Written by
Walt Whitman |
1
A SONG of the good green grass!
A song no more of the city streets;
A song of farms—a song of the soil of fields.
A song with the smell of sun-dried hay, where the nimble pitchers handle the pitch-fork;
A song tasting of new wheat, and of fresh-husk’d maize.
2
For the lands, and for these passionate days, and for myself,
Now I awhile return to thee, O soil of Autumn fields,
Reclining on thy breast, giving myself to thee,
Answering the pulses of thy sane and equable heart,
Tuning a verse for thee.
O Earth, that hast no voice, confide to me a voice!
O harvest of my lands! O boundless summer growths!
O lavish, brown, parturient earth! O infinite, teeming womb!
A verse to seek, to see, to narrate thee.
3
Ever upon this stage,
Is acted God’s calm, annual drama,
Gorgeous processions, songs of birds,
Sunrise, that fullest feeds and freshens most the soul,
The heaving sea, the waves upon the shore, the musical, strong waves,
The woods, the stalwart trees, the slender, tapering trees,
The flowers, the grass, the lilliput, countless armies of the grass,
The heat, the showers, the measureless pasturages,
The scenery of the snows, the winds’ free orchestra,
The stretching, light-hung roof of clouds—the clear cerulean, and the bulging,
silvery
fringes,
The high dilating stars, the placid, beckoning stars,
The moving flocks and herds, the plains and emerald meadows,
The shows of all the varied lands, and all the growths and products.
4
Fecund America! To-day,
Thou art all over set in births and joys!
Thou groan’st with riches! thy wealth clothes thee as with a swathing garment!
Thou laughest loud with ache of great possessions!
A myriad-twining life, like interlacing vines, binds all thy vast demesne!
As some huge ship, freighted to water’s edge, thou ridest into port!
As rain falls from the heaven, and vapors rise from earth, so have the precious values
fallen
upon thee, and risen out of thee!
Thou envy of the globe! thou miracle!
Thou, bathed, choked, swimming in plenty!
Thou lucky Mistress of the tranquil barns!
Thou Prairie Dame that sittest in the middle, and lookest out upon thy world, and lookest
East,
and lookest West!
Dispensatress, that by a word givest a thousand miles—that giv’st a million
farms,
and missest nothing!
Thou All-Acceptress—thou Hospitable—(thou only art hospitable, as God is
hospitable.)
5
When late I sang, sad was my voice;
Sad were the shows around me, with deafening noises of hatred, and smoke of conflict;
In the midst of the armies, the Heroes, I stood,
Or pass’d with slow step through the wounded and dying.
But now I sing not War,
Nor the measur’d march of soldiers, nor the tents of camps,
Nor the regiments hastily coming up, deploying in line of battle.
No more the dead and wounded;
No more the sad, unnatural shows of War.
Ask’d room those flush’d immortal ranks? the first forth-stepping armies?
Ask room, alas, the ghastly ranks—the armies dread that follow’d.
6
(Pass—pass, ye proud brigades!
So handsome, dress’d in blue—with your tramping, sinewy legs;
With your shoulders young and strong—with your knapsacks and your muskets;
—How elate I stood and watch’d you, where, starting off, you march’d!
Pass;—then rattle, drums, again!
Scream, you steamers on the river, out of whistles loud and shrill, your salutes!
For an army heaves in sight—O another gathering army!
Swarming, trailing on the rear—O you dread, accruing army!
O you regiments so piteous, with your mortal diarrhoea! with your fever!
O my land’s maimed darlings! with the plenteous bloody bandage and the crutch!
Lo! your pallid army follow’d!)
7
But on these days of brightness,
On the far-stretching beauteous landscape, the roads and lanes, the high-piled
farm-wagons, and
the fruits and barns,
Shall the dead intrude?
Ah, the dead to me mar not—they fit well in Nature;
They fit very well in the landscape, under the trees and grass,
And along the edge of the sky, in the horizon’s far margin.
Nor do I forget you, departed;
Nor in winter or summer, my lost ones;
But most, in the open air, as now, when my soul is rapt and at peace—like pleasing
phantoms,
Your dear memories, rising, glide silently by me.
8
I saw the day, the return of the Heroes;
(Yet the Heroes never surpass’d, shall never return;
Them, that day, I saw not.)
I saw the interminable Corps—I saw the processions of armies,
I saw them approaching, defiling by, with divisions,
Streaming northward, their work done, camping awhile in clusters of mighty camps.
No holiday soldiers!—youthful, yet veterans;
Worn, swart, handsome, strong, of the stock of homestead and workshop,
Harden’d of many a long campaign and sweaty march,
Inured on many a hard-fought, bloody field.
9
A pause—the armies wait;
A million flush’d, embattled conquerors wait;
The world, too, waits—then, soft as breaking night, and sure as dawn,
They melt—they disappear.
Exult, indeed, O lands! victorious lands!
Not there your victory, on those red, shuddering fields;
But here and hence your victory.
Melt, melt away, ye armies! disperse, ye blue-clad soldiers!
Resolve ye back again—give up, for good, your deadly arms;
Other the arms, the fields henceforth for you, or South or North, or East or West,
With saner wars—sweet wars—life-giving wars.
10
Loud, O my throat, and clear, O soul!
The season of thanks, and the voice of full-yielding;
The chant of joy and power for boundless fertility.
All till’d and untill’d fields expand before me;
I see the true arenas of my race—or first, or last,
Man’s innocent and strong arenas.
I see the Heroes at other toils;
I see, well-wielded in their hands, the better weapons.
11
I see where America, Mother of All,
Well-pleased, with full-spanning eye, gazes forth, dwells long,
And counts the varied gathering of the products.
Busy the far, the sunlit panorama;
Prairie, orchard, and yellow grain of the North,
Cotton and rice of the South, and Louisianian cane;
Open, unseeded fallows, rich fields of clover and timothy,
Kine and horses feeding, and droves of sheep and swine,
And many a stately river flowing, and many a jocund brook,
And healthy uplands with their herby-perfumed breezes,
And the good green grass—that delicate miracle, the ever-recurring grass.
12
Toil on, Heroes! harvest the products!
Not alone on those warlike fields, the Mother of All,
With dilated form and lambent eyes, watch’d you.
Toil on, Heroes! toil well! Handle the weapons well!
The Mother of All—yet here, as ever, she watches you.
Well-pleased, America, thou beholdest,
Over the fields of the West, those crawling monsters,
The human-divine inventions, the labor-saving implements:
Beholdest, moving in every direction, imbued as with life, the revolving hay-rakes,
The steam-power reaping-machines, and the horse-power machines,
The engines, thrashers of grain, and cleaners of grain, well separating the straw—the
nimble work of the patent pitch-fork;
Beholdest the newer saw-mill, the southern cotton-gin, and the rice-cleanser.
Beneath thy look, O Maternal,
With these, and else, and with their own strong hands, the Heroes harvest.
All gather, and all harvest;
(Yet but for thee, O Powerful! not a scythe might swing, as now, in security;
Not a maize-stalk dangle, as now, its silken tassels in peace.)
13
Under Thee only they harvest—even but a wisp of hay, under thy great face, only;
Harvest the wheat of Ohio, Illinois, Wisconsin—every barbed spear, under thee;
Harvest the maize of Missouri, Kentucky, Tennessee—each ear in its light-green
sheath,
Gather the hay to its myriad mows, in the odorous, tranquil barns,
Oats to their bins—the white potato, the buckwheat of Michigan, to theirs;
Gather the cotton in Mississippi or Alabama—dig and hoard the golden, the sweet
potato of
Georgia and the Carolinas,
Clip the wool of California or Pennsylvania,
Cut the flax in the Middle States, or hemp, or tobacco in the Borders,
Pick the pea and the bean, or pull apples from the trees, or bunches of grapes from the
vines,
Or aught that ripens in all These States, or North or South,
Under the beaming sun, and under Thee.
|
Written by
Andrew Barton Paterson |
We have all of us read how the Israelites fled
From Egypt with Pharaoh in eager pursuit of 'em,
And Pharaoh's fierce troop were all put "in the soup"
When the waters rolled softly o'er every galoot of 'em.
The Jews were so glad when old Pharaoh was "had"
That they sounded their timbrels and capered like mad.
You see he was hated from Jordan to Cairo --
Whence comes the expression "to buck against faro".
For forty long years, 'midst perils and fears
In deserts with never a famine to follow by,
The Israelite horde went roaming abroad
Like so many sundowners "out on the wallaby".
When Moses, who led 'em, and taught 'em, and fed 'em,
Was dying, he murmured, "A rorty old hoss you are:
I give you command of the whole of the band" --
And handed the Government over to Joshua.
But Moses told 'em before he died,
"Wherever you are, whatever betide,
Every year as the time draws near
By lot or by rote choose you a goat,
And let the high priest confess on the beast
The sins of the people the worst and the least,
Lay your sins on the goat! Sure the plan ought to suit yer.
Because all your sins are 'his troubles' in future.
Then lead him away to the wilderness black
To die with the weight of your sins on his back:
Of thirst let him perish alone and unshriven,
For thus shall your sins be absolved and forgiven!"
'Tis needless to say, though it reeked of barbarity
This scapegoat arrangement gained great popularity.
By this means a Jew, whate'er he might do,
Though he burgled, or murdered, or cheated at loo,
Or meat on Good Friday (a sin most terrific) ate,
Could get his discharge, like a bankrupt's certificate;
Just here let us note -- Did they choose their best goat?
It's food for conjecture, to judge from the picture
By Hunt in the Gallery close to our door, a
Man well might suppose that the scapegoat they chose
Was a long way from being their choicest Angora.
In fact I should think he was one of their weediest:
'Tis a rule that obtains, no matter who reigns,
When making a sacrifice, offer the seediest;
Which accounts for a theory known to my hearers
Who live in the wild by the wattle beguiled,
That a "stag" makes quite good enough mutton for shearers.
Be that as it may, as each year passed away,
a scapegoat was led to the desert and freighted
With sin (the poor brute must have been overweighted)
And left there -- to die as his fancy dictated.
The day it has come, with trumpet and drum.
With pomp and solemnity fit for the tomb
They lead the old billy-goat off to his doom:
On every hand a reverend band,
Prophets and preachers and elders stand
And the oldest rabbi, with a tear in his eye,
Delivers a sermon to all standing by.
(We haven't his name -- whether Cohen or Harris, he
No doubt was the "poisonest" kind of Pharisee.)
The sermon was marked by a deal of humility
And pointed the fact, with no end of ability.
That being a Gentile's no mark of gentility,
And, according to Samuel, would certainly d--n you well.
Then, shedding his coat, he approaches the goat
And, while a red fillet he carefully pins on him,
Confesses the whole of the Israelites' sins on him.
With this eloquent burst he exhorts the accurst --
"Go forth in the desert and perish in woe,
The sins of the people are whiter than snow!"
Then signs to his pal "for to let the brute go".
(That "pal" as I've heard, is an elegant word,
Derived from the Persian "Palaykhur" or "Pallaghur"),
As the scapegoat strains and tugs at the reins
The Rabbi yells rapidly, "Let her go, Gallagher!"
The animal, freed from all restraint
Lowered his head, made a kind of feint,
And charged straight at that elderly saint.
So fierce his attack and so very severe, it
Quite floored the Rabbi, who, ere he could fly,
Was rammed on the -- no, not the back -- but just near it.
The scapegoat he snorted, and wildly cavorted,
A light-hearted antelope "out on the ramp",
Then stopped, looked around, got the "lay of the ground",
And made a beeline back again to the camp.
The elderly priest, as he noticed the beast
So gallantly making his way to the east,
Says he, "From the tents may I never more roam again
If that there old billy-goat ain't going home again.
He's hurrying, too! This never will do.
Can't somebody stop him? I'm all of a stew.
After all our confessions, so openly granted,
He's taking our sins back to where they're not wanted.
We've come all this distance salvation to win agog,
If he takes home our sins, it'll burst up the Synagogue!"
He turned to an Acolyte who was making his bacca light,
A fleet-footed youth who could run like a crack o' light.
"Run, Abraham, run! Hunt him over the plain,
And drive back the brute to the desert again.
The Sphinx is a-watching, the Pyramids will frown on you,
From those granite tops forty cent'ries look down on you --
Run, Abraham, run! I'll bet half-a-crown on you."
So Abraham ran, like a man did he go for him,
But the goat made it clear each time he drew near
That he had what the racing men call "too much toe" for him.
The crowd with great eagerness studied the race --
"Great Scott! isn't Abraham forcing the pace --
And don't the goat spiel? It is hard to keep sight on him,
The sins of the Israelites ride mighty light on him.
The scapegoat is leading a furlong or more,
And Abraham's tiring -- I'll lay six to four!
He rolls in his stride; he's done, there's no question!"
But here the old Rabbi brought up a suggestion.
('Twas strange that in racing he showed so much cunning),
"It's a hard race," said he, "and I think it would be
A good thing for someone to take up the running."
As soon said as done, they started to run --
The priests and the deacons, strong runners and weak 'uns
All reckoned ere long to come up with the brute,
And so the whole boiling set off in pursuit.
And then it came out, as the rabble and rout
Streamed over the desert with many a shout --
The Rabbi so elderly, grave, and patrician,
Had been in his youth a bold metallician,
And offered, in gasps, as they merrily spieled,
"Any price Abraham! Evens the field!"
Alas! the whole clan, they raced and they ran,
And Abraham proved him an "even time" man,
But the goat -- now a speck they could scarce keep their eyes on --
Stretched out in his stride in a style most surprisin'
And vanished ere long o'er the distant horizon.
Away in the camp the bill-sticker's tramp
Is heard as he wanders with paste, brush, and notices,
And paling and wall he plasters them all,
"I wonder how's things gettin' on with the goat," he says,
The pulls out his bills, "Use Solomon's Pills"
"Great Stoning of Christians! To all devout Jews! you all
Must each bring a stone -- Great sport will be shown;
Enormous Attractions! And prices as usual!
Roll up to the Hall!! Wives, children and all,
For naught the most delicate feelings to hurt is meant!!"
Here his eyes opened wide, for close by his side
Was the scapegoat: And eating his latest advertisement!
One shriek from him burst -- "You creature accurst!"
And he ran from the spot like one fearing the worst.
His language was chaste, as he fled in his haste,
But the goat stayed behind him -- and "scoffed up" the paste.
With downcast head, and sorrowful tread,
The people came back from the desert in dread.
"The goat -- was he back there? Had anyone heard of him?"
In very short order they got plenty word of him.
In fact as they wandered by street, lane and hall,
"The trail of the serpent was over them all."
A poor little child knocked out stiff in the gutter
Proclaimed that the scapegoat was bred for a "butter".
The bill-sticker's pail told a sorrowful tale,
The scapegoat had licked it as dry as a nail;
He raced through their houses, and frightened their spouses,
But his latest achievement most anger arouses,
For while they were searching, and scratching their craniums,
One little Ben Ourbed, who looked in the flow'r-bed,
Discovered him eating the Rabbi's geraniums.
Moral
The moral is patent to all the beholders --
Don't shift your own sins on to other folks' shoulders;
Be kind to dumb creatures and never abuse them,
Nor curse them nor kick them, nor spitefully use them:
Take their lives if needs must -- when it comes to the worst,
But don't let them perish of hunger or thirst.
Remember, no matter how far you may roam
That dogs, goats, and chickens, it's simply the dickens,
Their talent stupendous for "getting back home".
Your sins, without doubt, will aye find you out,
And so will a scapegoat, he's bound to achieve it,
But, die in the wilderness! Don't you believe it!
|
Written by
Ralph Waldo Emerson |
Venus, when her son was lost,
Cried him up and down the coast,
In hamlets, palaces, and parks,
And told the truant by his marks,
Golden curls, and quiver, and bow;—
This befell long ago.
Time and tide are strangely changed,
Men and manners much deranged;
None will now find Cupid latent
By this foolish antique patent.
He came late along the waste,
Shod like a traveller for haste,
With malice dared me to proclaim him,
That the maids and boys might name him.
Boy no more, he wears all coats,
Frocks, and blouses, capes, capôtes,
He bears no bow, or quiver, or wand,
Nor chaplet on his head or hand:
Leave his weeds and heed his eyes,
All the rest he can disguise.
In the pit of his eyes a spark
Would bring back day if it were dark,
And,—if I tell you all my thought,
Though I comprehend it not,—
In those unfathomable orbs
Every function he absorbs;
He doth eat, and drink, and fish, and shoot,
And write, and reason, and compute,
And ride, and run, and have, and hold,
And whine, and flatter, and regret,
And kiss, and couple, and beget,
By those roving eye-balls bold;
Undaunted are their courages,
Right Cossacks in their forages;
Fleeter they than any creature,
They are his steeds and not his feature,
Inquisitive, and fierce, and fasting,
Restless, predatory, hasting,—
And they pounce on other eyes,
As lions on their prey;
And round their circles is writ,
Plainer than the day,
Underneath, within, above,
Love, love, love, love.
He lives in his eyes,
There doth digest, and work, and spin,
And buy, and sell, and lose, and win;
He rolls them with delighted motion,
Joy-tides swell their mimic ocean.
Yet holds he them with tortest rein,
That they may seize and entertain
The glance that to their glance opposes,
Like fiery honey sucked from roses.
He palmistry can understand,
Imbibing virtue by his hand
As if it were a living root;
The pulse of hands will make him mute;
With all his force he gathers balms
Into those wise thrilling palms.
Cupid is a casuist,
A mystic, and a cabalist,
Can your lurking Thought surprise,
And interpret your device;
Mainly versed in occult science,
In magic, and in clairvoyance.
Oft he keeps his fine ear strained,
And reason on her tiptoe pained,
For aery intelligence,
And for strange coincidence.
But it touches his quick heart
When Fate by omens takes his part,
And chance-dropt hints from Nature's sphere
Deeply soothe his anxious ear.
Heralds high before him run,
He has ushers many a one,
Spreads his welcome where he goes,
And touches all things with his rose.
All things wait for and divine him,—
How shall I dare to malign him,
Or accuse the god of sport?—
I must end my true report,
Painting him from head to foot,
In as far as I took note,
Trusting well the matchless power
Of this young-eyed emperor
Will clear his fame from every cloud,
With the bards, and with the crowd.
He is wilful, mutable,
Shy, untamed, inscrutable,
Swifter-fashioned than the fairies,
Substance mixed of pure contraries,
His vice some elder virtue's token,
And his good is evil spoken.
Failing sometimes of his own,
He is headstrong and alone;
He affects the wood and wild,
Like a flower-hunting child,
Buries himself in summer waves,
In trees, with beasts, in mines, and caves,
Loves nature like a horned cow,
Bird, or deer, or cariboo.
Shun him, nymphs, on the fleet horses!
He has a total world of wit,
O how wise are his discourses!
But he is the arch-hypocrite,
And through all science and all art,
Seeks alone his counterpart.
He is a Pundit of the east,
He is an augur and a priest,
And his soul will melt in prayer,
But word and wisdom are a snare;
Corrupted by the present toy,
He follows joy, and only joy.
There is no mask but he will wear,
He invented oaths to swear,
He paints, he carves, he chants, he prays,
And holds all stars in his embrace,
Godlike, —but 'tis for his fine pelf,
The social quintessence of self.
Well, said I, he is hypocrite,
And folly the end of his subtle wit,
He takes a sovran privilege
Not allowed to any liege,
For he does go behind all law,
And right into himself does draw,
For he is sovranly allied.
Heaven's oldest blood flows in his side,
And interchangeably at one
With every king on every throne,
That no God dare say him nay,
Or see the fault, or seen betray;
He has the Muses by the heart,
And the Parcæ all are of his part.
His many signs cannot be told,
He has not one mode, but manifold,
Many fashions and addresses,
Piques, reproaches, hurts, caresses,
Action, service, badinage,
He will preach like a friar,
And jump like Harlequin,
He will read like a crier,
And fight like a Paladin.
Boundless is his memory,
Plans immense his term prolong,
He is not of counted age,
Meaning always to be young.
And his wish is intimacy,
Intimater intimacy,
And a stricter privacy,
The impossible shall yet be done,
And being two shall still be one.
As the wave breaks to foam on shelves,
Then runs into a wave again,
So lovers melt their sundered selves,
Yet melted would be twain.
|
Written by
Robert William Service |
I took a contract to bury the body of blasphemous Bill MacKie,
Whenever, wherever or whatsoever the manner of death he die--
Whether he die in the light o' day or under the peak-faced moon;
In cabin or dance-hall, camp or dive, mucklucks or patent shoon;
On velvet tundra or virgin peak, by glacier, drift or draw;
In muskeg hollow or canyon gloom, by avalanche, fang or claw;
By battle, murder or sudden wealth, by pestilence, hooch or lead--
I swore on the Book I would follow and look till I found my tombless dead.
For Bill was a dainty kind of cuss, and his mind was mighty sot
On a dinky patch with flowers and grass in a civilized bone-yard lot.
And where he died or how he died, it didn't matter a damn
So long as he had a grave with frills and a tombstone "epigram".
So I promised him, and he paid the price in good cheechako coin
(Which the same I blowed in that very night down in the Tenderloin).
Then I painted a three-foot slab of pine: "Here lies poor Bill MacKie",
And I hung it up on my cabin wall and I waited for Bill to die.
Years passed away, and at last one day came a squaw with a story strange,
Of a long-deserted line of traps 'way back of the Bighorn range;
Of a little hut by the great divide, and a white man stiff and still,
Lying there by his lonesome self, and I figured it must be Bill.
So I thought of the contract I'd made with him, and I took down from the shelf
The swell black box with the silver plate he'd picked out for hisself;
And I packed it full of grub and "hooch", and I slung it on the sleigh;
Then I harnessed up my team of dogs and was off at dawn of day.
You know what it's like in the Yukon wild when it's sixty-nine below;
When the ice-worms wriggle their purple heads through the crust of the pale blue snow;
When the pine-trees crack like little guns in the silence of the wood,
And the icicles hang down like tusks under the parka hood;
When the stove-pipe smoke breaks sudden off, and the sky is weirdly lit,
And the careless feel of a bit of steel burns like a red-hot spit;
When the mercury is a frozen ball, and the frost-fiend stalks to kill--
Well, it was just like that that day when I set out to look for Bill.
Oh, the awful hush that seemed to crush me down on every hand,
As I blundered blind with a trail to find through that blank and bitter land;
Half dazed, half crazed in the winter wild, with its grim heart-breaking woes,
And the ruthless strife for a grip on life that only the sourdough knows!
North by the compass, North I pressed; river and peak and plain
Passed like a dream I slept to lose and I waked to dream again.
River and plain and mighty peak--and who could stand unawed?
As their summits blazed, he could stand undazed at the foot of the throne of God.
North, aye, North, through a land accurst, shunned by the scouring brutes,
And all I heard was my own harsh word and the whine of the malamutes,
Till at last I came to a cabin squat, built in the side of a hill,
And I burst in the door, and there on the floor, frozen to death, lay Bill.
Ice, white ice, like a winding-sheet, sheathing each smoke-grimed wall;
Ice on the stove-pipe, ice on the bed, ice gleaming over all;
Sparkling ice on the dead man's chest, glittering ice in his hair,
Ice on his fingers, ice in his heart, ice in his glassy stare;
Hard as a log and trussed like a frog, with his arms and legs outspread.
I gazed at the coffin I'd brought for him, and I gazed at the gruesome dead,
And at last I spoke: "Bill liked his joke; but still, goldarn his eyes,
A man had ought to consider his mates in the way he goes and dies."
Have you ever stood in an Arctic hut in the shadow of the Pole,
With a little coffin six by three and a grief you can't control?
Have you ever sat by a frozen corpse that looks at you with a grin,
And that seems to say: "You may try all day, but you'll never jam me in"?
I'm not a man of the quitting kind, but I never felt so blue
As I sat there gazing at that stiff and studying what I'd do.
Then I rose and I kicked off the husky dogs that were nosing round about,
And I lit a roaring fire in the stove, and I started to thaw Bill out.
Well, I thawed and thawed for thirteen days, but it didn't seem no good;
His arms and legs stuck out like pegs, as if they was made of wood.
Till at last I said: "It ain't no use--he's froze too hard to thaw;
He's obstinate, and he won't lie straight, so I guess I got to--saw."
So I sawed off poor Bill's arms and legs, and I laid him snug and straight
In the little coffin he picked hisself, with the dinky silver plate;
And I came nigh near to shedding a tear as I nailed him safely down;
Then I stowed him away in my Yukon sleigh, and I started back to town.
So I buried him as the contract was in a narrow grave and deep,
And there he's waiting the Great Clean-up, when the Judgment sluice-heads sweep;
And I smoke my pipe and I meditate in the light of the Midnight Sun,
And sometimes I wonder if they was, the awful things I done.
And as I sit and the parson talks, expounding of the Law,
I often think of poor old Bill--and how hard he was to saw.
|
Written by
Katherine Mansfield |
The Half-Soled-Boots-With-Toecaps-Child
Walked out into the street
And splashed in all the pubbles till
She had such shocking feet
The Patent-Leather-Slipper-Child
Stayed quietly in the house
And sat upon the fender stool
As still as any mouse.
The Half-Soled-Boots-With-Toecaps-Child
Her hands were black as ink;
She would come running through the house
And begging for a drink.
The Patent-Leather-Slipper-Child
Her hands were white as snow;
She did not like to play around,
She only liked to sew.
The Half-Soled-Boots-With-Toecaps-Child
Lost hair ribbons galore;
She dropped them on the garden walks,
She dropped them on the floor.
The Patent-Leather-Slipper-Child
O thoughtful little girl!
She liked to walk quite soberly,
It kept her hair in curl.
The Half-Soled-Boots-With-Toecaps-Child
When she was glad or proud
Just flung her arms round Mother's neck
And kissed her very loud.
The Patent-Leather-Slipper-Child
Was shocked at such a sight,
She only offered you her cheek
At morning and at night.
O Half-Soled-Boots-With-Toecaps-Child
Your happy laughing face
Does like a scented Summer rose
Make sweet the dullest place.
O Patent-Leather-Slipper-Child
My dear, I'm well content
To have my daughter in my arms,
And not an ornament.
|
Written by
T S (Thomas Stearns) Eliot |
You ought to know Mr. Mistoffelees!
The Original Conjuring Cat--
(There can be no doubt about that).
Please listen to me and don't scoff. All his
Inventions are off his own bat.
There's no such Cat in the metropolis;
He holds all the patent monopolies
For performing suprising illusions
And creating eccentric confusions.
At prestidigitation
And at legerdemain
He'll defy examination
And deceive you again.
The greatest magicians have something to learn
From Mr. Mistoffelees' Conjuring Turn.
Presto!
Away we go!
And we all say: OH!
Well I never!
Was there ever
A Cat so clever
As Magical Mr. Mistoffelees!
He is quiet and small, he is black
From his ears to the tip of his tail;
He can creep through the tiniest crack,
He can walk on the narrowest rail.
He can pick any card from a pack,
He is equally cunning with dice;
He is always deceiving you into believing
That he's only hunting for mice.
He can play any trick with a cork
Or a spoon and a bit of fish-paste;
If you look for a knife or a fork
And you think it is merely misplaced--
You have seen it one moment, and then it is gawn!
But you'll find it next week lying out on the lawn.
And we all say: OH!
Well I never!
Was there ever
A Cat so clever
As Magical Mr. Mistoffelees!
His manner is vague and aloof,
You would think there was nobody shyer--
But his voice has been heard on the roof
When he was curled up by the fire.
And he's sometimes been heard by the fire
When he was about on the roof--
(At least we all heard that somebody purred)
Which is incontestable proof
Of his singular magical powers:
And I have known the family to call
Him in from the garden for hours,
While he was asleep in the hall.
And not long ago this phenomenal Cat
Produced seven kittens right out of a hat!
And we all said: OH!
Well I never!
Did you ever
Know a Cat so clever
As Magical Mr. Mistoffelees!
|
Written by
Sylvia Plath |
The tulips are too excitable, it is winter here.
Look how white everything is, how quiet, how snowed-in
I am learning peacefulness, lying by myself quietly
As the light lies on these white walls, this bed, these hands.
I am nobody; I have nothing to do with explosions.
I have given my name and my day-clothes up to the nurses
And my history to the anaesthetist and my body to surgeons.
They have propped my head between the pillow and the sheet-cuff
Like an eye between two white lids that will not shut.
Stupid pupil, it has to take everything in.
The nurses pass and pass, they are no trouble,
They pass the way gulls pass inland in their white caps,
Doing things with their hands, one just the same as another,
So it is impossible to tell how many there are.
My body is a pebble to them, they tend it as water
Tends to the pebbles it must run over, smoothing them gently.
They bring me numbness in their bright needles, they bring me sleep.
Now I have lost myself I am sick of baggage ----
My patent leather overnight case like a black pillbox,
My husband and child smiling out of the family photo;
Their smiles catch onto my skin, little smiling hooks.
I have let things slip, a thirty-year-old cargo boat
Stubbornly hanging on to my name and address.
They have swabbed me clear of my loving associations.
Scared and bare on the green plastic-pillowed trolley
I watched my teaset, my bureaus of linen, my books
Sink out of sight, and the water went over my head.
I am a nun now, I have never been so pure.
I didn't want any flowers, I only wanted
To lie with my hands turned up and be utterly empty.
How free it is, you have no idea how free ----
The peacefulness is so big it dazes you,
And it asks nothing, a name tag, a few trinkets.
It is what the dead close on, finally; I imagine them
Shutting their mouths on it, like a Communion tablet.
The tulips are too red in the first place, they hurt me.
Even through the gift paper I could hear them breathe
Lightly, through their white swaddlings, like an awful baby.
Their redness talks to my wound, it corresponds.
They are subtle: they seem to float, though they weigh me down,
Upsetting me with their sudden tongues and their colour,
A dozen red lead sinkers round my neck.
Nobody watched me before, now I am watched.
The tulips turn to me, and the window behind me
Where once a day the light slowly widens and slowly thins,
And I see myself, flat, ridiculous, a cut-paper shadow
Between the eye of the sun and the eyes of the tulips,
And I hve no face, I have wanted to efface myself.
The vivid tulips eat my oxygen.
Before they came the air was calm enough,
Coming and going, breath by breath, without any fuss.
Then the tulips filled it up like a loud noise.
Now the air snags and eddies round them the way a river
Snags and eddies round a sunken rust-red engine.
They concentrate my attention, that was happy
Playing and resting without committing itself.
The walls, also, seem to be warming themselves.
The tulips should be behind bars like dangerous animals;
They are opening like the mouth of some great African cat,
And I am aware of my heart: it opens and closes
Its bowl of red blooms out of sheer love of me.
The water I taste is warm and salt, like the sea,
And comes from a country far away as health.
|
Written by
Carl Sandburg |
The rear axles hold the kick of twenty Missouri jackasses.
It is in the records of the patent office and the ads there is twenty horse power pull here.
The farm boy says hello to you instead of twenty mules—he sings to you instead of ten span of mules.
A bucket of oil and a can of grease is your hay and oats.
Rain proof and fool proof they stable you anywhere in the fields with the stars for a roof.
I carve a team of long ear mules on the steering wheel—it’s good-by now to leather reins and the songs of the old mule skinners.
|
Written by
Amy Lowell |
Bath
The day is fresh-washed and fair, and there is
a smell of tulips and narcissus
in the air.
The sunshine pours in at the bath-room window and
bores through the water
in the bath-tub in lathes and planes of greenish-white. It
cleaves the water
into flaws like a jewel, and cracks it to bright light.
Little spots of sunshine lie on the surface of
the water and dance, dance,
and their reflections wobble deliciously over the ceiling; a stir
of my finger
sets them whirring, reeling. I move a foot, and the planes
of light
in the water jar. I lie back and laugh, and let the green-white
water,
the sun-flawed beryl water, flow over me. The day is
almost
too bright to bear, the green water covers me from the too bright
day.
I will lie here awhile and play with the water and the sun spots.
The sky is blue and high. A crow flaps
by the window, and there is
a whiff of tulips and narcissus in the air.
Breakfast Table
In the fresh-washed sunlight, the breakfast table
is decked and white.
It offers itself in flat surrender, tendering tastes, and smells,
and colours, and metals, and grains, and the white cloth falls over
its side,
draped and wide. Wheels of white glitter in the silver
coffee-pot,
hot and spinning like catherine-wheels, they whirl, and twirl --
and my eyes
begin to smart, the little white, dazzling wheels prick them like
darts.
Placid and peaceful, the rolls of bread spread themselves in the
sun to bask.
A stack of butter-pats, pyramidal, shout orange through the white,
scream,
flutter, call: "Yellow! Yellow! Yellow!" Coffee
steam rises in a stream,
clouds the silver tea-service with mist, and twists up into the
sunlight,
revolved, involuted, suspiring higher and higher, fluting in a thin
spiral
up the high blue sky. A crow flies by and croaks at the
coffee steam.
The day is new and fair with good smells in the air.
Walk
Over the street the white clouds meet, and sheer
away without touching.
On the sidewalks, boys are playing marbles. Glass
marbles,
with amber and blue hearts, roll together and part with a sweet
clashing noise. The boys strike them with black and red
striped agates.
The glass marbles spit crimson when they are hit, and slip into
the gutters
under rushing brown water. I smell tulips and narcissus
in the air,
but there are no flowers anywhere, only white dust whipping up the
street,
and a girl with a gay Spring hat and blowing skirts. The
dust and the wind
flirt at her ankles and her neat, high-heeled patent leather shoes. Tap,
tap,
the little heels pat the pavement, and the wind rustles among the
flowers
on her hat.
A water-cart crawls slowly on the other side of
the way. It is green and gay
with new paint, and rumbles contentedly, sprinkling clear water
over
the white dust. Clear zigzagging water, which smells
of tulips and narcissus.
The thickening branches make a pink `grisaille'
against the blue sky.
Whoop! The clouds go dashing at each
other and sheer away just in time.
Whoop! And a man's hat careers down the street in front
of the white dust,
leaps into the branches of a tree, veers away and trundles ahead
of the wind,
jarring the sunlight into spokes of rose-colour and green.
A motor-car cuts a swathe through the bright air,
sharp-beaked, irresistible,
shouting to the wind to make way. A glare of dust and
sunshine
tosses together behind it, and settles down. The sky
is quiet and high,
and the morning is fair with fresh-washed air.
Midday and Afternoon
Swirl of crowded streets. Shock and
recoil of traffic. The stock-still
brick facade of an old church, against which the waves of people
lurch and withdraw. Flare of sunshine down side-streets. Eddies
of light
in the windows of chemists' shops, with their blue, gold, purple
jars,
darting colours far into the crowd. Loud bangs and tremors,
murmurings out of high windows, whirring of machine belts,
blurring of horses and motors. A quick spin and shudder
of brakes
on an electric car, and the jar of a church-bell knocking against
the metal blue of the sky. I am a piece of the town,
a bit of blown dust,
thrust along with the crowd. Proud to feel the pavement
under me,
reeling with feet. Feet tripping, skipping, lagging,
dragging,
plodding doggedly, or springing up and advancing on firm elastic
insteps.
A boy is selling papers, I smell them clean and new from the press.
They are fresh like the air, and pungent as tulips and narcissus.
The blue sky pales to lemon, and great tongues
of gold blind the shop-windows,
putting out their contents in a flood of flame.
Night and Sleep
The day takes her ease in slippered yellow. Electric
signs gleam out
along the shop fronts, following each other. They grow,
and grow,
and blow into patterns of fire-flowers as the sky fades. Trades
scream
in spots of light at the unruffled night. Twinkle, jab,
snap, that means
a new play; and over the way: plop, drop, quiver, is
the sidelong
sliver of a watchmaker's sign with its length on another street.
A gigantic mug of beer effervesces to the atmosphere over a tall
building,
but the sky is high and has her own stars, why should she heed ours?
I leave the city with speed. Wheels
whirl to take me back to my trees
and my quietness. The breeze which blows with me is fresh-washed
and clean,
it has come but recently from the high sky. There are
no flowers
in bloom yet, but the earth of my garden smells of tulips and narcissus.
My room is tranquil and friendly. Out
of the window I can see
the distant city, a band of twinkling gems, little flower-heads
with no stems.
I cannot see the beer-glass, nor the letters of the restaurants
and shops
I passed, now the signs blur and all together make the city,
glowing on a night of fine weather, like a garden stirring and blowing
for the Spring.
The night is fresh-washed and fair and there is
a whiff of flowers in the air.
Wrap me close, sheets of lavender. Pour
your blue and purple dreams
into my ears. The breeze whispers at the shutters and
mutters
***** tales of old days, and cobbled streets, and youths leaping
their horses
down marble stairways. Pale blue lavender, you are the
colour of the sky
when it is fresh-washed and fair . . . I smell the stars . . . they
are like
tulips and narcissus . . . I smell them in the air.
|
Written by
Thomas Edward Brown |
The Man that hath great griefs I pity not;
’Tis something to be great
In any wise, and hint the larger state,
Though but in shadow of a shade, God wot!
Moreover, while we wait the possible,
This man has touched the fact,
And probed till he has felt the core, where, packed
In pulpy folds, resides the ironic ill.
And while we others sip the obvious sweet—
Lip-licking after-taste
Of glutinous rind, lo! this man hath made haste,
And pressed the sting that holds the central seat.
For thus it is God stings us into life,
Provoking actual souls
From bodily systems, giving us the poles
That are His own, not merely balanced strife.
Nay, the great passions are His veriest thought,
Which whoso can absorb,
Nor, querulous halting, violate their orb,
In him the mind of God is fullest wrought.
Thrice happy such an one! Far other he
Who dallies on the edge
Of the great vortex, clinging to a sedge
Of patent good, a timorous Manichee;
Who takes the impact of a long-breathed force,
And fritters it away
In eddies of disgust, that else might stay
His nerveless heart, and fix it to the course.
For there is threefold oneness with the One;
And he is one, who keeps
The homely laws of life; who, if he sleeps,
Or wakes, in his true flesh God’s will is done.
And he is one, who takes the deathless forms,
Who schools himself to think
With the All-thinking, holding fast the link,
God-riveted, that bridges casual storms.
But tenfold one is he, who feels all pains
Not partial, knowing them
As ripples parted from the gold-beaked stem,
Wherewith God’s galley onward ever strains.
To him the sorrows are the tension-thrills
Of that serene endeavour,
Which yields to God for ever and for ever
The joy that is more ancient than the hills.
|