Best Famous Persuades Poems

Here is a collection of the all-time best famous Persuades poems. This is a select list of the best famous Persuades poetry. Reading, writing, and enjoying famous Persuades poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of persuades poems.

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Written by Edward Estlin (E E) Cummings | Create an image from this poem

i shall imagine life

i shall imagine life

is not worth dying if
(and when)roses complain
their beauties are in vain

but though mankind persuades
itself that every weed's
a rose roses(you feel
certain)will only smile

Written by Ralph Waldo Emerson | Create an image from this poem

Celestial Love

 Higher far,
Upward, into the pure realm,
Over sun or star,
Over the flickering Dæmon film,
Thou must mount for love,—
Into vision which all form
In one only form dissolves;
In a region where the wheel,
On which all beings ride,
Visibly revolves;
Where the starred eternal worm
Girds the world with bound and term;
Where unlike things are like,
When good and ill,
And joy and moan,
Melt into one.
There Past, Present, Future, shoot
Triple blossoms from one root
Substances at base divided
In their summits are united,
There the holy Essence rolls,
One through separated souls,
And the sunny &Aelig;on sleeps
Folding nature in its deeps,
And every fair and every good
Known in part or known impure
To men below,
In their archetypes endure.

The race of gods,
Or those we erring own,
Are shadows flitting up and down
In the still abodes.
The circles of that sea are laws,
Which publish and which hide the Cause.
Pray for a beam
Out of that sphere
Thee to guide and to redeem.
O what a load
Of care and toil
By lying Use bestowed,
From his shoulders falls, who sees
The true astronomy,
The period of peace!
Counsel which the ages kept,
Shall the well-born soul accept.
As the overhanging trees
Fill the lake with images,
As garment draws the garment's hem
Men their fortunes bring with them;
By right or wrong,
Lands and goods go to the strong;
Property will brutely draw
Still to the proprietor,
Silver to silver creep and wind,
And kind to kind,
Nor less the eternal poles
Of tendency distribute souls.
There need no vows to bind
Whom not each other seek but find.
They give and take no pledge or oath,
Nature is the bond of both.
No prayer persuades, no flattery fawns,
Their noble meanings are their pawns.
Plain and cold is their address,
Power have they for tenderness,
And so thoroughly is known
Each others' purpose by his own,
They can parley without meeting,
Need is none of forms of greeting,
They can well communicate
In their innermost estate;
When each the other shall avoid,
Shall each by each be most enjoyed.
Not with scarfs or perfumed gloves
Do these celebrate their loves,
Not by jewels, feasts, and savors,
Not by ribbons or by favors,
But by the sun-spark on the sea,
And the cloud-shadow on the lea,
The soothing lapse of morn to mirk,
And the cheerful round of work.
Their cords of love so public are,
They intertwine the farthest star.
The throbbing sea, the quaking earth,
Yield sympathy and signs of mirth;
Is none so high, so mean is none,
But feels and seals this union.
Even the tell Furies are appeased,
The good applaud, the lost are eased.

Love's hearts are faithful, but not fond,
Bound for the just, but not beyond;
Not glad, as the low-loving herd,
Of self in others still preferred,
But they have heartily designed
The benefit of broad mankind.
And they serve men austerely,
After their own genius, clearly,
Without a false humility;
For this is love's nobility,
Not to scatter bread and gold,
Goods and raiment bought and sold,
But to hold fast his simple sense,
And speak the speech of innocence,
And with hand, and body, and blood,
To make his bosom-counsel good:
For he that feeds men, serveth few,
He serves all, who dares be true.
Written by Philip Larkin | Create an image from this poem

Lines On A Young Ladys Photograph Album

 At last you yielded up the album, which
Once open, sent me distracted. All your ages
Matt and glossy on the thick black pages!
Too much confectionery, too rich:
I choke on such nutritious images.

My swivel eye hungers from pose to pose --
In pigtails, clutching a reluctant cat;
Or furred yourself, a sweet girl-graduate;
Or lifting a heavy-headed rose
Beneath a trellis, or in a trilby-hat

(Faintly disturbing, that, in several ways) --
From every side you strike at my control,
Not least through those these disquieting chaps who loll
At ease about your earlier days:
Not quite your class, I'd say, dear, on the whole.

But o, photography! as no art is,
Faithful and disappointing! that records
Dull days as dull, and hold-it smiles as frauds,
And will not censor blemishes
Like washing-lines, and Hall's-Distemper boards,

But shows a cat as disinclined, and shades
A chin as doubled when it is, what grace
Your candour thus confers upon her face!
How overwhelmingly persuades
That this is a real girl in a real place,

In every sense empirically true!
Or is it just the past? Those flowers, that gate,
These misty parks and motors, lacerate
Simply by being you; you
Contract my heart by looking out of date.

Yes, true; but in the end, surely, we cry
Not only at exclusion, but because
It leaves us free to cry. We know what was
Won't call on us to justify
Our grief, however hard we yowl across

The gap from eye to page. So I am left
To mourn (without a chance of consequence)
You, balanced on a bike against a fence;
To wonder if you'd spot the theft
Of this one of you bathing; to condense,

In short, a past that no one now can share,
No matter whose your future; calm and dry,
It holds you like a heaven, and you lie
Unvariably lovely there,
Smaller and clearer as the years go by.
Written by Eavan Boland | Create an image from this poem

That the Science of Cartography Is Limited

 —and not simply by the fact that this shading of
forest cannot show the fragrance of balsam,
the gloom of cypresses,
is what I wish to prove.

When you and I were first in love we drove
to the borders of Connacht
and entered a wood there.

Look down you said: this was once a famine road.

I looked down at ivy and the scutch grass
rough-cast stone had
disappeared into as you told me
in the second winter of their ordeal, in

1847, when the crop had failed twice,
Relief Committees gave
the starving Irish such roads to build.

Where they died, there the road ended

and ends still and when I take down
the map of this island, it is never so
I can say here is
the masterful, the apt rendering of
the spherical as flat, nor
an ingenious design which persuades a curve
into a plane,
but to tell myself again that

the line which says woodland and cries hunger
and gives out among sweet pine and cypress,
and finds no horizon

will not be there.
Written by Robert Herrick | Create an image from this poem

His Meditation Upon Death

 BE those few hours, which I have yet to spend, 
Blest with the meditation of my end; 
Though they be few in number, I'm content; 
If otherwise, I stand indifferent, 
Nor makes it matter, Nestor's years to tell, 
If man lives long, and if he live not well. 
A multitude of days still heaped on 
Seldom brings order, but confusion. 
Might I make choice, long life should be with-stood;
Nor would I care how short it were, if good; 
Which to effect, let ev'ry passing bell 
Possess my thoughts, next comes my doleful knell; 
And when the night persuades me to my bed, 
I'll think I'm going to be buried; 
So shall the blankets which come over me 
Present those turfs, which once must cover me;
And with as firm behaviour I will meet 
The sheet I sleep in, as my winding-sheet. 
When Sleep shall bathe his body in mine eyes, 
I will believe, that then my body dies; 
And if I chance to wake, and rise thereon, 
I'll have in mind my resurrection, 
Which must produce me to that Gen'ral Doom,
To which the peasant, so the prince must come, 
To hear the Judge give sentence on the Throne, 
Without the least hope of affection. 
Tears, at that day, shall make but weak defense, 
When Hell and horror fright the conscience. 
Let me, though late, yet at the last, begin 
To shun the least temptation to a sin; 
Though to be tempted be no sin, until 
Man to th'alluring object gives his will. 
Such let my life assure me, when my breath 
Goes thieving from me, I am safe in death; 
Which is the height of comfort, when I fall, 
I rise triumphant in my funeral.

Written by Sir Philip Sidney | Create an image from this poem

Sonnet XII: Cupid Because Thou

 Cupid, because thou shin'st in Stella's eyes, 
That from her locks, thy day-nets, noe scapes free, 
That those lips swell, so full of thee they be, 
That her sweet breath makes oft thy flames to rise, 

That in her breast thy pap well sugared lies, 
That he Grace gracious makes thy wrongs, that she 
What words so ere she speak persuades for thee, 
That her clear voice lifts thy fame to the skies: 

Thou countest Stella thine, like those whose powers 
Having got up a breach by fighting well, 
Cry, "Victory, this fair day all is ours." 

Oh no, her heart is such a citadel, 
So fortified with wit, stored with disdain, 
That to win it, is all the skill and pain.
Written by Isaac Watts | Create an image from this poem

Hymn 156

 Presumption and despair; or, Satan's various temptations.

I hate the tempter and his charms,
I hate his flatt'ring breath;
The serpent takes a thousand forms
To cheat our souls to death.

He feeds our hopes with airy dreams,
Or kills with slavish fear;
And holds us still in wide extremes,
Presumption or despair.

Now he persuades, "How easy 'tis
To walk the road to heav'n;"
Anon he swells our sins, and cries,
"They cannot be forgiv'n."

[He bids young sinners "yet forbear
To think of God, or death;
For prayer and devotion are
But melancholy breath."

He tells the aged, "they must die,
"And 'tis too late to pray;
In vain for mercy now they cry,
For they have lost their day."]

Thus he supports his cruel throne
By mischief and deceit,
And drags the sons of Adam down
To darkness and the pit.

Almighty God, cut short his power,
Let him in darkness dwell
And that he vex the earth no more,
Confine him down to hell.
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