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Best Famous Nesting Poems

Here is a collection of the all-time best famous Nesting poems. This is a select list of the best famous Nesting poetry. Reading, writing, and enjoying famous Nesting poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of nesting poems.

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Written by Wole Soyinka | Create an image from this poem

Dedication

Dedication

for Moremi, 1963

Earth will not share the rafter's envy; dung floors
Break, not the gecko's slight skin, but its fall
Taste this soil for death and plumb her deep for life

As this yam, wholly earthed, yet a living tuber
To the warmth of waters, earthed as springs
As roots of baobab, as the hearth.
The air will not deny you.
Like a top Spin you on the navel of the storm, for the hoe That roots the forests plows a path for squirrels.
Be ageless as dark peat, but only that rain's Fingers, not the feet of men, may wash you over.
Long wear the sun's shadow; run naked to the night.
Peppers green and red—child—your tongue arch To scorpion tail, spit straight return to danger's threats Yet coo with the brown pigeon, tendril dew between your lips.
Shield you like the flesh of palms, skyward held Cuspids in thorn nesting, insealed as the heart of kernel— A woman's flesh is oil—child, palm oil on your tongue Is suppleness to life, and wine of this gourd From self-same timeless run of runnels as refill Your podlings, child, weaned from yours we embrace Earth's honeyed milk, wine of the only rib.
Now roll your tongue in honey till your cheeks are Swarming honeycombs—your world needs sweetening, child.
Camwood round the heart, chalk for flight Of blemish—see? it dawns!—antimony beneath Armpits like a goddess, and leave this taste Long on your lips, of salt, that you may seek None from tears.
This, rain-water, is the gift Of gods—drink of its purity, bear fruits in season.
Fruits then to your lips: haste to repay The debt of birth.
Yield man-tides like the sea And ebbing, leave a meaning of the fossilled sands.


Written by Jack Prelutsky | Create an image from this poem

Last Night I Dreamed of Chickens

 Last night I dreamed of chickens,
there were chickens everywhere,
they were standing on my stomach,
they were nesting in my hair,
they were pecking at my pillow,
they were hopping on my head,
they were ruffling up their feathers
as they raced about my bed.
They were on the chairs and tables, they were on the chandeliers, they were roosting in the corners, they were clucking in my ears, there were chickens, chickens, chickens for as far as I could see.
.
.
when I woke today, I noticed there were eggs on top of me.
Written by G K Chesterton | Create an image from this poem

The Towers of Time

 Under what withering leprous light
The very grass as hair is grey,
Grass in the cracks of the paven courts
Of gods we graved but yesterday.
Senate, republic, empire, all We leaned our backs on like a wall And blessed as stron as strong and blamed as stolid-- Can it be these that waver and fall? And what is this like a ghost returning, A dream grown strong in the strong daylight? The all-forsaken, the unforgotten, The ever-behind and out of sight.
We turned our backs and our blind flesh felt it Growing and growing, a tower in height.
Ah, not alone the evil splendour And not the insolent arms alone Break with the ramrod, stiff and brittle, The sceptre of the nordic throne; But things of manlier renown Reel in the wreck of throne and crown, With tyrannous tyranny, tyrannous loyalty Tyrannous liberty, all gone down.
(There is never a crack in the ivory tower Or a hinge to groan in the house of gold Or a leaf of the rose in the wind to wither And she grows young as the world grows old.
A Woman clothed with the sun returning to clothe the sun when the sun is cold.
) Ah, who had guessed that in a moment Great Liberty that loosed the tribes, the Republic of the young men's battles Grew stale and stank of old men's bribes; And where we watched her smile in power A statue like a starry tower the stone face sneers as in a nightmare Down on a world that worms devour.
(Archaic incredible dead dawns breaking Deep in the deserts and waste and wealds, Where the dead cry aloud on Our Lady of Victories, Queen of the Eagles, aloft on the shields, And the sun is gone up on the Thundering Legion On the roads of Rome to the Battlefields.
) Ah, who had known who had not seen How soft and sudden on the fame Of my most noble English ships The sunset light of Carthage came And the thing I never had dreamed could be In the house of my fathers came to me Through the sea-wall cloven, the cloud and dark, A voice divided, a doubtful sea.
(The light is bright on the Tower of David, The evening glows with the morning star In the skies turned back and the days returning She walks so near who had wandered far And in the heart of the swords, the seven times wounded, Was never wearied as our hearts are.
) How swift as with a fall of snow New things grow hoary with the light.
We watch the wrinkles crawl like snakes On the new image in our sight.
The lines that sprang up taut and bold Sag like primordial monsters old, Sink in the bas-reliers of fossil And the slow earth swallows them, fold on fold, But light are the feet on the hills of the morning Of the lambs that leap up to the Bride of the Sun, And swift are the birds as the butterflies flashing And sudden as laughter the rivulets run And sudden for ever as summer lightning the light is bright on the world begun.
Thou wilt not break as we have broken The towers we reared to rival Thee.
More true to England than the English More just to freedom than the free.
O trumpet of the intolerant truth Thou art more full of grace and ruth For the hopes of th world than the world that made them, The world that murdered the loves of our youth.
Thou art more kind to our dreams, Our Mother, Than the wise that wove us the dreams for shade.
God if more good to the gods that mocked Him Than men are good to the gods they made.
Tenderer with toys than a boy grown brutal, Breaking the puppets with which he played.
What are the flowers the garden guards not And how but here should dreams return? And how on hearths made cold with ruin the wide wind-scattered ashes burn-- What is the home of the heart set free, And where is the nesting of liberty, And where from the world shall the world take shelter And man be matter, and not with Thee? Wisdom is set in her throne of thunder, The Mirror of Justice blinds the day-- Where are the towers that are not of the City, Trophies and trumpetings, where are they? Where over the maze of the world returning The bye-ways bend to the King's highway.
Written by Vachel Lindsay | Create an image from this poem

Queen Mab in the Village

 Once I loved a fairy, 
Queen Mab it was.
Her voice Was like a little Fountain That bids the birds rejoice.
Her face was wise and solemn, Her hair was brown and fine.
Her dress was pansy velvet, A butterfly design.
To see her hover round me Or walk the hills of air, Awakened love's deep pulses And boyhood's first despair; A passion like a sword-blade That pierced me thro' and thro': Her fingers healed the sorrow Her whisper would renew.
We sighed and reigned and feasted Within a hollow tree, We vowed our love was boundless, Eternal as the sea.
She banished from her kingdom The mortal boy I grew — So tall and crude and noisy, I killed grasshoppers too.
I threw big rocks at pigeons, I plucked and tore apart The weeping, wailing daisies, And broke my lady's heart.
At length I grew to manhood, I scarcely could believe I ever loved the lady, Or caused her court to grieve, Until a dream came to me, One bleak first night of Spring, Ere tides of apple blossoms Rolled in o'er everything, While rain and sleet and snowbanks Were still a-vexing men, Ere robin and his comrades Were nesting once again.
I saw Mab's Book of Judgment — Its clasps were iron and stone, Its leaves were mammoth ivory, Its boards were mammoth bone, — Hid in her seaside mountains, Forgotten or unkept, Beneath its mighty covers Her wrath against me slept.
And deeply I repented Of brash and boyish crime, Of murder of things lovely Now and in olden time.
I cursed my vain ambition, My would-be worldly days, And craved the paths of wonder, Of dewy dawns and fays.
I cried, "Our love was boundless, Eternal as the sea, O Queen, reverse the sentence, Come back and master me!" The book was by the cliff-side Upon its edge upright.
I laid me by it softly, And wept throughout the night.
And there at dawn I saw it, No book now, but a door, Upon its panels written, "Judgment is no more.
" The bolt flew back with thunder, I saw within that place A mermaid wrapped in seaweed With Mab's immortal face, Yet grown now to a woman, A woman to the knee.
She cried, she clasped me fondly, We soon were in the sea.
Ah, she was wise and subtle, And gay and strong and sleek, We chained the wicked sword-fish, We played at hide and seek.
We floated on the water, We heard the dawn-wind sing, I made from ocean-wonders, Her bridal wreath and ring.
All mortal girls were shadows, All earth-life but a mist, When deep beneath the maelstrom, The mermaid's heart I kissed.
I woke beside the church-door Of our small inland town, Bowing to a maiden In a pansy-velvet gown, Who had not heard of fairies, Yet seemed of love to dream.
We planned an earthly cottage Beside an earthly stream.
Our wedding long is over, With toil the years fill up, Yet in the evening silence, We drink a deep-sea cup.
Nothing the fay remembers, Yet when she turns to me, We meet beneath the whirlpool, We swim the golden sea.
Written by Theodore Roethke | Create an image from this poem

The Far Field

 I

I dream of journeys repeatedly:
Of flying like a bat deep into a narrowing tunnel
Of driving alone, without luggage, out a long peninsula,
The road lined with snow-laden second growth,
A fine dry snow ticking the windshield,
Alternate snow and sleet, no on-coming traffic,
And no lights behind, in the blurred side-mirror,
The road changing from glazed tarface to a rubble of stone,
Ending at last in a hopeless sand-rut,
Where the car stalls,
Churning in a snowdrift
Until the headlights darken.
II At the field's end, in the corner missed by the mower, Where the turf drops off into a grass-hidden culvert, Haunt of the cat-bird, nesting-place of the field-mouse, Not too far away from the ever-changing flower-dump, Among the tin cans, tires, rusted pipes, broken machinery, -- One learned of the eternal; And in the shrunken face of a dead rat, eaten by rain and ground-beetles (I found in lying among the rubble of an old coal bin) And the tom-cat, caught near the pheasant-run, Its entrails strewn over the half-grown flowers, Blasted to death by the night watchman.
I suffered for young birds, for young rabbits caught in the mower, My grief was not excessive.
For to come upon warblers in early May Was to forget time and death: How they filled the oriole's elm, a twittering restless cloud, all one morning, And I watched and watched till my eyes blurred from the bird shapes, -- Cape May, Blackburnian, Cerulean, -- Moving, elusive as fish, fearless, Hanging, bunched like young fruit, bending the end branches, Still for a moment, Then pitching away in half-flight, Lighter than finches, While the wrens bickered and sang in the half-green hedgerows, And the flicker drummed from his dead tree in the chicken-yard.
-- Or to lie naked in sand, In the silted shallows of a slow river, Fingering a shell, Thinking: Once I was something like this, mindless, Or perhaps with another mind, less peculiar; Or to sink down to the hips in a mossy quagmire; Or, with skinny knees, to sit astride a wet log, Believing: I'll return again, As a snake or a raucous bird, Or, with luck, as a lion.
I learned not to fear infinity, The far field, the windy cliffs of forever, The dying of time in the white light of tomorrow, The wheel turning away from itself, The sprawl of the wave, The on-coming water.
II The river turns on itself, The tree retreats into its own shadow.
I feel a weightless change, a moving forward As of water quickening before a narrowing channel When banks converge, and the wide river whitens; Or when two rivers combine, the blue glacial torrent And the yellowish-green from the mountainy upland, -- At first a swift rippling between rocks, Then a long running over flat stones Before descending to the alluvial plane, To the clay banks, and the wild grapes hanging from the elmtrees.
The slightly trembling water Dropping a fine yellow silt where the sun stays; And the crabs bask near the edge, The weedy edge, alive with small snakes and bloodsuckers, -- I have come to a still, but not a deep center, A point outside the glittering current; My eyes stare at the bottom of a river, At the irregular stones, iridescent sandgrains, My mind moves in more than one place, In a country half-land, half-water.
I am renewed by death, thought of my death, The dry scent of a dying garden in September, The wind fanning the ash of a low fire.
What I love is near at hand, Always, in earth and air.
IV The lost self changes, Turning toward the sea, A sea-shape turning around, -- An old man with his feet before the fire, In robes of green, in garments of adieu.
A man faced with his own immensity Wakes all the waves, all their loose wandering fire.
The murmur of the absolute, the why Of being born falls on his naked ears.
His spirit moves like monumental wind That gentles on a sunny blue plateau.
He is the end of things, the final man.
All finite things reveal infinitude: The mountain with its singular bright shade Like the blue shine on freshly frozen snow, The after-light upon ice-burdened pines; Odor of basswood on a mountain-slope, A scent beloved of bees; Silence of water above a sunken tree : The pure serene of memory in one man, -- A ripple widening from a single stone Winding around the waters of the world.


Written by Rainer Maria Rilke | Create an image from this poem

Dedication

 for Moremi, 1963

Earth will not share the rafter's envy; dung floors
Break, not the gecko's slight skin, but its fall
Taste this soil for death and plumb her deep for life

As this yam, wholly earthed, yet a living tuber
To the warmth of waters, earthed as springs
As roots of baobab, as the hearth.
The air will not deny you.
Like a top Spin you on the navel of the storm, for the hoe That roots the forests plows a path for squirrels.
Be ageless as dark peat, but only that rain's Fingers, not the feet of men, may wash you over.
Long wear the sun's shadow; run naked to the night.
Peppers green and red—child—your tongue arch To scorpion tail, spit straight return to danger's threats Yet coo with the brown pigeon, tendril dew between your lips.
Shield you like the flesh of palms, skyward held Cuspids in thorn nesting, insealed as the heart of kernel— A woman's flesh is oil—child, palm oil on your tongue Is suppleness to life, and wine of this gourd From self-same timeless run of runnels as refill Your podlings, child, weaned from yours we embrace Earth's honeyed milk, wine of the only rib.
Now roll your tongue in honey till your cheeks are Swarming honeycombs—your world needs sweetening, child.
Camwood round the heart, chalk for flight Of blemish—see? it dawns!—antimony beneath Armpits like a goddess, and leave this taste Long on your lips, of salt, that you may seek None from tears.
This, rain-water, is the gift Of gods—drink of its purity, bear fruits in season.
Fruits then to your lips: haste to repay The debt of birth.
Yield man-tides like the sea And ebbing, leave a meaning of the fossilled sands.
Written by Rudyard Kipling | Create an image from this poem

The Betrothed

 "You must choose between me and your cigar.
" -- BREACH OF PROMISE CASE, CIRCA 1885.
Open the old cigar-box, get me a Cuba stout, For things are running crossways, and Maggie and I are out.
We quarrelled about Havanas -- we fought o'er a good cheroot, And I knew she is exacting, and she says I am a brute.
Open the old cigar-box -- let me consider a space; In the soft blue veil of the vapour musing on Maggie's face.
Maggie is pretty to look at -- Maggie's a loving lass, But the prettiest cheeks must wrinkle, the truest of loves must pass.
There's peace in a Larranaga, there's calm in a Henry Clay; But the best cigar in an hour is finished and thrown away -- Thrown away for another as perfect and ripe and brown -- But I could not throw away Maggie for fear o' the talk o' the town! Maggie, my wife at fifty -- grey and dour and old -- With never another Maggie to purchase for love or gold! And the light of Days that have Been the dark of the Days that Are, And Love's torch stinking and stale, like the butt of a dead cigar -- The butt of a dead cigar you are bound to keep in your pocket -- With never a new one to light tho' it's charred and black to the socket! Open the old cigar-box -- let me consider a while.
Here is a mild Manila -- there is a wifely smile.
Which is the better portion -- bondage bought with a ring, Or a harem of dusky beauties, fifty tied in a string? Counsellors cunning and silent -- comforters true and tried, And never a one of the fifty to sneer at a rival bride? Thought in the early morning, solace in time of woes, Peace in the hush of the twilight, balm ere my eyelids close, This will the fifty give me, asking nought in return, With only a Suttee's passion -- to do their duty and burn.
This will the fifty give me.
When they are spent and dead, Five times other fifties shall be my servants instead.
The furrows of far-off Java, the isles of the Spanish Main, When they hear my harem is empty will send me my brides again.
I will take no heed to their raiment, nor food for their mouths withal, So long as the gulls are nesting, so long as the showers fall.
I will scent 'em with best vanilla, with tea will I temper their hides, And the Moor and the Mormon shall envy who read of the tale of my brides.
For Maggie has written a letter to give me my choice between The wee little whimpering Love and the great god Nick o' Teen.
And I have been servant of Love for barely a twelvemonth clear, But I have been Priest of Cabanas a matter of seven year; And the gloom of my bachelor days is flecked with the cheery light Of stums that I burned to Friendship and Pleasure and Work and Fight.
And I turn my eyes to the future that Maggie and I must prove, But the only light on the marshes is the Will-o'-the-Wisp of Love.
Will it see me safe through my journey or leave me bogged in the mire? Since a puff of tobacco can cloud it, shall I follow the fitful fire? Open the old cigar-box -- let me consider anew -- Old friends, and who is Maggie that I should abandon you? A million surplus Maggies are willing to bear the yoke; And a woman is only a woman, but a good Cigar is a Smoke.
Light me another Cuba -- I hold to my first-sworn vows.
If Maggie will have no rival, I'll have no Maggie for Spouse!
Written by Adela Florence Cory Nicolson | Create an image from this poem

This Month the Almonds Bloom at Kandahar

   The singer only sang the Joy of Life,
     For all too well, alas! the singer knew
   How hard the daily toil, how keen the strife,
     How salt the falling tear; the joys how few.

   He who thinks hard soon finds it hard to live,
     Learning the Secret Bitterness of Things:
   So, leaving thought, the singer strove to give
     A level lightness to his lyric strings.

   He only sang of Love; its joy and pain,
     But each man in his early season loves;
   Each finds the old, lost Paradise again,
     Unfolding leaves, and roses, nesting doves.

   And though that sunlit time flies all too fleetly,
     Delightful Days that dance away too soon!
   Its early morning freshness lingers sweetly
     Throughout life's grey and tedious afternoon.

   And he, whose dreams enshrine her tender eyes,
     And she, whose senses wait his waking hand,
   Impatient youth, that tired but sleepless lies,
     Will read perhaps, and reading, understand.

   Oh, roseate lips he would have loved to kiss,
     Oh, eager lovers that he never knew!
   What should you know of him, or words of his?—
     But all the songs he sang were sung for you!
Written by Dimitris Varos | Create an image from this poem

Mind Games

 I am a waterfall in the desert.
A rain from a cloudless sky.
A well known but unborn child.
An insistence experience that you never had.
I play mind games with your brain.
When you strike the keys and remember the sea I come as indefinable memory.
When you look at your watch and the time has passed you feel me like a fleeting hallucination.
I play mind games with your brain.
I’m nesting behind your eyes.
I’m ranging through your dreams.
You are finding me in all of your desires.
In all of those are absent from you.
I play mind games with your brain.
I stand in the places that you cannot reach.
I exist where you cannot touch upon.
But I am what you always waiting for I m what holds your life on.
I play mind games with your brain.
But I swear this is not a fun.
I feel unbearable loneliness.
Because I do not have a body And you, that you have, refuse me yours.
Written by Edgar Lee Masters | Create an image from this poem

Jacob Goodpasture

 When Fort Sumter fell and the war came
I cried out in bitterness of soul:
"O glorious republic now no more!"
When they buried my soldier son
To the call of trumpets and the sound of drums
My heart broke beneath the weight
Of eighty years, and I cried:
"Oh, son who died in a cause unjust!
In the strife of Freedom slain!"
And I crept here under the grass.
And now from the battlements of time, behold: Thrice thirty million souls being bound together In the love of larger truth, Rapt in the expectation of the birth Of a new Beauty, Sprung from Brotherhood and Wisdom.
I with eyes of spirit see the Transfiguration Before you see it.
But ye infinite brood of golden eagles nesting ever higher, Wheeling ever higher, the sun-light wooing Of lofty places of Thought, Forgive the blindness of the departed owl.

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