Written by
Marianne Moore |
This institution,
perhaps one should say enterprise
out of respect for which
one says one need not change one's mind
about a thing one has believed in,
requiring public promises
of one's intention
to fulfill a private obligation:
I wonder what Adam and Eve
think of it by this time,
this firegilt steel
alive with goldenness;
how bright it shows --
"of circular traditions and impostures,
committing many spoils,"
requiring all one's criminal ingenuity
to avoid!
Psychology which explains everything
explains nothing
and we are still in doubt.
Eve: beautiful woman --
I have seen her
when she was so handsome
she gave me a start,
able to write simultaneously
in three languages --
English, German and French
and talk in the meantime;
equally positive in demanding a commotion
and in stipulating quiet:
"I should like to be alone;"
to which the visitor replies,
"I should like to be alone;
why not be alone together?"
Below the incandescent stars
below the incandescent fruit,
the strange experience of beauty;
its existence is too much;
it tears one to pieces
and each fresh wave of consciousness
is poison.
"See her, see her in this common world,"
the central flaw
in that first crystal-fine experiment,
this amalgamation which can never be more
than an interesting possibility,
describing it
as "that strange paradise
unlike flesh, gold, or stately buildings,
the choicest piece of my life:
the heart rising
in its estate of peace
as a boat rises
with the rising of the water;"
constrained in speaking of the serpent --
that shed snakeskin in the history of politeness
not to be returned to again --
that invaluable accident
exonerating Adam.
And he has beauty also;
it's distressing -- the O thou
to whom, from whom,
without whom nothing -- Adam;
"something feline,
something colubrine" -- how true!
a crouching mythological monster
in that Persian miniature of emerald mines,
raw silk -- ivory white, snow white,
oyster white and six others --
that paddock full of leopards and giraffes --
long lemonyellow bodies
sown with trapezoids of blue.
Alive with words,
vibrating like a cymbal
touched before it has been struck,
he has prophesied correctly --
the industrious waterfall,
"the speedy stream
which violently bears all before it,
at one time silent as the air
and now as powerful as the wind.
"
"Treading chasms
on the uncertain footing of a spear,"
forgetting that there is in woman
a quality of mind
which is an instinctive manifestation
is unsafe,
he goes on speaking
in a formal, customary strain
of "past states," the present state,
seals, promises,
the evil one suffered,
the good one enjoys,
hell, heaven,
everything convenient
to promote one's joy.
"
There is in him a state of mind
by force of which,
perceiving what it was not
intended that he should,
"he experiences a solemn joy
in seeing that he has become an idol.
"
Plagued by the nightingale
in the new leaves,
with its silence --
not its silence but its silences,
he says of it:
"It clothes me with a shirt of fire.
"
"He dares not clap his hands
to make it go on
lest it should fly off;
if he does nothing, it will sleep;
if he cries out, it will not understand.
"
Unnerved by the nightingale
and dazzled by the apple,
impelled by "the illusion of a fire
effectual to extinguish fire,"
compared with which
the shining of the earth
is but deformity -- a fire
"as high as deep as bright as broad
as long as life itself,"
he stumbles over marriage,
"a very trivial object indeed"
to have destroyed the attitude
in which he stood --
the ease of the philosopher
unfathered by a woman.
Unhelpful Hymen!
"a kind of overgrown cupid"
reduced to insignificance
by the mechanical advertising
parading as involuntary comment,
by that experiment of Adam's
with ways out but no way in --
the ritual of marriage,
augmenting all its lavishness;
its fiddle-head ferns,
lotus flowers, opuntias, white dromedaries,
its hippopotamus --
nose and mouth combined
in one magnificent hopper,
"the crested screamer --
that huge bird almost a lizard,"
its snake and the potent apple.
He tells us
that "for love
that will gaze an eagle blind,
that is like a Hercules
climbing the trees
in the garden of the Hesperides,
from forty-five to seventy
is the best age,"
commending it
as a fine art, as an experiment,
a duty or as merely recreation.
One must not call him ruffian
nor friction a calamity --
the fight to be affectionate:
"no truth can be fully known
until it has been tried
by the tooth of disputation.
"
The blue panther with black eyes,
the basalt panther with blue eyes,
entirely graceful --
one must give them the path --
the black obsidian Diana
who "darkeneth her countenance
as a bear doth,
causing her husband to sigh,"
the spiked hand
that has an affection for one
and proves it to the bone,
impatient to assure you
that impatience is the mark of independence
not of bondage.
"Married people often look that way" --
"seldom and cold, up and down,
mixed and malarial
with a good day and bad.
"
"When do we feed?"
We occidentals are so unemotional,
we quarrel as we feed;
one's self is quite lost,
the irony preserved
in "the Ahasuerus t?te ? t?te banquet"
with its "good monster, lead the way,"
with little laughter
and munificence of humor
in that quixotic atmosphere of frankness
in which "Four o'clock does not exist
but at five o'clock
the ladies in their imperious humility
are ready to receive you";
in which experience attests
that men have power
and sometimes one is made to feel it.
He says, "what monarch would not blush
to have a wife
with hair like a shaving-brush?
The fact of woman
is not `the sound of the flute
but every poison.
'"
She says, "`Men are monopolists
of stars, garters, buttons
and other shining baubles' --
unfit to be the guardians
of another person's happiness.
"
He says, "These mummies
must be handled carefully --
`the crumbs from a lion's meal,
a couple of shins and the bit of an ear';
turn to the letter M
and you will find
that `a wife is a coffin,'
that severe object
with the pleasing geometry
stipulating space and not people,
refusing to be buried
and uniquely disappointing,
revengefully wrought in the attitude
of an adoring child
to a distinguished parent.
"
She says, "This butterfly,
this waterfly, this nomad
that has `proposed
to settle on my hand for life.
' --
What can one do with it?
There must have been more time
in Shakespeare's day
to sit and watch a play.
You know so many artists are fools.
"
He says, "You know so many fools
who are not artists.
"
The fact forgot
that "some have merely rights
while some have obligations,"
he loves himself so much,
he can permit himself
no rival in that love.
She loves herself so much,
she cannot see herself enough --
a statuette of ivory on ivory,
the logical last touch
to an expansive splendor
earned as wages for work done:
one is not rich but poor
when one can always seem so right.
What can one do for them --
these savages
condemned to disaffect
all those who are not visionaries
alert to undertake the silly task
of making people noble?
This model of petrine fidelity
who "leaves her peaceful husband
only because she has seen enough of him" --
that orator reminding you,
"I am yours to command.
"
"Everything to do with love is mystery;
it is more than a day's work
to investigate this science.
"
One sees that it is rare --
that striking grasp of opposites
opposed each to the other, not to unity,
which in cycloid inclusiveness
has dwarfed the demonstration
of Columbus with the egg --
a triumph of simplicity --
that charitive Euroclydon
of frightening disinterestedness
which the world hates,
admitting:
"I am such a cow,
if I had a sorrow,
I should feel it a long time;
I am not one of those
who have a great sorrow
in the morning
and a great joy at noon;"
which says: "I have encountered it
among those unpretentious
proteg?s of wisdom,
where seeming to parade
as the debater and the Roman,
the statesmanship
of an archaic Daniel Webster
persists to their simplicity of temper
as the essence of the matter:
`Liberty and union
now and forever;'
the book on the writing-table;
the hand in the breast-pocket.
"
|
Written by
Robert Graves |
I now delight
In spite
Of the might
And the right
Of classic tradition,
In writing
And reciting
Straight ahead,
Without let or omission,
Just any little rhyme
In any little time
That runs in my head;
Because, I’ve said,
My rhymes no longer shall stand arrayed
Like Prussian soldiers on parade
That march,
Stiff as starch,
Foot to foot,
Boot to boot,
Blade to blade,
Button to button,
Cheeks and chops and chins like mutton.
No! No!
My rhymes must go
Turn ’ee, twist ’ee,
Twinkling, frosty,
Will-o’-the-wisp-like, misty;
Rhymes I will make
Like Keats and Blake
And Christina Rossetti,
With run and ripple and shake.
How pretty
To take
A merry little rhyme
In a jolly little time
And poke it,
And choke it,
Change it, arrange it,
Straight-lace it, deface it,
Pleat it with pleats,
Sheet it with sheets
Of empty conceits,
And chop and chew,
And hack and hew,
And weld it into a uniform stanza,
And evolve a neat,
Complacent, complete,
Academic extravaganza!
|
Written by
William Stafford |
If you don't know the kind of person I am
and I don't know the kind of person you are
a pattern that others made may prevail in the world
and following the wrong god home we may miss our star.
For there is many a small betrayal in the mind,
a shrug that lets the fragile sequence break
sending with shouts the horrible errors of childhood
storming out to play through the broken dyke.
And as elephants parade holding each elephant's tail,
but if one wanders the circus won't find the park,
I call it cruel and maybe the root of all cruelty
to know what occurs but not recognize the fact.
And so I appeal to a voice, to something shadowy,
a remote important region in all who talk:
though we could fool each other, we should consider--
lest the parade of our mutual life get lost in the dark.
For it is important that awake people be awake,
or a breaking line may discourage them back to sleep;
the signals we give--yes or no, or maybe--
should be clear: the darkness around us is deep.
|
Written by
Vladimir Mayakovsky |
My most respected
comrades of posterity!
Rummaging among
these days’
petrified crap,
exploring the twilight of our times,
you,
possibly,
will inquire about me too.
And, possibly, your scholars
will declare,
with their erudition overwhelming
a swarm of problems;
once there lived
a certain champion of boiled water,
and inveterate enemy of raw water.
Professor,
take off your bicycle glasses!
I myself will expound
those times
and myself.
I, a latrine cleaner
and water carrier,
by the revolution
mobilized and drafted,
went off to the front
from the aristocratic gardens
of poetry -
the capricious wench
She planted a delicious garden,
the daughter,
cottage,
pond
and meadow.
Myself a garden I did plant,
myself with water sprinkled it.
some pour their verse from water cans;
others spit water
from their mouth -
the curly Macks,
the clever jacks -
but what the hell’s it all about!
There’s no damming al this up -
beneath the walls they mandoline:
“Tara-tina, tara-tine,
tw-a-n-g.
.
.
”
It’s no great honor, then,
for my monuments
to rise from such roses
above the public squares,
where consumption coughs,
where whores, hooligans and syphilis
walk.
Agitprop
sticks
in my teeth too,
and I’d rather
compose
romances for you -
more profit in it
and more charm.
But I
subdued
myself,
setting my heel
on the throat
of my own song.
Listen,
comrades of posterity,
to the agitator
the rabble-rouser.
Stifling
the torrents of poetry,
I’ll skip
the volumes of lyrics;
as one alive,
I’ll address the living.
I’ll join you
in the far communist future,
I who am
no Esenin super-hero.
My verse will reach you
across the peaks of ages,
over the heads
of governments and poets.
My verse
will reach you
not as an arrow
in a cupid-lyred chase,
not as worn penny
Reaches a numismatist,
not as the light of dead stars reaches you.
My verse
by labor
will break the mountain chain of years,
and will present itself
ponderous,
crude,
tangible,
as an aqueduct,
by slaves of Rome
constructed,
enters into our days.
When in mounds of books,
where verse lies buried,
you discover by chance the iron filings of lines,
touch them
with respect,
as you would
some antique
yet awesome weapon.
It’s no habit of mine
to caress
the ear
with words;
a maiden’s ear
curly-ringed
will not crimson
when flicked by smut.
In parade deploying
the armies of my pages,
I shall inspect
the regiments in line.
Heavy as lead,
my verses at attention stand,
ready for death
and for immortal fame.
The poems are rigid,
pressing muzzle
to muzzle their gaping
pointed titles.
The favorite
of all the armed forces
the cavalry of witticisms
ready
to launch a wild hallooing charge,
reins its chargers still,
raising
the pointed lances of the rhymes.
and all
these troops armed to the teeth,
which have flashed by
victoriously for twenty years,
all these,
to their very last page,
I present to you,
the planet’s proletarian.
The enemy
of the massed working class
is my enemy too
inveterate and of long standing.
Years of trial
and days of hunger
ordered us
to march
under the red flag.
We opened
each volume
of Marx
as we would open
the shutters
in our own house;
but we did not have to read
to make up our minds
which side to join,
which side to fight on.
Our dialectics
were not learned
from Hegel.
In the roar of battle
it erupted into verse,
when,
under fire,
the bourgeois decamped
as once we ourselves
had fled
from them.
Let fame
trudge
after genius
like an inconsolable widow
to a funeral march -
die then, my verse,
die like a common soldier,
like our men
who nameless died attacking!
I don’t care a spit
for tons of bronze;
I don’t care a spit
for slimy marble.
We’re men of kind,
we’ll come to terms about our fame;
let our
common monument be
socialism
built
in battle.
Men of posterity
examine the flotsam of dictionaries:
out of Lethe
will bob up
the debris of such words
as “prostitution,”
“tuberculosis,”
“blockade.
”
For you,
who are now
healthy and agile,
the poet
with the rough tongue
of his posters,
has licked away consumptives’ spittle.
With the tail of my years behind me,
I begin to resemble
those monsters,
excavated dinosaurs.
Comrade life,
let us
march faster,
march
faster through what’s left
of the five-year plan.
My verse
has brought me
no rubles to spare:
no craftsmen have made
mahogany chairs for my house.
In all conscience,
I need nothing
except
a freshly laundered shirt.
When I appear
before the CCC
of the coming
bright years,
by way of my Bolshevik party card,
I’ll raise
above the heads
of a gang of self-seeking
poets and rogues,
all the hundred volumes
of my
communist-committed books.
Transcribed: by Mitch Abidor.
|
Written by
Christopher Smart |
In ev'ry age, and each profession,
Men err the most by prepossession;
But when the thing is clearly shown,
And fairly stated, fully known,
We soon applaud what we deride,
And penitence succeeds to pride.
--
A certain Baron on a day
Having a mind to show away,
Invited all the wits and wags,
Foot, Massey, Shuter, Yates, and Skeggs,
And built a large commodious stage,
For the Choice Spirits of the age;
But above all, among the rest,
There came a Genius who profess'd
To have a curious trick in store,
Which never was perform'd before.
Thro' all the town this soon got air,
And the whole house was like a fair;
But soon his entry as he made,
Without a prompter, or parade,
'Twas all expectance, all suspense,
And silence gagg'd the audience.
He hid his head behind his wig,
With with such truth took off* a Pig, [imitated]
All swore 'twas serious, and no joke,
For doubtless underneath his cloak,
He had conceal'd some grunting elf,
Or was a real hog himself.
A search was made, no pig was found--
With thund'ring claps the seats resound,
And pit and box and galleries roar,
With--"O rare! bravo!" and "Encore!"
Old Roger Grouse, a country clown,
Who yet knew something of the town,
Beheld the mimic and his whim,
And on the morrow challeng'd him.
Declaring to each beau and bunter
That he'd out-grunt th'egregious grunter.
The morrow came--the crowd was greater--
But prejudice and rank ill-nature
Usurp'd the minds of men and wenches,
Who came to hiss, and break the benches.
The mimic took his usual station,
And squeak'd with general approbation.
"Again, encore! encore!" they cry--
'Twas quite the thing--'twas very high;
Old Grouse conceal'd, amidst the racket,
A real Pig berneath his jacket--
Then forth he came--and with his nail
He pinch'd the urchin by the tail.
The tortur'd Pig from out his throat,
Produc'd the genuine nat'ral note.
All bellow'd out--"'Twas very sad!
Sure never stuff was half so bad!
That like a Pig!"--each cry'd in scoff,
"Pshaw! Nonsense! Blockhead! Off! Off! Off!"
The mimic was extoll'd, and Grouse
Was hiss'd and catcall'd from the house.
--
"Soft ye, a word before I go,"
Quoth honest Hodge--and stooping low
Produc'd the Pig, and thus aloud
Bespoke the stupid, partial crowd:
"Behold, and learn from this poor creature,
How much you Critics know of Nature.
"
|
Written by
Ralph Waldo Emerson |
Virtue runs before the muse
And defies her skill,
She is rapt, and doth refuse
To wait a painter's will.
Star-adoring, occupied,
Virtue cannot bend her,
Just to please a poet's pride,
To parade her splendor.
The bard must be with good intent
No more his, but hers,
Throw away his pen and paint,
Kneel with worshippers.
Then, perchance, a sunny ray
From the heaven of fire,
His lost tools may over-pay,
And better his desire.
|
Written by
Andrew Barton Paterson |
'Twas in scientific circles
That the great Professor Brown
Had a world-wide reputation
As a writer of renown.
He had striven finer feelings
In our natures to implant
By his Treatise on the Morals
Of the Red-eyed Bulldog Ant.
He had hoisted an opponent
Who had trodden unawares
On his "Reasons for Bare Patches
On the Female Native Bears".
So they gave him an appointment
As instructor to a band
Of the most attractive females
To be gathered in the land.
'Twas a "Ladies' Science Circle" --
Just the latest social fad
For the Nicest People only,
And to make their rivals mad.
They were fond of "science rambles"
To the country from the town --
A parade of female beauty
In the leadership of Brown.
They would pick a place for luncheon
And catch beetles on their rugs;
The Professor called 'em "optera" --
They calld 'em "nasty bugs".
Well, the thing was bound to perish
For no lovely woman can
Feel the slightest interest
In a club without a Man --
The Professor hardly counted
He was crazy as a loon,
With a countenance suggestive
Of an elderly baboon.
But the breath of Fate blew on it
With a sharp and sudden blast,
And the "Ladies' Science Circle"
Is a memory of the past.
There were two-and-twenty members,
Mostly young and mostly fair,
Who had made a great excursion
To a place called Dontknowwhere,
At the crossing of Lost River,
On the road to No Man's Land.
There they met an old selector,
With a stockwhip in his hand,
And the sight of so much beauty
Sent him slightly "off his nut";
So he asked them, smiling blandly,
"Would they come down to the hut?"
"I am come," said the Professor,
In his thin and reedy voice,
"To investigate your flora,
Which I feel is very choice.
"
The selector stared dumbfounded,
Till at last he found his tongue:
"To investigate my Flora!
Oh, you howlin' Brigham Young!
Why, you've two-and-twenty wimmen --
Reg'lar slap-up wimmen, too!
And you're after little Flora!
And a crawlin' thing like you!
Oh, you Mormonite gorilla!
Well, I've heard it from the first
That you wizened little fellers
Is a hundred times the worst!
But a dried-up ape like you are,
To be marchin' through the land
With a pack of lovely wimmen --
Well, I cannot understand!"
"You mistake," said the Professor,
In a most indignant tone --
While the ladies shrieked and jabbered
In a fashion of their own --
"You mistake about these ladies,
I'm a lecturer of theirs;
I am Brown, who wrote the Treatise
On the Female Native Bears!
When I said we wanted flora,
What I meant was native flowers.
"
"Well, you said you wanted Flora,
And I'll swear you don't get ours!
But here's Flora's self a-comin',
And it's time for you to skip,
Or I'll write a treatise on you,
And I'll write it with the whip!
Now I want no explanations;
Just you hook it out of sight,
Or you'll charm the poor girl some'ow!"
The Professor looked in fright:
She was six feet high and freckled,
And her hair was turkey-red.
The Professor gave a whimper,
And threw down his bag and fled,
And the Ladies' Science Circle,
With a simultaneous rush,
Travelled after its Professor,
And went screaming through the bush!
At the crossing of Lost River,
On the road to No Man's Land,
Where the grim and ghostly gumtrees
Block the view on every hand,
There they weep and wail and wander,
Always seeking for the track,
For the hapless old Professor
Hasn't sense to guide 'em back;
And they clutch at one another,
And they yell and scream in fright
As they see the gruesome creatures
Of the grim Australian night;
And they hear the mopoke's hooting,
And the dingo's howl so dread,
And the flying foxes jabber
From the gum trees overhead;
While the weird and wary wombats,
In their subterranean caves,
Are a-digging, always digging,
At those wretched people's graves;
And the pike-horned Queensland bullock,
From his shelter in the scrub,
Has his eye on the proceedings
Of the Ladies' Science Club.
|
Written by
Anne Sexton |
Today the circus poster
is scabbing off the concrete wall
and the children have forgotten
if they knew at all.
Father, do you remember?
Only the sound remains,
the distant thump of the good elephants,
the voice of the ancient lions
and how the bells
trembled for the flying man.
I, laughing,
lifted to your high shoulder
or small at the rough legs of strangers,
was not afraid.
You held my hand
and were instant to explain
the three rings of danger.
Oh see the naughty clown
and the wild parade
while love love
love grew rings around me.
this was the sound where it began;
our breath pounding up to see
the flying man breast out
across the boarded sky
and climb the air.
I remember the color of music
and how forever
all the trembling bells of you
were mine.
|
Written by
Thomas Hardy |
I
A shaded lamp and a waving blind,
And the beat of a clock from a distant floor:
On this scene enter--winged, horned, and spined -
A longlegs, a moth, and a dumbledore;
While 'mid my page there idly stands
A sleepy fly, that rubs its hands .
.
.
II
Thus meet we five, in this still place,
At this point of time, at this point in space.
- My guests parade my new-penned ink,
Or bang at the lamp-glass, whirl, and sink.
"God's humblest, they!" I muse.
Yet why?
They know Earth-secrets that know not I.
|
Written by
Robert Burns |
’TWAS 1 in that place o’ Scotland’s isle,
That bears the name o’ auld King Coil,
Upon a bonie day in June,
When wearin’ thro’ the afternoon,
Twa dogs, that were na thrang at hame,
Forgather’d ance upon a time.
The first I’ll name, they ca’d him Caesar,
Was keepit for His Honor’s pleasure:
His hair, his size, his mouth, his lugs,
Shew’d he was nane o’ Scotland’s dogs;
But whalpit some place far abroad,
Whare sailors gang to fish for cod.
His locked, letter’d, braw brass collar
Shew’d him the gentleman an’ scholar;
But though he was o’ high degree,
The fient a pride, nae pride had he;
But wad hae spent an hour caressin,
Ev’n wi’ al tinkler-gipsy’s messin:
At kirk or market, mill or smiddie,
Nae tawted tyke, tho’ e’er sae duddie,
But he wad stan’t, as glad to see him,
An’ stroan’t on stanes an’ hillocks wi’ him.
The tither was a ploughman’s collie—
A rhyming, ranting, raving billie,
Wha for his friend an’ comrade had him,
And in freak had Luath ca’d him,
After some dog in Highland Sang, 2
Was made lang syne,—Lord knows how lang.
He was a gash an’ faithfu’ tyke,
As ever lap a sheugh or dyke.
His honest, sonsie, baws’nt face
Aye gat him friends in ilka place;
His breast was white, his touzie back
Weel clad wi’ coat o’ glossy black;
His gawsie tail, wi’ upward curl,
Hung owre his hurdie’s wi’ a swirl.
Nae doubt but they were fain o’ ither,
And unco pack an’ thick thegither;
Wi’ social nose whiles snuff’d an’ snowkit;
Whiles mice an’ moudieworts they howkit;
Whiles scour’d awa’ in lang excursion,
An’ worry’d ither in diversion;
Until wi’ daffin’ weary grown
Upon a knowe they set them down.
An’ there began a lang digression.
About the “lords o’ the creation.
”
CÆSAR I’ve aften wonder’d, honest Luath,
What sort o’ life poor dogs like you have;
An’ when the gentry’s life I saw,
What way poor bodies liv’d ava.
Our laird gets in his racked rents,
His coals, his kane, an’ a’ his stents:
He rises when he likes himsel’;
His flunkies answer at the bell;
He ca’s his coach; he ca’s his horse;
He draws a bonie silken purse,
As lang’s my tail, where, thro’ the steeks,
The yellow letter’d Geordie keeks.
Frae morn to e’en, it’s nought but toiling
At baking, roasting, frying, boiling;
An’ tho’ the gentry first are stechin,
Yet ev’n the ha’ folk fill their pechan
Wi’ sauce, ragouts, an’ sic like trashtrie,
That’s little short o’ downright wastrie.
Our whipper-in, wee, blasted wonner,
Poor, worthless elf, it eats a dinner,
Better than ony tenant-man
His Honour has in a’ the lan’:
An’ what poor cot-folk pit their painch in,
I own it’s past my comprehension.
LUATH Trowth, C&æsar, whiles they’re fash’t eneugh:
A cottar howkin in a sheugh,
Wi’ dirty stanes biggin a dyke,
Baring a quarry, an’ sic like;
Himsel’, a wife, he thus sustains,
A smytrie o’ wee duddie weans,
An’ nought but his han’-daurk, to keep
Them right an’ tight in thack an’ rape.
An’ when they meet wi’ sair disasters,
Like loss o’ health or want o’ masters,
Ye maist wad think, a wee touch langer,
An’ they maun starve o’ cauld an’ hunger:
But how it comes, I never kent yet,
They’re maistly wonderfu’ contented;
An’ buirdly chiels, an’ clever hizzies,
Are bred in sic a way as this is.
CÆSAR But then to see how ye’re negleckit,
How huff’d, an’ cuff’d, an’ disrespeckit!
Lord man, our gentry care as little
For delvers, ditchers, an’ sic cattle;
They gang as saucy by poor folk,
As I wad by a stinkin brock.
I’ve notic’d, on our laird’s court-day,—
An’ mony a time my heart’s been wae,—
Poor tenant bodies, scant o’cash,
How they maun thole a factor’s snash;
He’ll stamp an’ threaten, curse an’ swear
He’ll apprehend them, poind their gear;
While they maun stan’, wi’ aspect humble,
An’ hear it a’, an’ fear an’ tremble!
I see how folk live that hae riches;
But surely poor-folk maun be wretches!
LUATH They’re no sae wretched’s ane wad think.
Tho’ constantly on poortith’s brink,
They’re sae accustom’d wi’ the sight,
The view o’t gives them little fright.
Then chance and fortune are sae guided,
They’re aye in less or mair provided:
An’ tho’ fatigued wi’ close employment,
A blink o’ rest’s a sweet enjoyment.
The dearest comfort o’ their lives,
Their grushie weans an’ faithfu’ wives;
The prattling things are just their pride,
That sweetens a’ their fire-side.
An’ whiles twalpennie worth o’ nappy
Can mak the bodies unco happy:
They lay aside their private cares,
To mind the Kirk and State affairs;
They’ll talk o’ patronage an’ priests,
Wi’ kindling fury i’ their breasts,
Or tell what new taxation’s comin,
An’ ferlie at the folk in Lon’on.
As bleak-fac’d Hallowmass returns,
They get the jovial, rantin kirns,
When rural life, of ev’ry station,
Unite in common recreation;
Love blinks, Wit slaps, an’ social Mirth
Forgets there’s Care upo’ the earth.
That merry day the year begins,
They bar the door on frosty win’s;
The nappy reeks wi’ mantling ream,
An’ sheds a heart-inspiring steam;
The luntin pipe, an’ sneeshin mill,
Are handed round wi’ right guid will;
The cantie auld folks crackin crouse,
The young anes rantin thro’ the house—
My heart has been sae fain to see them,
That I for joy hae barkit wi’ them.
Still it’s owre true that ye hae said,
Sic game is now owre aften play’d;
There’s mony a creditable stock
O’ decent, honest, fawsont folk,
Are riven out baith root an’ branch,
Some rascal’s pridefu’ greed to quench,
Wha thinks to knit himsel the faster
In favour wi’ some gentle master,
Wha, aiblins, thrang a parliamentin,
For Britain’s guid his saul indentin—
CÆSAR Haith, lad, ye little ken about it:
For Britain’s guid! guid faith! I doubt it.
Say rather, gaun as Premiers lead him:
An’ saying ay or no’s they bid him:
At operas an’ plays parading,
Mortgaging, gambling, masquerading:
Or maybe, in a frolic daft,
To Hague or Calais takes a waft,
To mak a tour an’ tak a whirl,
To learn bon ton, an’ see the worl’.
There, at Vienna, or Versailles,
He rives his father’s auld entails;
Or by Madrid he takes the rout,
To thrum guitars an’ fecht wi’ nowt;
Or down Italian vista startles,
Wh-re-hunting amang groves o’ myrtles:
Then bowses drumlie German-water,
To mak himsel look fair an’ fatter,
An’ clear the consequential sorrows,
Love-gifts of Carnival signoras.
For Britain’s guid! for her destruction!
Wi’ dissipation, feud, an’ faction.
LUATH Hech, man! dear sirs! is that the gate
They waste sae mony a braw estate!
Are we sae foughten an’ harass’d
For gear to gang that gate at last?
O would they stay aback frae courts,
An’ please themsels wi’ country sports,
It wad for ev’ry ane be better,
The laird, the tenant, an’ the cotter!
For thae frank, rantin, ramblin billies,
Feint haet o’ them’s ill-hearted fellows;
Except for breakin o’ their timmer,
Or speakin lightly o’ their limmer,
Or shootin of a hare or moor-cock,
The ne’er-a-bit they’re ill to poor folk,
But will ye tell me, Master C&æsar,
Sure great folk’s life’s a life o’ pleasure?
Nae cauld nor hunger e’er can steer them,
The very thought o’t need na fear them.
CÆSAR L—d, man, were ye but whiles whare I am,
The gentles, ye wad ne’er envy them!
It’s true, they need na starve or sweat,
Thro’ winter’s cauld, or simmer’s heat:
They’ve nae sair wark to craze their banes,
An’ fill auld age wi’ grips an’ granes:
But human bodies are sic fools,
For a’ their colleges an’ schools,
That when nae real ills perplex them,
They mak enow themsel’s to vex them;
An’ aye the less they hae to sturt them,
In like proportion, less will hurt them.
A country fellow at the pleugh,
His acre’s till’d, he’s right eneugh;
A country girl at her wheel,
Her dizzen’s dune, she’s unco weel;
But gentlemen, an’ ladies warst,
Wi’ ev’n-down want o’ wark are curst.
They loiter, lounging, lank an’ lazy;
Tho’ deil-haet ails them, yet uneasy;
Their days insipid, dull, an’ tasteless;
Their nights unquiet, lang, an’ restless.
An’ev’n their sports, their balls an’ races,
Their galloping through public places,
There’s sic parade, sic pomp, an’ art,
The joy can scarcely reach the heart.
The men cast out in party-matches,
Then sowther a’ in deep debauches.
Ae night they’re mad wi’ drink an’ whoring,
Niest day their life is past enduring.
The ladies arm-in-arm in clusters,
As great an’ gracious a’ as sisters;
But hear their absent thoughts o’ ither,
They’re a’ run-deils an’ jads thegither.
Whiles, owre the wee bit cup an’ platie,
They sip the scandal-potion pretty;
Or lee-lang nights, wi’ crabbit leuks
Pore owre the devil’s pictur’d beuks;
Stake on a chance a farmer’s stackyard,
An’ cheat like ony unhanged blackguard.
There’s some exceptions, man an’ woman;
But this is gentry’s life in common.
By this, the sun was out of sight,
An’ darker gloamin brought the night;
The bum-clock humm’d wi’ lazy drone;
The kye stood rowtin i’ the loan;
When up they gat an’ shook their lugs,
Rejoic’d they werena men but dogs;
An’ each took aff his several way,
Resolv’d to meet some ither day.
Note 1.
Luath was Burns’ own dog.
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Note 2.
Cuchullin’s dog in Ossian’s “Fingal.
”—R.
B.
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