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Best Famous Makers Poems

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Written by Langston Hughes | Create an image from this poem

Freedoms Plow

 When a man starts out with nothing,
 When a man starts out with his hands
 Empty, but clean,
 When a man starts to build a world,
He starts first with himself
And the faith that is in his heart-
The strength there,
The will there to build.

First in the heart is the dream-
Then the mind starts seeking a way.
His eyes look out on the world,
On the great wooded world,
On the rich soil of the world,
On the rivers of the world.

The eyes see there materials for building,
See the difficulties, too, and the obstacles.
The mind seeks a way to overcome these obstacles.
The hand seeks tools to cut the wood,
To till the soil, and harness the power of the waters.
Then the hand seeks other hands to help,
A community of hands to help-
Thus the dream becomes not one man's dream alone,
But a community dream.
Not my dream alone, but our dream.
Not my world alone,
But your world and my world,
Belonging to all the hands who build.

A long time ago, but not too long ago,
Ships came from across the sea
Bringing the Pilgrims and prayer-makers,
Adventurers and booty seekers,
Free men and indentured servants,
Slave men and slave masters, all new-
To a new world, America!

With billowing sails the galleons came
Bringing men and dreams, women and dreams.
In little bands together,
Heart reaching out to heart,
Hand reaching out to hand,
They began to build our land.
Some were free hands
Seeking a greater freedom,
Some were indentured hands
Hoping to find their freedom,
Some were slave hands
Guarding in their hearts the seed of freedom,
But the word was there always:
 Freedom.

Down into the earth went the plow
In the free hands and the slave hands,
In indentured hands and adventurous hands,
Turning the rich soil went the plow in many hands
That planted and harvested the food that fed
And the cotton that clothed America.
Clang against the trees went the ax into many hands
That hewed and shaped the rooftops of America.
Splash into the rivers and the seas went the boat-hulls
That moved and transported America.
Crack went the whips that drove the horses
Across the plains of America.
Free hands and slave hands,
Indentured hands, adventurous hands,
White hands and black hands
Held the plow handles,
Ax handles, hammer handles,
Launched the boats and whipped the horses
That fed and housed and moved America.
Thus together through labor,
All these hands made America.

Labor! Out of labor came villages
And the towns that grew cities.
Labor! Out of labor came the rowboats
And the sailboats and the steamboats,
Came the wagons, and the coaches,
Covered wagons, stage coaches,
Out of labor came the factories,
Came the foundries, came the railroads.
Came the marts and markets, shops and stores,
Came the mighty products moulded, manufactured,
Sold in shops, piled in warehouses,
Shipped the wide world over:
Out of labor-white hands and black hands-
Came the dream, the strength, the will,
And the way to build America.
Now it is Me here, and You there.
Now it's Manhattan, Chicago,
Seattle, New Orleans,
Boston and El Paso-
Now it's the U.S.A.

A long time ago, but not too long ago, a man said:
 ALL MEN ARE CREATED EQUAL--
 ENDOWED BY THEIR CREATOR
 WITH CERTAIN UNALIENABLE RIGHTS--
 AMONG THESE LIFE, LIBERTY
 AND THE PURSUIT OF HAPPINESS.
His name was Jefferson. There were slaves then,
But in their hearts the slaves believed him, too,
And silently too for granted
That what he said was also meant for them.
It was a long time ago,
But not so long ago at that, Lincoln said:
 NO MAN IS GOOD ENOUGH
 TO GOVERN ANOTHER MAN
 WITHOUT THAT OTHER'S CONSENT.
There were slaves then, too,
But in their hearts the slaves knew
What he said must be meant for every human being-
Else it had no meaning for anyone.
Then a man said:
 BETTER TO DIE FREE
 THAN TO LIVE SLAVES
He was a colored man who had been a slave
But had run away to freedom.
And the slaves knew
What Frederick Douglass said was true.

With John Brown at Harper's Ferry, ******* died.
John Brown was hung.
Before the Civil War, days were dark,
And nobody knew for sure
When freedom would triumph
"Or if it would," thought some.
But others new it had to triumph.
In those dark days of slavery,
Guarding in their hearts the seed of freedom,
The slaves made up a song:
 Keep Your Hand On The Plow! Hold On!
That song meant just what it said: Hold On!
Freedom will come!
 Keep Your Hand On The Plow! Hold On!
Out of war it came, bloody and terrible!
But it came!
Some there were, as always,
Who doubted that the war would end right,
That the slaves would be free,
Or that the union would stand,
But now we know how it all came out.
Out of the darkest days for people and a nation,
We know now how it came out.
There was light when the battle clouds rolled away.
There was a great wooded land,
And men united as a nation.

America is a dream.
The poet says it was promises.
The people say it is promises-that will come true.
The people do not always say things out loud,
Nor write them down on paper.
The people often hold
Great thoughts in their deepest hearts
And sometimes only blunderingly express them,
Haltingly and stumblingly say them,
And faultily put them into practice.
The people do not always understand each other.
But there is, somewhere there,
Always the trying to understand,
And the trying to say,
"You are a man. Together we are building our land."

America!
Land created in common,
Dream nourished in common,
Keep your hand on the plow! Hold on!
If the house is not yet finished,
Don't be discouraged, builder!
If the fight is not yet won,
Don't be weary, soldier!
The plan and the pattern is here,
Woven from the beginning
Into the warp and woof of America:
 ALL MEN ARE CREATED EQUAL.
 NO MAN IS GOOD ENOUGH
 TO GOVERN ANOTHER MAN
 WITHOUT HIS CONSENT.
 BETTER DIE FREE,
 THAN TO LIVE SLAVES.
Who said those things? Americans!
Who owns those words? America!
Who is America? You, me!
We are America!
To the enemy who would conquer us from without,
We say, NO!
To the enemy who would divide
And conquer us from within,
We say, NO!
 FREEDOM!
 BROTHERHOOD!
 DEMOCRACY!
To all the enemies of these great words:
We say, NO!

A long time ago,
An enslaved people heading toward freedom
Made up a song:
 Keep Your Hand On The Plow! Hold On!
The plow plowed a new furrow
Across the field of history.
Into that furrow the freedom seed was dropped.
From that seed a tree grew, is growing, will ever grow.
That tree is for everybody,
For all America, for all the world.
May its branches spread and shelter grow
Until all races and all peoples know its shade.
 KEEP YOUR HAND ON THE PLOW! HOLD ON!


Written by Walt Whitman | Create an image from this poem

American Feuillage

 AMERICA always! 
Always our own feuillage! 
Always Florida’s green peninsula! Always the priceless delta of Louisiana! Always the
 cotton-fields of Alabama and Texas! 
Always California’s golden hills and hollows—and the silver mountains of New
 Mexico!
 Always soft-breath’d Cuba! 
Always the vast slope drain’d by the Southern Sea—inseparable with the slopes
 drain’d
 by the Eastern and Western Seas;
The area the eighty-third year of These States—the three and a half millions of
 square
 miles; 
The eighteen thousand miles of sea-coast and bay-coast on the main—the thirty
 thousand
 miles of
 river navigation, 
The seven millions of distinct families, and the same number of dwellings—Always
 these,
 and
 more, branching forth into numberless branches; 
Always the free range and diversity! always the continent of Democracy! 
Always the prairies, pastures, forests, vast cities, travelers, Kanada, the snows;
Always these compact lands—lands tied at the hips with the belt stringing the huge
 oval
 lakes; 
Always the West, with strong native persons—the increasing density there—the
 habitans,
 friendly, threatening, ironical, scorning invaders; 
All sights, South, North, East—all deeds, promiscuously done at all times, 
All characters, movements, growths—a few noticed, myriads unnoticed, 
Through Mannahatta’s streets I walking, these things gathering;
On interior rivers, by night, in the glare of pine knots, steamboats wooding up; 
Sunlight by day on the valley of the Susquehanna, and on the valleys of the Potomac and
 Rappahannock, and the valleys of the Roanoke and Delaware; 
In their northerly wilds, beasts of prey haunting the Adirondacks, the hills—or
 lapping
 the
 Saginaw waters to drink; 
In a lonesome inlet, a sheldrake, lost from the flock, sitting on the water, rocking
 silently; 
In farmers’ barns, oxen in the stable, their harvest labor done—they rest
 standing—they are too tired;
Afar on arctic ice, the she-walrus lying drowsily, while her cubs play around; 
The hawk sailing where men have not yet sail’d—the farthest polar sea, ripply,
 crystalline, open, beyond the floes; 
White drift spooning ahead, where the ship in the tempest dashes; 
On solid land, what is done in cities, as the bells all strike midnight together; 
In primitive woods, the sounds there also sounding—the howl of the wolf, the scream
 of the
 panther, and the hoarse bellow of the elk;
In winter beneath the hard blue ice of Moosehead Lake—in summer visible through the
 clear
 waters, the great trout swimming; 
In lower latitudes, in warmer air, in the Carolinas, the large black buzzard floating
 slowly,
 high
 beyond the tree tops, 
Below, the red cedar, festoon’d with tylandria—the pines and cypresses, growing
 out
 of the
 white sand that spreads far and flat; 
Rude boats descending the big Pedee—climbing plants, parasites, with color’d
 flowers
 and
 berries, enveloping huge trees, 
The waving drapery on the live oak, trailing long and low, noiselessly waved by the wind;
The camp of Georgia wagoners, just after dark—the supper-fires, and the cooking and
 eating
 by
 whites and *******, 
Thirty or forty great wagons—the mules, cattle, horses, feeding from troughs, 
The shadows, gleams, up under the leaves of the old sycamore-trees—the
 flames—with
 the
 black smoke from the pitch-pine, curling and rising; 
Southern fishermen fishing—the sounds and inlets of North Carolina’s
 coast—the
 shad-fishery and the herring-fishery—the large sweep-seines—the windlasses on
 shore
 work’d by horses—the clearing, curing, and packing-houses; 
Deep in the forest, in piney woods, turpentine dropping from the incisions in the
 trees—There
 are the turpentine works,
There are the ******* at work, in good health—the ground in all directions is
 cover’d
 with
 pine straw: 
—In Tennessee and Kentucky, slaves busy in the coalings, at the forge, by the
 furnace-blaze, or
 at the corn-shucking; 
In Virginia, the planter’s son returning after a long absence, joyfully welcom’d
 and
 kiss’d by the aged mulatto nurse; 
On rivers, boatmen safely moor’d at night-fall, in their boats, under shelter of high
 banks, 
Some of the younger men dance to the sound of the banjo or fiddle—others sit on the
 gunwale,
 smoking and talking;
Late in the afternoon, the mocking-bird, the American mimic, singing in the Great Dismal
 Swamp—there are the greenish waters, the resinous odor, the plenteous moss, the
 cypress
 tree,
 and the juniper tree; 
—Northward, young men of Mannahatta—the target company from an excursion
 returning
 home at
 evening—the musket-muzzles all bear bunches of flowers presented by women; 
Children at play—or on his father’s lap a young boy fallen asleep, (how his lips
 move! how
 he smiles in his sleep!) 
The scout riding on horseback over the plains west of the Mississippi—he ascends a
 knoll
 and
 sweeps his eye around; 
California life—the miner, bearded, dress’d in his rude costume—the stanch
 California
 friendship—the sweet air—the graves one, in passing, meets, solitary, just
 aside the
 horsepath;
Down in Texas, the cotton-field, the *****-cabins—drivers driving mules or oxen
 before
 rude
 carts—cotton bales piled on banks and wharves; 
Encircling all, vast-darting, up and wide, the American Soul, with equal
 hemispheres—one
 Love,
 one Dilation or Pride; 
—In arriere, the peace-talk with the Iroquois, the aborigines—the calumet, the
 pipe
 of
 good-will, arbitration, and indorsement, 
The sachem blowing the smoke first toward the sun and then toward the earth, 
The drama of the scalp-dance enacted with painted faces and guttural exclamations,
The setting out of the war-party—the long and stealthy march, 
The single-file—the swinging hatchets—the surprise and slaughter of enemies; 
—All the acts, scenes, ways, persons, attitudes of These States—reminiscences,
 all
 institutions, 
All These States, compact—Every square mile of These States, without excepting a
 particle—you also—me also, 
Me pleas’d, rambling in lanes and country fields, Paumanok’s fields,
Me, observing the spiral flight of two little yellow butterflies, shuffling between each
 other,
 ascending high in the air; 
The darting swallow, the destroyer of insects—the fall traveler southward, but
 returning
 northward early in the spring; 
The country boy at the close of the day, driving the herd of cows, and shouting to them as
 they
 loiter to browse by the road-side; 
The city wharf—Boston, Philadelphia, Baltimore, Charleston, New Orleans, San
 Francisco, 
The departing ships, when the sailors heave at the capstan;
—Evening—me in my room—the setting sun, 
The setting summer sun shining in my open window, showing the swarm of flies, suspended,
 balancing
 in the air in the centre of the room, darting athwart, up and down, casting swift shadows
 in
 specks
 on the opposite wall, where the shine is; 
The athletic American matron speaking in public to crowds of listeners; 
Males, females, immigrants, combinations—the copiousness—the individuality of
 The
 States,
 each for itself—the money-makers; 
Factories, machinery, the mechanical forces—the windlass, lever, pulley—All
 certainties,
The certainty of space, increase, freedom, futurity, 
In space, the sporades, the scatter’d islands, the stars—on the firm earth, the
 lands, my
 lands; 
O lands! all so dear to me—what you are, (whatever it is,) I become a part of that,
 whatever it
 is; 
Southward there, I screaming, with wings slowly flapping, with the myriads of gulls
 wintering
 along
 the coasts of Florida—or in Louisiana, with pelicans breeding; 
Otherways, there, atwixt the banks of the Arkansaw, the Rio Grande, the Nueces, the
 Brazos, the
 Tombigbee, the Red River, the Saskatchawan, or the Osage, I with the spring waters
 laughing
 and
 skipping and running;
Northward, on the sands, on some shallow bay of Paumanok, I, with parties of snowy herons
 wading in
 the wet to seek worms and aquatic plants; 
Retreating, triumphantly twittering, the king-bird, from piercing the crow with its bill,
 for
 amusement—And I triumphantly twittering; 
The migrating flock of wild geese alighting in autumn to refresh themselves—the body
 of
 the
 flock feed—the sentinels outside move around with erect heads watching, and are from
 time
 to
 time reliev’d by other sentinels—And I feeding and taking turns with the rest; 
In Kanadian forests, the moose, large as an ox, corner’d by hunters, rising
 desperately on
 his
 hind-feet, and plunging with his fore-feet, the hoofs as sharp as knives—And I,
 plunging
 at the
 hunters, corner’d and desperate; 
In the Mannahatta, streets, piers, shipping, store-houses, and the countless workmen
 working in
 the
 shops,
And I too of the Mannahatta, singing thereof—and no less in myself than the whole of
 the
 Mannahatta in itself, 
Singing the song of These, my ever united lands—my body no more inevitably united,
 part to
 part, and made one identity, any more than my lands are inevitably united, and made ONE
 IDENTITY; 
Nativities, climates, the grass of the great Pastoral Plains; 
Cities, labors, death, animals, products, war, good and evil—these me, 
These affording, in all their particulars, endless feuillage to me and to America, how can
 I do
 less
 than pass the clew of the union of them, to afford the like to you?
Whoever you are! how can I but offer you divine leaves, that you also be eligible as I am?

How can I but, as here, chanting, invite you for yourself to collect bouquets of the
 incomparable
 feuillage of These States?
Written by Ezra Pound | Create an image from this poem

Masks

 These tales of old disguisings, are they not
Strange myths of souls that found themselves among
Unwonted folk that spake an hostile tongue,
Some soul from all the rest who'd not forgot
The star-span acres of a former lot
Where boundless mid the clouds his course he swung,
Or carnate with his elder brothers sung
Ere ballad-makers lisped of Camelot?

Old singers half-forgetful of their tunes,
Old painters color-blind come back once more,
Old poets skill-less in the wind-heart runes,
Old wizards lacking in their wonder-lore:

All they that with strange sadness in their eyes
Ponder in silence o'er earth's queynt devyse?
Written by Eavan Boland | Create an image from this poem

The Harbour

 This harbour was made by art and force.
And called Kingstown and afterwards Dun Laoghaire.
And holds the sea behind its barrier
less than five miles from my house.

Lord be with us say the makers of a nation.
Lord look down say the builders of a harbour.
They came and cut a shape out of ocean
and left stone to close around their labour.

Officers and their wives promenaded
on this spot once and saw with their own eyes
the opulent horizon and obedient skies
which nine tenths of the law provided.

And frigates with thirty-six guns, cruising
the outer edges of influence, could idle
and enter here and catch the tide of
empire and arrogance and the Irish Sea rising

and rising through a century of storms
and cormorants and moonlight the whole length of this coast,
while an ocean forgot an empire and the armed
ships under it changed: to slime weed and cold salt and rust.

City of shadows and of the gradual
capitulations to the last invader
this is the final one: signed in water
and witnessed in granite and ugly bronze and gun-metal.

And by me. I am your citizen: composed of
your fictions, your compromise, I am
a part of your story and its outcome.
And ready to record its contradictions.
Written by Thomas Moore | Create an image from this poem

Enigma

 Come riddle-me-ree, come riddle-me-ree,
And tell me, what my name may be.
I am nearly one hundred and thirty years old,
And therefore no chicken, as you may suppose; --
Though a dwarf in my youth (as my nurses have told),
I have, ev'ry year since, been outgrowing my clothes;
Till, at last, such a corpulent giant I stand,
That if folks were to furnish me now with a suit,
It would take ev'ry morsel of scrip in the land
But to measure my bulk from the head to the foot.
Hence, they who maintain me, grown sick of my stature,
To cover me nothing but rags will supply;
And the doctors declare that, in due course of nature,
About the year 30 in rags I shall die.
Meanwhile I stalk hungry and bloated around,
An object of int'rest, most painful, to all;
In the warehouse, the cottage, the palace I'm found,
Holding citizen, peasant, and king in my thrall.
Then riddle-me-ree, oh riddle-me-ree,
Come, tell me what my name may be.


When the lord of the counting-house bends o'er his book,
Bright pictures of profit delighting to draw,
O'er his shoulders with large cipher eye-balls I look,
And down drops the pen from his paralyz'd paw!
When the Premier lies dreaming of dear Waterloo,
And expects through another to caper and prank it,
You'd laugh did you see, when I bellow out "Boo!"
How he hides his brave Waterloo head in the blanket.
When mighty Belshazzar brims high in the hall
His cup, full of gout, to Gaul's overthrow,
Lo, "Eight Hundred Millions" I write on the wall,
And the cup falls to earth and -- the gout to his toe!
But the joy of my heart is when largely I cram
My maw with the fruits of the Squirearchy's acres,
And, knowing who made me the thing that I am,
Like the monster of Frankenstein, worry my makers.
Then riddle-me-ree, come, riddle-me-ree,
And tell, if thou knows't, who I may be.


Written by Elizabeth Bishop | Create an image from this poem

The Map

 Land lies in water; it is shadowed green.
Shadows, or are they shallows, at its edges
showing the line of long sea-weeded ledges
where weeds hang to the simple blue from green.
Or does the land lean down to lift the sea from under,
drawing it unperturbed around itself?
Along the fine tan sandy shelf
is the land tugging at the sea from under?

The shadow of Newfoundland lies flat and still.
Labrador's yellow, where the moony Eskimo
has oiled it. We can stroke these lovely bays,
under a glass as if they were expected to blossom,
or as if to provide a clean cage for invisible fish.
The names of seashore towns run out to sea,
the names of cities cross the neighboring mountains
--the printer here experiencing the same excitement
as when emotion too far exceeds its cause.
These peninsulas take the water between thumb and finger
like women feeling for the smoothness of yard-goods.

Mapped waters are more quiet than the land is,
lending the land their waves' own conformation:
and Norway's hare runs south in agitation,
profiles investigate the sea, where land is.
Are they assigned, or can the countries pick their colors?
--What suits the character or the native waters best.
Topography displays no favorites; North's as near as West.
More delicate than the historians' are the map-makers' colors.
Written by Allen Ginsberg | Create an image from this poem

War Profit Litany

 To Ezra Pound

These are the names of the companies that have made
 money from this war
nineteenhundredsixtyeight Annodomini fourthousand
 eighty Hebraic
These are the Corporations who have profited by merchan-
 dising skinburning phosphorous or shells fragmented
 to thousands of fleshpiercing needles
and here listed money millions gained by each combine for
 manufacture
and here are gains numbered, index'd swelling a decade, set
 in order,
here named the Fathers in office in these industries, tele-
 phones directing finance,
names of directors, makers of fates, and the names of the 
 stockholders of these destined Aggregates,
and here are the names of their ambassadors to the Capital,
 representatives to legislature, those who sit drinking
 in hotel lobbies to persuade,
and separate listed, those who drop Amphetamine with
 military, gossip, argue, and persuade
suggesting policy naming language proposing strategy, this
 done for fee as ambassadors to Pentagon, consul-
 tants to military, paid by their industry:
and these are the names of the generals & captains mili-
 tary, who know thus work for war goods manufactur-
 ers;
and above these, listed, the names of the banks, combines,
 investment trusts that control these industries:
and these are the names of the newspapers owned by these
 banks
and these are the names of the airstations owned by these
 combines;
and these are the numbers of thousands of citizens em-
 ployed by these businesses named;
and the beginning of this accounting is 1958 and the end
 1968, that static be contained in orderly mind,
 coherent and definite,
and the first form of this litany begun first day December
 1967 furthers this poem of these States.

 December 1, 1967
Written by Walt Whitman | Create an image from this poem

Mediums

 THEY shall arise in the States, 
They shall report Nature, laws, physiology, and happiness; 
They shall illustrate Democracy and the kosmos; 
They shall be alimentive, amative, perceptive; 
They shall be complete women and men—their pose brawny and supple, their drink water,
 their blood clean and clear;
They shall enjoy materialism and the sight of products—they shall enjoy the sight of
 the
 beef, lumber, bread-stuffs, of Chicago, the great city; 
They shall train themselves to go in public to become orators and oratresses; 
Strong and sweet shall their tongues be—poems and materials of poems shall come from
 their
 lives—they shall be makers and finders; 
Of them, and of their works, shall emerge divine conveyers, to convey gospels; 
Characters, events, retrospections, shall be convey’d in gospels
—Trees, animals, waters, shall be convey’d, 
Death, the future, the invisible faith, shall all be convey’d.
Written by Edgar Albert Guest | Create an image from this poem

Father

 My father knows the proper way 
The nation should be run;
He tells us children every day
Just what should now be done.
He knows the way to fix the trusts,
He has a simple plan;
But if the furnace needs repairs,
We have to hire a man.
My father, in a day or two
Could land big thieves in jail;
There's nothing that he cannot do,
He knows no word like "fail."
"Our confidence" he would restore,
Of that there is no doubt;
But if there is a chair to mend,
We have to send it out.

All public questions that arise,
He settles on the spot;
He waits not till the tumult dies,
But grabs it while it's hot.
In matters of finance he can
Tell Congress what to do;
But, O, he finds it hard to meet
His bills as they fall due.

It almost makes him sick to read
The things law-makers say;
Why, father's just the man they need,
He never goes astray.
All wars he'd very quickly end,
As fast as I can write it;
But when a neighbor starts a fuss,
'Tis mother has to fight it.

In conversation father can
Do many wondrous things;
He's built upon a wiser plan
Than presidents or kings.
He knows the ins and outs of each
And every deep transaction;
We look to him for theories,
But look to ma for action.
Written by Charles Bukowski | Create an image from this poem

The Blackbirds Are Rough Today

 lonely as a dry and used orchard
spread over the earth
for use and surrender.

shot down like an ex-pug selling
dailies on the corner.

taken by tears like 
an aging chorus girl
who has gotten her last check.

a hanky is in order your lord your
worship.

the blackbirds are rough today
like
ingrown toenails
in an overnight
jail---
wine wine whine,
the blackbirds run around and
fly around
harping about
Spanish melodies and bones.

and everywhere is
nowhere---
the dream is as bad as
flapjacks and flat tires:

why do we go on
with our minds and
pockets full of
dust
like a bad boy just out of
school---
you tell
me,
you who were a hero in some
revolution
you who teach children
you who drink with calmness
you who own large homes
and walk in gardens
you who have killed a man and own a
beautiful wife
you tell me
why I am on fire like old dry
garbage.

we might surely have some interesting
correspondence.
it will keep the mailman busy.
and the butterflies and ants and bridges and
cemeteries
the rocket-makers and dogs and garage mechanics
will still go on a
while
until we run out of stamps
and/or
ideas.

don't be ashamed of
anything; I guess God meant it all
like
locks on 
doors.

Book: Radiant Verses: A Journey Through Inspiring Poetry