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Best Famous Nook And Cranny Poems

Here is a collection of the all-time best famous Nook And Cranny poems. This is a select list of the best famous Nook And Cranny poetry. Reading, writing, and enjoying famous Nook And Cranny poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of nook and cranny poems.

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Written by Robert William Service | Create an image from this poem

Romance

 In Paris on a morn of May
I sent a radio transalantic
To catch a steamer on the way,
But oh the postal fuss was frantic;
They sent me here, they sent me there,
They were so courteous yet so canny;
Then as I wilted in despair
A Frenchman flipped me on the fanny.
'Twas only juts a gentle pat, Yet oh what sympathy behind it! I don't let anyone do that, But somehow then I didn't mind it.
He seemed my worry to divine, With kindly smile, that foreign mannie, And as we stood in waiting line With tender touch he tapped my fanny.
It brought a ripple of romance Into that postal bureau dreary; He gave me such a smiling glance That somehow I felt gay and cheery.
For information on my case The postal folk searched nook and cranny; He gently tapped, with smiling face, His reassurance on my fanny.
So I'll go back to Tennessee, And they will ask: "How have you spent your Brief holiday in gay Paree?" But I'll not speak of my adventure.
Oh say I'm spectacled and grey, Oh say I'm sixty and a grannie - But say that morn of May A Frenchman flipped me on the fanny!


Written by A R Ammons | Create an image from this poem

The City Limits

 When you consider the radiance, that it does not withhold
itself but pours its abundance without selection into every
nook and cranny not overhung or hidden; when you consider

that birds' bones make no awful noise against the light but
lie low in the light as in a high testimony; when you consider
the radiance, that it will look into the guiltiest

swervings of the weaving heart and bear itself upon them,
not flinching into disguise or darkening; when you consider
the abundance of such resource as illuminates the glow-blue

bodies and gold-skeined wings of flies swarming the dumped
guts of a natural slaughter or the coil of **** and in no
way winces from its storms of generosity; when you consider

that air or vacuum, snow or shale, squid or wolf, rose or lichen,
each is accepted into as much light as it will take, then
the heart moves roomier, the man stands and looks about, the

leaf does not increase itself above the grass, and the dark
work of the deepest cells is of a tune with May bushes
and fear lit by the breadth of such calmly turns to praise.
Written by Amy Lowell | Create an image from this poem

The Boston Athenaeum

 Thou dear and well-loved haunt of happy hours,
How often in some distant gallery,
Gained by a little painful spiral stair,
Far from the halls and corridors where throng
The crowd of casual readers, have I passed
Long, peaceful hours seated on the floor
Of some retired nook, all lined with books,
Where reverie and quiet reign supreme!
Above, below, on every side, high shelved
From careless grasp of transient interest,
Stand books we can but dimly see, their charm
Much greater that their titles are unread;
While on a level with the dusty floor
Others are ranged in orderly confusion,
And we must stoop in painful posture while
We read their names and learn their histories.
The little gallery winds round about The middle of a most secluded room, Midway between the ceiling and the floor.
A type of those high thoughts, which while we read Hover between the earth and furthest heaven As fancy wills, leaving the printed page; For books but give the theme, our hearts the rest, Enriching simple words with unguessed harmony And overtones of thought we only know.
And as we sit long hours quietly, Reading at times, and at times simply dreaming, The very room itself becomes a friend, The confidant of intimate hopes and fears; A place where are engendered pleasant thoughts, And possibilities before unguessed Come to fruition born of sympathy.
And as in some gay garden stretched upon A genial southern slope, warmed by the sun, The flowers give their fragrance joyously To the caressing touch of the hot noon; So books give up the all of what they mean Only in a congenial atmosphere, Only when touched by reverent hands, and read By those who love and feel as well as think.
For books are more than books, they are the life, The very heart and core of ages past, The reason why men lived, and worked, and died, The essence and quintessence of their lives.
And we may know them better, and divine The inner motives whence their actions sprang, Far better than the men who only knew Their bodily presence, the soul forever hid From those with no ability to see.
They wait here quietly for us to come And find them out, and know them for our friends; These men who toiled and wrote only for this, To leave behind such modicum of truth As each perceived and each alone could tell.
Silently waiting that from time to time It may be given them to illuminate Dull daily facts with pristine radiance For some long-waited-for affinity Who lingers yet in the deep womb of time.
The shifting sun pierces the young green leaves Of elm trees, newly coming into bud, And splashes on the floor and on the books Through old, high, rounded windows, dim with age.
The noisy city-sounds of modern life Float softened to us across the old graveyard.
The room is filled with a warm, mellow light, No garish colours jar on our content, The books upon the shelves are old and worn.
'T was no belated effort nor attempt To keep abreast with old as well as new That placed them here, tricked in a modern guise, Easily got, and held in light esteem.
Our fathers' fathers, slowly and carefully Gathered them, one by one, when they were new And a delighted world received their thoughts Hungrily; while we but love the more, Because they are so old and grown so dear! The backs of tarnished gold, the faded boards, The slightly yellowing page, the strange old type, All speak the fashion of another age; The thoughts peculiar to the man who wrote Arrayed in garb peculiar to the time; As though the idiom of a man were caught Imprisoned in the idiom of a race.
A nothing truly, yet a link that binds All ages to their own inheritance, And stretching backward, dim and dimmer still, Is lost in a remote antiquity.
Grapes do not come of thorns nor figs of thistles, And even a great poet's divinest thought Is coloured by the world he knows and sees.
The little intimate things of every day, The trivial nothings that we think not of, These go to make a part of each man's life; As much a part as do the larger thoughts He takes account of.
Nay, the little things Of daily life it is which mold, and shape, And make him apt for noble deeds and true.
And as we read some much-loved masterpiece, Read it as long ago the author read, With eyes that brimmed with tears as he saw The message he believed in stamped in type Inviolable for the slow-coming years; We know a certain subtle sympathy, We seem to clasp his hand across the past, His words become related to the time, He is at one with his own glorious creed And all that in his world was dared and done.
The long, still, fruitful hours slip away Shedding their influences as they pass; We know ourselves the richer to have sat Upon this dusty floor and dreamed our dreams.
No other place to us were quite the same, No other dreams so potent in their charm, For this is ours! Every twist and turn Of every narrow stair is known and loved; Each nook and cranny is our very own; The dear, old, sleepy place is full of spells For us, by right of long inheritance.
The building simply bodies forth a thought Peculiarly inherent to the race.
And we, descendants of that elder time, Have learnt to love the very form in which The thought has been embodied to our years.
And here we feel that we are not alone, We too are one with our own richest past; And here that veiled, but ever smouldering fire Of race, which rarely seen yet never dies, Springs up afresh and warms us with its heat.
And must they take away this treasure house, To us so full of thoughts and memories; To all the world beside a dismal place Lacking in all this modern age requires To tempt along the unfamiliar paths And leafy lanes of old time literatures? It takes some time for moss and vines to grow And warmly cover gaunt and chill stone walls Of stately buildings from the cold North Wind.
The lichen of affection takes as long, Or longer, ere it lovingly enfolds A place which since without it were bereft, All stript and bare, shorn of its chiefest grace.
For what to us were halls and corridors However large and fitting, if we part With this which is our birthright; if we lose A sentiment profound, unsoundable, Which Time's slow ripening alone can make, And man's blind foolishness so quickly mar.

Book: Shattered Sighs