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Best Famous Metaphoric Poems

Here is a collection of the all-time best famous Metaphoric poems. This is a select list of the best famous Metaphoric poetry. Reading, writing, and enjoying famous Metaphoric poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of metaphoric poems.

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Written by Les Murray | Create an image from this poem

Travels With John Hunter

 We who travel between worlds 
lose our muscle and bone. 
I was wheeling a barrow of earth 
when agony bayoneted me. 

I could not sit, or lie down, 
or stand, in Casualty. 
Stomach-calming clay caked my lips, 
I turned yellow as the moon 

and slid inside a CAT-scan wheel 
in a hospital where I met no one 
so much was my liver now my dire 
preoccupation. I was sped down a road. 

of treetops and fishing-rod lightpoles 
towards the three persons of God 
and the three persons of John Hunter 
Hospital. Who said We might lose this one. 

Twenty days or to the heat-death 
of the Universe have the same duration: 
vaguely half a hour. I awoke 
giggling over a joke 

about Paul Kruger in Johannesburg 
and missed the white court stockings 
I half remembered from my prone 
still voyage beyond flesh and bone. 

I asked my friend who got new lungs 
How long were you crazy, coming back? 
Five days, he said. Violent and mad. 
Fictive Afrikaner police were at him, 

not unworldly Oom Paul Kruger. 
Valerie, who had sat the twenty days 
beside me, now gently told me tales 
of my time-warp. The operative canyon 

stretched, stapled, with dry roseate walls 
down my belly. Seaweed gel 
plugged views of my pluck and offal. 
The only poet whose liver 

damage hadn't been self-inflicted, 
grinned my agent. A momentarily 
holed bowel had released flora 
who live in us and will eat us 

when we stop feeding them the earth. 
I had, it did seem, rehearsed 
the private office of the grave, 
ceased excreting, made corpse gases 

all while liana'd in tubes 
and overseen by cockpit instruments 
that beeped or struck up Beethoven's 
Fifth at behests of fluid. 

I also hear when I lay lipless 
and far away I was anointed 
first by a mild metaphoric church 
then by the Church of no metaphors. 

Now I said, signing a Dutch contract 
in a hand I couldn't recognise, 
let's go and eat Chinese soup 
and drive to Lake Macquarie. Was I 

not renewed as we are in Heaven? 
In fact I could hardly endure 
Earth gravity, and stayed weak and cranky 
till the soup came, squid and vegetables, 

pure Yang. And was sane thereafter. 
It seemed I'd also travelled 
in a Spring-in-Winter love-barque of cards, 
of flowers and phone calls and letters, 

concern I'd never dreamed was there 
when black kelp boiled in my head. 
I'd awoken amid my State funeral, 
nevermore to eat my liver 

or feed it to the Black Dog, depression 
which the three Johns Hunter seem 
to have killed with their scalpels: 
it hasn't found its way home, 

where I now dodder and mend 
in thanks for devotion, for the ambulance 
this time, for the hospital fork lift, 
for pethidine, and this face of deity: 

not the foreknowledge of death 
but the project of seeing conscious life 
rescued from death defines and will 
atone for the human.


Written by Robert Creeley | Create an image from this poem

Clementes Images

 1)

Sleeping birds, lead me,
soft birds, be me

inside this black room,
back of the white moon.

In the dark night
sight frightens me.


2)

Who is it nuzzles there
with furred, round headed stare?

Who, perched on the skin,
body's float, is holding on?

What other one stares still,
plays still, on and on?


3)

Stand upright, prehensile,
squat, determined,

small guardians of the painful
outside coming in --

in stuck in vials with needles,
bleeding life in, particular, heedless.


4)

Matrix of world
upon a turtle's broad back,

carried on like that,
eggs as pearls,

flesh and blood and bone
all borne along.


5)

I'll tell you what you want,
to say a word, 

to know the letters in yourself,
a skin falls off,

a big eared head appears,
an eye and mouth.


6)

Under watery here,
under breath, under duress,

understand a pain
has threaded a needle with a little man --

gone fishing. 
And fish appear.


7)

If small were big,
if then were now,

if here were there,
if find were found,

if mind were all there was,
would the animals still save us?


8)

A head was put
upon the shelf got took


by animal's hand and stuck
upon a vacant corpse

who, blurred, could nonetheless
not ever be the quietly standing bird it watched.


9)

Not lost,
not better or worse,

much must of necessity depend on resources,
the pipes and bags brought with us

inside, all the sacks
and how and to what they are or were attached.


10)

Everybody's child 
walks the same winding road,

laughs and cries, dies.
That's "everybody's child,"

the one who's in between
the others who have come and gone.


11)

Turn as one will, the sky will always be
far up above the place he thinks to dream as earth.

There float the heavenly
archaic persons of primordial birth,

held in the scan of ancient serpent's tooth,
locked in the mind as when it first began.


12)

Inside I am the other of a self,
who feels a presence always close at hand,

one side or the other, knows another one
unlocks the door and quickly enters in.

Either as or, we live a common person.
Two is still one. It cannot live apart.


13)

Oh, weep for me --
all from whom life has stolen

hopes of a happiness stored
in gold's ubiquitous pattern,

in tinkle of commodious, enduring money,
else the bee's industry in hives of golden honey.


14)

He is safely put
in a container, head to foot,

and there, on his upper part, wears still
remnants of a life he lived at will --

but, lower down, he probes at that doubled sack
holds all his random virtues in a mindless fact.


15)

The forms wait, swan,
elephant, crab, rabbit, horse, monkey, cow,

squirrel and crocodile. From the one
sits in empty consciousness, all seemingly has come

and now it goes, to regather,
to tell another story to its patient mother.


16)

Reflection reforms, each man's a life,
makes its stumbling way from mother to wife --

cast as a gesture from ignorant flesh,
here writes in fumbling words to touch,

say, how can I be,
when she is all that was ever me?


17)

Around and in --
And up and down again,

and far and near --
and here and there,

in the middle is
a great round nothingness.


18)

Not metaphoric,
flesh is literal earth.

turns to dust
as all the body must,

becomes the ground
wherein the seed's passed on.


19)

Entries, each foot feels its own way,
echoes passage in persons,

holds the body upright,
the secret of thresholds, lintels,

opening body above it,
looks up, looks down, moves forward.


20)

Necessity, the mother of invention,
father of intention,

sister to brother to sister, to innumerable others,
all one as the time comes,

death's appointment,
in the echoing head, in the breaking heart.


21)

In self one's place defined,
in heart the other find.

In mind discover I,
in body find the sky.

Sleep in the dream as one,
wake to the others there found.


22)

Emptying out
each complicating part,

each little twist of mind inside,
each clenched fist,

each locked, particularizing thought,
forgotten, emptying out.


23)

What did it feel like
to be one at a time --

to be caught in a mind
in the body you'd found

in yourself alone --
in each other one?


24)

Broken hearts, a curious round of echoes --
and there behind them the old garden

with its faded, familiar flowers,
where all was seemingly laced together --

a trueness of true,
a blueness of blue. 


25)

The truth is in a container
of no size or situation.

It has nothing
inside.

Worship --
Warship. Sail away.
Written by Ambrose Bierce | Create an image from this poem

Safety-Clutch

 Once I seen a human ruin
In a elevator-well.
And his members was bestrewin'
All the place where he had fell.

And I says, apostrophisin'
That uncommon woful wreck:
"Your position's so surprisin'
That I tremble for your neck!"

Then that ruin, smilin' sadly
And impressive, up and spoke:
"Well, I wouldn't tremble badly,
For it's been a fortnight broke."

Then, for further comprehension 
Of his attitude, he begs
I will focus my attention
On his various arms and legs--

How they all are contumacious;
Where they each, respective, lie;
How one trotter proves ungracious,
T' other one an alibi.

These particulars is mentioned
For to show his dismal state,
Which I wasn't first intentioned
To specifical relate.

None is worser to be dreaded
That I ever have heard tell
Than the gent's who there was spreaded
In that elevator-well.

Now this tale is allegoric--
It is figurative all,
For the well is metaphoric
And the feller didn't fall.

I opine it isn't moral
For a writer-man to cheat,
And despise to wear a laurel
As was gotten by deceit.

For 'tis Politics intended
By the elevator, mind,
It will boost a person splendid
If his talent is the kind.

Col. Bryan had the talent
(For the busted man is him)
And it shot him up right gallant
Till his head began to swim.

Then the rope it broke above him
And he painful came to earth
Where there's nobody to love him
For his detrimented worth.

Though he's living' none would know him,
Or at leastwise not as such.
Moral of this woful poem:
Frequent oil your safety-clutch.
Written by Eugene Field | Create an image from this poem

The Truth About hHorace

 It is very aggravating
To hear the solemn prating
Of the fossils who are stating
That old Horace was a prude;
When we know that with the ladies
He was always raising Hades,
And with many an escapade his
Best productions are imbued.

There's really not much harm in a
Large number of his carmina,
But these people find alarm in a
Few records of his acts;
So they'd squelch the muse caloric,
And to students sophomoric
They d present as metaphoric
What old Horace meant for facts.

We have always thought 'em lazy;
Now we adjudge 'em crazy!
Why, Horace was a daisy
That was very much alive!
And the wisest of us know him
As his Lydia verses show him,--
Go, read that virile poem,--
It is No. 25.

He was a very owl, sir,
And starting out to prowl, sir,
You bet he made Rome howl, sir,
Until he filled his date;
With a massic-laden ditty
And a classic maiden pretty
He painted up the city,
And Maecenas paid the freight!

Book: Reflection on the Important Things