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Best Famous Oration Poems

Here is a collection of the all-time best famous Oration poems. This is a select list of the best famous Oration poetry. Reading, writing, and enjoying famous Oration poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of oration poems.

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Written by Walt Whitman | Create an image from this poem

Carol of Words

 1
EARTH, round, rolling, compact—suns, moons, animals—all these are words to be
 said; 
Watery, vegetable, sauroid advances—beings, premonitions, lispings of the future, 
Behold! these are vast words to be said. 

Were you thinking that those were the words—those upright lines? those curves,
 angles,
 dots? 
No, those are not the words—the substantial words are in the ground and sea,
They are in the air—they are in you. 

Were you thinking that those were the words—those delicious sounds out of your
 friends’
 mouths? 
No, the real words are more delicious than they. 

Human bodies are words, myriads of words; 
In the best poems re-appears the body, man’s or woman’s, well-shaped, natural,
 gay,
Every part able, active, receptive, without shame or the need of shame. 

2
Air, soil, water, fire—these are words; 
I myself am a word with them—my qualities interpenetrate with theirs—my name is
 nothing to
 them; 
Though it were told in the three thousand languages, what would air, soil, water, fire,
 know of
 my
 name? 

A healthy presence, a friendly or commanding gesture, are words, sayings, meanings;
The charms that go with the mere looks of some men and women, are sayings and meanings
 also. 

3
The workmanship of souls is by the inaudible words of the earth; 
The great masters know the earth’s words, and use them more than the audible words. 

Amelioration is one of the earth’s words; 
The earth neither lags nor hastens;
It has all attributes, growths, effects, latent in itself from the jump; 
It is not half beautiful only—defects and excrescences show just as much as
 perfections
 show. 

The earth does not withhold, it is generous enough; 
The truths of the earth continually wait, they are not so conceal’d either; 
They are calm, subtle, untransmissible by print;
They are imbued through all things, conveying themselves willingly, 
Conveying a sentiment and invitation of the earth—I utter and utter, 
I speak not, yet if you hear me not, of what avail am I to you? 
To bear—to better—lacking these, of what avail am I? 

4
Accouche! Accouchez!
Will you rot your own fruit in yourself there? 
Will you squat and stifle there? 

The earth does not argue, 
Is not pathetic, has no arrangements, 
Does not scream, haste, persuade, threaten, promise,
Makes no discriminations, has no conceivable failures, 
Closes nothing, refuses nothing, shuts none out, 
Of all the powers, objects, states, it notifies, shuts none out. 

5
The earth does not exhibit itself, nor refuse to exhibit itself—possesses still
 underneath; 
Underneath the ostensible sounds, the august chorus of heroes, the wail of slaves,
Persuasions of lovers, curses, gasps of the dying, laughter of young people, accents of
 bargainers, 
Underneath these, possessing the words that never fail. 

To her children, the words of the eloquent dumb great mother never fail; 
The true words do not fail, for motion does not fail, and reflection does not fail; 
Also the day and night do not fail, and the voyage we pursue does not fail.

6
Of the interminable sisters, 
Of the ceaseless cotillions of sisters, 
Of the centripetal and centrifugal sisters, the elder and younger sisters, 
The beautiful sister we know dances on with the rest. 
With her ample back towards every beholder,
With the fascinations of youth, and the equal fascinations of age, 
Sits she whom I too love like the rest—sits undisturb’d, 
Holding up in her hand what has the character of a mirror, while her eyes glance back from
 it, 
Glance as she sits, inviting none, denying none, 
Holding a mirror day and night tirelessly before her own face.

7
Seen at hand, or seen at a distance, 
Duly the twenty-four appear in public every day, 
Duly approach and pass with their companions, or a companion, 
Looking from no countenances of their own, but from the countenances of those who are with
 them, 
From the countenances of children or women, or the manly countenance,
From the open countenances of animals, or from inanimate things, 
From the landscape or waters, or from the exquisite apparition of the sky, 
From our countenances, mine and yours, faithfully returning them, 
Every day in public appearing without fail, but never twice with the same companions. 

8
Embracing man, embracing all, proceed the three hundred and sixty-five resistlessly round
 the
 sun;
Embracing all, soothing, supporting, follow close three hundred and sixty-five offsets of
 the
 first,
 sure and necessary as they. 

9
Tumbling on steadily, nothing dreading, 
Sunshine, storm, cold, heat, forever withstanding, passing, carrying, 
The Soul’s realization and determination still inheriting, 
The fluid vacuum around and ahead still entering and dividing,
No balk retarding, no anchor anchoring, on no rock striking, 
Swift, glad, content, unbereav’d, nothing losing, 
Of all able and ready at any time to give strict account, 
The divine ship sails the divine sea. 

10
Whoever you are! motion and reflection are especially for you;
The divine ship sails the divine sea for you. 

Whoever you are! you are he or she for whom the earth is solid and liquid, 
You are he or she for whom the sun and moon hang in the sky, 
For none more than you are the present and the past, 
For none more than you is immortality.

11
Each man to himself, and each woman to herself, such is the word of the past and present,
 and
 the
 word of immortality; 
No one can acquire for another—not one! 
Not one can grow for another—not one! 

The song is to the singer, and comes back most to him; 
The teaching is to the teacher, and comes back most to him;
The murder is to the murderer, and comes back most to him; 
The theft is to the thief, and comes back most to him; 
The love is to the lover, and comes back most to him; 
The gift is to the giver, and comes back most to him—it cannot fail; 
The oration is to the orator, the acting is to the actor and actress, not to the audience;
And no man understands any greatness or goodness but his own, or the indication of his
 own. 

12
I swear the earth shall surely be complete to him or her who shall be complete! 
I swear the earth remains jagged and broken only to him or her who remains jagged and
 broken! 
I swear there is no greatness or power that does not emulate those of the earth! 
I swear there can be no theory of any account, unless it corroborate the theory of the
 earth!
No politics, art, religion, behavior, or what not, is of account, unless it compare with
 the
 amplitude of the earth, 
Unless it face the exactness, vitality, impartiality, rectitude of the earth. 

13
I swear I begin to see love with sweeter spasms than that which responds love! 
It is that which contains itself—which never invites, and never refuses. 

I swear I begin to see little or nothing in audible words!
I swear I think all merges toward the presentation of the unspoken meanings of the earth! 
Toward him who sings the songs of the Body, and of the truths of the earth; 
Toward him who makes the dictionaries of words that print cannot touch. 

14
I swear I see what is better than to tell the best; 
It is always to leave the best untold.

When I undertake to tell the best, I find I cannot, 
My tongue is ineffectual on its pivots, 
My breath will not be obedient to its organs, 
I become a dumb man. 

The best of the earth cannot be told anyhow—all or any is best;
It is not what you anticipated—it is cheaper, easier, nearer; 
Things are not dismiss’d from the places they held before; 
The earth is just as positive and direct as it was before; 
Facts, religions, improvements, politics, trades, are as real as before; 
But the Soul is also real,—it too is positive and direct;
No reasoning, no proof has establish’d it, 
Undeniable growth has establish’d it. 

15
This is a poem—a carol of words—these are hints of meanings, 
These are to echo the tones of Souls, and the phrases of Souls; 
If they did not echo the phrases of Souls, what were they then?
If they had not reference to you in especial, what were they then? 

I swear I will never henceforth have to do with the faith that tells the best! 
I will have to do only with that faith that leaves the best untold. 

16
Say on, sayers! 
Delve! mould! pile the words of the earth!
Work on—(it is materials you must bring, not breaths;) 
Work on, age after age! nothing is to be lost; 
It may have to wait long, but it will certainly come in use; 
When the materials are all prepared, the architects shall appear. 

I swear to you the architects shall appear without fail! I announce them and lead them;
I swear to you they will understand you, and justify you; 
I swear to you the greatest among them shall be he who best knows you, and encloses all,
 and is
 faithful to all; 
I swear to you, he and the rest shall not forget you—they shall perceive that you are
 not
 an
 iota less than they; 
I swear to you, you shall be glorified in them.


Written by Derek Walcott | Create an image from this poem

R.t.s.l. (1917-1977)

 As for that other thing
which comes when the eyelid is glazed
and the wax gleam
from the unwrinkled forehead
asks no more questions
of the dry mouth,

whether they open the heart like a shirt
to release a rage of swallows,
whether the brain
is a library for worms,
on the instant of that knowledge
of the moment
when everything became so stiff,

so formal with ironical adieux,
organ and choir,
and I must borrow a black tie,
and at what moment in the oration
shall I break down and weep -
there was the startle of wings
breaking from the closing cage
of your body, your fist unclenching
these pigeons circling serenely
over the page,

and,
as the parentheses lock like a gate
1917 to 1977,
the semicircles close to form a face,
a world, a wholeness,
an unbreakable O,
and something that once had a fearful name
walks from the thing that used to wear its name,
transparent, exact representative,
so that we can see through it
churches, cars, sunlight, 
and the Boston Common,
not needing any book.
Written by Christopher Smart | Create an image from this poem

Epistle to Mrs. Tyler

 It ever was allow'd, dear Madam, 
Ev'n from the days of father Adam, 
Of all perfection flesh is heir to, 
Fair patience is the gentlest virtue; 
This is a truth our grandames teach, 
Our poets sing, and parsons preach; 
Yet after all, dear Moll, the fact is 
We seldom put it into practice; 
I'll warrant (if one knew the truth) 
You've call'd me many an idle youth, 
And styl'd me rude ungrateful bear, 
Enough to make a parson swear. 

I shall not make a long oration 
in order for my vindication, 
For what the plague can I say more 
Than lazy dogs have done before; 
Such stuff is naught but mere tautology, 
And so take that for my apology. 

First then for custards, my dear Mary, 
The produce of your dainty dairy, 
For stew'd, for bak'd, for boil'd, for roast, 
And all the teas and all the toast; 
With thankful tongue and bowing attitude, 
I here present you with my gratitude: 
Next for you apples, pears, and plums 
Acknowledgment in order comes; 
For wine, for ale, for fowl, for fish--for 
Ev'n all one's appetite can wish for: 
But O ye pens and O ye pencils, 
And all ye scribbling utensils, 
Say in what words and in what meter, 
Shall unfeign'd admiration greet her, 
For that rich banquet so refin'd 
Her conversation gave the mind; 
The solid meal of sense and worth, 
Set off by the desert of mirth; 
Wit's fruit and pleasure's genial bowl, 
And all the joyous flow of soul; 
For these, and every kind ingredient 
That form'd your love--your most obedient.
Written by Edward Lear | Create an image from this poem

There was an old man at a Station

There was an old man at a Station,Who made a promiscuous oration;But they said, "Take some snuff!—You have talk'd quite enough,You afflicting old man at a Station!" 
Written by Vachel Lindsay | Create an image from this poem

The Black Hawk War of the Artists

 WRITTEN FOR LORADO TAFT'S STATUE OF BLACK HAWK AT OREGON, ILLINOIS

To be given in the manner of the Indian Oration and the Indian War-Cry.


Hawk of the Rocks,
Yours is our cause to-day.
Watching your foes
Here in our war array,
Young men we stand,
Wolves of the West at bay. 
Power, power for war 
Comes from these trees divine; 
Power from the boughs, 
Boughs where the dew-beads shine, 
Power from the cones 
Yea, from the breath of the pine! 

Power to restore
All that the white hand mars.
See the dead east
Crushed with the iron cars—
Chimneys black
Blinding the sun and stars!

Hawk of the pines,
Hawk of the plain-winds fleet,
You shall be king
There in the iron street,
Factory and forge
Trodden beneath your feet.

There will proud trees
Grow as they grow by streams.
There will proud thoughts
Walk as in warrior dreams.
There will proud deeds
Bloom as when battle gleams!

Warriors of Art,
We will hold council there,
Hewing in stone
Things to the trapper fair,
Painting the gray
Veils that the spring moons wear,
This our revenge,
This one tremendous change:
Making new towns,
Lit with a star-fire strange,
Wild as the dawn
Gilding the bison-range.

All the young men
Chanting your cause that day,
Red-men, new-made
Out of the Saxon clay,
Strong and redeemed,
Bold in your war-array!


Written by George Herbert | Create an image from this poem

The Quip

 The merry world did on a day
With his train-bands and mates agree
To meet together where I lay,
And all in sport to jeer at me.

First, Beauty crept into a rose,
Which when I plucked not, "Sir," said she,
"Tell me, I pray, whose hands are those?"
But thou shalt answer, Lord, for me.

Then Money came, and chinking still,
"What tune is this, poor man?" said he,
"I heard in music you had skill."
But thou shalt answer, Lord, for me.

Then came brave Glory puffing by
In silks that whistled—who but he?
He scarce allowed me half an eye.
But thou shalt answer, Lord, for me.

Then came quick Wit and Conversation,
And he would needs a comfort be,
And, to be short, make an oration.
But thou shalt answer, Lord, for me.

Yet when the hour of thy design
To answer these fine things shall come,
Speak not at large: say, I am thine;
And then they have their answer home.

Book: Reflection on the Important Things