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Best Famous Orthodox Poems

Here is a collection of the all-time best famous Orthodox poems. This is a select list of the best famous Orthodox poetry. Reading, writing, and enjoying famous Orthodox poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of orthodox poems.

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Written by Walt Whitman | Create an image from this poem

Faces

 1
SAUNTERING the pavement, or riding the country by-road—lo! such faces! 
Faces of friendship, precision, caution, suavity, ideality; 
The spiritual, prescient face—the always welcome, common, benevolent face, 
The face of the singing of music—the grand faces of natural lawyers and judges, broad
 at
 the
 back-top; 
The faces of hunters and fishers, bulged at the brows—the shaved blanch’d faces
 of
 orthodox citizens;
The pure, extravagant, yearning, questioning artist’s face; 
The ugly face of some beautiful Soul, the handsome detested or despised face; 
The sacred faces of infants, the illuminated face of the mother of many children; 
The face of an amour, the face of veneration; 
The face as of a dream, the face of an immobile rock;
The face withdrawn of its good and bad, a castrated face; 
A wild hawk, his wings clipp’d by the clipper; 
A stallion that yielded at last to the thongs and knife of the gelder.
Sauntering the pavement, thus, or crossing the ceaseless ferry, faces, and faces, and faces: I see them, and complain not, and am content with all.
2 Do you suppose I could be content with all, if I thought them their own finale? This now is too lamentable a face for a man; Some abject louse, asking leave to be—cringing for it; Some milk-nosed maggot, blessing what lets it wrig to its hole.
This face is a dog’s snout, sniffing for garbage; Snakes nest in that mouth—I hear the sibilant threat.
This face is a haze more chill than the arctic sea; Its sleepy and wobbling icebergs crunch as they go.
This is a face of bitter herbs—this an emetic—they need no label; And more of the drug-shelf, laudanum, caoutchouc, or hog’s-lard.
This face is an epilepsy, its wordless tongue gives out the unearthly cry, Its veins down the neck distended, its eyes roll till they show nothing but their whites, Its teeth grit, the palms of the hands are cut by the turn’d-in nails, The man falls struggling and foaming to the ground while he speculates well.
This face is bitten by vermin and worms, And this is some murderer’s knife, with a half-pull’d scabbard.
This face owes to the sexton his dismalest fee; An unceasing death-bell tolls there.
3 Those then are really men—the bosses and tufts of the great round globe! Features of my equals, would you trick me with your creas’d and cadaverous march? Well, you cannot trick me.
I see your rounded, never-erased flow; I see neath the rims of your haggard and mean disguises.
Splay and twist as you like—poke with the tangling fores of fishes or rats; You’ll be unmuzzled, you certainly will.
I saw the face of the most smear’d and slobbering idiot they had at the asylum; And I knew for my consolation what they knew not; I knew of the agents that emptied and broke my brother, The same wait to clear the rubbish from the fallen tenement; And I shall look again in a score or two of ages, And I shall meet the real landlord, perfect and unharm’d, every inch as good as myself.
4 The Lord advances, and yet advances; Always the shadow in front—always the reach’d hand bringing up the laggards.
Out of this face emerge banners and horses—O superb! I see what is coming; I see the high pioneer-caps—I see the staves of runners clearing the way, I hear victorious drums.
This face is a life-boat; This is the face commanding and bearded, it asks no odds of the rest; This face is flavor’d fruit, ready for eating; This face of a healthy honest boy is the programme of all good.
These faces bear testimony, slumbering or awake; They show their descent from the Master himself.
Off the word I have spoken, I except not one—red, white, black, are all deific; In each house is the ovum—it comes forth after a thousand years.
Spots or cracks at the windows do not disturb me; Tall and sufficient stand behind, and make signs to me; I read the promise, and patiently wait.
This is a full-grown lily’s face, She speaks to the limber-hipp’d man near the garden pickets, Come here, she blushingly cries—Come nigh to me, limber-hipp’d man, Stand at my side till I lean as high as I can upon you, Fill me with albescent honey, bend down to me, Rub to me with your chafing beard, rub to my breast and shoulders.
5 The old face of the mother of many children! Whist! I am fully content.
Lull’d and late is the smoke of the First-day morning, It hangs low over the rows of trees by the fences, It hangs thin by the sassafras, the wild-cherry, and the cat-brier under them.
I saw the rich ladies in full dress at the soiree, I heard what the singers were singing so long, Heard who sprang in crimson youth from the white froth and the water-blue, Behold a woman! She looks out from her quaker cap—her face is clearer and more beautiful than the sky.
She sits in an arm-chair, under the shaded porch of the farmhouse, The sun just shines on her old white head.
Her ample gown is of cream-hued linen, Her grandsons raised the flax, and her granddaughters spun it with the distaff and the wheel.
The melodious character of the earth, The finish beyond which philosophy cannot go, and does not wish to go, The justified mother of men.


Written by Rg Gregory | Create an image from this poem

from the Ansty Experience

 (a)
they seek to celebrate the word
not to bring their knives out on a poem
dissecting it to find a heart
whose beat lies naked on a table
not to score in triumph on a line
no sensitive would put a nostril to
but simply to receive it as an
offering glimpsing the sacred there

poem probes the poet's once-intention
but each time said budges its truth
afresh (leaving the poet's self
estranged from the once-intending man)
and six ears in the room have tuned
objectives sifting the coloured strands
the words have hidden from the poet
asking what world has come to light

people measured by their heartbeats
language can't flout that come-and-go
to touch the heartbeat in a poem
calls for the brain's surrender
a warm diffusion of the mind
a listening to an eery silence
the words both mimic and destroy
(no excuses slipping off the tongue)

and when a poem works the unknown
opens a timid shutter on a world
so familiar it's not been seen
before - and then it's gone bringing
a frisson to an altered room
and in a stuttering frenzy dusty
attributes are tried to resurrect
a glimpse of what it's like inside

a truth (the glow a glow-worm makes)
this is not (not much) what happens
there's serious concern and banter
there's opacity there's chit-chat
diversions and derailings from
a line some avalanche has blocked
(what a fine pass through the mountains)
poetry and fidgets are blood-brothers

it's within all these the cosmos calls
that makes these afternoons a rich
adventure through a common field
when three men moving towards death
(without alacrity but conscious of it)
find youth again and bubble with
its springs - opening worn valves
to give such flow their own direction

there's no need of competition
no wish to prove that one of us
holds keys the others don't to the
sacral chambers - no want to find
consensus in technique or drench 
the rites of words in orthodox 
belief - difference is essential
and delightful (integrity's all)

quality's a private quarrel
between the poem and the poet - taste
the private hang-up of receivers
mostly migrained by exposure
to opinions not their own - fed
from a culture no one bleeds in
sustained by reputations manured
by a few and spread by hearsay

(b)
these meetings are a modest vow
to let each poet speak uncluttered
from establishment's traditions
and conditions where passions rippling
from the marrow can choose a space
to innocent themselves and long-held
tastes for carlos williams gurney
poems to siva (to name a few)

can surface in a side-attempt 
to show unexpected lineage from
the source to present patterns
of the poet - but at the core
of every poem read and comment made
it's not the poem or the poet
being sifted to the seed but
poetry itself given the works

the most despised belittled
enervated creative cowcake
of them all in the public eye
prestigious when it doesn't matter
to the clapped-out powers and turned
away from when too awkward and 
impolitic to confront - ball
to be bounced from high art to low

when fights break out amongst the teachers
and shakespeare's wielded as a cane
as the rich old crusty clan reverts
to the days it hated him at school
but loved the beatings - loudhailer
broken-down old-banger any ram-it-
up-your-**** and suck-my-prick to those
who want to tear chintz curtains down

and shock the cosy populace to taste
life at its rawest (most obscene)
courtesan to fashion and today's 
ploy - advertisement's gold gimmick
slave of beat and rhythm - dead but
much loved donkey in the hearts of all
who learned di-dah di-dah at school
and have been stuck in the custard since

plaything political-tool pop-
star's goo - poetry's been made to garb
itself in all these rags and riches
this age applauds the eye - is one 
of outward exploration - the earth
(in life) and universe (in fiction)
are there for scurrying over - haste
is everything and the beat is all

fireworks feed the fancy - a great ah
rewards the enterprise that fills
night skies with flashing bountifuls
of way-out stars - poetry has to be
in service to this want (is fed
into the system gracelessly)
there can be no standing-still or
stopping-by no take a little time

and see what blossoms here - we're into
poetry in motion and all that ****
and i can accept it all - what stirs
the surface of the ocean ignores
the depths - what talks the hindlegs off
the day can't murder dreams - that's not
to say the depths and dreams aren't there
for those who need them - it's commonplace

they hold the keystones of our lives
i fear something else much deeper
the diabolical self-deceiving
(wilful destruction of the spirit)
by those loudspeaking themselves
as poetry's protectors - publishers
editors literature officers
poetry societies and centres

all all jumping on the flagship
competition's crock of gold
find the winners pick the famous
all the hopefuls cry please name us
aspiring poets search their wardrobes
for the wordy swimsuit likely
to catch the eyeful of the judges
(winners too in previous contests

inured to the needle of success
but this time though now they are tops
totally pissed-off with the process
only here because the money's good)
winners' middle name is wordsworth
losers swallow a dose of shame
organisers rub their golden hands
pride themselves on their discernment

these jacks have found the beanstalk
castle harp and the golden egg
the stupid giant and his frightened wife
who let them steal their best possessions
whose ear for poetry's so poor
they think fum rhymes with englishman
and so of course they get no prizes
thief and trickster now come rich

poetry's purpose is to hit the jackpot
so great the lust for poetic fame
thousands without a ghost of winning
find poems like mothballs in their drawers
sprinkle them with twinkling stardust
post them off with copperplate cheques
the judges wipe their arses on them
the money's gone to a super cause

everyone knows it's just a joke
who gets taken - the foolish and vain
if they're daft enough and such bad poets
more money than sense the best advice 
is - keep it up grannies the cause
is noble and we'll take your cheque
again and again and again
it's the winners who fall in the bog

to win is to be preened - conceit
finds a little fluffy nest dear
to the feted heart and swells there
fed (for a foetal space) on all 
the praisiest worms but in the nest 
is a bloated thing that sucks (and chokes)
on hurt that has the knack of pecking
where there's malice - it grows two heads

winners by their nature soon become
winged and weighted - icarus begins
to prey upon their waking dreams 
prometheus gnawed by eagles 
the tight-shut box epimetheus
gave pandora about to burst
apart - yeats's centre cannot hold
being poets they know the references

and they learn the lesson quickly
climb upon others as they would
climb on you - in short be ruthless
or be dead they mostly fade away
being too intact or too weak-willed
to go the shining way with light-
ning bolts at every second bend 
agents breathing fire up their pants

those who withstand the course become
the poets of their day (and every one
naturally good as gold - exceptions
to the rule - out of the hearing
and the judgment of their rivals)
the media covet the heartache
and the bile - love the new meteor
can't wait to blast it from the heavens

universities will start the cult
with-it secondary teachers catch
the name on fast - magazines begin
to taste the honey on the plate
and soon another name is buzzing 
round the bars where literary pass-
ons meet to dole out bits of hem
i accept it all - it's not for me

above it all the literary lions
(jackals to each other) stand posed
upon their polystyrene mountains
constructed by their fans and foes
alike (they have such need of them)
disdaining what they see but terror-
stricken when newcomers climb up 
waving their thin bright books

for so long they've dubbed themselves
the intellectual cream - deigning
to hand out poems when they're asked
(for proper recompense in cash
or fawning) - but well beyond the risk
of letting others turn the bleeders
down so sure they are they're halfway
to the gods (yet still need preening)

a poem from one of them is like 
the loaves and fishes jesus touched
and rendered food for the five thousand
they too can walk on water in
their home - or so the reviewers say
poetry from their mouths is such a gift
if you don't read or understand it
you'll be damned - i accept all that

but what i can't accept is (all 
this while) the source and bed of what
is poetry to me as cracked and parched -
condemned ignored made mock of 
shoved in wilderness by those 
who've gone the gilded route (mapped out 
by ego and a driving need to claim
best prick with a capital pee)

it's being roomed with the said poem
coming back and back to the same
felt heartbeat having its way with words
absorbing the strains and promises
that make the language opt for paths
no other voice would go - shifting
a dull stone and knowing what bright
creature this instinct has bred there

it's trusting the poet with his own map
not wanting to tear it up before
the ink is dry because the symbols
he's been using don't suit your own
conception of terrain you've not
been born to - it's being pleased
to have connections made in ways
you couldn't dream of (wouldn't want to)
Written by Robert Burns | Create an image from this poem

280. The Kirk of Scotland's Alarm: A Ballad

 ORTHODOX! orthodox, who believe in John Knox,
 Let me sound an alarm to your conscience:
A heretic blast has been blown in the West,
 That what is no sense must be nonsense,
Orthodox! That what is no sense must be nonsense.
Doctor Mac! Doctor Mac, you should streek on a rack, To strike evil-doers wi’ terror: To join Faith and Sense, upon any pretence, Was heretic, damnable error, Doctor Mac! 1 ’Twas heretic, damnable error.
Town of Ayr! town of Ayr, it was mad, I declare, To meddle wi’ mischief a-brewing, 2 Provost John 3 is still deaf to the Church’s relief, And Orator Bob 4 is its ruin, Town of Ayr! Yes, Orator Bob is its ruin.
D’rymple mild! D’rymple mild, tho’ your heart’s like a child, And your life like the new-driven snaw, Yet that winna save you, auld Satan must have you, For preaching that three’s ane an’ twa, D’rymple mild! 5 For preaching that three’s ane an’ twa.
Rumble John! rumble John, mount the steps with a groan, Cry the book is with heresy cramm’d; Then out wi’ your ladle, deal brimstone like aidle, And roar ev’ry note of the D—’d.
Rumble John! 6 And roar ev’ry note of the D—’d.
Simper James! simper James, leave your fair Killie dames, There’s a holier chase in your view: I’ll lay on your head, that the pack you’ll soon lead, For puppies like you there’s but few, Simper James! 7 For puppies like you there’s but few.
Singet Sawnie! singet Sawnie, are ye huirdin the penny, Unconscious what evils await? With a jump, yell, and howl, alarm ev’ry soul, For the foul thief is just at your gate.
Singet Sawnie! 8 For the foul thief is just at your gate.
Poet Willie! poet Willie, gie the Doctor a volley, Wi’ your “Liberty’s Chain” and your wit; O’er Pegasus’ side ye ne’er laid a stride, Ye but smelt, man, the place where he sh-t.
Poet Willie! 9 Ye but smelt man, the place where he sh-t.
Barr Steenie! Barr Steenie, what mean ye, what mean ye? If ye meddle nae mair wi’ the matter, Ye may hae some pretence to havins and sense, Wi’ people that ken ye nae better, Barr Steenie! 10 Wi’people that ken ye nae better.
Jamie Goose! Jamie Goose, ye made but toom roose, In hunting the wicked Lieutenant; But the Doctor’s your mark, for the Lord’s holy ark, He has cooper’d an’ ca’d a wrang pin in’t, Jamie Goose! 11 He has cooper’d an’ ca’d a wrang pin in’t.
Davie Bluster! Davie Bluster, for a saint ye do muster, The core is no nice o’ recruits; Yet to worth let’s be just, royal blood ye might boast, If the Ass were the king o’ the brutes, Davie Bluster! 12 If the Ass were the king o’ the brutes.
Cessnock-side! Cessnock-side, wi’ your turkey-cock pride Of manhood but sma’ is your share: Ye’ve the figure, ’tis true, ev’n your foes will allow, And your friends they dare grant you nae mair, Cessnock-side! 13 And your friends they dare grant you nae mair.
Muirland Jock! muirland Jock, when the L—d makes a rock, To crush common-sense for her sins; If ill-manners were wit, there’s no mortal so fit To confound the poor Doctor at ance, Muirland Jock! 14 To confound the poor Doctor at ance.
Andro Gowk! Andro Gowk, ye may slander the Book, An’ the Book nought the waur, let me tell ye; Tho’ ye’re rich, an’ look big, yet, lay by hat an’ wig, An’ ye’ll hae a calf’s-had o’ sma’ value, Andro Gowk! 15 Ye’ll hae a calf’s head o’ sma value.
Daddy Auld! daddy Auld, there’a a tod in the fauld, A tod meikle waur than the clerk; Tho’ ye do little skaith, ye’ll be in at the death, For gif ye canna bite, ye may bark, Daddy Auld! 16 Gif ye canna bite, ye may bark.
Holy Will! holy Will, there was wit in your skull, When ye pilfer’d the alms o’ the poor; The timmer is scant when ye’re taen for a saunt, Wha should swing in a rape for an hour, Holy Will! 17 Ye should swing in a rape for an hour.
Calvin’s sons! Calvin’s sons, seize your spiritual guns, Ammunition you never can need; Your hearts are the stuff will be powder enough, And your skulls are a storehouse o’ lead, Calvin’s sons! Your skulls are a storehouse o’ lead.
Poet Burns! poet Burns, wi” your priest-skelpin turns, Why desert ye your auld native shire? Your muse is a gipsy, yet were she e’en tipsy, She could ca’us nae waur than we are, Poet Burns! She could ca’us nae waur than we are.
PRESENTATION STANZAS TO CORRESPONDENTSFactor John! Factor John, whom the Lord made alone, And ne’er made anither, thy peer, Thy poor servant, the Bard, in respectful regard, He presents thee this token sincere, Factor John! He presents thee this token sincere.
Afton’s Laird! Afton’s Laird, when your pen can be spared, A copy of this I bequeath, On the same sicker score as I mention’d before, To that trusty auld worthy, Clackleith, Afton’s Laird! To that trusty auld worthy, Clackleith.
Note 1.
Dr.
M’Gill, Ayr.
—R.
B.
[back] Note 2.
See the advertisement.
—R.
B.
[back] Note 3.
John Ballantine,—R.
B.
[back] Note 4.
Robert Aiken.
—R.
B.
[back] Note 5.
Dr.
Dalrymple, Ayr.
—R.
B.
[back] Note 6.
John Russell, Kilmarnock.
—R.
B.
[back] Note 7.
James Mackinlay, Kilmarnock.
—R.
B.
[back] Note 8.
Alexander Moodie of Riccarton.
—R.
B.
[back] Note 9.
William Peebles, in Newton-upon-Ayr, a poetaster, who, among many other things, published an ode on the “Centenary of the Revolution,” in which was the line: “And bound in Liberty’s endering chain.
”—R.
B.
[back] Note 10.
Stephen Young of Barr.
—R.
B.
[back] Note 11.
James Young, in New Cumnock, who had lately been foiled in an ecclesiastical prosecution against a Lieutenant Mitchel—R.
B.
[back] Note 12.
David Grant, Ochiltree.
—R.
B.
[back] Note 13.
George Smith, Galston.
—R.
B.
[back] Note 14.
John Shepherd Muirkirk.
—R.
B.
[back] Note 15.
Dr.
Andrew Mitchel, Monkton.
—R.
B.
[back] Note 16.
William Auld, Mauchline; for the clerk, see “Holy Willie”s Prayer.
”—R.
B.
[back] Note 17.
Vide the “Prayer” of this saint.
—R.
B.
[back]
Written by Thomas Moore | Create an image from this poem

Come Send Round the Wine

 Come, send round the wine, and leave points of belief 
To simpleton sages and reasoning fools; 
This moment's a flower too fair and brief 
To be wither'd and stain'd by the dust of the schools.
Your glass may be purple, and mine may be blue, But, while they are fill'd from the same bright bowl, The fool who would quarrel for difference of hue, Deserves not the comfort they shed o'er the soul.
Shall I ask the brave soldier, who fights by my side In the cause of mankind, if our creeds agree? Shall I give up the friend I have valued and tried, If he kneel not before the same altar with me? From the heretic girl of my soul should I fly? To seek somewhere else a more orthodox kiss? No, perish the hearts, and the laws that try Truth, valour, or love, by a standard like this!
Written by David Lehman | Create an image from this poem

September 22

 It's the day of the ram
and the head of the year
Rosh Ha'Shanah at
services I sat next to
Mel Torme who outshone
all comers with his bar
mitzvah heroics while on
my left is Barnett Newman
big talker whose favorite
subjects include the horses
and the stock market he
knows the odds the women
are seated upstairs this is
an orthodox congregation
very serious I make
eye contact with the wife
of Menelaus who runs off
with Paris confident I'm Paris.


Written by Hilaire Belloc | Create an image from this poem

The Pelagian Drinking Song

 Pelagius lived at Kardanoel
And taught a doctrine there
How, whether you went to heaven or to hell
It was your own affair.
It had nothing to do with the Church, my boy, But was your own affair.
No, he didn't believe In Adam and Eve He put no faith therein! His doubts began With the Fall of Man And he laughed at Original Sin.
With my row-ti-tow Ti-oodly-ow He laughed at original sin.
Then came the bishop of old Auxerre Germanus was his name He tore great handfuls out of his hair And he called Pelagius shame.
And with his stout Episcopal staff So thoroughly whacked and banged The heretics all, both short and tall -- They rather had been hanged.
Oh he whacked them hard, and he banged them long Upon each and all occasions Till they bellowed in chorus, loud and strong Their orthodox persuasions.
With my row-ti-tow Ti-oodly-ow Their orthodox persuasions.
Now the faith is old and the Devil bold Exceedingly bold indeed.
And the masses of doubt that are floating about Would smother a mortal creed.
But we that sit in a sturdy youth And still can drink strong ale Let us put it away to infallible truth That always shall prevail.
And thank the Lord For the temporal sword And howling heretics too.
And all good things Our Christendom brings But especially barley brew! With my row-ti-tow Ti-oodly-ow Especially barley brew!
Written by Robert Burns | Create an image from this poem

55. The Twa Herds; or The Holy Tulyie

 O A’ ye pious godly flocks,
Weel fed on pastures orthodox,
Wha now will keep you frae the fox,
 Or worrying tykes?
Or wha will tent the waifs an’ crocks,
 About the dykes?


The twa best herds in a’ the wast,
The e’er ga’e gospel horn a blast
These five an’ twenty simmers past—
 Oh, dool to tell!
Hae had a bitter black out-cast
 Atween themsel’.
O, Moddie, 1 man, an’ wordy Russell, 2 How could you raise so vile a bustle; Ye’ll see how New-Light herds will whistle, An’ think it fine! The L—’s cause ne’er gat sic a twistle, Sin’ I hae min’.
O, sirs! whae’er wad hae expeckit Your duty ye wad sae negleckit, Ye wha were ne’er by lairds respeckit To wear the plaid; But by the brutes themselves eleckit, To be their guide.
What flock wi’ Moodie’s flock could rank?— Sae hale and hearty every shank! Nae poison’d soor Arminian stank He let them taste; Frae Calvin’s well, aye clear, drank,— O, sic a feast! The thummart, willcat, brock, an’ tod, Weel kend his voice thro’ a’ the wood, He smell’d their ilka hole an’ road, Baith out an in; An’ weel he lik’d to shed their bluid, An’ sell their skin.
What herd like Russell tell’d his tale; His voice was heard thro’ muir and dale, He kenn’d the L—’s sheep, ilka tail, Owre a’ the height; An’ saw gin they were sick or hale, At the first sight.
He fine a mangy sheep could scrub, Or nobly fling the gospel club, And New-Light herds could nicely drub Or pay their skin; Could shake them o’er the burning dub, Or heave them in.
Sic twa-O! do I live to see’t?— Sic famous twa should disagree’t, And names, like “villain,” “hypocrite,” Ilk ither gi’en, While New-Light herds, wi’ laughin spite, Say neither’s liein! A’ ye wha tent the gospel fauld, There’s Duncan 3 deep, an’ Peebles 4 shaul, But chiefly thou, apostle Auld, 5 We trust in thee, That thou wilt work them, het an’ cauld, Till they agree.
Consider, sirs, how we’re beset; There’s scarce a new herd that we get, But comes frae ’mang that cursed set, I winna name; I hope frae heav’n to see them yet In fiery flame.
Dalrymple 6 has been lang our fae, M’Gill 7 has wrought us meikle wae, An’ that curs’d rascal ca’d M’Quhae, 8 And baith the Shaws, 9 That aft hae made us black an’ blae, Wi’ vengefu’ paws.
Auld Wodrow 10 lang has hatch’d mischief; We thought aye death wad bring relief; But he has gotten, to our grief, Ane to succeed him, A chield wha’ 11 soundly buff our beef; I meikle dread him.
And mony a ane that I could tell, Wha fain wad openly rebel, Forby turn-coats amang oursel’, There’s Smith 12 for ane; I doubt he’s but a grey nick quill, An’ that ye’ll fin’.
O! a’ ye flocks o’er a, the hills, By mosses, meadows, moors, and fells, Come, join your counsel and your skills To cowe the lairds, An’ get the brutes the power themsel’s To choose their herds.
Then Orthodoxy yet may prance, An’ Learning in a woody dance, An’ that fell cur ca’d Common Sense, That bites sae sair, Be banished o’er the sea to France: Let him bark there.
Then Shaw’s an’ D’rymple’s eloquence, M’Gill’s close nervous excellence M’Quhae’s pathetic manly sense, An’ guid M’Math, Wi’ Smith, wha thro’ the heart can glance, May a’ pack aff.
Note 1.
Rev.
Mr.
Moodie of Riccarton.
[back] Note 2.
Rev.
John Russell of Kilmarnock.
[back] Note 3.
Robert Duncan of Dundonald.
[back] Note 4.
Rev.
Wm.
Peebles of Newton-on-Ayr.
[back] Note 5.
Rev.
Wm.
Auld of Mauchline.
[back] Note 6.
Rev.
Dr.
Dalrymple of Ayr.
[back] Note 7.
Rev.
Wm.
M’Gill, colleague of Dr.
Dalrymple.
[back] Note 8.
Minister of St.
Quivox.
[back] Note 9.
Dr.
Andrew Shaw of Craigie, and Dr.
David Shaw of Coylton.
[back] Note 10.
Dr.
Peter Wodrow of Tarbolton.
[back] Note 11.
Rev.
John M’Math, a young assistant and successor to Wodrow.
[back] Note 12.
Rev.
George Smith of Galston.
[back]

Book: Reflection on the Important Things