Written by
Anne Sexton |
In my dream,
drilling into the marrow
of my entire bone,
my real dream,
I'm walking up and down Beacon Hill
searching for a street sign --
namely MERCY STREET.
Not there.
I try the Back Bay.
Not there.
Not there.
And yet I know the number.
45 Mercy Street.
I know the stained-glass window
of the foyer,
the three flights of the house
with its parquet floors.
I know the furniture and
mother, grandmother, great-grandmother,
the servants.
I know the cupboard of Spode
the boat of ice, solid silver,
where the butter sits in neat squares
like strange giant's teeth
on the big mahogany table.
I know it well.
Not there.
Where did you go?
45 Mercy Street,
with great-grandmother
kneeling in her whale-bone corset
and praying gently but fiercely
to the wash basin,
at five A.
M.
at noon
dozing in her wiggy rocker,
grandfather taking a nap in the pantry,
grandmother pushing the bell for the downstairs maid,
and Nana rocking Mother with an oversized flower
on her forehead to cover the curl
of when she was good and when she was.
.
.
And where she was begat
and in a generation
the third she will beget,
me,
with the stranger's seed blooming
into the flower called Horrid.
I walk in a yellow dress
and a white pocketbook stuffed with cigarettes,
enough pills, my wallet, my keys,
and being twenty-eight, or is it forty-five?
I walk.
I walk.
I hold matches at street signs
for it is dark,
as dark as the leathery dead
and I have lost my green Ford,
my house in the suburbs,
two little kids
sucked up like pollen by the bee in me
and a husband
who has wiped off his eyes
in order not to see my inside out
and I am walking and looking
and this is no dream
just my oily life
where the people are alibis
and the street is unfindable for an
entire lifetime.
Pull the shades down --
I don't care!
Bolt the door, mercy,
erase the number,
rip down the street sign,
what can it matter,
what can it matter to this cheapskate
who wants to own the past
that went out on a dead ship
and left me only with paper?
Not there.
I open my pocketbook,
as women do,
and fish swim back and forth
between the dollars and the lipstick.
I pick them out,
one by one
and throw them at the street signs,
and shoot my pocketbook
into the Charles River.
Next I pull the dream off
and slam into the cement wall
of the clumsy calendar
I live in,
my life,
and its hauled up
notebooks.
|
Written by
Adrienne Rich |
1
You, once a belle in Shreveport,
with henna-colored hair, skin like a peachbud,
still have your dresses copied from that time,
and play a Chopin prelude
called by Cortot: "Delicious recollections
float like perfume through the memory.
"
Your mind now, moldering like wedding-cake,
heavy with useless experience, rich
with suspicion, rumor, fantasy,
crumbling to pieces under the knife-edge
of mere fact.
In the prime of your life.
Nervy, glowering, your daughter
wipes the teaspoons, grows another way.
2
Banging the coffee-pot into the sink
she hears the angels chiding, and looks out
past the raked gardens to the sloppy sky.
Only a week since They said: Have no patience.
The next time it was: Be insatiable.
Then: Save yourself; others you cannot save.
Sometimes she's let the tapstream scald her arm,
a match burn to her thumbnail,
or held her hand above the kettle's snout
right inthe woolly steam.
They are probably angels,
since nothing hurts her anymore, except
each morning's grit blowing into her eyes.
3
A thinking woman sleeps with monsters.
The beak that grips her, she becomes.
And Nature,
that sprung-lidded, still commodious
steamer-trunk of tempora and mores
gets stuffed with it all: the mildewed orange-flowers,
the female pills, the terrible breasts
of Boadicea beneath flat foxes' heads and orchids.
Two handsome women, gripped in argument,
each proud, acute, subtle, I hear scream
across the cut glass and majolica
like Furies cornered from their prey:
The argument ad feminam, all the old knives
that have rusted in my back, I drive in yours,
ma semblable, ma soeur!
4
Knowing themselves too well in one another:
their gifts no pure fruition, but a thorn,
the prick filed sharp against a hint of scorn.
.
.
Reading while waiting
for the iron to heat,
writing, My Life had stood--a Loaded Gun--
in that Amherst pantry while the jellies boil and scum,
or, more often,
iron-eyed and beaked and purposed as a bird,
dusting everything on the whatnot every day of life.
5
Dulce ridens, dulce loquens,
she shaves her legs until they gleam
like petrified mammoth-tusk.
6
When to her lute Corinna sings
neither words nor music are her own;
only the long hair dipping
over her cheek, only the song
of silk against her knees
and these
adjusted in reflections of an eye.
Poised, trembling and unsatisfied, before
an unlocked door, that cage of cages,
tell us, you bird, you tragical machine--
is this fertillisante douleur? Pinned down
by love, for you the only natural action,
are you edged more keen
to prise the secrets of the vault? has Nature shown
her household books to you, daughter-in-law,
that her sons never saw?
7
"To have in this uncertain world some stay
which cannot be undermined, is
of the utmost consequence.
"
Thus wrote
a woman, partly brave and partly good,
who fought with what she partly understood.
Few men about her would or could do more,
hence she was labeled harpy, shrew and whore.
8
"You all die at fifteen," said Diderot,
and turn part legend, part convention.
Still, eyes inaccurately dream
behind closed windows blankening with steam.
Deliciously, all that we might have been,
all that we were--fire, tears,
wit, taste, martyred ambition--
stirs like the memory of refused adultery
the drained and flagging bosom of our middle years.
9
Not that it is done well, but
that it is done at all? Yes, think
of the odds! or shrug them off forever.
This luxury of the precocious child,
Time's precious chronic invalid,--
would we, darlings, resign it if we could?
Our blight has been our sinecure:
mere talent was enough for us--
glitter in fragments and rough drafts.
Sigh no more, ladies.
Time is male
and in his cups drinks to the fair.
Bemused by gallantry, we hear
our mediocrities over-praised,
indolence read as abnegation,
slattern thought styled intuition,
every lapse forgiven, our crime
only to cast too bold a shadow
or smash the mold straight off.
For that, solitary confinement,
tear gas, attrition shelling.
Few applicants for that honor.
10
Well,
she's long about her coming, who must be
more merciless to herself than history.
Her mind full to the wind, I see her plunge
breasted and glancing through the currents,
taking the light upon her
at least as beautiful as any boy
or helicopter,
poised, still coming,
her fine blades making the air wince
but her cargo
no promise then:
delivered
palpable
ours.
|
Written by
Rudyard Kipling |
There was Rundle, Station Master,
An' Beazeley of the Rail,
An' 'Ackman, Commissariat,
An' Donkin' o' the Jail;
An' Blake, Conductor-Sargent,
Our Master twice was 'e,
With 'im that kept the Europe-shop,
Old Framjee Eduljee.
Outside -- "Sergeant! Sir! Salute! Salaam!"
Inside -- "Brother", an' it doesn't do no 'arm.
We met upon the Level an' we parted on the Square,
An' I was Junior Deacon in my Mother-Lodge out there!
We'd Bola Nath, Accountant,
An' Saul the Aden Jew,
An' Din Mohammed, draughtsman
Of the Survey Office too;
There was Babu Chuckerbutty,
An' Amir Singh the Sikh,
An' Castro from the fittin'-sheds,
The Roman Catholick!
We 'adn't good regalia,
An' our Lodge was old an' bare,
But we knew the Ancient Landmarks,
An' we kep' 'em to a hair;
An' lookin' on it backwards
It often strikes me thus,
There ain't such things as infidels,
Excep', per'aps, it's us.
For monthly, after Labour,
We'd all sit down and smoke
(We dursn't give no banquits,
Lest a Brother's caste were broke),
An' man on man got talkin'
Religion an' the rest,
An' every man comparin'
Of the God 'e knew the best.
So man on man got talkin',
An' not a Brother stirred
Till mornin' waked the parrots
An' that dam' brain-fever-bird;
We'd say 'twas 'ighly curious,
An' we'd all ride 'ome to bed,
With Mo'ammed, God, an' Shiva
Changin' pickets in our 'ead.
Full oft on Guv'ment service
This rovin' foot 'ath pressed,
An' bore fraternal greetin's
To the Lodges east an' west,
Accordin' as commanded
From Kohat to Singapore,
But I wish that I might see them
In my Mother-Lodge once more!
I wish that I might see them,
My Brethren black an' brown,
With the trichies smellin' pleasant
An' the hog-darn passin' down; [Cigar-lighter.
]
An' the old khansamah snorin' [Butler.
]
On the bottle-khana floor, [Pantry.
]
Like a Master in good standing
With my Mother-Lodge once more!
Outside -- "Sergeant! Sir! Salute! Salaam!"
Inside -- "Brother", an' it doesn't do no 'arm.
We met upon the Level an' we parted on the Square,
An' I was Junior Deacon in my Mother-Lodge out there!
|
Written by
T S (Thomas Stearns) Eliot |
Mungojerrie and Rumpelteazer were a very notorious couple
of cats.
As knockabout clown, quick-change comedians, tight-rope
walkers and acrobats
They had extensive reputation.
They made their home in
Victoria Grove--
That was merely their centre of operation, for they were
incurably given to rove.
They were very well know in Cornwall Gardens, in Launceston
Place and in Kensington Square--
They had really a little more reputation than a couple of
cats can very well bear.
If the area window was found ajar
And the basement looked like a field of war,
If a tile or two came loose on the roof,
Which presently ceased to be waterproof,
If the drawers were pulled out from the bedroom chests,
And you couldn't find one of your winter vests,
Or after supper one of the girls
Suddenly missed her Woolworth pearls:
Then the family would say: "It's that horrible cat!
It was Mungojerrie--or Rumpelteazer!"-- And most of the time
they left it at that.
Mungojerrie and Rumpelteazer had a very unusual gift of the
gab.
They were highly efficient cat-burglars as well, and
remarkably smart at smash-and-grab.
They made their home in Victoria Grove.
They had no regular
occupation.
They were plausible fellows, and liked to engage a friendly
policeman in conversation.
When the family assembled for Sunday dinner,
With their minds made up that they wouldn't get thinner
On Argentine joint, potatoes and greens,
And the cook would appear from behind the scenes
And say in a voice that was broken with sorrow:
"I'm afraid you must wait and have dinner tomorrow!
For the joint has gone from the oven-like that!"
Then the family would say: "It's that horrible cat!
It was Mungojerrie--or Rumpelteazer!"-- And most of the time
they left it at that.
Mungojerrie and Rumpelteazer had a wonderful way of working
together.
And some of the time you would say it was luck, and some of
the time you would say it was weather.
They would go through the house like a hurricane, and no sober
person could take his oath
Was it Mungojerrie--or Rumpelteazer? or could you have sworn
that it mightn't be both?
And when you heard a dining-room smash
Or up from the pantry there came a loud crash
Or down from the library came a loud ping
From a vase which was commonly said to be Ming--
Then the family would say: "Now which was which cat?
It was Mungojerrie! AND Rumpelteazer!"-- And there's nothing
at all to be done about that!
|
Written by
Seamus Heaney |
The piper coming from far away is you
With a whitewash brush for a sporran
Wobbling round you, a kitchen chair
Upside down on your shoulder, your right arm
Pretending to tuck the bag beneath your elbow,
Your pop-eyes and big cheeks nearly bursting
With laughter, but keeping the drone going on
Interminably, between catches of breath.
*
The whitewash brush.
An old blanched skirted thing
On the back of the byre door, biding its time
Until spring airs spelled lime in a work-bucket
And a potstick to mix it in with water.
Those smells brought tears to the eyes, we inhaled
A kind of greeny burning and thought of brimstone.
But the slop of the actual job
Of brushing walls, the watery grey
Being lashed on in broad swatches, then drying out
Whiter and whiter, all that worked like magic.
Where had we come from, what was this kingdom
We knew we'd been restored to? Our shadows
Moved on the wall and a tar border glittered
The full length of the house, a black divide
Like a freshly opened, pungent, reeking trench.
*
Piss at the gable, the dead will congregate.
But separately.
The women after dark,
Hunkering there a moment before bedtime,
The only time the soul was let alone,
The only time that face and body calmed
In the eye of heaven.
Buttermilk and urine,
The pantry, the housed beasts, the listening bedroom.
We were all together there in a foretime,
In a knowledge that might not translate beyond
Those wind-heaved midnights we still cannot be sure
Happened or not.
It smelled of hill-fort clay
And cattle dung.
When the thorn tree was cut down
You broke your arm.
I shared the dread
When a strange bird perched for days on the byre roof.
*
That scene, with Macbeth helpless and desperate
In his nightmare--when he meets the hags agains
And sees the apparitions in the pot--
I felt at home with that one all right.
Hearth,
Steam and ululation, the smoky hair
Curtaining a cheek.
'Don't go near bad boys
In that college that you're bound for.
Do you hear me?
Do you hear me speaking to you? Don't forget!'
And then the postick quickening the gruel,
The steam crown swirled, everything intimate
And fear-swathed brightening for a moment,
Then going dull and fatal and away.
*
Grey matter like gruel flecked with blood
In spatters on the whitewash.
A clean spot
Where his head had been, other stains subsumed
In the parched wall he leant his back against
That morning like any other morning,
Part-time reservist, toting his lunch-box.
A car came slow down Castle Street, made the halt,
Crossed the Diamond, slowed again and stopped
Level with him, although it was not his lift.
And then he saw an ordinary face
For what it was and a gun in his own face.
His right leg was hooked back, his sole and heel
Against the wall, his right knee propped up steady,
So he never moved, just pushed with all his might
Against himself, then fell past the tarred strip,
Feeding the gutter with his copious blood.
*
My dear brother, you have good stamina.
You stay on where it happens.
Your big tractor
Pulls up at the Diamond, you wave at people,
You shout and laugh about the revs, you keep
old roads open by driving on the new ones.
You called the piper's sporrans whitewash brushes
And then dressed up and marched us through the kitchen,
But you cannot make the dead walk or right wrong.
I see you at the end of your tether sometimes,
In the milking parlour, holding yourself up
Between two cows until your turn goes past,
Then coming to in the smell of dung again
And wondering, is this all? As it was
In the beginning, is now and shall be?
Then rubbing your eyes and seeing our old brush
Up on the byre door, and keeping going.
|
Written by
Robert Burns |
I GAT your letter, winsome Willie;
Wi’ gratefu’ heart I thank you brawlie;
Tho’ I maun say’t, I wad be silly,
And unco vain,
Should I believe, my coaxin billie
Your flatterin strain.
But I’se believe ye kindly meant it:
I sud be laith to think ye hinted
Ironic satire, sidelins sklented
On my poor Musie;
Tho’ in sic phraisin terms ye’ve penn’d it,
I scarce excuse ye.
My senses wad be in a creel,
Should I but dare a hope to speel
Wi’ Allan, or wi’ Gilbertfield,
The braes o’ fame;
Or Fergusson, the writer-chiel,
A deathless name.
(O Fergusson! thy glorious parts
Ill suited law’s dry, musty arts!
My curse upon your whunstane hearts,
Ye E’nbrugh gentry!
The tithe o’ what ye waste at cartes
Wad stow’d his pantry!)
Yet when a tale comes i’ my head,
Or lassies gie my heart a screed—
As whiles they’re like to be my dead,
(O sad disease!)
I kittle up my rustic reed;
It gies me ease.
Auld Coila now may fidge fu’ fain,
She’s gotten poets o’ her ain;
Chiels wha their chanters winna hain,
But tune their lays,
Till echoes a’ resound again
Her weel-sung praise.
Nae poet thought her worth his while,
To set her name in measur’d style;
She lay like some unkenn’d-of-isle
Beside New Holland,
Or whare wild-meeting oceans boil
Besouth Magellan.
Ramsay an’ famous Fergusson
Gied Forth an’ Tay a lift aboon;
Yarrow an’ Tweed, to monie a tune,
Owre Scotland rings;
While Irwin, Lugar, Ayr, an’ Doon
Naebody sings.
Th’ Illissus, Tiber, Thames, an’ Seine,
Glide sweet in monie a tunefu’ line:
But Willie, set your fit to mine,
An’ cock your crest;
We’ll gar our streams an’ burnies shine
Up wi’ the best!
We’ll sing auld Coila’s plains an’ fells,
Her moors red-brown wi’ heather bells,
Her banks an’ braes, her dens and dells,
Whare glorious Wallace
Aft bure the gree, as story tells,
Frae Suthron billies.
At Wallace’ name, what Scottish blood
But boils up in a spring-tide flood!
Oft have our fearless fathers strode
By Wallace’ side,
Still pressing onward, red-wat-shod,
Or glorious died!
O, sweet are Coila’s haughs an’ woods,
When lintwhites chant amang the buds,
And jinkin hares, in amorous whids,
Their loves enjoy;
While thro’ the braes the cushat croods
With wailfu’ cry!
Ev’n winter bleak has charms to me,
When winds rave thro’ the naked tree;
Or frosts on hills of Ochiltree
Are hoary gray;
Or blinding drifts wild-furious flee,
Dark’ning the day!
O Nature! a’ thy shews an’ forms
To feeling, pensive hearts hae charms!
Whether the summer kindly warms,
Wi’ life an light;
Or winter howls, in gusty storms,
The lang, dark night!
The muse, nae poet ever fand her,
Till by himsel he learn’d to wander,
Adown some trottin burn’s meander,
An’ no think lang:
O sweet to stray, an’ pensive ponder
A heart-felt sang!
The war’ly race may drudge an’ drive,
Hog-shouther, jundie, stretch, an’ strive;
Let me fair Nature’s face descrive,
And I, wi’ pleasure,
Shall let the busy, grumbling hive
Bum owre their treasure.
Fareweel, “my rhyme-composing” brither!
We’ve been owre lang unkenn’d to ither:
Now let us lay our heads thegither,
In love fraternal:
May envy wallop in a tether,
Black fiend, infernal!
While Highlandmen hate tools an’ taxes;
While moorlan’s herds like guid, fat braxies;
While terra firma, on her axis,
Diurnal turns;
Count on a friend, in faith an’ practice,
In Robert Burns.
POSTCRIPTMY memory’s no worth a preen;
I had amaist forgotten clean,
Ye bade me write you what they mean
By this “new-light,”
’Bout which our herds sae aft hae been
Maist like to fight.
In days when mankind were but callans
At grammar, logic, an’ sic talents,
They took nae pains their speech to balance,
Or rules to gie;
But spak their thoughts in plain, braid lallans,
Like you or me.
In thae auld times, they thought the moon,
Just like a sark, or pair o’ shoon,
Wore by degrees, till her last roon
Gaed past their viewin;
An’ shortly after she was done
They gat a new ane.
This passed for certain, undisputed;
It ne’er cam i’ their heads to doubt it,
Till chiels gat up an’ wad confute it,
An’ ca’d it wrang;
An’ muckle din there was about it,
Baith loud an’ lang.
Some herds, weel learn’d upo’ the beuk,
Wad threap auld folk the thing misteuk;
For ’twas the auld moon turn’d a neuk
An’ out of’ sight,
An’ backlins-comin to the leuk
She grew mair bright.
This was deny’d, it was affirm’d;
The herds and hissels were alarm’d
The rev’rend gray-beards rav’d an’ storm’d,
That beardless laddies
Should think they better wer inform’d,
Than their auld daddies.
Frae less to mair, it gaed to sticks;
Frae words an’ aiths to clours an’ nicks;
An monie a fallow gat his licks,
Wi’ hearty crunt;
An’ some, to learn them for their tricks,
Were hang’d an’ brunt.
This game was play’d in mony lands,
An’ auld-light caddies bure sic hands,
That faith, the youngsters took the sands
Wi’ nimble shanks;
Till lairds forbad, by strict commands,
Sic bluidy pranks.
But new-light herds gat sic a cowe,
Folk thought them ruin’d stick-an-stowe;
Till now, amaist on ev’ry knowe
Ye’ll find ane plac’d;
An’ some their new-light fair avow,
Just quite barefac’d.
Nae doubt the auld-light flocks are bleatin;
Their zealous herds are vex’d an’ sweatin;
Mysel’, I’ve even seen them greetin
Wi’ girnin spite,
To hear the moon sae sadly lied on
By word an’ write.
But shortly they will cowe the louns!
Some auld-light herds in neebor touns
Are mind’t, in things they ca’ balloons,
To tak a flight;
An’ stay ae month amang the moons
An’ see them right.
Guid observation they will gie them;
An’ when the auld moon’s gaun to lea’e them,
The hindmaist shaird, they’ll fetch it wi’ them
Just i’ their pouch;
An’ when the new-light billies see them,
I think they’ll crouch!
Sae, ye observe that a’ this clatter
Is naething but a “moonshine matter”;
But tho’ dull prose-folk Latin splatter
In logic tulyie,
I hope we bardies ken some better
Than mind sic brulyie.
|
Written by
William Butler Yeats |
Shepherd.
That cry's from the first cuckoo of the year.
I wished before it ceased.
Goatherd.
Nor bird nor beast
Could make me wish for anything this day,
Being old, but that the old alone might die,
And that would be against God's providence.
Let the young wish.
But what has brought you here?
Never until this moment have we met
Where my goats browse on the scarce grass or leap
From stone to Stone.
Shepherd.
I am looking for strayed sheep;
Something has troubled me and in my rrouble
I let them stray.
I thought of rhyme alone,
For rhme can beat a measure out of trouble
And make the daylight sweet once more; but when
I had driven every rhyme into its Place
The sheep had gone from theirs.
Goatherd.
I know right well
What turned so good a shepherd from his charge.
Shepherd.
He that was best in every country sport
And every country craft, and of us all
Most courteous to slow age and hasty youth,
Is dead.
Goatherd.
The boy that brings my griddle-cake
Brought the bare news.
Shepherd.
He had thrown the crook away
And died in the great war beyond the sea.
Goatherd.
He had often played his pipes among my hills,
And when he played it was their loneliness,
The exultation of their stone, that died
Under his fingers.
Shepherd.
I had it from his mother,
And his own flock was browsing at the door.
Goatherd.
How does she bear her grief? There is not a
shepherd
But grows more gentle when he speaks her name,
Remembering kindness done, and how can I,
That found when I had neither goat nor grazing
New welcome and old wisdom at her fire
Till winter blasts were gone, but speak of her
Even before his children and his wife?
Shepherd.
She goes about her house erect and calm
Between the pantry and the linen-chest,
Or else at meadow or at grazing overlooks
Her labouring men, as though her darling lived,
But for her grandson now; there is no change
But such as I have Seen upon her face
Watching our shepherd sports at harvest-time
When her son's turn was over.
Goatherd.
Sing your song.
I too have rhymed my reveries, but youth
Is hot to show whatever it has found,
And till that's done can neither work nor wait.
Old goatherds and old goats, if in all else
Youth can excel them in accomplishment,
Are learned in waiting.
Shepherd.
You cannot but have seen
That he alone had gathered up no gear,
Set carpenters to work on no wide table,
On no long bench nor lofty milking-shed
As others will, when first they take possession,
But left the house as in his father's time
As though he knew himself, as it were, a cuckoo,
No settled man.
And now that he is gone
There's nothing of him left but half a score
Of sorrowful, austere, sweet, lofty pipe tunes.
Goatherd.
You have put the thought in rhyme.
Shepherd.
I worked all day,
And when 'twas done so little had I done
That maybe "I am sorry' in plain prose
Had Sounded better to your mountain fancy.
[He sings.
]
"Like the speckled bird that steers
Thousands of leagues oversea,
And runs or a while half-flies
On his yellow legs through our meadows.
He stayed for a while; and we
Had scarcely accustomed our ears
To his speech at the break of day,
Had scarcely accustomed our eyes
To his shape at the rinsing-pool
Among the evening shadows,
When he vanished from ears and eyes.
I might have wished on the day
He came, but man is a fool.
'
Goatherd.
You sing as always of the natural life,
And I that made like music in my youth
Hearing it now have sighed for that young man
And certain lost companions of my own.
Shepherd.
They say that on your barren mountain ridge
You have measured out the road that the soul treads
When it has vanished from our natural eyes;
That you have talked with apparitions.
Goatherd.
Indeed
My daily thoughts since the first stupor of youth
Have found the path my goats' feet cannot find.
Shepherd.
Sing, for it may be that your thoughts have
plucked
Some medicable herb to make our grief
Less bitter.
Goatherd.
They have brought me from that ridge
Seed-pods and flowers that are not all wild poppy.
[Sings.
]
"He grows younger every second
That were all his birthdays reckoned
Much too solemn seemed;
Because of what he had dreamed,
Or the ambitions that he served,
Much too solemn and reserved.
Jaunting, journeying
To his own dayspring,
He unpacks the loaded pern
Of all 'twas pain or joy to learn,
Of all that he had made.
The outrageous war shall fade;
At some old winding whitethorn root
He'll practise on the shepherd's flute,
Or on the close-cropped grass
Court his shepherd lass,
Or put his heart into some game
Till daytime, playtime seem the same;
Knowledge he shall unwind
Through victories of the mind,
Till, clambering at the cradle-side,
He dreams himself hsi mother's pride,
All knowledge lost in trance
Of sweeter ignorance.
'
Shepherd.
When I have shut these ewes and this old ram
Into the fold, we'll to the woods and there
Cut out our rhymes on strips of new-torn bark
But put no name and leave them at her door.
To know the mountain and the valley have grieved
May be a quiet thought to wife and mother,
And children when they spring up shoulder-high.
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Written by
Vachel Lindsay |
To be intoned, all but the two italicized lines, which are to be spoken in a snappy, matter-of-fact way.
Ding-dong, ding-dong, ding-dong.
Here lies a kitten good, who kept
A kitten's proper place.
He stole no pantry eatables,
Nor scratched the baby's face.
He let the alley-cats alone.
He had no yowling vice.
His shirt was always laundried well,
He freed the house of mice.
Until his death he had not caused
His little mistress tears,
He wore his ribbon prettily,
He washed behind his ears.
Ding-dong, ding-dong, ding-dong.
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Written by
Claude McKay |
Roar of the rushing train fearfully rocking,
Impatient people jammed in line for food,
The rasping noise of cars together knocking,
And worried waiters, some in ugly mood,
Crowding into the choking pantry hole
To call out dishes for each angry glutton
Exasperated grown beyond control,
From waiting for his soup or fish or mutton.
At last the station's reached, the engine stops;
For bags and wraps the red-caps circle round;
From off the step the passenger lightly hops,
And seeks his cab or tram-car homeward bound;
The waiters pass out weary, listless, glum,
To spend their tips on harlots, cards and rum.
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Written by
Mother Goose |
Bessy Bell and Mary Gray,
They were two bonny lasses;
They built their house upon the lea,
And covered it with rushes.
Bessy kept the garden gate,
And Mary kept the pantry;
Bessy always had to wait,
While Mary lived in plenty.
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