Written by
Edward Estlin (E E) Cummings |
since feeling is first
who pays any attention
to the syntax of things
will never wholly kiss you
wholly to be a fool
while Spring is in the world
my blood approves
and kisses are a better fate
than wisdom
lady i swear by all flowers. Don't cry
the best gesture of my brain is less than
your eyelids' flutter which says
we are for each other: then
laugh leaning back in my arms
for life's not a paragraph
and death i think is no parenthesis
|
Written by
Charlotte Bronte |
I leave the office, take the stairs,
in time to mail a letter
before 3 in the afternoon--the last dispatch.
The red, white and blue air mail
falls past the slot for foreign mail
and hits bottom with a sound
that tells me my letter is alone.
They will have to bring in a plane
from a place of coastline and beaches,
from a climate of fresh figs and apricot,
to cradle my one letter. Up in the air
it will leave behind some of its ugly nuance,
its unpleasant habit of humanity
which wants to smear itself over others:
the spot in which it wasn't clear, perhaps,
how to take my words, which were suggestive,
the paragraph in which the names of flowers,
ostensibly to indicate travel,
make a bed for lovers,
the parts that contain spit and phlegm,
the words only a wet tongue can manage,
hissing sounds and letters of the alphabet
which can only be formed
by biting down on the bottom lip.
In the next-to-last paragraph, some hair
came off in the comb. Then clothes
were gathered from everywhere in the room
in one sentence, and the sun rose
while a door closed with sincerity.
No doubt such sincerity will be judged,
but first the investigation of the postmark.
Am I where I was expected? Did I have at hand
the right denominations of stamps,
or did I make a childish quilt of ones and sevens?
Ah yes, they will have to cancel me twice.
Once to make my words worthless.
Once more to stop me from writing.
|
Written by
Billy Collins |
Sometimes the notes are ferocious,
skirmishes against the author
raging along the borders of every page
in tiny black script.
If I could just get my hands on you,
Kierkegaard, or Conor Cruise O'Brien,
they seem to say,
I would bolt the door and beat some logic into your head.
Other comments are more offhand, dismissive -
"Nonsense." "Please!" "HA!!" -
that kind of thing.
I remember once looking up from my reading,
my thumb as a bookmark,
trying to imagine what the person must look like
why wrote "Don't be a ninny"
alongside a paragraph in The Life of Emily Dickinson.
Students are more modest
needing to leave only their splayed footprints
along the shore of the page.
One scrawls "Metaphor" next to a stanza of Eliot's.
Another notes the presence of "Irony"
fifty times outside the paragraphs of A Modest Proposal.
Or they are fans who cheer from the empty bleachers,
Hands cupped around their mouths.
"Absolutely," they shout
to Duns Scotus and James Baldwin.
"Yes." "Bull's-eye." "My man!"
Check marks, asterisks, and exclamation points
rain down along the sidelines.
And if you have managed to graduate from college
without ever having written "Man vs. Nature"
in a margin, perhaps now
is the time to take one step forward.
We have all seized the white perimeter as our own
and reached for a pen if only to show
we did not just laze in an armchair turning pages;
we pressed a thought into the wayside,
planted an impression along the verge.
Even Irish monks in their cold scriptoria
jotted along the borders of the Gospels
brief asides about the pains of copying,
a bird signing near their window,
or the sunlight that illuminated their page-
anonymous men catching a ride into the future
on a vessel more lasting than themselves.
And you have not read Joshua Reynolds,
they say, until you have read him
enwreathed with Blake's furious scribbling.
Yet the one I think of most often,
the one that dangles from me like a locket,
was written in the copy of Catcher in the Rye
I borrowed from the local library
one slow, hot summer.
I was just beginning high school then,
reading books on a davenport in my parents' living room,
and I cannot tell you
how vastly my loneliness was deepened,
how poignant and amplified the world before me seemed,
when I found on one page
A few greasy looking smears
and next to them, written in soft pencil-
by a beautiful girl, I could tell,
whom I would never meet-
"Pardon the egg salad stains, but I'm in love."
|
Written by
G K Chesterton |
The Rev. Isaiah Bunter has disappeared into the interior of the Solomon Islands, and it is feared that he may have been devoured by the natives, as there has been a considerable revival of religious customs among the Polynesians.--A real paragraph from a real Paper; only the names altered.
It was Isaiah Bunter
Who sailed to the world's end,
And spread religion in a way
That he did not intend.
He gave, if not the gospel-feast,
At least a ritual meal;
And in a highly painful sense
He was devoured with zeal.
And who are we (as Henson says)
That we should close the door?
And should not Evangelicals
All jump at shedding Gore?
And many a man will melt in man,
Becoming one, not two,
When smacks across the startled earth
The Kiss of Kikuyu.
When Man is the Turk, and the Atheist,
Essene, Erastian, Whig,
And the Thug and the Druse and the Catholic
And the crew of the Captain's gig.
|
Written by
Emily Dickinson |
I pay -- in Satin Cash --
You did not state -- your price --
A Petal, for a Paragraph
It near as I can guess --
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