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Best Famous Malediction Poems

Here is a collection of the all-time best famous Malediction poems. This is a select list of the best famous Malediction poetry. Reading, writing, and enjoying famous Malediction poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of malediction poems.

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Written by Alec Derwent (A D) Hope | Create an image from this poem

The Commination

 He that is filthy let him be filthy still.
Rev.
22.
11 Like John on Patmos, brooding on the Four Last Things, I meditate the ruin of friends Whose loss, Lord, brings this grand new curse to mind Now send me foes worth cursing, or send more - Since means should be proportionate to ends - For mine are few and of the piddling kind: Drivellers, snivellers, writers of bad verse, Backbiting bitches, snipers from a pew, Small turds from the great **** of self-esteem; On such as these I would not waste my curse.
God send me soon the enemy or two Fit for the wrath of God, of whom I dream: Some Caliban of Culture, some absurd Messiah of the Paranoiac State, Some Educator wallowing in his slime, Some Prophet of the Uncreating Word Monsters a man might reasonably hate, Masters of Progress, Leaders of our Time; But chiefly the Suborners: Common Tout And Punk, the Advertiser, him I mean And his smooth hatchet-man, the Technocrat.
Them let my malediction single out, These modern Dives with their talking screen Who lick the sores of Lazarus and grow fat, Licensed to pimp, solicit and procure Here in my house, to foul my feast, to bawl Their wares while I am talking with my friend, To pour into my ears a public sewer Of all the Strumpet Muses sell and all That prostituted science has to vend.
In this great Sodom of a world, which turns The treasure of the Intellect to dust And every gift to some perverted use, What wonder if the human spirit learns Recourses of despair or of disgust, Abortion, suicide and self-abuse.
But let me laugh, Lord; let me crack and strain The belly of this derision till it burst; For I have seen too much, have lived too long A citizen of Sodom to refrain, And in the stye of Science, from the first, Have watched the pearls of Circe drop on dung.
Let me not curse my children, nor in rage Mock at the just, the helpless and the poor, Foot-fast in Sodom's rat-trap; make me bold To turn on the Despoilers all their age Invents: damnations never felt before And hells more horrible than hot and cold.
And, since in Heaven creatures purified Rational, free, perfected in their kinds Contemplate God and see Him face to face In Hell, for sure, spirits transmogrified, Paralysed wills and parasitic minds Mirror their own corruption and disgrace.
Now let this curse fall on my enemies My enemies, Lord, but all mankind's as well Prophets and panders of their golden calf; Let Justice fit them all in their degrees; Let them, still living, know that state of hell, And let me see them perish, Lord, and laugh.
Let them be glued to television screens Till their minds fester and the trash they see Worm their dry hearts away to crackling shells; Let ends be so revenged upon their means That all that once was human grows to be A flaccid mass of phototropic cells; Let the dog love his vomit still, the swine Squelch in the slough; and let their only speech Be Babel; let the specious lies they bred Taste on their tongues like intellectual wine Let sung commercials surfeit them, till each Goggles with nausea in his nauseous bed.
And, lest with them I learn to gibber and gloat, Lead me, for Sodom is my city still, To seek those hills in which the heart finds ease; Give Lot his leave; let Noah build his boat, And me and mine, when each has laughed his fill, View thy damnation and depart in peace.


Written by Edwin Arlington Robinson | Create an image from this poem

Alma Mater

 He knocked, and I beheld him at the door-- 
A vision for the gods to verify.
"What battered ancient is this," thought I, "And when, if ever, did we meet before?" But ask him as I might, I got no more For answer than a moaning and a cry: Too late to parley, but in time to die, He staggered, and lay ahapeless on the floor.
When had I known him? And what brought him here? Love, warning, malediction, fear? Surely I never thwarted such as he?-- Again, what soiled obscurity was this: Out of what scum, and up from what abyss, Had they arrived--these rags of memory.
Written by Alec Derwent (A D) Hope | Create an image from this poem

Commination

 He that is filthy let him be filthy still.
Rev.
22.
11 Like John on Patmos, brooding on the Four Last Things, I meditate the ruin of friends Whose loss, Lord, brings this grand new curse to mind Now send me foes worth cursing, or send more - Since means should be proportionate to ends - For mine are few and of the piddling kind: Drivellers, snivellers, writers of bad verse, Backbiting bitches, snipers from a pew, Small turds from the great **** of self-esteem; On such as these I would not waste my curse.
God send me soon the enemy or two Fit for the wrath of God, of whom I dream: Some Caliban of Culture, some absurd Messiah of the Paranoiac State, Some Educator wallowing in his slime, Some Prophet of the Uncreating Word Monsters a man might reasonably hate, Masters of Progress, Leaders of our Time; But chiefly the Suborners: Common Tout And Punk, the Advertiser, him I mean And his smooth hatchet-man, the Technocrat.
Them let my malediction single out, These modern Dives with their talking screen Who lick the sores of Lazarus and grow fat, Licensed to pimp, solicit and procure Here in my house, to foul my feast, to bawl Their wares while I am talking with my friend, To pour into my ears a public sewer Of all the Strumpet Muses sell and all That prostituted science has to vend.
In this great Sodom of a world, which turns The treasure of the Intellect to dust And every gift to some perverted use, What wonder if the human spirit learns Recourses of despair or of disgust, Abortion, suicide and self-abuse.
But let me laugh, Lord; let me crack and strain The belly of this derision till it burst; For I have seen too much, have lived too long A citizen of Sodom to refrain, And in the stye of Science, from the first, Have watched the pearls of Circe drop on dung.
Let me not curse my children, nor in rage Mock at the just, the helpless and the poor, Foot-fast in Sodom's rat-trap; make me bold To turn on the Despoilers all their age Invents: damnations never felt before And hells more horrible than hot and cold.
And, since in Heaven creatures purified Rational, free, perfected in their kinds Contemplate God and see Him face to face In Hell, for sure, spirits transmogrified, Paralysed wills and parasitic minds Mirror their own corruption and disgrace.
Now let this curse fall on my enemies My enemies, Lord, but all mankind's as well Prophets and panders of their golden calf; Let Justice fit them all in their degrees; Let them, still living, know that state of hell, And let me see them perish, Lord, and laugh.
Let them be glued to television screens Till their minds fester and the trash they see Worm their dry hearts away to crackling shells; Let ends be so revenged upon their means That all that once was human grows to be A flaccid mass of phototropic cells; Let the dog love his vomit still, the swine Squelch in the slough; and let their only speech Be Babel; let the specious lies they bred Taste on their tongues like intellectual wine Let sung commercials surfeit them, till each Goggles with nausea in his nauseous bed.
And, lest with them I learn to gibber and gloat, Lead me, for Sodom is my city still, To seek those hills in which the heart finds ease; Give Lot his leave; let Noah build his boat, And me and mine, when each has laughed his fill, View thy damnation and depart in peace.
Written by Thomas Hardy | Create an image from this poem

The Lacking Sense Scene.--A sad-coloured landscape Waddon Vale

 I 

"O Time, whence comes the Mother's moody look amid her labours, 
 As of one who all unwittingly has wounded where she loves? 
 Why weaves she not her world-webs to according lutes and tabors, 
With nevermore this too remorseful air upon her face, 
 As of angel fallen from grace?" 

II 

- "Her look is but her story: construe not its symbols keenly: 
 In her wonderworks yea surely has she wounded where she loves.
The sense of ills misdealt for blisses blanks the mien most queenly, Self-smitings kill self-joys; and everywhere beneath the sun Such deeds her hands have done.
" III - "And how explains thy Ancient Mind her crimes upon her creatures, These fallings from her fair beginnings, woundings where she loves, Into her would-be perfect motions, modes, effects, and features Admitting cramps, black humours, wan decay, and baleful blights, Distress into delights?" IV - "Ah! know'st thou not her secret yet, her vainly veiled deficience, Whence it comes that all unwittingly she wounds the lives she loves? That sightless are those orbs of hers?--which bar to her omniscience Brings those fearful unfulfilments, that red ravage through her zones Whereat all creation groans.
V "She whispers it in each pathetic strenuous slow endeavour, When in mothering she unwittingly sets wounds on what she loves; Yet her primal doom pursues her, faultful, fatal is she ever; Though so deft and nigh to vision is her facile finger-touch That the seers marvel much.
VI "Deal, then, her groping skill no scorn, no note of malediction; Not long on thee will press the hand that hurts the lives it loves; And while she dares dead-reckoning on, in darkness of affliction, Assist her where thy creaturely dependence can or may, For thou art of her clay.
"
Written by William Butler Yeats | Create an image from this poem

Her Vision In The Wood

 Dry timber under that rich foliage,
At wine-dark midnight in the sacred wood,
Too old for a man's love I stood in rage
Imagining men.
Imagining that I could A greater with a lesser pang assuage Or but to find if withered vein ran blood, I tore my body that its wine might cover Whatever could rccall the lip of lover.
And after that I held my fingers up, Stared at the wine-dark nail, or dark that ran Down every withered finger from the top; But the dark changed to red, and torches shone, And deafening music shook the leaves; a troop Shouldered a litter with a wounded man, Or smote upon the string and to the sound Sang of the beast that gave the fatal wound.
All stately women moving to a song With loosened hair or foreheads grief-distraught, It seemed a Quattrocento painter's throng, A thoughtless image of Mantegna's thought -- Why should they think that are for ever young? Till suddenly in grief's contagion caught, I stared upon his blood-bedabbled breast And sang my malediction with the rest.
That thing all blood and mire, that beast-torn wreck, Half turned and fixed a glazing eye on mine, And, though love's bitter-sweet had all come back, Those bodies from a picture or a coin Nor saw my body fall nor heard it shriek, Nor knew, drunken with singing as with wine, That they had brought no fabulous symbol there But my heart's victim and its torturer.



Book: Shattered Sighs