Written by
A R Ammons |
1) An individual spider web
identifies a species:
an order of instinct prevails
through all accidents of circumstance,
though possibility is
high along the peripheries of
spider
webs:
you can go all
around the fringing attachments
and find
disorder ripe,
entropy rich, high levels of random,
numerous occasions of accident:
2) the possible settings
of a web are infinite:
how does
the spider keep
identity
while creating the web
in a particular place?
how and to what extent
and by what modes of chemistry
and control?
it is
wonderful
how things work: I will tell you
about it
because
it is interesting
and because whatever is
moves in weeds
and stars and spider webs
and known
is loved:
in that love,
each of us knowing it,
I love you,
for it moves within and beyond us,
sizzles in
to winter grasses, darts and hangs with bumblebees
by summer windowsills:
I will show you
the underlying that takes no image to itself,
cannot be shown or said,
but weaves in and out of moons and bladderweeds,
is all and
beyond destruction
because created fully in no
particular form:
if the web were perfectly pre-set,
the spider could
never find
a perfect place to set it in: and
if the web were
perfectly adaptable,
if freedom and possibility were without limit,
the web would
lose its special identity:
the row-strung garden web
keeps order at the center
where space is freest (intersecting that the freest
"medium" should
accept the firmest order)
and that
order
diminishes toward the
periphery
allowing at the points of contact
entropy equal to entropy.
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Written by
Stephen Dunn |
He'd spent his life trying to control the names
people gave him;
oh the unfair and the accurate equally hurt.
Just recently he'd been a son-of-a-*****
and sweetheart in the same day,
and once again knew what antonyms
love and control are, and how comforting
it must be to have a business card -
Manager, Specialist - and believe what it says.
Who, in fact, didn't want his most useful name
to enter with him,
when he entered a room, who didn't want to be
that kind of lie? A man who was a sweetheart
and a son-of-a-*****
was also more or less every name
he'd ever been called, and when you die, he thought,
that's when it happens,
you're collected forever into a few small words.
But never to have been outrageous or exquisite,
no grand mistake
so utterly yours it causes whispers
in the peripheries of your presence - that was
his fear.
"Reckless"; he wouldn't object to such a name
if it came from the right voice with the right
amount of reverence.
Someone nearby, of course, certain to add "fool."
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