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Best Famous Off White Poems

Here is a collection of the all-time best famous Off White poems. This is a select list of the best famous Off White poetry. Reading, writing, and enjoying famous Off White poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of off white poems.

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Written by John Matthew | Create an image from this poem

Is White a Color?

 White, pristine, unblemished
They say it is not a color
I love white mists, clouds
Lingering on blue mountains.
White, no shades No off white, cream Pure as snow on shimmering peaks Is my favorite sight.
Nurses, priests, politicians Are bound, chained to white White nebulous clouds evoke deep nostalgic thoughts.
They swaddled my father in white As he lay in the black coffin His best shirt was white His loin cloth was white.
The paper I write is white White is holy, pure They say light is white Because it combines all colors.
So white is the mother of all colors The churning of all yellow, blue, green Colors sacrifice their egos To the eternal white.
They say they are "white" The purest of all races I think they aren't white But pink, beige and red.
Why can't colors of people Merge and become white Would people called "white" Allow their color to merge? Is white a color? The matriarch of all colors The fountain of all extent colors Yes, king white reigns supreme!


Written by Carl Sandburg | Create an image from this poem

Nights Nothings Again

 WHO knows what I know
when I have asked the night questions
and the night has answered nothing
only the old answers?

Who picked a crimson cryptogram,
the tail light of a motor car turning a corner,
or the midnight sign of a chile con carne place,
or a man out of the ashes of false dawn muttering “hot-dog” to the night watchmen:
Is there a spieler who has spoken the word or taken the number of night’s nothings? am I the spieler? or you?

Is there a tired head
the night has not fed and rested
and kept on its neck and shoulders?

Is there a wish
of man to woman
and woman to man
the night has not written
and signed its name under?

Does the night forget
as a woman forgets?
and remember
as a woman remembers?

Who gave the night
this head of hair,
this gipsy head
calling: Come-on?

Who gave the night anything at all
and asked the night questions
and was laughed at?

Who asked the night
for a long soft kiss
and lost the half-way lips?
who picked a red lamp in a mist?

Who saw the night
fold its Mona Lisa hands
and sit half-smiling, half-sad,
nothing at all,
and everything,
all the world ?

Who saw the night
let down its hair
and shake its bare shoulders
and blow out the candles of the moon,
whispering, snickering,
cutting off the snicker .
.
and sobbing .
.
out of pillow-wet kisses and tears? Is the night woven of anything else than the secret wishes of women, the stretched empty arms of women? the hair of women with stars and roses? I asked the night these questions.
I heard the night asking me these questions.
I saw the night put these whispered nothings across the city dust and stones, across a single yellow sunflower, one stalk strong as a woman’s wrist; And the play of a light rain, the jig-time folly of a light rain, the creepers of a drizzle on the sidewalks for the policemen and the railroad men, for the home-goers and the homeless, silver fans and funnels on the asphalt, the many feet of a fog mist that crept away; I saw the night put these nothings across and the night wind came saying: Come-on: and the curve of sky swept off white clouds and swept on white stars over Battery to Bronx, scooped a sea of stars over Albany, Dobbs Ferry, Cape Horn, Constantinople.
I saw the night’s mouth and lips strange as a face next to mine on a pillow and now I know … as I knew always … the night is a lover of mine … I know the night is … everything.
I know the night is … all the world.
I have seen gold lamps in a lagoon play sleep and murmur with never an eyelash, never a glint of an eyelid, quivering in the water-shadows.
A taxi whizzes by, an owl car clutters, passengers yawn reading street signs, a bum on a park bench shifts, another bum keeps his majesty of stone stillness, the forty-foot split rocks of Central Park sleep the sleep of stone whalebacks, the cornices of the Metropolitan Art mutter their own nothings to the men with rolled-up collars on the top of a bus: Breaths of the sea salt Atlantic, breaths of two rivers, and a heave of hawsers and smokestacks, the swish of multiplied sloops and war dogs, the hesitant hoo-hoo of coal boats: among these I listen to Night calling: I give you what money can never buy: all other lovers change: all others go away and come back and go away again: I am the one you slept with last night.
I am the one you sleep with tonight and tomorrow night.
I am the one whose passion kisses keep your head wondering and your lips aching to sing one song never sung before at night’s gipsy head calling: Come-on.
These hands that slid to my neck and held me, these fingers that told a story, this gipsy head of hair calling: Come-on: can anyone else come along now and put across night’s nothings again? I have wanted kisses my heart stuttered at asking, I have pounded at useless doors and called my people fools.
I have staggered alone in a winter dark making mumble songs to the sting of a blizzard that clutched and swore.
It was the night in my blood: open dreaming night, night of tireless sheet-steel blue: The hands of God washing something, feet of God walking somewhere.

Book: Shattered Sighs