10 Best Famous Missionaries Poems

Here is a collection of the top 10 all-time best famous Missionaries poems. This is a select list of the best famous Missionaries poetry. Reading, writing, and enjoying famous Missionaries poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of missionaries poems.

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Written by Andrew Barton Paterson | Create an image from this poem

The Maoris Wool

 The Maoris are a mighty race -- the finest ever known; 
Before the missionaries came they worshipped wood and stone; 
They went to war and fought like fiends, and when the war was done 
They pacified their conquered foes by eating every one. 
But now-a-days about the pahs in idleness they lurk, 
Prepared to smoke or drink or talk -- or anything but work. 
The richest tribe in all the North in sheep and horse and cow, 
Were those who led their simple lives at Rooti-iti-au. 

'Twas down to town at Wellington a noble Maori came, 
A Rangatira of the best, Rerenga was his name -- 
(The word Rerenga means a "snag" -- but until he was gone 
This didn't strike the folk he met -- it struck them later on). 
He stalked into the Bank they call the "Great Financial Hell", 
And told the Chief Financial Fiend the tribe had wool to sell. 
The Bold Bank Manager looked grave -- the price of wool was high. 
He said, "We'll lend you what you need -- we're not disposed to buy. 

"You ship the wool to England, Chief! -- You'll find it's good advice, 
And meanwhile you can draw from us the local market price." 
The Chief he thanked them courteously and said he wished to state 
In all the Rooti-iti tribe his mana would be freat, 
But still the tribe were simple folk, and did not understand 
This strange finance that gave them cash without the wool in hand. 
So off he started home again, with trouble on his brow, 
To lay the case before the tribe at Rooti-iti-au. 

They held a great korero in the Rooti-iti clan, 
With speeches lasting half a day from every leading man. 
They called themselves poetic names -- "lost children in a wood"; 
They said the Great Bank Manager was Kapai -- extra good! 
And so they sent Rerenga down, full-powered and well-equipped, 
To draw as much as he could get, and let the wool be shipped; 
And wedged into a "Cargo Tank", full up from stern to bow, 
A mighty clip of wool went Home from Rooti-iti-au. 

It was the Bold Bank Manager who drew a heavy cheque; 
Rerenga cashed it thoughtfully, then clasped him round the neck; 
A hug from him was not at all a thing you'd call a lark -- 
You see he lived on mutton-birds and dried remains of shark -- 
But still it showed his gratitude; and, as he pouched the pelf, 
"I'll haka for you, sir," he said, "in honour of yourself!" 
The haka is a striking dance -- the sort they don't allow 
In any place more civilized than Rooti-iti-au. 

He "haka'd" most effectively -- then, with an airy grace, 
Rubbed noses with the Manager, and vanished into space. 
But when the wool return came back, ah me, what sighs and groans! 
For every bale of Maori wool was loaded up with stones! 
Yes -- thumping great New Zealand rocks among the wool they found; 
On every rock the bank had lent just eighteen-pence a pound. 
And now the Bold Bank Manager, with trouble on his brow, 
Is searching vainly for the chief from Rooti-iti-au.

Written by Derek Walcott | Create an image from this poem

Koening Of The River

 Koening knew now there was no one on the river.
Entering its brown mouth choking with lilies
and curtained with midges, Koenig poled the shallop
past the abandoned ferry and the ferry piles
coated with coal dust. Staying aboard, he saw, up
in a thick meadow, a sand-colored mule,
untethered, with no harness, and no signs
of habitation round the ruined factory wheel
locked hard in rust, and through whose spokes the vines
of wild yam leaves leant from overweight;
the wild bananas in the yellowish sunlight
were dugged like aching cows with unmilked fruit.
This was the last of the productive mines.
Only the vegetation here looked right.
A crab of pain scuttled shooting up his foot
and fastened on his neck, at the brain's root.
He felt his reason curling back like parchment
in this fierce torpor. Well, he no longer taxed
and tired what was left of his memory;
he should thank heaven he had escaped the sea,
and anyway, he had demanded to be sent
here with the others - why get this river vexed
with his complaints? Koenig wanted to sing,
suddenly, if only to keep the river company - 
this was a river, and Koenig, his name meant King.
They had all caught the missionary fever:
they were prepared to expiate the sins
os savages, to tame them as he would tame this river
subtly, as it flowed, accepting its bends;
he had seen how other missionaries met their ends - 
swinging in the wind, like a dead clapper when
a bell is broken, if that sky was a bell -
for treating savages as if they were men,
and frightening them with talk of Heaven and Hell.
But I have forgotten our journey's origins,
mused Koenig, and our purpose. He knew it was noble,
based on some phrase, forgotten, from the Bible,
but he felt bodiless, like a man stumbling from
the pages of a novel, not a forest,
written a hundred years ago. He stroked his uniform,
clogged with the hooked burrs that had tried
to pull him, like the other drowning hands whom
his panic abandoned. The others had died,
like real men, by death. I, Koenig, am a ghost,
ghost-king of rivers. Well, even ghosts must rest.
If he knew he was lost he was not lost.
It was when you pretended that you were a fool.
He banked and leaned tiredly on the pole.
If I'm a character called Koenig, then I
shall dominate my future like a fiction
in which there is a real river and real sky,
so I'm not really tired, and should push on.

The lights between the leaves were beautiful,
and, as in that far life, now he was grateful
for any pool of light between the dull, usual
clouds of life: a sunspot haloed his tonsure;
silver and copper coins danced on the river;
his head felt warm - the light danced on his skull
like a benediction. Koenig closed his eyes,
and he felt blessed. It made direction sure.
He leant on the pole. He must push on some more.
He said his name. His voice sounded German,
then he said "river", but what was German
if he alone could hear it? Ich spreche Deutsch
sounded as genuine as his name in English,
Koenig in Deutsch, and, in English, King.
Did the river want to be called anything?
He asked the river. The river said nothing.

Around the bend the river poured its silver
like some remorseful mine, giving and giving
everything green and white: white sky, white
water, and the dull green like a drumbeat
of the slow-sliding forest, the green heat;
then, on some sandbar, a mirage ahead:
fabric of muslin sails, spiderweb rigging,
a schooner, foundered on black river mud,
was rising slowly up from the riverbed,
and a top-hatted native reading an inverted
newspaper.
 "Where's our Queen?" Koenig shouted.
"Where's our Kaiser?"
 The ****** disappeared.
Koenig felt that he himself was being read
like the newspaper or a hundred-year-old novel.
"The Queen dead! Kaiser dead!" the voices shouted.
And it flashed through him those trunks were not wood
but that the ghosts of slaughtered Indians stood
there in the mangrroves, their eyes like fireflies
in the green dark, and that like hummingbirds
they sailed rather than ran between the trees.
The river carried him past his shouted words.
The schooner had gone down without a trace.
"There was a time when we ruled everything,"
Koenig sang to his corrugated white reflection.
"The German Eagle and the British Lion,
we ruled worlds wider than this river flows,
worlds with dyed elephants, with tassled howdahs,
tigers that carried the striped shade when they rose
from their palm coverts; men shall not see these days
again; our flags sank with the sunset on the dhows
of Egypt; we ruled rivers as huge as the Nile,
the Ganges, and the Congo, we tamed, we ruled
you when our empires reached their blazing peak."
This was a small creek somewhere in the world,
never mind where - victory was in sight.
Koenig laughed and spat in the brown creek.
The mosquitoes now were singing to the night
that rose up from the river, the fog uncurled
under the mangroves. Koenig clenched each fist
around his barge-pole scepter, as a mist
rises from the river and the page goes white.
Written by Craig Raine | Create an image from this poem

In The Kalahari Desert

 The sun rose like a tarnished
looking-glass to catch the sun

and flash His hot message
at the missionaries below--

Isabella and the Rev. Roger Price,
and the Helmores with a broken axle

left, two days behind, at Fever Ponds.
The wilderness was full of home:

a glinting beetle on its back
struggled like an orchestra

with Beethoven. The Hallé,
Isabella thought and hummed.

Makololo, their Zulu guide,
puzzled out the Bible, replacing

words he didn't know with Manchester.
Spikenard, alabaster, Leviticus,

were Manchester and Manchester.
His head reminded Mrs. Price

of her old pomander stuck with cloves,
forgotten in some pungent tallboy.

The dogs drank under the wagon
with a far away clip-clopping sound,

and Roger spat into the fire,
leaned back and watched his phlegm

like a Welsh rarebit
bubbling on the brands. . . 

When Baby died, they sewed her
in a scrap of carpet and prayed,

with milk still darkening
Isabella's grubby button-through.

Makololo was sick next day
and still the Helmores didn't come.

The outspanned oxen moved away
at night in search of water,

were caught and goaded on
to Matabele water-hole--

nothing but a dark stain on the sand.
Makololo drank vinegar and died.

Back they turned for Fever Ponds
and found the Helmores on the way. . .

Until they got within a hundred yards,
the vultures bobbed and trampolined

around the bodies, then swirled
a mile above their heads

like scalded tea leaves.
The Prices buried everything--

all the tattered clothes and flesh,
Mrs. Helmore's bright chains of hair,

were wrapped in bits of calico
then given to the sliding sand.

'In the beginning was the Word'--
Roger read from Helmore's Bible

found open at St. John.
Isabella moved her lips,

'The Word was Manchester.'
Shhh, shhh, the shovel said. Shhh. . .
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