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Best Famous Paraded Poems

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Written by Robert Frost | Create an image from this poem

A Servant to Servants

 I didn't make you know how glad I was 
To have you come and camp here on our land. 
I promised myself to get down some day 
And see the way you lived, but I don't know! 
With a houseful of hungry men to feed 
I guess you'd find.... It seems to me 
I can't express my feelings any more 
Than I can raise my voice or want to lift 
My hand (oh, I can lift it when I have to). 
Did ever you feel so? I hope you never. 
It's got so I don't even know for sure 
Whether I am glad, sorry, or anything. 
There's nothing but a voice-like left inside 
That seems to tell me how I ought to feel, 
And would feel if I wasn't all gone wrong. 
You take the lake. I look and look at it. 
I see it's a fair, pretty sheet of water. 
I stand and make myself repeat out loud 
The advantages it has, so long and narrow, 
Like a deep piece of some old running river 
Cut short off at both ends. It lies five miles 
Straight away through the mountain notch 
From the sink window where I wash the plates, 
And all our storms come up toward the house, 
Drawing the slow waves whiter and whiter and whiter. 
It took my mind off doughnuts and soda biscuit 
To step outdoors and take the water dazzle 
A sunny morning, or take the rising wind 
About my face and body and through my wrapper, 
When a storm threatened from the Dragon's Den, 
And a cold chill shivered across the lake. 
I see it's a fair, pretty sheet of water, 
Our Willoughby! How did you hear of it? 
I expect, though, everyone's heard of it. 
In a book about ferns? Listen to that! 
You let things more like feathers regulate 
Your going and coming. And you like it here? 
I can see how you might. But I don't know! 
It would be different if more people came, 
For then there would be business. As it is, 
The cottages Len built, sometimes we rent them, 
Sometimes we don't. We've a good piece of shore 
That ought to be worth something, and may yet. 
But I don't count on it as much as Len. 
He looks on the bright side of everything, 
Including me. He thinks I'll be all right 
With doctoring. But it's not medicine-- 
Lowe is the only doctor's dared to say so-- 
It's rest I want--there, I have said it out-- 
From cooking meals for hungry hired men 
And washing dishes after them--from doing 
Things over and over that just won't stay done. 
By good rights I ought not to have so much 
Put on me, but there seems no other way. 
Len says one steady pull more ought to do it. 
He says the best way out is always through. 
And I agree to that, or in so far 
As that I can see no way out but through-- 
Leastways for me--and then they'll be convinced. 
It's not that Len don't want the best for me. 
It was his plan our moving over in 
Beside the lake from where that day I showed you 
We used to live--ten miles from anywhere. 
We didn't change without some sacrifice, 
But Len went at it to make up the loss. 
His work's a man's, of course, from sun to sun, 
But he works when he works as hard as I do-- 
Though there's small profit in comparisons. 
(Women and men will make them all the same.) 
But work ain't all. Len undertakes too much. 
He's into everything in town. This year 
It's highways, and he's got too many men 
Around him to look after that make waste. 
They take advantage of him shamefully, 
And proud, too, of themselves for doing so. 
We have four here to board, great good-for-nothings, 
Sprawling about the kitchen with their talk 
While I fry their bacon. Much they care! 
No more put out in what they do or say 
Than if I wasn't in the room at all. 
Coming and going all the time, they are: 
I don't learn what their names are, let alone 
Their characters, or whether they are safe 
To have inside the house with doors unlocked. 
I'm not afraid of them, though, if they're not 
Afraid of me. There's two can play at that. 
I have my fancies: it runs in the family. 
My father's brother wasn't right. They kept him 
Locked up for years back there at the old farm. 
I've been away once--yes, I've been away. 
The State Asylum. I was prejudiced; 
I wouldn't have sent anyone of mine there; 
You know the old idea--the only asylum 
Was the poorhouse, and those who could afford, 
Rather than send their folks to such a place, 
Kept them at home; and it does seem more human. 
But it's not so: the place is the asylum. 
There they have every means proper to do with, 
And you aren't darkening other people's lives-- 
Worse than no good to them, and they no good 
To you in your condition; you can't know 
Affection or the want of it in that state. 
I've heard too much of the old-fashioned way. 
My father's brother, he went mad quite young. 
Some thought he had been bitten by a dog, 
Because his violence took on the form 
Of carrying his pillow in his teeth; 
But it's more likely he was crossed in love, 
Or so the story goes. It was some girl. 
Anyway all he talked about was love. 
They soon saw he would do someone a mischief 
If he wa'n't kept strict watch of, and it ended 
In father's building him a sort of cage, 
Or room within a room, of hickory poles, 
Like stanchions in the barn, from floor to ceiling,-- 
A narrow passage all the way around. 
Anything they put in for furniture 
He'd tear to pieces, even a bed to lie on. 
So they made the place comfortable with straw, 
Like a beast's stall, to ease their consciences. 
Of course they had to feed him without dishes. 
They tried to keep him clothed, but he paraded 
With his clothes on his arm--all of his clothes. 
Cruel--it sounds. I 'spose they did the best 
They knew. And just when he was at the height, 
Father and mother married, and mother came, 
A bride, to help take care of such a creature, 
And accommodate her young life to his. 
That was what marrying father meant to her. 
She had to lie and hear love things made dreadful 
By his shouts in the night. He'd shout and shout 
Until the strength was shouted out of him, 
And his voice died down slowly from exhaustion. 
He'd pull his bars apart like bow and bow-string, 
And let them go and make them twang until 
His hands had worn them smooth as any ox-bow. 
And then he'd crow as if he thought that child's play-- 
The only fun he had. I've heard them say, though, 
They found a way to put a stop to it. 
He was before my time--I never saw him; 
But the pen stayed exactly as it was 
There in the upper chamber in the ell, 
A sort of catch-all full of attic clutter. 
I often think of the smooth hickory bars. 
It got so I would say--you know, half fooling-- 
"It's time I took my turn upstairs in jail"-- 
Just as you will till it becomes a habit. 
No wonder I was glad to get away. 
Mind you, I waited till Len said the word. 
I didn't want the blame if things went wrong. 
I was glad though, no end, when we moved out, 
And I looked to be happy, and I was, 
As I said, for a while--but I don't know! 
Somehow the change wore out like a prescription. 
And there's more to it than just window-views 
And living by a lake. I'm past such help-- 
Unless Len took the notion, which he won't, 
And I won't ask him--it's not sure enough. 
I 'spose I've got to go the road I'm going: 
Other folks have to, and why shouldn't I? 
I almost think if I could do like you, 
Drop everything and live out on the ground-- 
But it might be, come night, I shouldn't like it, 
Or a long rain. I should soon get enough, 
And be glad of a good roof overhead. 
I've lain awake thinking of you, I'll warrant, 
More than you have yourself, some of these nights. 
The wonder was the tents weren't snatched away 
From over you as you lay in your beds. 
I haven't courage for a risk like that. 
Bless you, of course, you're keeping me from work, 
But the thing of it is, I need to be kept. 
There's work enough to do--there's always that; 
But behind's behind. The worst that you can do 
Is set me back a little more behind. 
I sha'n't catch up in this world, anyway.
I'd rather you'd not go unless you must.


Written by Walt Whitman | Create an image from this poem

Centenarian's Story The

 GIVE me your hand, old Revolutionary; 
The hill-top is nigh—but a few steps, (make room, gentlemen;) 
Up the path you have follow’d me well, spite of your hundred and extra years; 
You can walk, old man, though your eyes are almost done; 
Your faculties serve you, and presently I must have them serve me.

Rest, while I tell what the crowd around us means; 
On the plain below, recruits are drilling and exercising; 
There is the camp—one regiment departs to-morrow; 
Do you hear the officers giving the orders? 
Do you hear the clank of the muskets?

Why, what comes over you now, old man? 
Why do you tremble, and clutch my hand so convulsively? 
The troops are but drilling—they are yet surrounded with smiles; 
Around them, at hand, the well-drest friends, and the women; 
While splendid and warm the afternoon sun shines down;
Green the midsummer verdure, and fresh blows the dallying breeze, 
O’er proud and peaceful cities, and arm of the sea between. 
But drill and parade are over—they march back to quarters; 
Only hear that approval of hands! hear what a clapping! 

As wending, the crowds now part and disperse—but we, old man,
Not for nothing have I brought you hither—we must remain; 
You to speak in your turn, and I to listen and tell. 

THE CENTENARIAN.
When I clutch’d your hand, it was not with terror; 
But suddenly, pouring about me here, on every side, 
And below there where the boys were drilling, and up the slopes they ran,
And where tents are pitch’d, and wherever you see, south and south-east and
 south-west, 
Over hills, across lowlands, and in the skirts of woods, 
And along the shores, in mire (now fill’d over), came again, and suddenly raged, 
As eighty-five years agone, no mere parade receiv’d with applause of friends, 
But a battle, which I took part in myself—aye, long ago as it is, I took part in it,
Walking then this hill-top, this same ground. 

Aye, this is the ground; 
My blind eyes, even as I speak, behold it re-peopled from graves; 
The years recede, pavements and stately houses disappear; 
Rude forts appear again, the old hoop’d guns are mounted;
I see the lines of rais’d earth stretching from river to bay; 
I mark the vista of waters, I mark the uplands and slopes: 
Here we lay encamp’d—it was this time in summer also. 

As I talk, I remember all—I remember the Declaration; 
It was read here—the whole army paraded—it was read to us here;
By his staff surrounded, the General stood in the middle—he held up his
 unsheath’d
 sword, 
It glitter’d in the sun in full sight of the army. 

’Twas a bold act then; 
The English war-ships had just arrived—the king had sent them from over the sea; 
We could watch down the lower bay where they lay at anchor,
And the transports, swarming with soldiers. 

A few days more, and they landed—and then the battle. 

Twenty thousand were brought against us, 
A veteran force, furnish’d with good artillery. 

I tell not now the whole of the battle;
But one brigade, early in the forenoon, order’d forward to engage the red-coats; 
Of that brigade I tell, and how steadily it march’d, 
And how long and how well it stood, confronting death. 

Who do you think that was, marching steadily, sternly confronting death? 
It was the brigade of the youngest men, two thousand strong,
Rais’d in Virginia and Maryland, and many of them known personally to the General. 

Jauntily forward they went with quick step toward Gowanus’ waters; 
Till of a sudden, unlook’d for, by defiles through the woods, gain’d at night, 
The British advancing, wedging in from the east, fiercely playing their guns, 
That brigade of the youngest was cut off, and at the enemy’s mercy.

The General watch’d them from this hill; 
They made repeated desperate attempts to burst their environment; 
Then drew close together, very compact, their flag flying in the middle; 
But O from the hills how the cannon were thinning and thinning them! 

It sickens me yet, that slaughter!
I saw the moisture gather in drops on the face of the General; 
I saw how he wrung his hands in anguish. 

Meanwhile the British maneuver’d to draw us out for a pitch’d battle; 
But we dared not trust the chances of a pitch’d battle. 

We fought the fight in detachments;
Sallying forth, we fought at several points—but in each the luck was against us; 
Our foe advancing, steadily getting the best of it, push’d us back to the works on
 this
 hill; 
Till we turn’d, menacing, here, and then he left us. 

That was the going out of the brigade of the youngest men, two thousand strong; 
Few return’d—nearly all remain in Brooklyn.

That, and here, my General’s first battle; 
No women looking on, nor sunshine to bask in—it did not conclude with applause; 
Nobody clapp’d hands here then. 

But in darkness, in mist, on the ground, under a chill rain, 
Wearied that night we lay, foil’d and sullen;
While scornfully laugh’d many an arrogant lord, off against us encamp’d, 
Quite within hearing, feasting, klinking wine-glasses together over their victory. 

So, dull and damp, and another day; 
But the night of that, mist lifting, rain ceasing, 
Silent as a ghost, while they thought they were sure of him, my General retreated.

I saw him at the river-side, 
Down by the ferry, lit by torches, hastening the embarcation; 
My General waited till the soldiers and wounded were all pass’d over; 
And then, (it was just ere sunrise,) these eyes rested on him for the last time. 

Every one else seem’d fill’d with gloom;
Many no doubt thought of capitulation. 

But when my General pass’d me, 
As he stood in his boat, and look’d toward the coming sun, 
I saw something different from capitulation. 

TERMINUS.
Enough—the Centenarian’s story ends;
The two, the past and present, have interchanged; 
I myself, as connecter, as chansonnier of a great future, am now speaking. 

And is this the ground Washington trod? 
And these waters I listlessly daily cross, are these the waters he cross’d, 
As resolute in defeat, as other generals in their proudest triumphs?

It is well—a lesson like that, always comes good; 
I must copy the story, and send it eastward and westward; 
I must preserve that look, as it beam’d on you, rivers of Brooklyn. 

See! as the annual round returns, the phantoms return; 
It is the 27th of August, and the British have landed;
The battle begins, and goes against us—behold! through the smoke, Washington’s
 face; 
The brigade of Virginia and Maryland have march’d forth to intercept the enemy; 
They are cut off—murderous artillery from the hills plays upon them; 
Rank after rank falls, while over them silently droops the flag, 
Baptized that day in many a young man’s bloody wounds,
In death, defeat, and sisters’, mothers’ tears. 

Ah, hills and slopes of Brooklyn! I perceive you are more valuable than your owners
 supposed; 
Ah, river! henceforth you will be illumin’d to me at sunrise with something besides
 the
 sun. 

Encampments new! in the midst of you stands an encampment very old; 
Stands forever the camp of the dead brigade.
Written by Andrew Hudgins | Create an image from this poem

The Unpromised Land Montgomery Alabama

 Despite the noon sun shimmering on Court Street,
each day I leave my desk, and window-shop,
waste time, and use my whole lunch hour to stroll
the route the marchers took. The walk is blistering--
the kind of heat that might make you recall
Nat Turner skinned and rendered into grease
if you share my cheap liberal guilt for sins
before your time. I hold it dear. I know
if I had lived in 1861
I would have fought in butternut, not blue
and never known I'd sinned. Nat Turner skinned
for doing what I like to think I'd do
if I were him.

Before the war
half-naked coffles were paraded to Court Square,
where Mary Chesnut gasped--"seasick"--to see
a bright mulatto on the auction block,
who bantered with the buyers, sang bawdy songs,
and flaunted her green satin dress, smart shoes,
I'm sure the poor thing knew who'd purchase her,
wrote Mrs. Chestnut, who plopped on a stool
to discipline her thoughts. Today I saw,
in that same square, three black girls pick loose tar,
flick it at one another's new white dresses,
then squeal with laughter. Three girls about that age
of those blown up in church in Birmingham.

The legendary buses rumble past the church
where Reverend King preached when he lived in town,
a town somehow more his than mine, despite
my memory of standing on Dexter Avenue
and watching, fascinated, a black man fry
six eggs on his Dodge Dart. Because I watched
he gave me one with flecks of dark blue paint
stuck on the yolk. My mother slapped my hand.
I dropped the egg. And when I tried to say
I'm sorry, Mother grabbed my wrist and marched me
back to our car.

I can't hold to the present.
I've known these streets, their history, too long.
Two months before she died, my grandmother
remembered when I'd sassed her as a child,
and at the dinner table, in midbite,
leaned over, struck the grown man on the mouth.
And if I hadn't said I'm sorry,fast,
she would have gone for me again. My aunt,
from laughing, choked on a piece of lemon pie.
But I'm not sure. I'm just Christian enough
to think each sin taints every one of us,
a harsh philosophy that doesn't seem
to get me very far--just to the Capitol
each day at noon, my wet shirt clinging to my back.
Atop its pole, the stars-and-bars,
too heavy for the breeze, hangs listlessly.

Once, standing where Jeff Davis took his oath,
I saw the Capitol. He shrank into his chair,
so flaccid with paralysis he looked
like melting flesh, white as a maggot. He's fatter now.
He courts black votes, and life is calmer than
when Muslims shot whites on this street, and calmer
than when the Klan blew up Judge Johnson's house
or Martin Luther King's. My history could be worse.
I could be Birmingham. I could be Selma.
I could be Philadelphia, Mississippi.

Instead, I'm this small river town. Today,
as I worked at my desk, the boss
called the janitor, Jerome, I hear
you get some lunchtime pussy every day.
Jerome, toothless and over seventy,
stuck the broom handle out between his legs:
Yessir! When the Big Hog talks
--he waggled his broomstick--I gots to listen.
He laughed. And from the corner of his eye,
he looked to see if we were laughing too.
Written by Edwin Arlington Robinson | Create an image from this poem

Flammonde

 The man Flammonde, from God knows where, 
With firm address and foreign air 
With news of nations in his talk 
And something royal in his walk, 
With glint of iron in his eyes, 
But never doubt, nor yet surprise, 
Appeared, adn stayed, and held his head 
As one by kings accredited.

Erect, with his alert repose 
About him, and about his clothes, 
He pictured all tradition hears 
Of what we owe to fifty years. 
His cleansing heritage of taste 
Paraded neither want nor waste; 
And what he needed for his fee 
To live, he borrowed graciously.

He never told us what he was, 
Or what mischance, or other cause, 
Had banished him from better days 
To play the Prince of Castaways. 
Meanwhile he played surpassing well 
A part, for most, unplayable; 
In fine, one pauses, half afraid 
To say for certain that he played.

For that, one may as well forego 
Conviction as to yes or no; 
Nor can I say just how intense 
Would then have been the difference 
To several, who, having striven 
In vain to get what he was given, 
Would see the stranger taken on 
By friends not easy to be won.

Moreover many a malcontent 
He soothed, and found munificent; 
His courtesy beguiled and foiled 
Suspicion that his years were soiled; 
His mien distinguished any crowd, 
His credit strengthened when he bowed; 
And women, young and old, were fond 
Of looking at the man Flammond.

There was a woman in our town 
On whom the fashion was to frown; 
But while our talk renewed the tinge 
Of a long-faded scarlet fringe, 
The man Flammonde saw none of that, 
And what he saw we wondered at-- 
That none of us, in her distress, 
Could hide or find our littleness.

There was a boy that all agreed 
had shut within him the rare seed 
Of learning. We could understand, 
But none of us could lift a hand. 
The man Flammonde appraised the youth, 
And told a few of us the truth; 
And thereby, for a little gold, 
A flowered future was unrolled.

There were two citizens who fought 
For years and years, and over nought; 
They made life awkward for their friends, 
And shortened their own dividends. 
The man Flammonde said what was wrong 
Should be made right; nor was it long 
Before they were again in line 
And had each other in to dine.

And these I mention are but four 
Of many out of many more. 
So much for them. But what of him-- 
So firm in every look and limb? 
What small satanic sort of kink 
Was in his brain? What broken link 
Withheld hom from the destinies 
That came so near to being his?

What was he, when we came to sift 
His meaning, and to note the drift 
Of incommunicable ways 
That make us ponder while we praise? 
Why was it that his charm revealed 
Somehow the surface of a shield? 
What was it that we never caught? 
What was he, and what was he not?

How much it was of him we met 
We cannot ever know; nor yet 
Shall all he gave us quite attone 
For what was his, and his alone; 
Nor need we now, since he knew best, 
Nourish an ethical unrest: 
Rarely at once will nature give 
The power to be Flammonde and live.

We cannot know how much we learn 
From those who never will return, 
Until a flash of unforseen 
Remembrance falls on what has been. 
We've each a darkening hill to climb; 
And this is why, from time to time 
In Tilbury Town, we look beyond 
Horizons for the man Flammonde.
Written by Ella Wheeler Wilcox | Create an image from this poem

At an Old Drawer

 Before this scarf was faded,
What hours of mirth it knew;
How gayly it paraded
From smiling eyes to view.
The days were tinged with glory,
The nights too quickly sped,
And life was like a story
Where all the people wed.

Before this rosebud wilted,
How passionately sweet
The wild waltz smelled and lilted
In time for flying feet;
How loud the bassoons muttered,
The horns grew madly shrill,
And oh! the vows lips uttered
That hearts could not fulfill.

Before this fan was broken,
Behind its lace and pearl
What whispered words were spoken,
What hearts were in a whirl;
What homesteads were selected
In Fancy's realm of Spain,
What castles were erected
Without a room for pain.

When this odd glove was mated,
How thrilling seemed the play;
Maybe our hearts are sated--
We tire so soon to-day.
O, thrust away these treasures,
They speak the dreary truth;
We have outgrown the pleasures
And keen delights of youth.



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