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Best Famous Mapped Poems

Here is a collection of the all-time best famous Mapped poems. This is a select list of the best famous Mapped poetry. Reading, writing, and enjoying famous Mapped poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of mapped poems.

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Written by Anthony Hecht | Create an image from this poem

The Transparent Man

 I'm mighty glad to see you, Mrs.
Curtis, And thank you very kindly for this visit-- Especially now when all the others here Are having holiday visitors, and I feel A little conspicuous and in the way.
It's mainly because of Thanksgiving.
All these mothers And wives and husbands gaze at me soulfully And feel they should break up their box of chocolates For a donation, or hand me a chunk of fruitcake.
What they don't understand and never guess Is that it's better for me without a family; It's a great blessing.
Though I mean no harm.
And as for visitors, why, I have you, All cheerful, brisk and punctual every Sunday, Like church, even if the aisles smell of phenol.
And you always bring even better gifts than any On your book-trolley.
Though they mean only good, Families can become a sort of burden.
I've only got my father, and he won't come, Poor man, because it would be too much for him.
And for me, too, so it's best the way it is.
He knows, you see, that I will predecease him, Which is hard enough.
It would take a callous man To come and stand around and watch me failing.
(Now don't you fuss; we both know the plain facts.
) But for him it's even harder.
He loved my mother.
They say she looked like me; I suppose she may have.
Or rather, as I grew older I came to look More and more like she must one time have looked, And so the prospect for my father now Of losing me is like having to lose her twice.
I know he frets about me.
Dr.
Frazer Tells me he phones in every single day, Hoping that things will take a turn for the better.
But with leukemia things don't improve.
It's like a sort of blizzard in the bloodstream, A deep, severe, unseasonable winter, Burying everything.
The white blood cells Multiply crazily and storm around, Out of control.
The chemotherapy Hasn't helped much, and it makes my hair fall out.
I know I look a sight, but I don't care.
I care about fewer things; I'm more selective.
It's got so I can't even bring myself To read through any of your books these days.
It's partly weariness, and partly the fact That I seem not to care much about the endings, How things work out, or whether they even do.
What I do instead is sit here by this window And look out at the trees across the way.
You wouldn't think that was much, but let me tell you, It keeps me quite intent and occupied.
Now all the leaves are down, you can see the spare, Delicate structures of the sycamores, The fine articulation of the beeches.
I have sat here for days studying them, And I have only just begun to see What it is that they resemble.
One by one, They stand there like magnificent enlargements Of the vascular system of the human brain.
I see them there like huge discarnate minds, Lost in their meditative silences.
The trunks, branches and twigs compose the vessels That feed and nourish vast immortal thoughts.
So I've assigned them names.
There, near the path, Is the great brain of Beethoven, and Kepler Haunts the wide spaces of that mountain ash.
This view, you see, has become my Hall of Fame, It came to me one day when I remembered Mary Beth Finley who used to play with me When we were girls.
One year her parents gave her A birthday toy called "The Transparent Man.
" It was made of plastic, with different colored organs, And the circulatory system all mapped out In rivers of red and blue.
She'd ask me over And the two of us would sit and study him Together, and do a powerful lot of giggling.
I figure he's most likely the only man Either of us would ever get to know Intimately, because Mary Beth became A Sister of Mercy when she was old enough.
She must be thirty-one; she was a year Older than I, and about four inches taller.
I used to envy both those advantages Back in those days.
Anyway, I was struck Right from the start by the sea-weed intricacy, The fine-haired, silken-threaded filiations That wove, like Belgian lace, throughout the head.
But this last week it seems I have found myself Looking beyond, or through, individual trees At the dense, clustered woodland just behind them, Where those great, nameless crowds patiently stand.
It's become a sort of complex, ultimate puzzle And keeps me fascinated.
My eyes are twenty-twenty, Or used to be, but of course I can't unravel The tousled snarl of intersecting limbs, That mackled, cinder grayness.
It's a riddle Beyond the eye's solution.
Impenetrable.
If there is order in all that anarchy Of granite mezzotint, that wilderness, It takes a better eye than mine to see it.
It set me on to wondering how to deal With such a thickness of particulars, Deal with it faithfully, you understand, Without blurring the issue.
Of course I know That within a month the sleeving snows will come With cold, selective emphases, with massings And arbitrary contrasts, rendering things Deceptively simple, thickening the twigs To frosty veins, bestowing epaulets And decorations on every birch and aspen.
And the eye, self-satisfied, will be misled, Thinking the puzzle solved, supposing at last It can look forth and comprehend the world.
That's when you have to really watch yourself.
So I hope that you won't think me plain ungrateful For not selecting one of your fine books, And I take it very kindly that you came And sat here and let me rattle on this way.


Written by Rg Gregory | Create an image from this poem

from the Ansty Experience

 (a)
they seek to celebrate the word
not to bring their knives out on a poem
dissecting it to find a heart
whose beat lies naked on a table
not to score in triumph on a line
no sensitive would put a nostril to
but simply to receive it as an
offering glimpsing the sacred there

poem probes the poet's once-intention
but each time said budges its truth
afresh (leaving the poet's self
estranged from the once-intending man)
and six ears in the room have tuned
objectives sifting the coloured strands
the words have hidden from the poet
asking what world has come to light

people measured by their heartbeats
language can't flout that come-and-go
to touch the heartbeat in a poem
calls for the brain's surrender
a warm diffusion of the mind
a listening to an eery silence
the words both mimic and destroy
(no excuses slipping off the tongue)

and when a poem works the unknown
opens a timid shutter on a world
so familiar it's not been seen
before - and then it's gone bringing
a frisson to an altered room
and in a stuttering frenzy dusty
attributes are tried to resurrect
a glimpse of what it's like inside

a truth (the glow a glow-worm makes)
this is not (not much) what happens
there's serious concern and banter
there's opacity there's chit-chat
diversions and derailings from
a line some avalanche has blocked
(what a fine pass through the mountains)
poetry and fidgets are blood-brothers

it's within all these the cosmos calls
that makes these afternoons a rich
adventure through a common field
when three men moving towards death
(without alacrity but conscious of it)
find youth again and bubble with
its springs - opening worn valves
to give such flow their own direction

there's no need of competition
no wish to prove that one of us
holds keys the others don't to the
sacral chambers - no want to find
consensus in technique or drench 
the rites of words in orthodox 
belief - difference is essential
and delightful (integrity's all)

quality's a private quarrel
between the poem and the poet - taste
the private hang-up of receivers
mostly migrained by exposure
to opinions not their own - fed
from a culture no one bleeds in
sustained by reputations manured
by a few and spread by hearsay

(b)
these meetings are a modest vow
to let each poet speak uncluttered
from establishment's traditions
and conditions where passions rippling
from the marrow can choose a space
to innocent themselves and long-held
tastes for carlos williams gurney
poems to siva (to name a few)

can surface in a side-attempt 
to show unexpected lineage from
the source to present patterns
of the poet - but at the core
of every poem read and comment made
it's not the poem or the poet
being sifted to the seed but
poetry itself given the works

the most despised belittled
enervated creative cowcake
of them all in the public eye
prestigious when it doesn't matter
to the clapped-out powers and turned
away from when too awkward and 
impolitic to confront - ball
to be bounced from high art to low

when fights break out amongst the teachers
and shakespeare's wielded as a cane
as the rich old crusty clan reverts
to the days it hated him at school
but loved the beatings - loudhailer
broken-down old-banger any ram-it-
up-your-**** and suck-my-prick to those
who want to tear chintz curtains down

and shock the cosy populace to taste
life at its rawest (most obscene)
courtesan to fashion and today's 
ploy - advertisement's gold gimmick
slave of beat and rhythm - dead but
much loved donkey in the hearts of all
who learned di-dah di-dah at school
and have been stuck in the custard since

plaything political-tool pop-
star's goo - poetry's been made to garb
itself in all these rags and riches
this age applauds the eye - is one 
of outward exploration - the earth
(in life) and universe (in fiction)
are there for scurrying over - haste
is everything and the beat is all

fireworks feed the fancy - a great ah
rewards the enterprise that fills
night skies with flashing bountifuls
of way-out stars - poetry has to be
in service to this want (is fed
into the system gracelessly)
there can be no standing-still or
stopping-by no take a little time

and see what blossoms here - we're into
poetry in motion and all that ****
and i can accept it all - what stirs
the surface of the ocean ignores
the depths - what talks the hindlegs off
the day can't murder dreams - that's not
to say the depths and dreams aren't there
for those who need them - it's commonplace

they hold the keystones of our lives
i fear something else much deeper
the diabolical self-deceiving
(wilful destruction of the spirit)
by those loudspeaking themselves
as poetry's protectors - publishers
editors literature officers
poetry societies and centres

all all jumping on the flagship
competition's crock of gold
find the winners pick the famous
all the hopefuls cry please name us
aspiring poets search their wardrobes
for the wordy swimsuit likely
to catch the eyeful of the judges
(winners too in previous contests

inured to the needle of success
but this time though now they are tops
totally pissed-off with the process
only here because the money's good)
winners' middle name is wordsworth
losers swallow a dose of shame
organisers rub their golden hands
pride themselves on their discernment

these jacks have found the beanstalk
castle harp and the golden egg
the stupid giant and his frightened wife
who let them steal their best possessions
whose ear for poetry's so poor
they think fum rhymes with englishman
and so of course they get no prizes
thief and trickster now come rich

poetry's purpose is to hit the jackpot
so great the lust for poetic fame
thousands without a ghost of winning
find poems like mothballs in their drawers
sprinkle them with twinkling stardust
post them off with copperplate cheques
the judges wipe their arses on them
the money's gone to a super cause

everyone knows it's just a joke
who gets taken - the foolish and vain
if they're daft enough and such bad poets
more money than sense the best advice 
is - keep it up grannies the cause
is noble and we'll take your cheque
again and again and again
it's the winners who fall in the bog

to win is to be preened - conceit
finds a little fluffy nest dear
to the feted heart and swells there
fed (for a foetal space) on all 
the praisiest worms but in the nest 
is a bloated thing that sucks (and chokes)
on hurt that has the knack of pecking
where there's malice - it grows two heads

winners by their nature soon become
winged and weighted - icarus begins
to prey upon their waking dreams 
prometheus gnawed by eagles 
the tight-shut box epimetheus
gave pandora about to burst
apart - yeats's centre cannot hold
being poets they know the references

and they learn the lesson quickly
climb upon others as they would
climb on you - in short be ruthless
or be dead they mostly fade away
being too intact or too weak-willed
to go the shining way with light-
ning bolts at every second bend 
agents breathing fire up their pants

those who withstand the course become
the poets of their day (and every one
naturally good as gold - exceptions
to the rule - out of the hearing
and the judgment of their rivals)
the media covet the heartache
and the bile - love the new meteor
can't wait to blast it from the heavens

universities will start the cult
with-it secondary teachers catch
the name on fast - magazines begin
to taste the honey on the plate
and soon another name is buzzing 
round the bars where literary pass-
ons meet to dole out bits of hem
i accept it all - it's not for me

above it all the literary lions
(jackals to each other) stand posed
upon their polystyrene mountains
constructed by their fans and foes
alike (they have such need of them)
disdaining what they see but terror-
stricken when newcomers climb up 
waving their thin bright books

for so long they've dubbed themselves
the intellectual cream - deigning
to hand out poems when they're asked
(for proper recompense in cash
or fawning) - but well beyond the risk
of letting others turn the bleeders
down so sure they are they're halfway
to the gods (yet still need preening)

a poem from one of them is like 
the loaves and fishes jesus touched
and rendered food for the five thousand
they too can walk on water in
their home - or so the reviewers say
poetry from their mouths is such a gift
if you don't read or understand it
you'll be damned - i accept all that

but what i can't accept is (all 
this while) the source and bed of what
is poetry to me as cracked and parched -
condemned ignored made mock of 
shoved in wilderness by those 
who've gone the gilded route (mapped out 
by ego and a driving need to claim
best prick with a capital pee)

it's being roomed with the said poem
coming back and back to the same
felt heartbeat having its way with words
absorbing the strains and promises
that make the language opt for paths
no other voice would go - shifting
a dull stone and knowing what bright
creature this instinct has bred there

it's trusting the poet with his own map
not wanting to tear it up before
the ink is dry because the symbols
he's been using don't suit your own
conception of terrain you've not
been born to - it's being pleased
to have connections made in ways
you couldn't dream of (wouldn't want to)
Written by Elizabeth Bishop | Create an image from this poem

The Map

 Land lies in water; it is shadowed green.
Shadows, or are they shallows, at its edges showing the line of long sea-weeded ledges where weeds hang to the simple blue from green.
Or does the land lean down to lift the sea from under, drawing it unperturbed around itself? Along the fine tan sandy shelf is the land tugging at the sea from under? The shadow of Newfoundland lies flat and still.
Labrador's yellow, where the moony Eskimo has oiled it.
We can stroke these lovely bays, under a glass as if they were expected to blossom, or as if to provide a clean cage for invisible fish.
The names of seashore towns run out to sea, the names of cities cross the neighboring mountains --the printer here experiencing the same excitement as when emotion too far exceeds its cause.
These peninsulas take the water between thumb and finger like women feeling for the smoothness of yard-goods.
Mapped waters are more quiet than the land is, lending the land their waves' own conformation: and Norway's hare runs south in agitation, profiles investigate the sea, where land is.
Are they assigned, or can the countries pick their colors? --What suits the character or the native waters best.
Topography displays no favorites; North's as near as West.
More delicate than the historians' are the map-makers' colors.
Written by Rudyard Kipling | Create an image from this poem

The Holy War

 "For here lay the excellent wisdom of him that built Mansoul, thatthe
walls could never be broken down nor hurt by the most mighty adverse
potentate unless the townsmen gave consent thereto.
"--Bunyan's Holy War.
) A tinker out of Bedford, A vagrant oft in quod, A privet under Fairfax, A minister of God-- Two hundred years and thirty Ere Armageddon came His single hand portrayed it, And Bunyan was his name! He mapped for those who follow, The world in which we are-- "This famous town of Mansoul" That takes the Holy War.
Her true and traitor people, The gates along her wall, From Eye Gate unto Feel Gate, John Bunyan showed them all.
All enemy divisions, Recruits of every class, And highly-screened positions For flame or poison-gas; The craft that we call modern, The crimes that we call new, John Bunyan had 'em typed and filed In sixteen Eighty-two.
Likewise the Lords of Looseness That hamper faith and works, The Perseverance-Doubters, And Present-Comfort shirks, With brittle intellectuals Who crack beneath a strain-- John Bunyan met that helpful set In Charles the Second's reign.
Emmanuel's vanguard dying For right and not for rights, My Lord Apollyon lying To the State-kept Stockholmites, The Pope, the swithering Neutrals The Kaiser and his Gott-- Their roles, their goals, their naked souls-- He knew and drew the lot.
Now he hath left his quarters, In Bunhill Fields to lie, The wisdom that he taught us Is proven prophecy-- One watchword through our Armies, One answer from our Lands:-- "No dealings with Diabolus As long as Mansoul stands!" A pedlar from a hovel, The lowest of the low, The Father of the Novel, Salvation's first Defoe, Eight blinded generations Ere Armageddon came, He showed us how to meet it, And Bunyan was his name!
Written by Weldon Kees | Create an image from this poem

1926

 The porchlight coming on again,
Early November, the dead leaves
Raked in piles, the wicker swing
Creaking.
Across the lots A phonograph is playing Ja-Da.
An orange moon.
I see the lives Of neighbors, mapped and marred Like all the wars ahead, and R.
Insane, B.
with his throat cut, Fifteen years from now, in Omaha.
I did not know them then.
My airedale scratches at the door.
And I am back from seeing Milton Sills And Doris Kenyon.
Twelve years old.
The porchlight coming on again.


Written by Laurie Lee | Create an image from this poem

Apples

 Behold the apples’ rounded worlds:
juice-green of July rain,
the black polestar of flowers, the rind
mapped with its crimson stain.
The russet, crab and cottage red burn to the sun’s hot brass, then drop like sweat from every branch and bubble in the grass.
They lie as wanton as they fall, and where they fall and break, the stallion clamps his crunching jaws, the starling stabs his beak.
In each plump gourd the cidery bite of boys’ teeth tears the skin; the waltzing wasp consumes his share, the bent worm enters in.
I, with as easy hunger, take entire my season’s dole; welcome the ripe, the sweet, the sour, the hollow and the whole.
Written by Grace Paley | Create an image from this poem

Here

 Here I am in the garden laughing
an old woman with heavy breasts
and a nicely mapped face

how did this happen
well that's who I wanted to be

at last a woman
in the old style sitting
stout thighs apart under
a big skirt grandchild sliding
on off my lap a pleasant
summer perspiration

that's my old man across the yard
he's talking to the meter reader
he's telling him the world's sad story
how electricity is oil or uranium
and so forth I tell my grandson
run over to your grandpa ask him
to sit beside me for a minute I
am suddenly exhausted by my desire
to kiss his sweet explaining lips.
Written by Emily Dickinson | Create an image from this poem

Arcturus is his other name

 "Arcturus" is his other name --
I'd rather call him "Star.
" It's very mean of Science To go and interfere! I slew a worm the other day -- A "Savant" passing by Murmured "Resurgam" -- "Centipede"! "Oh Lord -- how frail are we"! I pull a flower from the woods -- A monster with a glass Computes the stamens in a breath -- And has her in a "class"! Whereas I took the Butterfly Aforetime in my hat -- He sits erect in "Cabinets" -- The Clover bells forgot.
What once was "Heaven" Is "Zenith" now -- Where I proposed to go When Time's brief masquerade was done Is mapped and charted too.
What if the poles should frisk about And stand upon their heads! I hope I'm ready for "the worst" -- Whatever prank betides! Perhaps the "Kingdom of Heaven's" changed -- I hope the "Children" there Won't be "new fashioned" when I come -- And laugh at me -- and stare -- I hope the Father in the skies Will lift his little girl -- Old fashioned -- naught -- everything -- Over the stile of "Pearl.
"
Written by Ted Hughes | Create an image from this poem

The Minotaur

 The mahogany table-top you smashed
Had been the broad plank top
Of my mother's heirloom sideboard-
Mapped with the scars of my whole life.
That came under the hammer.
That high stool you swung that day Demented by my being Twenty minutes late for baby-minding.
'Marvellous!' I shouted, 'Go on, Smash it into kindling.
That's the stuff you're keeping out of your poems!' And later, considered and calmer, 'Get that shoulder under your stanzas And we'll be away.
' Deep in the cave of your ear The goblin snapped his fingers.
So what had I given him? The bloody end of the skein That unravelled your marriage, Left your children echoing Like tunnels in a labyrinth.
Left your mother a dead-end, Brought you to the horned, bellowing Grave of your risen father And your own corpse in it.
Written by John Berryman | Create an image from this poem

Dream Song 117: Disturbed when Henrys love returned with a hubby

 Disturbed, when Henry's love returned with a hubby,—
I see that, Henry, I don't put that down,—
he thought he had to think
or with a razor like a skating-rink
have more to say or more to them downtown
in the Christmas season, like a hobby.
Their letters will, released, shake the mapped world at some point, in the National Geographic.
(Friend, that hurt.
) It's horrible how near she was my hurt in the old days—now she's a lawyer twirled halfway around her finger and I am elated & vague for love of her and she is chilly & lost for love of me and we are for each other that which needs which, corresponding to Henry's mother but which can not have, like the lifting sea over each other's fur.

Book: Shattered Sighs