10 Best Famous Noticing Poems

Here is a collection of the top 10 all-time best famous Noticing poems. This is a select list of the best famous Noticing poetry. Reading, writing, and enjoying famous Noticing poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of noticing poems.

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Written by Walt Whitman | Create an image from this poem

Give me the Splendid Silent Sun

 1
GIVE me the splendid silent sun, with all his beams full-dazzling; 
Give me juicy autumnal fruit, ripe and red from the orchard; 
Give me a field where the unmow’d grass grows; 
Give me an arbor, give me the trellis’d grape; 
Give me fresh corn and wheat—give me serene-moving animals, teaching content;
Give me nights perfectly quiet, as on high plateaus west of the Mississippi, and I looking
 up
 at the
 stars; 
Give me odorous at sunrise a garden of beautiful flowers, where I can walk
 undisturb’d; 
Give me for marriage a sweet-breath’d woman, of whom I should never tire; 
Give me a perfect child—give me, away, aside from the noise of the world, a rural,
 domestic
 life; 
Give me to warble spontaneous songs, reliev’d, recluse by myself, for my own ears
 only;
Give me solitude—give me Nature—give me again, O Nature, your primal sanities! 
—These, demanding to have them, (tired with ceaseless excitement, and rack’d by
 the
 war-strife;) 
These to procure, incessantly asking, rising in cries from my heart, 
While yet incessantly asking, still I adhere to my city; 
Day upon day, and year upon year, O city, walking your streets,
Where you hold me enchain’d a certain time, refusing to give me up; 
Yet giving to make me glutted, enrich’d of soul—you give me forever faces; 
(O I see what I sought to escape, confronting, reversing my cries; 
I see my own soul trampling down what it ask’d for.) 

2
Keep your splendid, silent sun;
Keep your woods, O Nature, and the quiet places by the woods; 
Keep your fields of clover and timothy, and your corn-fields and orchards; 
Keep the blossoming buckwheat fields, where the Ninth-month bees hum; 
Give me faces and streets! give me these phantoms incessant and endless along the
 trottoirs! 
Give me interminable eyes! give me women! give me comrades and lovers by the thousand!
Let me see new ones every day! let me hold new ones by the hand every day! 
Give me such shows! give me the streets of Manhattan! 
Give me Broadway, with the soldiers marching—give me the sound of the trumpets and
 drums! 
(The soldiers in companies or regiments—some, starting away, flush’d and
 reckless; 
Some, their time up, returning, with thinn’d ranks—young, yet very old, worn,
 marching,
 noticing nothing;)
—Give me the shores and the wharves heavy-fringed with the black ships! 
O such for me! O an intense life! O full to repletion, and varied! 
The life of the theatre, bar-room, huge hotel, for me! 
The saloon of the steamer! the crowded excursion for me! the torch-light procession! 
The dense brigade, bound for the war, with high piled military wagons following;
People, endless, streaming, with strong voices, passions, pageants; 
Manhattan streets, with their powerful throbs, with the beating drums, as now; 
The endless and noisy chorus, the rustle and clank of muskets, (even the sight of the
 wounded;)

Manhattan crowds, with their turbulent musical chorus—with varied chorus, and light
 of the
 sparkling eyes; 
Manhattan faces and eyes forever for me.

Written by Sylvia Plath | Create an image from this poem

I Am Vertical

 But I would rather be horizontal.
I am not a tree with my root in the soil
Sucking up minerals and motherly love
So that each March I may gleam into leaf,
Nor am I the beauty of a garden bed
Attracting my share of Ahs and spectacularly painted,
Unknowing I must soon unpetal.
Compared with me, a tree is immortal
And a flower-head not tall, but more startling,
And I want the one's longevity and the other's daring.

Tonight, in the infinitesimal light of the stars,
The trees and flowers have been strewing their cool odors.
I walk among them, but none of them are noticing.
Sometimes I think that when I am sleeping
I must most perfectly resemble them--
Thoughts gone dim.
It is more natural to me, lying down.
Then the sky and I are in open conversation,
And I shall be useful when I lie down finally:
The the trees may touch me for once, and the flowers have time for me.
Written by Yehuda Amichai | Create an image from this poem

You Mustnt Show Weakness

 You mustn't show weakness
and you've got to have a tan.
But sometimes I feel like the thin veils
of Jewish women who faint
at weddings and on Yom Kippur.

You mustn't show weakness
and you've got to make a list
of all the things you can load
in a baby carriage without a baby.

This is the way things stand now:
if I pull out the stopper
after pampering myself in the bath,
I'm afraid that all of Jerusalem, and with it the whole world,
will drain out into the huge darkness.

In the daytime I lay traps for my memories
and at night I work in the Balaam Mills,
turning curse into blessing and blessing into curse.

And don't ever show weakness.
Sometimes I come crashing down inside myself
without anyone noticing. I'm like an ambulance
on two legs, hauling the patient
inside me to Last Aid
with the wailing of cry of a siren,
and people think it's ordinary speech.
Written by Forrest Hamer | Create an image from this poem

Lesson

 It was 1963 or 4, summer,
and my father was driving our family
from Ft. Hood to North Carolina in our 56 Buick.
We'd been hearing about Klan attacks, and we knew

Mississippi to be more dangerous than usual.
Dark lay hanging from the trees the way moss did,
and when it moaned light against the windows
that night, my father pulled off the road to sleep.

 Noises
that usually woke me from rest afraid of monsters
kept my father awake that night, too,
and I lay in the quiet noticing him listen, learning
that he might not be able always to protect us

from everything and the creatures besides;
perhaps not even from the fury suddenly loud
through my body about his trip from Texas
to settle us home before he would go away

to a place no place in the world
he named Viet Nam. A boy needs a father
with him, I kept thinking, fixed against noise
from the dark.
Written by Lewis Carroll | Create an image from this poem

Phantasmagoria CANTO III ( Scarmoges )

 "AND did you really walk," said I,
"On such a wretched night?
I always fancied Ghosts could fly -
If not exactly in the sky,
Yet at a fairish height." 

"It's very well," said he, "for Kings
To soar above the earth:
But Phantoms often find that wings -
Like many other pleasant things -
Cost more than they are worth. 

"Spectres of course are rich, and so
Can buy them from the Elves:
But WE prefer to keep below -
They're stupid company, you know,
For any but themselves: 

"For, though they claim to be exempt
From pride, they treat a Phantom
As something quite beneath contempt -
Just as no Turkey ever dreamt
Of noticing a Bantam." 

"They seem too proud," said I, "to go
To houses such as mine.
Pray, how did they contrive to know
So quickly that 'the place was low,'
And that I 'kept bad wine'?" 

"Inspector Kobold came to you - "
The little Ghost began.
Here I broke in - "Inspector who?
Inspecting Ghosts is something new!
Explain yourself, my man!" 

"His name is Kobold," said my guest:
"One of the Spectre order:
You'll very often see him dressed
In a yellow gown, a crimson vest,
And a night-cap with a border. 

"He tried the Brocken business first,
But caught a sort of chill ;
So came to England to be nursed,
And here it took the form of THIRST,
Which he complains of still. 

"Port-wine, he says, when rich and sound,
Warms his old bones like nectar:
And as the inns, where it is found,
Are his especial hunting-ground,
We call him the INN-SPECTRE." 

I bore it - bore it like a man -
This agonizing witticism!
And nothing could be sweeter than
My temper, till the Ghost began
Some most provoking criticism. 

"Cooks need not be indulged in waste;
Yet still you'd better teach them
Dishes should have SOME SORT of taste.
Pray, why are all the cruets placed
Where nobody can reach them? 

"That man of yours will never earn
His living as a waiter!
Is that ***** THING supposed to burn?
(It's far too dismal a concern
To call a Moderator). 

"The duck was tender, but the peas
Were very much too old:
And just remember, if you please,
The NEXT time you have toasted cheese,
Don't let them send it cold. 

"You'd find the bread improved, I think,
By getting better flour:
And have you anything to drink
That looks a LITTLE less like ink,
And isn't QUITE so sour?" 

Then, peering round with curious eyes,
He muttered "Goodness gracious!"
And so went on to criticise -
"Your room's an inconvenient size:
It's neither snug nor spacious. 

"That narrow window, I expect,
Serves but to let the dusk in - "
"But please," said I, "to recollect
'Twas fashioned by an architect
Who pinned his faith on Ruskin!" 

"I don't care who he was, Sir, or
On whom he pinned his faith!
Constructed by whatever law,
So poor a job I never saw,
As I'm a living Wraith! 

"What a re-markable cigar!
How much are they a dozen?"
I growled "No matter what they are!
You're getting as familiar
As if you were my cousin! 

"Now that's a thing I WILL NOT STAND,
And so I tell you flat."
"Aha," said he, "we're getting grand!"
(Taking a bottle in his hand)
"I'll soon arrange for THAT!" 

And here he took a careful aim,
And gaily cried "Here goes!"
I tried to dodge it as it came,
But somehow caught it, all the same,
Exactly on my nose. 

And I remember nothing more
That I can clearly fix,
Till I was sitting on the floor,
Repeating "Two and five are four,
But FIVE AND TWO are six." 

What really passed I never learned,
Nor guessed: I only know
That, when at last my sense returned,
The lamp, neglected, dimly burned -
The fire was getting low - 

Through driving mists I seemed to see
A Thing that smirked and smiled:
And found that he was giving me
A lesson in Biography,
As if I were a child.

Written by Jack Gilbert | Create an image from this poem

In Umbria

 Once upon a time I was sitting outside the cafe
watching twilight in Umbria when a girl came
out of the bakery with the bread her mother wanted.
She did not know what to do. Already bewildered
by being thirteen and just that summer a woman,
she now had to walk past the American.
But she did fine. Went by and around the corner
with style, not noticing me. Almost perfect.
At the last instant could not resist darting a look
down at her new breasts. Often I go back
to that dip of her head when people talk
about this one or that one of the great beauties.
Written by Emily Dickinson | Create an image from this poem

The Grass so little has to do

 The Grass so little has to do --
A Sphere of simple Green --
With only Butterflies to brood
And Bees to entertain --

And stir all day to pretty Tunes
The Breezes fetch along --
And hold the Sunshine in its lap
And bow to everything --

And thread the Dews, all night, like Pearls --
And make itself so fine
A Duchess were too common
For such a noticing --

And even when it dies -- to pass
In Odors so divine --
Like Lowly spices, lain to sleep --
Or Spikenards, perishing --

And then, in Sovereign Barns to dwell --
And dream the Days away,
The Grass so little has to do
I wish I were a Hay --
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