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Best Famous Philadelphia Poems

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Written by Walt Whitman | Create an image from this poem

American Feuillage

 AMERICA always! 
Always our own feuillage! 
Always Florida’s green peninsula! Always the priceless delta of Louisiana! Always the
 cotton-fields of Alabama and Texas! 
Always California’s golden hills and hollows—and the silver mountains of New
 Mexico!
 Always soft-breath’d Cuba! 
Always the vast slope drain’d by the Southern Sea—inseparable with the slopes
 drain’d
 by the Eastern and Western Seas;
The area the eighty-third year of These States—the three and a half millions of
 square
 miles; 
The eighteen thousand miles of sea-coast and bay-coast on the main—the thirty
 thousand
 miles of
 river navigation, 
The seven millions of distinct families, and the same number of dwellings—Always
 these,
 and
 more, branching forth into numberless branches; 
Always the free range and diversity! always the continent of Democracy! 
Always the prairies, pastures, forests, vast cities, travelers, Kanada, the snows;
Always these compact lands—lands tied at the hips with the belt stringing the huge
 oval
 lakes; 
Always the West, with strong native persons—the increasing density there—the
 habitans,
 friendly, threatening, ironical, scorning invaders; 
All sights, South, North, East—all deeds, promiscuously done at all times, 
All characters, movements, growths—a few noticed, myriads unnoticed, 
Through Mannahatta’s streets I walking, these things gathering;
On interior rivers, by night, in the glare of pine knots, steamboats wooding up; 
Sunlight by day on the valley of the Susquehanna, and on the valleys of the Potomac and
 Rappahannock, and the valleys of the Roanoke and Delaware; 
In their northerly wilds, beasts of prey haunting the Adirondacks, the hills—or
 lapping
 the
 Saginaw waters to drink; 
In a lonesome inlet, a sheldrake, lost from the flock, sitting on the water, rocking
 silently; 
In farmers’ barns, oxen in the stable, their harvest labor done—they rest
 standing—they are too tired;
Afar on arctic ice, the she-walrus lying drowsily, while her cubs play around; 
The hawk sailing where men have not yet sail’d—the farthest polar sea, ripply,
 crystalline, open, beyond the floes; 
White drift spooning ahead, where the ship in the tempest dashes; 
On solid land, what is done in cities, as the bells all strike midnight together; 
In primitive woods, the sounds there also sounding—the howl of the wolf, the scream
 of the
 panther, and the hoarse bellow of the elk;
In winter beneath the hard blue ice of Moosehead Lake—in summer visible through the
 clear
 waters, the great trout swimming; 
In lower latitudes, in warmer air, in the Carolinas, the large black buzzard floating
 slowly,
 high
 beyond the tree tops, 
Below, the red cedar, festoon’d with tylandria—the pines and cypresses, growing
 out
 of the
 white sand that spreads far and flat; 
Rude boats descending the big Pedee—climbing plants, parasites, with color’d
 flowers
 and
 berries, enveloping huge trees, 
The waving drapery on the live oak, trailing long and low, noiselessly waved by the wind;
The camp of Georgia wagoners, just after dark—the supper-fires, and the cooking and
 eating
 by
 whites and *******, 
Thirty or forty great wagons—the mules, cattle, horses, feeding from troughs, 
The shadows, gleams, up under the leaves of the old sycamore-trees—the
 flames—with
 the
 black smoke from the pitch-pine, curling and rising; 
Southern fishermen fishing—the sounds and inlets of North Carolina’s
 coast—the
 shad-fishery and the herring-fishery—the large sweep-seines—the windlasses on
 shore
 work’d by horses—the clearing, curing, and packing-houses; 
Deep in the forest, in piney woods, turpentine dropping from the incisions in the
 trees—There
 are the turpentine works,
There are the ******* at work, in good health—the ground in all directions is
 cover’d
 with
 pine straw: 
—In Tennessee and Kentucky, slaves busy in the coalings, at the forge, by the
 furnace-blaze, or
 at the corn-shucking; 
In Virginia, the planter’s son returning after a long absence, joyfully welcom’d
 and
 kiss’d by the aged mulatto nurse; 
On rivers, boatmen safely moor’d at night-fall, in their boats, under shelter of high
 banks, 
Some of the younger men dance to the sound of the banjo or fiddle—others sit on the
 gunwale,
 smoking and talking;
Late in the afternoon, the mocking-bird, the American mimic, singing in the Great Dismal
 Swamp—there are the greenish waters, the resinous odor, the plenteous moss, the
 cypress
 tree,
 and the juniper tree; 
—Northward, young men of Mannahatta—the target company from an excursion
 returning
 home at
 evening—the musket-muzzles all bear bunches of flowers presented by women; 
Children at play—or on his father’s lap a young boy fallen asleep, (how his lips
 move! how
 he smiles in his sleep!) 
The scout riding on horseback over the plains west of the Mississippi—he ascends a
 knoll
 and
 sweeps his eye around; 
California life—the miner, bearded, dress’d in his rude costume—the stanch
 California
 friendship—the sweet air—the graves one, in passing, meets, solitary, just
 aside the
 horsepath;
Down in Texas, the cotton-field, the *****-cabins—drivers driving mules or oxen
 before
 rude
 carts—cotton bales piled on banks and wharves; 
Encircling all, vast-darting, up and wide, the American Soul, with equal
 hemispheres—one
 Love,
 one Dilation or Pride; 
—In arriere, the peace-talk with the Iroquois, the aborigines—the calumet, the
 pipe
 of
 good-will, arbitration, and indorsement, 
The sachem blowing the smoke first toward the sun and then toward the earth, 
The drama of the scalp-dance enacted with painted faces and guttural exclamations,
The setting out of the war-party—the long and stealthy march, 
The single-file—the swinging hatchets—the surprise and slaughter of enemies; 
—All the acts, scenes, ways, persons, attitudes of These States—reminiscences,
 all
 institutions, 
All These States, compact—Every square mile of These States, without excepting a
 particle—you also—me also, 
Me pleas’d, rambling in lanes and country fields, Paumanok’s fields,
Me, observing the spiral flight of two little yellow butterflies, shuffling between each
 other,
 ascending high in the air; 
The darting swallow, the destroyer of insects—the fall traveler southward, but
 returning
 northward early in the spring; 
The country boy at the close of the day, driving the herd of cows, and shouting to them as
 they
 loiter to browse by the road-side; 
The city wharf—Boston, Philadelphia, Baltimore, Charleston, New Orleans, San
 Francisco, 
The departing ships, when the sailors heave at the capstan;
—Evening—me in my room—the setting sun, 
The setting summer sun shining in my open window, showing the swarm of flies, suspended,
 balancing
 in the air in the centre of the room, darting athwart, up and down, casting swift shadows
 in
 specks
 on the opposite wall, where the shine is; 
The athletic American matron speaking in public to crowds of listeners; 
Males, females, immigrants, combinations—the copiousness—the individuality of
 The
 States,
 each for itself—the money-makers; 
Factories, machinery, the mechanical forces—the windlass, lever, pulley—All
 certainties,
The certainty of space, increase, freedom, futurity, 
In space, the sporades, the scatter’d islands, the stars—on the firm earth, the
 lands, my
 lands; 
O lands! all so dear to me—what you are, (whatever it is,) I become a part of that,
 whatever it
 is; 
Southward there, I screaming, with wings slowly flapping, with the myriads of gulls
 wintering
 along
 the coasts of Florida—or in Louisiana, with pelicans breeding; 
Otherways, there, atwixt the banks of the Arkansaw, the Rio Grande, the Nueces, the
 Brazos, the
 Tombigbee, the Red River, the Saskatchawan, or the Osage, I with the spring waters
 laughing
 and
 skipping and running;
Northward, on the sands, on some shallow bay of Paumanok, I, with parties of snowy herons
 wading in
 the wet to seek worms and aquatic plants; 
Retreating, triumphantly twittering, the king-bird, from piercing the crow with its bill,
 for
 amusement—And I triumphantly twittering; 
The migrating flock of wild geese alighting in autumn to refresh themselves—the body
 of
 the
 flock feed—the sentinels outside move around with erect heads watching, and are from
 time
 to
 time reliev’d by other sentinels—And I feeding and taking turns with the rest; 
In Kanadian forests, the moose, large as an ox, corner’d by hunters, rising
 desperately on
 his
 hind-feet, and plunging with his fore-feet, the hoofs as sharp as knives—And I,
 plunging
 at the
 hunters, corner’d and desperate; 
In the Mannahatta, streets, piers, shipping, store-houses, and the countless workmen
 working in
 the
 shops,
And I too of the Mannahatta, singing thereof—and no less in myself than the whole of
 the
 Mannahatta in itself, 
Singing the song of These, my ever united lands—my body no more inevitably united,
 part to
 part, and made one identity, any more than my lands are inevitably united, and made ONE
 IDENTITY; 
Nativities, climates, the grass of the great Pastoral Plains; 
Cities, labors, death, animals, products, war, good and evil—these me, 
These affording, in all their particulars, endless feuillage to me and to America, how can
 I do
 less
 than pass the clew of the union of them, to afford the like to you?
Whoever you are! how can I but offer you divine leaves, that you also be eligible as I am?

How can I but, as here, chanting, invite you for yourself to collect bouquets of the
 incomparable
 feuillage of These States?


Written by Robert Burns | Create an image from this poem

39. Ballad on the American War

 WHEN Guilford good our pilot stood
 An’ did our hellim thraw, man,
Ae night, at tea, began a plea,
 Within America, man:
Then up they gat the maskin-pat,
 And in the sea did jaw, man;
An’ did nae less, in full congress,
 Than quite refuse our law, man.
Then thro’ the lakes Montgomery takes, I wat he was na slaw, man; Down Lowrie’s Burn he took a turn, And Carleton did ca’, man: But yet, whatreck, he, at Quebec, Montgomery-like did fa’, man, Wi’ sword in hand, before his band, Amang his en’mies a’, man.
Poor Tammy Gage within a cage Was kept at Boston-ha’, man; Till Willie Howe took o’er the knowe For Philadelphia, man; Wi’ sword an’ gun he thought a sin Guid Christian bluid to draw, man; But at New York, wi’ knife an’ fork, Sir-Loin he hacked sma’, man.
Burgoyne gaed up, like spur an’ whip, Till Fraser brave did fa’, man; Then lost his way, ae misty day, In Saratoga shaw, man.
Cornwallis fought as lang’s he dought, An’ did the Buckskins claw, man; But Clinton’s glaive frae rust to save, He hung it to the wa’, man.
Then Montague, an’ Guilford too, Began to fear, a fa’, man; And Sackville dour, wha stood the stour, The German chief to thraw, man: For Paddy Burke, like ony Turk, Nae mercy had at a’, man; An’ Charlie Fox threw by the box, An’ lows’d his tinkler jaw, man.
Then Rockingham took up the game, Till death did on him ca’, man; When Shelburne meek held up his cheek, Conform to gospel law, man: Saint Stephen’s boys, wi’ jarring noise, They did his measures thraw, man; For North an’ Fox united stocks, An’ bore him to the wa’, man.
Then clubs an’ hearts were Charlie’s cartes, He swept the stakes awa’, man, Till the diamond’s ace, of Indian race, Led him a sair faux pas, man: The Saxon lads, wi’ loud placads, On Chatham’s boy did ca’, man; An’ Scotland drew her pipe an’ blew, “Up, Willie, waur them a’, man!” Behind the throne then Granville’s gone, A secret word or twa, man; While slee Dundas arous’d the class Be-north the Roman wa’, man: An’ Chatham’s wraith, in heav’nly graith, (Inspired bardies saw, man), Wi’ kindling eyes, cry’d, “Willie, rise! Would I hae fear’d them a’, man?” But, word an’ blow, North, Fox, and Co.
Gowff’d Willie like a ba’, man; Till Suthron raise, an’ coost their claise Behind him in a raw, man: An’ Caledon threw by the drone, An’ did her whittle draw, man; An’ swoor fu’ rude, thro’ dirt an’ bluid, To mak it guid in law, man.
Written by Billy Collins | Create an image from this poem

Fishing On The Susquehanna In July

 I have never been fishing on the Susquehanna
or on any river for that matter
to be perfectly honest.
Not in July or any month have I had the pleasure -- if it is a pleasure -- of fishing on the Susquehanna.
I am more likely to be found in a quiet room like this one -- a painting of a woman on the wall, a bowl of tangerines on the table -- trying to manufacture the sensation of fishing on the Susquehanna.
There is little doubt that others have been fishing on the Susquehanna, rowing upstream in a wooden boat, sliding the oars under the water then raising them to drip in the light.
But the nearest I have ever come to fishing on the Susquehanna was one afternoon in a museum in Philadelphia, when I balanced a little egg of time in front of a painting in which that river curled around a bend under a blue cloud-ruffled sky, dense trees along the banks, and a fellow with a red bandana sitting in a small, green flat-bottom boat holding the thin whip of a pole.
That is something I am unlikely ever to do, I remember saying to myself and the person next to me.
Then I blinked and moved on to other American scenes of haystacks, water whitening over rocks, even one of a brown hare who seemed so wired with alertness I imagined him springing right out of the frame.
Written by Andrew Hudgins | Create an image from this poem

The Unpromised Land Montgomery Alabama

 Despite the noon sun shimmering on Court Street,
each day I leave my desk, and window-shop,
waste time, and use my whole lunch hour to stroll
the route the marchers took.
The walk is blistering-- the kind of heat that might make you recall Nat Turner skinned and rendered into grease if you share my cheap liberal guilt for sins before your time.
I hold it dear.
I know if I had lived in 1861 I would have fought in butternut, not blue and never known I'd sinned.
Nat Turner skinned for doing what I like to think I'd do if I were him.
Before the war half-naked coffles were paraded to Court Square, where Mary Chesnut gasped--"seasick"--to see a bright mulatto on the auction block, who bantered with the buyers, sang bawdy songs, and flaunted her green satin dress, smart shoes, I'm sure the poor thing knew who'd purchase her, wrote Mrs.
Chestnut, who plopped on a stool to discipline her thoughts.
Today I saw, in that same square, three black girls pick loose tar, flick it at one another's new white dresses, then squeal with laughter.
Three girls about that age of those blown up in church in Birmingham.
The legendary buses rumble past the church where Reverend King preached when he lived in town, a town somehow more his than mine, despite my memory of standing on Dexter Avenue and watching, fascinated, a black man fry six eggs on his Dodge Dart.
Because I watched he gave me one with flecks of dark blue paint stuck on the yolk.
My mother slapped my hand.
I dropped the egg.
And when I tried to say I'm sorry, Mother grabbed my wrist and marched me back to our car.
I can't hold to the present.
I've known these streets, their history, too long.
Two months before she died, my grandmother remembered when I'd sassed her as a child, and at the dinner table, in midbite, leaned over, struck the grown man on the mouth.
And if I hadn't said I'm sorry,fast, she would have gone for me again.
My aunt, from laughing, choked on a piece of lemon pie.
But I'm not sure.
I'm just Christian enough to think each sin taints every one of us, a harsh philosophy that doesn't seem to get me very far--just to the Capitol each day at noon, my wet shirt clinging to my back.
Atop its pole, the stars-and-bars, too heavy for the breeze, hangs listlessly.
Once, standing where Jeff Davis took his oath, I saw the Capitol.
He shrank into his chair, so flaccid with paralysis he looked like melting flesh, white as a maggot.
He's fatter now.
He courts black votes, and life is calmer than when Muslims shot whites on this street, and calmer than when the Klan blew up Judge Johnson's house or Martin Luther King's.
My history could be worse.
I could be Birmingham.
I could be Selma.
I could be Philadelphia, Mississippi.
Instead, I'm this small river town.
Today, as I worked at my desk, the boss called the janitor, Jerome, I hear you get some lunchtime pussy every day.
Jerome, toothless and over seventy, stuck the broom handle out between his legs: Yessir! When the Big Hog talks --he waggled his broomstick--I gots to listen.
He laughed.
And from the corner of his eye, he looked to see if we were laughing too.
Written by Rudyard Kipling | Create an image from this poem

Philadelphia

 "Brother Square-Toes"--Rewards and Fairies.
If you're off to Philadelphia in the morning, You mustn't take my stories for a guide.
There's little left, indeed, of the city you will read of, And all the folk I write about have died.
Now few will understand if you mention Talleyrand, Or remember what his cunning and his skill did; And the cabmen at the wharf do not know Count Zinzendorf, Nor the Church in Philadelphia he builded.
It is gone, gone, gone with lost Atlantis, (Never say I didn't give you warning).
In Seventeen Ninety-three 'twas there for all to see, But it's not in Philadelphia this morning.
If you're off to Philadelphia in the morning, You mustn't go by anything I've said.
Bob Bicknell's Southern Stages have been laid aside for ages, But the Limited will take you there instead.
Toby Hirte can't be seen at One Hundred and Eighteen North Second Street--no matter when you call; And I fear you'll search in vain for the wash-house down the lane Where Pharaoh played the fiddle at the ball.
It is gone, gone, gone with Thebes the Golden, (Never say I didn't give you warning).
In Seventeen Ninety-four 'twas a famous dancing floor-- But it's not in Philadelphia this morning.
If you're off to Philadelphia in the morning, You must telegraph for rooms at some Hotel.
You needn't try your luck at Epply's or "The Buck," Though the Father of his Country liked them well.
It is not the slightest use to inquire for Adam Goos, Or to ask where Pastor Meder has removed--so You must treat as out of date the story I relate Of the Church in Philadelphia he loved so.
He is gone, gone, gone with Martin Luther (Never say I didn't give you warning) In Seventeen Ninety-five he was, ( rest his soul! ) alive.
But he's not in Philadelphia this morning.
If you're off to Philadelphia this morning, And wish to prove the truth of what I say, I pledge my word you'll find the pleasant land behind Unaltered since Red Jacket rode that way.
Still the pine-woods scent the noon; still the catbird sings his tune; Still autumn sets the maple-forest blazing; Still the grape-vine through the dusk flings her soul-compelling musk; Still the fire-flies in the corn make night amazing! They are there, there, there with Earth immortal ( Citizens, I give you friendly warning ).
.
The thins that truly last when men and times have passed, They are all in Pennsylvania this morning!


Written by Walt Whitman | Create an image from this poem

Of Him I Love Day and Night

 OF him I love day and night, I dream’d I heard he was dead; 
And I dream’d I went where they had buried him I love—but he was not in that
 place; 
And I dream’d I wander’d, searching among burial-places, to find him; 
And I found that every place was a burial-place; 
The houses full of life were equally full of death, (this house is now;)
The streets, the shipping, the places of amusement, the Chicago, Boston, Philadelphia, the
 Mannahatta, were as full of the dead as of the living, 
And fuller, O vastly fuller, of the dead than of the living; 
—And what I dream’d I will henceforth tell to every person and age, 
And I stand henceforth bound to what I dream’d; 
And now I am willing to disregard burial-places, and dispense with them;
And if the memorials of the dead were put up indifferently everywhere, even in the room
 where I
 eat or sleep, I should be satisfied; 
And if the corpse of any one I love, or if my own corpse, be duly render’d to powder,
 and
 pour’d in the sea, I shall be satisfied; 
Or if it be distributed to the winds, I shall be satisfied.
Written by Carl Sandburg | Create an image from this poem

Whirls

 NEITHER rose leaves gathered in a jar—respectably in Boston—these—nor drops of Christ blood for a chalice—decently in Philadelphia or Baltimore.
Cinders—these—hissing in a marl and lime of Chicago—also these—the howling of northwest winds across North and South Dakota—or the spatter of winter spray on sea rocks of Kamchatka.

Book: Shattered Sighs