Written by
Bertolt Brecht |
To the cities I came in a time of disorder
That was ruled by hunger.
I sheltered with the people in a time of uproar
And then I joined in their rebellion.
That's how I passed my time that was given to me on this Earth.
I ate my dinners between the battles,
I lay down to sleep among the murderers,
I didn't care for much for love
And for nature's beauties I had little patience.
That's how I passed my time that was given to me on this Earth.
The city streets all led to foul swamps in my time,
My speech betrayed me to the butchers.
I could do only little
But without me those that ruled could not sleep so easily:
That's what I hoped.
That's how I passed my time that was given to me on this Earth.
Our forces were slight and small,
Our goal lay in the far distance
Clearly in our sights,
If for me myself beyond my reaching.
That's how I passed my time that was given to me on this Earth.
II
You who will come to the surface
From the flood that's overwhelmed us and drowned us all
Must think, when you speak of our weakness in times of darkness
That you've not had to face:
Days when we were used to changing countries
More often than shoes,
Through the war of the classes despairing
That there was only injustice and no outrage.
Even so we realised
Hatred of oppression still distorts the features,
Anger at injustice still makes voices raised and ugly.
Oh we, who wished to lay for the foundations for peace and friendliness,
Could never be friendly ourselves.
And in the future when no longer
Do human beings still treat themselves as animals,
Look back on us with indulgence.
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Written by
Tony Hoagland |
They have little tractors in their blood
and all day the tractors climb up and down
inside their arms and legs, their
collarbones and heads.
That is why they yell and scream and slam the barbells
down into their clanking slots,
making the metal ring like sledgehammers on iron,
like dungeon prisoners rattling their chains.
That is why they shriek their tires at the stopsign,
why they turn the base up on the stereo
until it shakes the traffic light, until it
dryhumps the eardrum of the crossing guard.
Testosterone is a drug,
and they say No, No, No until
they are overwhelmed and punch
their buddy in the face for joy,
or make a joke about gravy and bottomless holes
to a middle-aged waitress who is gently
setting down the plate in front of them.
If they are grotesque, if
what they say and do is often nothing more
than a kind of psychopathic fart,
it is only because of the tractors,
the tractors in their blood,
revving their engines, chewing up the turf
inside their arteries and veins
It is the testosterone tractor
constantly climbing the mudhill of the world
and dragging the young man behind it
by a chain around his leg.
In the stink and the noise, in the clouds
of filthy exhaust
is where they live. It is the tractors
that make them
what they are. While they make being a man
look like a disease.
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Written by
Henry Wadsworth Longfellow |
In that desolate land and lone,
Where the Big Horn and Yellowstone
Roar down their mountain path,
By their fires the Sioux Chiefs
Muttered their woes and griefs
And the menace of their wrath.
"Revenge!" cried Rain-in-the-Face,
"Revenue upon all the race
Of the White Chief with yellow hair!"
And the mountains dark and high
From their crags re-echoed the cry
Of his anger and despair.
In the meadow, spreading wide
By woodland and riverside
The Indian village stood;
All was silent as a dream,
Save the rushing a of the stream
And the blue-jay in the wood.
In his war paint and his beads,
Like a bison among the reeds,
In ambush the Sitting Bull
Lay with three thousand braves
Crouched in the clefts and caves,
Savage, unmerciful!
Into the fatal snare
The White Chief with yellow hair
And his three hundred men
Dashed headlong, sword in hand;
But of that gallant band
Not one returned again.
The sudden darkness of death
Overwhelmed them like the breath
And smoke of a furnace fire:
By the river's bank, and between
The rocks of the ravine,
They lay in their bloody attire.
But the foemen fled in the night,
And Rain-in-the-Face, in his flight
Uplifted high in air
As a ghastly trophy, bore
The brave heart, that beat no more,
Of the White Chief with yellow hair.
Whose was the right and the wrong?
Sing it, O funeral song,
With a voice that is full of tears,
And say that our broken faith
Wrought all this ruin and scathe,
In the Year of a Hundred Years.
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Written by
Rainer Maria Rilke |
We lack all knowledge of this parting. Death
does not deal with us. We have no reason
to show death admiration, love or hate;
his mask of feigned tragic lament gives us
a false impression. The world's stage is still
filled with roles which we play. While we worry
that our performances may not please,
death also performs, although to no applause.
But as you left us, there broke upon this stage
a glimpse of reality, shown through the slight
opening through which you dissapeared: green,
evergreen, bathed in sunlight, actual woods.
We keep on playiing, still anxious, our difficult roles
declaiming, accompanied by matching gestures
as required. But your presence so suddenly
removed from our midst and from our play, at times
overcomes us like a sense of that other
reality: yours, that we are so overwhelmed
and play our actual lives instead of the performance,
forgetting altogehter the applause.
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Written by
Rainer Maria Rilke |
Every angel is terrifying. And yet alas
I invoked you almost deadly birds of the soul
knowing about you. Where are the days of Tobias
when one of you veiling his radiance stood at the front door
slightly disguised for the journey no longer appalling;
(a young man like the one who curiously peeked through the window).
But if the archangel now perilous from behind the stars
took even one step down toward us: our own heart beating
higher and higher would bear us to death. Who are you?
Early successes Creation's pampered favorites
mountain-ranges peaks growing red in the dawn
of all Beginning -pollen of the flowering godhead
joints of pure light corridors stairways thrones
space formed from essence shields made of ecstasy storms
of emotion whirled into rapture and suddenly alone:
mirrors which scoop up the beauty that has streamed from their face
and gather it back into themselves entire.
But we when moved by deep feeling evaporate; we
breathe ourselves out and away; from moment to moment
our emotion grows fainter like a perfume. Though someone may tell us:
Yes, you've entered my bloodstream, the room, the whole springtime
is filled with you¡ -what does it matter? he can't contain us
we vanish inside him and around him. And those who are beautiful
oh who can retain them? Appearance ceaselessly rises
in their face and is gone. Like dew from the morning grass
what is ours floats into the air like steam from a dish
of hot food. O smile where are you going? O upturned glance:
new warm receding wave on the sea of the heart¡
alas but that is what we are. Does the infinite space
we dissolve into taste of us then? Do the angels really
reabsorb only the radiance that streamed out from themselves or
sometimes as if by an oversight is there a trace
of our essence in it as well? Are we mixed in with their
features even as slightly as that vague look
in the faces of pregnant women? They do not notice it
(how could they notice) in their swirling return to themselves.
Lovers if they knew how might utter strange marvelous
Words in the night air. For it seems that everything
hides us. Look: trees do exist; the houses
that we live in still stand. We alone
fly past all things as fugitive as the wind.
And all things conspire to keep silent about us half
out of shame perhaps half as unutterable hope.
Lovers gratified in each other I am asking you
about us. You hold each other. Where is your proof?
Look sometimes I find that my hands have become aware
of each other or that my time-worn face
shelters itself inside them. That gives me a slight
sensation. But who would dare to exist just for that?
You though who in the other's passion
grow until overwhelmed he begs you:
No more¡ ; you who beneath his hands
swell with abundance like autumn grapes;
you who may disappear because the other has wholly
emerged: I am asking you about us. I know
you touch so blissfully because the caress preserves
because the place you so tenderly cover
does not vanish; because underneath it
you feel pure duration. So you promise eternity almost
from the embrace. And yet when you have survived
the terror of the first glances the longing at the window
and the first walk together once only through the garden:
lovers are you the same? When you lift yourselves up
to each other's mouth and your lips join drink against drink:
oh how strangely each drinker seeps away from his action.
Weren't you astonished by the caution of human gestures
on Attic gravestones? Wasn't love and departure
placed so gently on shoulders that is seemed to be made
of a different substance than in our world? Remember the hands
how weightlessly they rest though there is power in the torsos.
These self-mastered figures know: "We can go this far
This is ours to touch one another this lightly; the gods
Can press down harder upon us. But that is the gods' affair."
If only we too could discover a pure contained
human place our own strip of fruit-bearing soil
between river and rock. For our own heart always exceeds us
as theirs did. And we can no longer follow it gazing
into images that soothe it into the godlike bodies
where measured more greatly if achieves a greater repose.
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Written by
Wallace Stevens |
Hi! The creator too is blind,
Struggling toward his harmonious whole,
Rejecting intermediate parts,
Horrors and falsities and wrongs;
Incapable master of all force,
Too vague idealist, overwhelmed
By an afflatus that persists.
For this, then, we endure brief lives,
The evanescent symmetries
From that meticulous potter's thumb.
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Written by
Emile Verhaeren |
During those hours wherein we are lost so far from all that is not ourselves, what lustral blood or what baptism bathes our hearts that strain towards all love?
Clasping our hands without praying, stretching out our arms without crying aloud, but with earnest and ingenuous mind worshipping something farther off and purer than ourselves, we know not what, how we blend with, how we live our lives in, the unknown.
How overwhelmed we are in the presence of those hours of supreme existence; how the soul desires heavens in which to seek for new gods.
Oh! the torturing and wondrous joy and the daring hope of being one day, across death itself, the prey of these silent terrors.
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Written by
Emily Dickinson |
Finite -- to fail, but infinite to Venture --
For the one ship that struts the shore
Many's the gallant -- overwhelmed Creature
Nodding in Navies nevermore --
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Written by
Isaac Watts |
God is the hope of the helpless.
To God I made my sorrows known,
From God I sought relief;
In long complaints before his throne
I poured out all my grief.
My soul was overwhelmed with woes,
My heart began to break;
My God, who all my burden knows,
He knows the way I take.
On every side I cast mine eye,
And found my helpers gone;
While friends and strangers passed me by,
Neglected or unknown.
Then did I raise a louder cry,
And called thy mercy near,-
"Thou art my portion when I die;
Be thou my refuge here."
Lord, I am brought exceeding low,
Now let thine ear attend,
And make my foes who vex me know
I've an almighty Friend.
From my sad prison set me free,
Then shall I praise thy name,
And holy men shall join with me
Thy kindness to proclaim.
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