny, and then ring on,
O Independence Bell.--
'Ring on, and drown the moan,
Above the patriot slain,
Till sorrow's voice shall catch the tone
And join the glad refrain.
'Ring out the wounds of wrong
And rankle in the breast;
Your music like a slumber-song
Will lull revenge to rest.
'Ring out from Occident
To Orient, and peal
From continent to continent
The mighty joy you feel.
'Ring! Independence Bell!
Ring on till worlds to be
Shall listen to the tale you tell
Of love and Liberty!'
IV
O Liberty--the dearest word
A bleeding country ever heard,--
We lay our hopes upon thy shrine
And offer up our lives for thine.
You gave us many happy years
Of peace and plenty ere the tears
A mourning country wept were dried
Above the graves of those who died
Upon thy threshold. And again
When newer wars were bred, and men
Went marching in the cannon's breath
And died for thee and loved the death,
While, high above them, gleaming bright,
The dear old flag remained in sight,
And lighted up their dying eyes
With smiles that brightened paradise.
O Liberty, it is thy power
To gladden us in every hour
Of gloom, and lead us by thy hand
As little children through a land
Of bud and blossom; while the days
Are filled with sunshine, and thy praise
Is warbled in the roundelays
Of joyous birds, and in the song
Of waters, murmuring along
The paths of peace, whose flowery fringe
Has roses finding deeper tinge
Of crimson, looking on themselves
Reflected--leaning from the shelves
Of cliff and crag and mossy mound
Of emerald splendor shadow-drowned.--
We hail thy presence, as you come
With bugle blast and rolling drum,
And booming guns and shouts of glee
Commingled in a symphony
That thrills the worlds that throng to see
The glory of thy pageantry.
0And with thy praise, we breathe a prayer
That God who leaves you in our care
May favor us from this day on
With thy dear presence--till the dawn
Of Heaven, breaking on thy face,
Lights up thy first abiding place.
|
Written by
John Greenleaf Whittier |
In the outskirts of the village
On the river's winding shores
Stand the Occidental plane-trees,
Stand the ancient sycamores.
One long century hath been numbered,
And another half-way told
Since the rustic Irish gleeman
Broke for them the virgin mould.
Deftly set to Celtic music
At his violin's sound they grew,
Through the moonlit eves of summer,
Making Amphion's fable true.
Rise again, thou poor Hugh Tallant!
Pass in erkin green along
With thy eyes brim full of laughter,
And thy mouth as full of song.
Pioneer of Erin's outcasts
With his fiddle and his pack-
Little dreamed the village Saxons
Of the myriads at his back.
How he wrought with spade and fiddle,
Delved by day and sang by night,
With a hand that never wearied
And a heart forever light,---
Still the gay tradition mingles
With a record grave and drear
Like the rollic air of Cluny
With the solemn march of Mear.
When the box-tree, white with blossoms,
Made the sweet May woodlands glad,
And the Aronia by the river
Lighted up the swarming shad,
And the bulging nets swept shoreward
With their silver-sided haul,
Midst the shouts of dripping fishers,
He was merriest of them all.
When, among the jovial huskers
Love stole in at Labor's side
With the lusty airs of England
Soft his Celtic measures vied.
Songs of love and wailing lyke-wake
And the merry fair's carouse;
Of the wild Red Fox of Erin
And the Woman of Three Cows,
By the blazing hearths of winter
Pleasant seemed his simple tales,
Midst the grimmer Yorkshire legends
And the mountain myths of Wales.
How the souls in Purgatory
Scrambled up from fate forlorn
On St. Keven's sackcloth ladder
Slyly hitched to Satan's horn.
Of the fiddler who at Tara
Played all night to ghosts of kings;
Of the brown dwarfs, and the fairies
Dancing in their moorland rings!
Jolliest of our birds of singing
Best he loved the Bob-o-link.
"Hush!" he'd say, "the tipsy fairies!
Hear the little folks in drink!"
Merry-faced, with spade and fiddle,
Singing through the ancient town,
Only this, of poor Hugh Tallant
Hath Tradtion handed down.
Not a stone his grave discloses;
But if yet his spirit walks
Tis beneath the trees he planted
And when Bob-o-Lincoln talks.
Green memorials of the gleeman!
Linking still the river-shores,
With their shadows cast by sunset
Stand Hugh Tallant's sycamores!
When the Father of his Country
Through the north-land riding came
And the roofs were starred with banners,
And the steeples rang acclaim,---
When each war-scarred Continental
Leaving smithy, mill,.and farm,
Waved his rusted sword in welcome,
And shot off his old king's-arm,---
Slowly passed that august Presence
Down the thronged and shouting street;
Village girls as white as angels
Scattering flowers around his feet.
Midway, where the plane-tree's shadow
Deepest fell, his rein he drew:
On his stately head, uncovered,
Cool and soft the west-wind blew.
And he stood up in his stirrups,
Looking up and looking down
On the hills of Gold and Silver
Rimming round the little town,---
On the river, full of sunshine,
To the lap of greenest vales
Winding down from wooded headlands,
Willow-skirted, white with sails.
And he said, the landscape sweeping
Slowly with his ungloved hand
"I have seen no prospect fairer
In this goodly Eastern land."
Then the bugles of his escort
Stirred to life the cavalcade:
And that head, so bare and stately
Vanished down the depths of shade.
Ever since, in town and farm-house,
Life has had its ebb and flow;
Thrice hath passed the human harvest
To its garner green and low.
But the trees the gleeman planted,
Through the changes, changeless stand;
As the marble calm of Tadmor
Mocks the deserts shifting sand.
Still the level moon at rising
Silvers o'er each stately shaft;
Still beneath them, half in shadow,
Singing, glides the pleasure craft;
Still beneath them, arm-enfolded,
Love and Youth together stray;
While, as heart to heart beats faster,
More and more their feet delay.
Where the ancient cobbler, Keezar,
On the open hillside justice wrought,
Singing, as he drew his stitches,
Songs his German masters taught.
Singing, with his gray hair floating
Round a rosy ample face,---
Now a thousand Saxon craftsmen
Stitch and hammer in his place.
All the pastoral lanes so grassy
Now are Traffic's dusty streets;
From the village, grown a city,
Fast the rural grace retreats.
But, still green and tall and stately,
On the river's winding shores,
Stand the occidental plane-trees,
Stand Hugh Tallant's sycamores.
|
Written by
D. H. Lawrence |
You know what it is to be born alone,
Baby tortoise!
The first day to heave your feet little by little from the shell,
Not yet awake,
And remain lapsed on earth,
Not quite alive.
A tiny, fragile, half-animate bean.
To open your tiny beak-mouth, that looks as if it would never open,
Like some iron door;
To lift the upper hawk-beak from the lower base
And reach your skinny little neck
And take your first bite at some dim bit of herbage,
Alone, small insect,
Tiny bright-eye,
Slow one.
To take your first solitary bite
And move on your slow, solitary hunt.
Your bright, dark little eye,
Your eye of a dark disturbed night,
Under its slow lid, tiny baby tortoise,
So indomitable.
No one ever heard you complain.
You draw your head forward, slowly, from your little wimple
And set forward, slow-dragging, on your four-pinned toes, Rowing slowly forward.
Whither away, small bird?
Rather like a baby working its limbs,
Except that you make slow, ageless progress
And a baby makes none.
The touch of sun excites you,
And the long ages, and the lingering chill
Make you pause to yawn,
Opening your impervious mouth,
Suddenly beak-shaped, and very wide, like some suddenly gaping pincers;
Soft red tongue, and hard thin gums,
Then close the wedge of your little mountain front,
Your face, baby tortoise.
Do you wonder at the world, as slowly you turn your head in its wimple
And look with laconic, black eyes?
Or is sleep coming over you again,
The non-life?
You are so hard to wake.
Are you able to wonder?
Or is it just your indomitable will and pride of the first life
Looking round
And slowly pitching itself against the inertia
Which had seemed invincible?
The vast inanimate,
And the fine brilliance of your so tiny eye,
Challenger.
Nay, tiny shell-bird,
What a huge vast inanimate it is, that you must row against,
What an incalculable inertia.
Challenger,
Little Ulysses, fore-runner,
No bigger than my thumb-nail,
Buon viaggio.
All animate creation on your shoulder,
Set forth, little Titan, under your battle-shield.
The ponderous, preponderate,
Inanimate universe;
And you are slowly moving, pioneer, you alone.
How vivid your travelling seems now, in the troubled sunshine,
Stoic, Ulyssean atom;
Suddenly hasty, reckless, on high toes.
Voiceless little bird,
Resting your head half out of your wimple
In the slow dignity of your eternal pause.
Alone, with no sense of being alone,
And hence six times more solitary;
Fulfilled of the slow passion of pitching through immemorial ages
Your little round house in the midst of chaos.
Over the garden earth,
Small bird,
Over the edge of all things.
Traveller,
With your tail tucked a little on one side
Like a gentleman in a long-skirted coat.
All life carried on your shoulder,
Invincible fore-runner.
|
Written by
Vachel Lindsay |
I. THEIR BASIC SAVAGERY
Fat black bucks in a wine-barrel room,
Barrel-house kings, with feet unstable,
Sagged and reeled and pounded on the table,
A deep rolling bass.
Pounded on the table,
Beat an empty barrel with the handle of a broom,
Hard as they were able,
Boom, boom, BOOM,
With a silk umbrella and the handle of a broom,
Boomlay, boomlay, boomlay, BOOM.
THEN I had religion, THEN I had a vision.
I could not turn from their revel in derision.
THEN I SAW THE CONGO, CREEPING THROUGH THE BLACK,
More deliberate. Solemnly chanted.
CUTTING THROUGH THE FOREST WITH A GOLDEN TRACK.
Then along that riverbank
A thousand miles
Tattooed cannibals danced in files;
Then I heard the boom of the blood-lust song
And a thigh-bone beating on a tin-pan gong.
A rapidly piling climax of speed & racket.
And "BLOOD" screamed the whistles and the fifes of the warriors,
"BLOOD" screamed the skull-faced, lean witch-doctors,
"Whirl ye the deadly voo-doo rattle,
Harry the uplands,
Steal all the cattle,
Rattle-rattle, rattle-rattle,
Bing.
Boomlay, boomlay, boomlay, BOOM,"
A roaring, epic, rag-time tune
With a philosophic pause.
From the mouth of the Congo
To the Mountains of the Moon.
Death is an Elephant,
Torch-eyed and horrible,
Shrilly and with a heavily accented metre.
Foam-flanked and terrible.
BOOM, steal the pygmies,
BOOM, kill the Arabs,
BOOM, kill the white men,
HOO, HOO, HOO.
Listen to the yell of Leopold's ghost
Like the wind in the chimney.
Burning in Hell for his hand-maimed host.
Hear how the demons chuckle and yell
Cutting his hands off, down in Hell.
Listen to the creepy proclamation,
Blown through the lairs of the forest-nation,
Blown past the white-ants' hill of clay,
Blown past the marsh where the butterflies play: --
"Be careful what you do,
Or Mumbo-Jumbo, God of the Congo,
All the "O" sounds very golden. Heavy accents very heavy. Light accents very light. Last line whispered.
And all of the other
Gods of the Congo,
Mumbo-Jumbo will hoo-doo you,
Mumbo-Jumbo will hoo-doo you,
Mumbo-Jumbo will hoo-doo you."
II. THEIR IRREPRESSIBLE HIGH SPIRITS
Wild crap-shooters with a whoop and a call
Rather shrill and high.
Danced the juba in their gambling-hall
And laughed fit to kill, and shook the town,
And guyed the policemen and laughed them down
With a boomlay, boomlay, boomlay, BOOM.
THEN I SAW THE CONGO, CREEPING THROUGH THE BLACK,
Read exactly as in first section.
CUTTING THROUGH THE FOREST WITH A GOLDEN TRACK.
A ***** fairyland swung into view,
Lay emphasis on the delicate ideas. Keep as light-footed as possible.
A minstrel river
Where dreams come true.
The ebony palace soared on high
Through the blossoming trees to the evening sky.
The inlaid porches and casements shone
With gold and ivory and elephant-bone.
And the black crowd laughed till their sides were sore
At the baboon butler in the agate door,
And the well-known tunes of the parrot band
That trilled on the bushes of that magic land.
A troupe of skull-faced witch-men came
With pomposity.
Through the agate doorway in suits of flame,
Yea, long-tailed coats with a gold-leaf crust
And hats that were covered with diamond-dust.
And the crowd in the court gave a whoop and a call
And danced the juba from wall to wall.
But the witch-men suddenly stilled the throng
With a great deliberation & ghostliness.
With a stern cold glare, and a stern old song: --
"Mumbo-Jumbo will hoo-doo you." ...
Just then from the doorway, as fat as shotes,
With overwhelming assurance, good cheer, and pomp.
Came the cake-walk princes in their long red coats,
Canes with a brilliant lacquer shine,
And tall silk hats that were red as wine.
And they pranced with their butterfly partners there,
With growing speed and sharply marked dance-rhythm
Coal-black maidens with pearls in their hair,
Knee-skirts trimmed with the jassamine sweet,
And bells on their ankles and little black-feet.
And the couples railed at the chant and the frown
Of the witch-men lean, and laughed them down.
(O rare was the revel, and well worth while
That made those glowering witch-men smile.)
The cake-walk royalty then began
To walk for a cake that was tall as a man
To the tune of "Boomlay, boomlay, BOOM,"
While the witch-men laughed, with a sinister air,
With a touch of ***** dialect, and as rapidly as possible toward the end.
And sang with the scalawags prancing there: --
"Walk with care, walk with care,
Or Mumbo-Jumbo, God of the Congo,
And all the other
Gods of the Congo,
Mumbo-Jumbo will hoo-doo you.
Beware, beware, walk with care,
Boomlay, boomlay, boomlay, boom.
Boomlay, boomlay, boomlay, boom.
Boomlay, boomlay, boomlay, boom.
Boomlay, boomlay, boomlay,
BOOM."
Oh rare was the revel, and well worth while
Slow philosophic calm.
That made those glowering witch-men smile.
III. THE HOPE OF THEIR RELIGION
A good old ***** in the slums of the town
Heavy bass. With a literal imitation of camp-meeting racket, and trance.
Preached at a sister for her velvet gown.
Howled at a brother for his low-down ways,
His prowling, guzzling, sneak-thief days.
Beat on the Bible till he wore it out
Starting the jubilee revival shout.
And some had visions, as they stood on chairs,
And sang of Jacob, and the golden stairs,
And they all repented, a thousand strong
From their stupor and savagery and sin and wrong
And slammed with their hymn books till they shook the room
With "glory, glory, glory,"
And "Boom, boom, BOOM."
THEN I SAW THE CONGO, CREEPING THROUGH THE BLACK,
Exactly as in the first section. Begin with terror and power, end with joy.
CUTTING THROUGH THE FOREST WITH A GOLDEN TRACK.
And the gray sky opened like a new-rent veil
And showed the Apostles with their coats of mail.
In bright white steel they were seated round
And their fire-eyes watched where the Congo wound.
And the twelve Apostles, from their thrones on high
Thrilled all the forest with their heavenly cry: --
"Mumbo-Jumbo will die in the jungle;
Sung to the tune of "Hark, ten thousand harps and voices."
Never again will he hoo-doo you,
Never again will he hoo-doo you."
Then along that river, a thousand miles
With growing deliberation and joy.
The vine-snared trees fell down in files.
Pioneer angels cleared the way
For a Congo paradise, for babes at play,
For sacred capitals, for temples clean.
Gone were the skull-faced witch-men lean.
There, where the wild ghost-gods had wailed
In a rather high key -- as delicately as possible.
A million boats of the angels sailed
With oars of silver, and prows of blue
And silken pennants that the sun shone through.
'Twas a land transfigured, 'twas a new creation.
Oh, a singing wind swept the ***** nation
And on through the backwoods clearing flew: --
"Mumbo-Jumbo is dead in the jungle.
To the tune of "Hark, ten thousand harps and voices."
Never again will he hoo-doo you.
Never again will he hoo-doo you.
Redeemed were the forests, the beasts and the men,
And only the vulture dared again
By the far, lone mountains of the moon
To cry, in the silence, the Congo tune: --
"Mumbo-Jumbo will hoo-doo you,
Dying down into a penetrating, terrified whisper.
"Mumbo-Jumbo will hoo-doo you.
Mumbo ... Jumbo ... will ... hoo-doo ... you."
|
Written by
Robert William Service |
Aye, Montecelli, that's the name.
You may have heard of him perhaps.
Yet though he never savoured fame,
Of those impressionistic chaps,
Monet and Manet and Renoir
He was the avatar.
He festered in a Marseilles slum,
A starving genius, god-inspired.
You'd take him for a lousy bum,
Tho' poetry of paint he lyred,
In dreamy pastels each a gem: . . .
How people laughed at them!
He peddled paint from bar to bar;
From sordid rags a jewel shone,
A glow of joy and colour far
From filth of fortune woe-begone.
'Just twenty francs,' he shyly said,
'To take me drunk to bed.'
Of Van Gogh and Cezanne a peer;
In dreams of ecstasy enskied,
A genius and a pioneer,
Poor, paralysed and mad he died:
Yet by all who hold Beauty dear
May he be glorified!
|
Written by
Edgar Lee Masters |
Better than granite, Spoon River,
Is the memory-picture you keep of me
Standing before the pioneer men and women
There at Concord Church on Communion day.
Speaking in broken voice of the peasant youth
Of Galilee who went to the city
And was killed by bankers and lawyers;
My voice mingling with the June wind
That blew over wheat fields from Atterbury;
While the white stones in the burying ground
Around the Church shimmered in the summer sun.
And there, though my own memories
Were too great to bear, were you, O pioneers,
With bowed heads breathing forth your sorrow
For the sons killed in battle and the daughters
And little children who vanished in life's morning,
Or at the intolerable hour of noon.
But in those moments of tragic silence,
When the wine and bread were passed,
Came the reconciliation for us --
Us the ploughmen and the hewers of wood,
Us the peasants, brothers of the peasant of Galilee --
To us came the Comforter
And the consolation of tongues of flame!
|
Written by
Robert William Service |
This is the song of the parson's son, as he squats in his shack alone,
On the wild, weird nights, when the Northern Lights shoot up from the frozen zone,
And it's sixty below, and couched in the snow the hungry huskies moan:
"I'm one of the Arctic brotherhood, I'm an old-time pioneer.
I came with the first -- O God! how I've cursed this Yukon -- but still I'm here.
I've sweated athirst in its summer heat, I've frozen and starved in its cold;
I've followed my dreams by its thousand streams, I've toiled and moiled for its gold.
"Look at my eyes -- been snow-blind twice; look where my foot's half gone;
And that gruesome scar on my left cheek, where the frost-fiend bit to the bone.
Each one a brand of this devil's land, where I've played and I've lost the game,
A broken wreck with a craze for `hooch', and never a cent to my name.
"This mining is only a gamble; the worst is as good as the best;
I was in with the bunch and I might have come out right on top with the rest;
With Cormack, Ladue and Macdonald -- O God! but it's hell to think
Of the thousands and thousands I've squandered on cards and women and drink.
"In the early days we were just a few, and we hunted and fished around,
Nor dreamt by our lonely camp-fires of the wealth that lay under the ground.
We traded in skins and whiskey, and I've often slept under the shade
Of that lone birch tree on Bonanza, where the first big find was made.
"We were just like a great big family, and every man had his squaw,
And we lived such a wild, free, fearless life beyond the pale of the law;
Till sudden there came a whisper, and it maddened us every man,
And I got in on Bonanza before the big rush began.
"Oh, those Dawson days, and the sin and the blaze, and the town all open wide!
(If God made me in His likeness, sure He let the devil inside.)
But we all were mad, both the good and the bad, and as for the women, well --
No spot on the map in so short a space has hustled more souls to hell.
"Money was just like dirt there, easy to get and to spend.
I was all caked in on a dance-hall jade, but she shook me in the end.
It put me *****, and for near a year I never drew sober breath,
Till I found myself in the bughouse ward with a claim staked out on death.
"Twenty years in the Yukon, struggling along its creeks;
Roaming its giant valleys, scaling its god-like peaks;
Bathed in its fiery sunsets, fighting its fiendish cold --
Twenty years in the Yukon . . . twenty years -- and I'm old.
"Old and weak, but no matter, there's `hooch' in the bottle still.
I'll hitch up the dogs to-morrow, and mush down the trail to Bill.
It's so long dark, and I'm lonesome -- I'll just lay down on the bed;
To-morrow I'll go . . . to-morrow . . . I guess I'll play on the red.
". . . Come, Kit, your pony is saddled. I'm waiting, dear, in the court . . .
. . . Minnie, you devil, I'll kill you if you skip with that flossy sport . . .
. . . How much does it go to the pan, Bill? . . . play up, School, and play the game . . .
. . . Our Father, which art in heaven, hallowed be Thy name . . ."
This was the song of the parson's son, as he lay in his bunk alone,
Ere the fire went out and the cold crept in, and his blue lips ceased to moan,
And the hunger-maddened malamutes had torn him flesh from bone.
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