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Best Famous Loveless Poems

Here is a collection of the all-time best famous Loveless poems. This is a select list of the best famous Loveless poetry. Reading, writing, and enjoying famous Loveless poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of loveless poems.

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Written by Allen Ginsberg | Create an image from this poem

Sunflower Sutra

I walked on the banks of the tincan banana dock and sat down under the huge shade of a Southern Pacific locomotive to look for the sunset over the box house hills and cry.
Jack Kerouac sat beside me on a busted rusty iron pole, companion, we thought the same thoughts of the soul, bleak and blue and sad-eyed, surrounded by the gnarled steel roots of trees of machinery.
The only water on the river mirrored the red sky, sun sank on top of final Frisco peaks, no fish in that stream, no hermit in those mounts, just ourselves rheumy-eyed and hung-over like old bums on the riverbank, tired and wily.
Look at the Sunflower, he said, there was a dead gray shadow against the sky, big as a man, sitting dry on top of a pile of ancient sawdust-- --I rushed up enchanted--it was my first sunflower, memories of Blake--my visions--Harlem and Hells of the Eastern rivers, bridges clanking Joes greasy Sandwiches, dead baby carriages, black treadless tires forgotten and unretreaded, the poem of the riverbank, condoms & pots, steel knives, nothing stainless, only the dank muck and the razor-sharp artifacts passing into the past-- and the gray Sunflower poised against the sunset, crackly bleak and dusty with the smut and smog and smoke of olden locomotives in its eye-- corolla of bleary spikes pushed down and broken like a battered crown, seeds fallen out of its face, soon-to-be-toothless mouth of sunny air, sunrays obliterated on its hairy head like a dried wire spiderweb, leaves stuck out like arms out of the stem, gestures from the sawdust root, broke pieces of plaster fallen out of the black twigs, a dead fly in its ear, Unholy battered old thing you were, my sunflower O my soul, I loved you then! The grime was no man's grime but death and human locomotives, all that dress of dust, that veil of darkened railroad skin, that smog of cheek, that eyelid of black mis'ry, that sooty hand or phallus or protuberance of artificial worse-than-dirt--industrial-- modern--all that civilization spotting your crazy golden crown-- and those blear thoughts of death and dusty loveless eyes and ends and withered roots below, in the home-pile of sand and sawdust, rubber dollar bills, skin of machinery, the guts and innards of the weeping coughing car, the empty lonely tincans with their rusty tongues alack, what more could I name, the smoked ashes of some cock cigar, the cunts of wheelbarrows and the milky breasts of cars, wornout asses out of chairs & sphincters of dynamos--all these entangled in your mummied roots--and you standing before me in the sunset, all your glory in your form! A perfect beauty of a sunflower! a perfect excellent lovely sunflower existence! a sweet natural eye to the new hip moon, woke up alive and excited grasping in the sunset shadow sunrise golden monthly breeze! How many flies buzzed round you innocent of your grime, while you cursed the heavens of your railroad and your flower soul? Poor dead flower? when did you forget you were a flower? when did you look at your skin and decide you were an impotent dirty old locomotive? the ghost of a locomotive? the specter and shade of a once powerful mad American locomotive? You were never no locomotive, Sunflower, you were a sunflower! And you Locomotive, you are a locomotive, forget me not! So I grabbed up the skeleton thick sunflower and stuck it at my side like a scepter, and deliver my sermon to my soul, and Jack's soul too, and anyone who'll listen, --We're not our skin of grime, we're not our dread bleak dusty imageless locomotive, we're all golden sunflowers inside, blessed by our own seed & hairy naked accomplishment-bodies growing into mad black formal sunflowers in the sunset, spied on by our eyes under the shadow of the mad locomotive riverbank sunset Frisco hilly tincan evening sitdown vision.


Written by Charlotte Bronte | Create an image from this poem

Frances

 SHE will not sleep, for fear of dreams, 
But, rising, quits her restless bed, 
And walks where some beclouded beams 
Of moonlight through the hall are shed.
Obedient to the goad of grief, Her steps, now fast, now lingering slow, In varying motion seek relief From the Eumenides of woe.
Wringing her hands, at intervals­ But long as mute as phantom dim­ She glides along the dusky walls, Under the black oak rafters, grim.
The close air of the grated tower Stifles a heart that scarce can beat, And, though so late and lone the hour, Forth pass her wandering, faltering feet; And on the pavement, spread before The long front of the mansion grey, Her steps imprint the night-frost hoar, Which pale on grass and granite lay.
Not long she stayed where misty moon And shimmering stars could on her look, But through the garden arch-way, soon Her strange and gloomy path she took.
Some firs, coeval with the tower, Their straight black boughs stretched o'er her head, Unseen, beneath this sable bower, Rustled her dress and rapid tread.
There was an alcove in that shade, Screening a rustic-seat and stand; Weary she sat her down and laid Her hot brow on her burning hand.
To solitude and to the night, Some words she now, in murmurs, said; And, trickling through her fingers white, Some tears of misery she shed.
' God help me, in my grievous need, God help me, in my inward pain; Which cannot ask for pity's meed, Which has no license to complain; Which must be borne, yet who can bear, Hours long, days long, a constant weight­ The yoke of absolute despair, A suffering wholly desolate ? Who can for ever crush the heart, Restrain its throbbing, curb its life ? Dissemble truth with ceaseless art, With outward calm, mask inward strife ?' She waited­as for some reply; The still and cloudy night gave none; Erelong, with deep-drawn, trembling sigh, Her heavy plaint again begun.
' Unloved­I love; unwept­I weep; Grief I restrain­hope I repress: Vain is this anguish­fixed and deep; Vainer, desires and dreams of bliss.
My love awakes no love again, My tears collect, and fall unfelt; My sorrow touches none with pain, My humble hopes to nothing melt.
For me the universe is dumb, Stone-deaf, and blank, and wholly blind; Life I must bound, existence sum In the strait limits of one mind; That mind my own.
Oh ! narrow cell; Dark­imageless­a living tomb ! There must I sleep, there wake and dwell Content, with palsy, pain, and gloom.
' Again she paused; a moan of pain, A stifled sob, alone was heard; Long silence followed­then again, Her voice the stagnant midnight stirred.
' Must it be so ? Is this my fate ? Can I nor struggle, nor contend ? And am I doomed for years to wait, Watching death's lingering axe descend ? And when it falls, and when I die, What follows ? Vacant nothingness ? The blank of lost identity ? Erasure both of pain and bliss ? I've heard of heaven­I would believe; For if this earth indeed be all, Who longest lives may deepest grieve, Most blest, whom sorrows soonest call.
Oh ! leaving disappointment here, Will man find hope on yonder coast ? Hope, which, on earth, shines never clear, And oft in clouds is wholly lost.
Will he hope's source of light behold, Fruition's spring, where doubts expire, And drink, in waves of living gold, Contentment, full, for long desire ? Will he find bliss, which here he dreamed ? Rest, which was weariness on earth ? Knowledge, which, if o'er life it beamed, Served but to prove it void of worth ? Will he find love without lust's leaven, Love fearless, tearless, perfect, pure, To all with equal bounty given, In all, unfeigned, unfailing, sure ? Will he, from penal sufferings free, Released from shroud and wormy clod, All calm and glorious, rise and see Creation's Sire­Existence' God ? Then, glancing back on Time's brief woes, Will he behold them, fading, fly; Swept from Eternity's repose, Like sullying cloud, from pure blue sky ? If so­endure, my weary frame; And when thy anguish strikes too deep, And when all troubled burns life's flame, Think of the quiet, final sleep; Think of the glorious waking-hour, Which will not dawn on grief and tears, But on a ransomed spirit's power, Certain, and free from mortal fears.
Seek now thy couch, and lie till morn, Then from thy chamber, calm, descend, With mind nor tossed, nor anguish-torn, But tranquil, fixed, to wait the end.
And when thy opening eyes shall see Mementos, on the chamber wall, Of one who has forgotten thee, Shed not the tear of acrid gall.
The tear which, welling from the heart, Burns where its drop corrosive falls, And makes each nerve, in torture, start, At feelings it too well recalls: When the sweet hope of being loved, Threw Eden sunshine on life's way; When every sense and feeling proved Expectancy of brightest day.
When the hand trembled to receive A thrilling clasp, which seemed so near, And the heart ventured to believe, Another heart esteemed it dear.
When words, half love, all tenderness, Were hourly heard, as hourly spoken, When the long, sunny days of bliss, Only by moonlight nights were broken.
Till drop by drop, the cup of joy Filled full, with purple light, was glowing, And Faith, which watched it, sparkling high, Still never dreamt the overflowing.
It fell not with a sudden crashing, It poured not out like open sluice; No, sparkling still, and redly flashing, Drained, drop by drop, the generous juice.
I saw it sink, and strove to taste it, My eager lips approached the brim; The movement only seemed to waste it, It sank to dregs, all harsh and dim.
These I have drank, and they for ever Have poisoned life and love for me; A draught from Sodom's lake could never More fiery, salt, and bitter, be.
Oh ! Love was all a thin illusion; Joy, but the desert's flying stream; And, glancing back on long delusion, My memory grasps a hollow dream.
Yet, whence that wondrous change of feeling, I never knew, and cannot learn, Nor why my lover's eye, congealing, Grew cold, and clouded, proud, and stern.
Nor wherefore, friendship's forms forgetting, He careless left, and cool withdrew; Nor spoke of grief, nor fond regretting, Nor even one glance of comfort threw.
And neither word nor token sending, Of kindness, since the parting day, His course, for distant regions bending, Went, self-contained and calm, away.
Oh, bitter, blighting, keen sensation, Which will not weaken, cannot die, Hasten thy work of desolation, And let my tortured spirit fly ! Vain as the passing gale, my crying; Though lightning-struck, I must live on; I know, at heart, there is no dying Of love, and ruined hope, alone.
Still strong, and young, and warm with vigour, Though scathed, I long shall greenly grow, And many a storm of wildest rigour Shall yet break o'er my shivered bough.
Rebellious now to blank inertion, My unused strength demands a task; Travel, and toil, and full exertion, Are the last, only boon I ask.
Whence, then, this vain and barren dreaming Of death, and dubious life to come ? I see a nearer beacon gleaming Over dejection's sea of gloom.
The very wildness of my sorrow Tells me I yet have innate force; My track of life has been too narrow, Effort shall trace a broader course.
The world is not in yonder tower, Earth is not prisoned in that room, 'Mid whose dark pannels, hour by hour, I've sat, the slave and prey of gloom.
One feeling­turned to utter anguish, Is not my being's only aim; When, lorn and loveless, life will languish, But courage can revive the flame.
He, when he left me, went a roving To sunny climes, beyond the sea; And I, the weight of woe removing, Am free and fetterless as he.
New scenes, new language, skies less clouded, May once more wake the wish to live; Strange, foreign towns, astir, and crowded, New pictures to the mind may give.
New forms and faces, passing ever, May hide the one I still retain, Defined, and fixed, and fading never, Stamped deep on vision, heart, and brain.
And we might meet­time may have changed him; Chance may reveal the mystery, The secret influence which estranged him; Love may restore him yet to me.
False thought­false hope­in scorn be banished ! I am not loved­nor loved have been; Recall not, then, the dreams scarce vanished, Traitors ! mislead me not again ! To words like yours I bid defiance, 'Tis such my mental wreck have made; Of God alone, and self-reliance, I ask for solace­hope for aid.
Morn comes­and ere meridian glory O'er these, my natal woods, shall smile, Both lonely wood and mansion hoary I'll leave behind, full many a mile.
Written by Robert Frost | Create an image from this poem

A Winter Eden

 A winter garden in an alder swamp,
Where conies now come out to sun and romp,
As near a paradise as it can be
And not melt snow or start a dormant tree.
It lifts existence on a plane of snow One level higher than the earth below, One level nearer heaven overhead, And last year's berries shining scarlet red.
It lifts a gaunt luxuriating beast Where he can stretch and hold his highest feat On some wild apple tree's young tender bark, What well may prove the year's high girdle mark.
So near to paradise all pairing ends: Here loveless birds now flock as winter friends, Content with bud-inspecting.
They presume To say which buds are leaf and which are bloom.
A feather-hammer gives a double knock.
This Eden day is done at two o'clock.
An hour of winter day might seem too short To make it worth life's while to wake and sport.
Written by Christina Rossetti | Create an image from this poem

Cobwebs

 It is a land with neither night nor day, 
Nor heat nor cold, nor any wind, nor rain, 
Nor hills nor valleys; but one even plain 
Stretches thro' long unbroken miles away: 
While thro' the sluggish air a twilight grey 
Broodeth; no moons or seasons wax and wane, 
No ebb and flow are there among the main, 
No bud-time no leaf-falling there for aye, 
No ripple on the sea, no shifting sand, 
No beat of wings to stir the stagnant space, 
And loveless sea: no trace of days before, 
No guarded home, no time-worn restingplace 
No future hope no fear forevermore.
Written by G K Chesterton | Create an image from this poem

The Secret People

 Smile at us, pay us, pass us; but do not quite forget;
For we are the people of England, that never have spoken yet.
There is many a fat farmer that drinks less cheerfully, There is many a free French peasant who is richer and sadder than we.
There are no folk in the whole world so helpless or so wise.
There is hunger in our bellies, there is laughter in our eyes; You laugh at us and love us, both mugs and eyes are wet: Only you do not know us.
For we have not spoken yet.
The fine French kings came over in a flutter of flags and dames.
We liked their smiles and battles, but we never could say their names.
The blood ran red to Bosworth and the high French lords went down; There was naught but a naked people under a naked crown.
And the eyes of the King's Servants turned terribly every way, And the gold of the King's Servants rose higher every day.
They burnt the homes of the shaven men, that had been quaint and kind, Till there was no bed in a monk's house, nor food that man could find.
The inns of God where no man paid, that were the wall of the weak.
The King's Servants ate them all.
And still we did not speak.
And the face of the King's Servants grew greater than the King: He tricked them, and they trapped him, and stood round him in a ring.
The new grave lords closed round him, that had eaten the abbey's fruits, And the men of the new religion, with their bibles in their boots, We saw their shoulders moving, to menace or discuss, And some were pure and some were vile; but none took heed of us.
We saw the King as they killed him, and his face was proud and pale; And a few men talked of freedom, while England talked of ale.
A war that we understood not came over the world and woke Americans, Frenchmen, Irish; but we knew not the things they spoke.
They talked about rights and nature and peace and the people's reign: And the squires, our masters, bade us fight; and scorned us never again.
Weak if we be for ever, could none condemn us then; Men called us serfs and drudges; men knew that we were men.
In foam and flame at Trafalgar, on Albuera plains, We did and died like lions, to keep ourselves in chains, We lay in living ruins; firing and fearing not The strange fierce face of the Frenchmen who knew for what they fought, And the man who seemed to be more than a man we strained against and broke; And we broke our own rights with him.
And still we never spoke.
Our patch of glory ended; we never heard guns again.
But the squire seemed struck in the saddle; he was foolish, as if in pain, He leaned on a staggering lawyer, he clutched a cringing Jew, He was stricken; it may be, after all, he was stricken at Waterloo.
Or perhaps the shades of the shaven men, whose spoil is in his house, Come back in shining shapes at last to spoil his last carouse: We only know the last sad squires rode slowly towards the sea, And a new people takes the land: and still it is not we.
They have given us into the hand of new unhappy lords, Lords without anger or honour, who dare not carry their swords.
They fight by shuffling papers; they have bright dead alien eyes; They look at our labour and laughter as a tired man looks at flies.
And the load of their loveless pity is worse than the ancient wrongs, Their doors are shut in the evening; and they know no songs.
We hear men speaking for us of new laws strong and sweet, Yet is there no man speaketh as we speak in the street.
It may be we shall rise the last as Frenchmen rose the first, Our wrath come after Russia's wrath and our wrath be the worst.
It may be we are meant to mark with our riot and our rest God's scorn for all men governing.
It may be beer is best.
But we are the people of England; and we have not spoken yet.
Smile at us, pay us, pass us.
But do not quite forget.


Written by Thomas Hardy | Create an image from this poem

The Supplanter: A Tale

 I 

He bends his travel-tarnished feet 
 To where she wastes in clay: 
From day-dawn until eve he fares 
 Along the wintry way; 
From day-dawn until eve repairs 
 Unto her mound to pray.
II "Are these the gravestone shapes that meet My forward-straining view? Or forms that cross a window-blind In circle, knot, and queue: Gay forms, that cross and whirl and wind To music throbbing through?" - III "The Keeper of the Field of Tombs Dwells by its gateway-pier; He celebrates with feast and dance His daughter's twentieth year: He celebrates with wine of France The birthday of his dear.
" - IV "The gates are shut when evening glooms: Lay down your wreath, sad wight; To-morrow is a time more fit For placing flowers aright: The morning is the time for it; Come, wake with us to-night!" - V He grounds his wreath, and enters in, And sits, and shares their cheer.
- "I fain would foot with you, young man, Before all others here; I fain would foot it for a span With such a cavalier!" VI She coaxes, clasps, nor fails to win His first-unwilling hand: The merry music strikes its staves, The dancers quickly band; And with the damsel of the graves He duly takes his stand.
VII "You dance divinely, stranger swain, Such grace I've never known.
O longer stay! Breathe not adieu And leave me here alone! O longer stay: to her be true Whose heart is all your own!" - VIII "I mark a phantom through the pane, That beckons in despair, Its mouth all drawn with heavy moan - Her to whom once I sware!" - "Nay; 'tis the lately carven stone Of some strange girl laid there!" - IX "I see white flowers upon the floor Betrodden to a clot; My wreath were they?"--"Nay; love me much, Swear you'll forget me not! 'Twas but a wreath! Full many such Are brought here and forgot.
" * * * X The watches of the night grow hoar, He rises ere the sun; "Now could I kill thee here!" he says, "For winning me from one Who ever in her living days Was pure as cloistered nun!" XI She cowers, and he takes his track Afar for many a mile, For evermore to be apart From her who could beguile His senses by her burning heart, And win his love awhile.
XII A year: and he is travelling back To her who wastes in clay; From day-dawn until eve he fares Along the wintry way, From day-dawn until eve repairs Unto her mound to pray.
XIII And there he sets him to fulfil His frustrate first intent: And lay upon her bed, at last, The offering earlier meant: When, on his stooping figure, ghast And haggard eyes are bent.
XIV "O surely for a little while You can be kind to me! For do you love her, do you hate, She knows not--cares not she: Only the living feel the weight Of loveless misery! XV "I own my sin; I've paid its cost, Being outcast, shamed, and bare: I give you daily my whole heart, Your babe my tender care, I pour you prayers; and aye to part Is more than I can bear!" XVI He turns--unpitying, passion-tossed; "I know you not!" he cries, "Nor know your child.
I knew this maid, But she's in Paradise!" And swiftly in the winter shade He breaks from her and flies.
Written by Edna St Vincent Millay | Create an image from this poem

Departure

 It was not like your great and gracious ways! 
Do you, that have naught other to lament, 
Never, my Love, repent 
Of how, that July afternoon, 
You went,
With sudden, unintelligible phrase, 
And frighten'd eye, 
Upon your journey of so many days 
Without a single kiss, or a good-bye? 
I knew, indeed, that you were parting soon; 
And so we sate, within the low sun's rays, 
You whispering to me, for your voice was weak, 
Your harrowing praise.
Well, it was well To hear you such things speak, And I could tell What made your eyes a growing gloom of love, As a warm South-wind sombres a March grove.
And it was like your great and gracious ways To turn your talk on daily things, my Dear, Lifting the luminous, pathetic lash To let the laughter flash, Whilst I drew near, Because you spoke so low that I could scarcely hear.
But all at once to leave me at the last, More at the wonder than the loss aghast, With huddled, unintelligible phrase, And frighten'd eye, And go your journey of all days With not one kiss, or a good-bye, And the only loveless look the look with which you pass'd: 'Twas all unlike your great and gracious ways.
Written by Oscar Wilde | Create an image from this poem

To My Wife - With A Copy Of My Poems

 I can write no stately proem
As a prelude to my lay;
From a poet to a poem
I would dare to say.
For if of these fallen petals One to you seem fair, Love will waft it till it settles On your hair.
And when wind and winter harden All the loveless land, It will whisper of the garden, You will understand.
Written by Gary Snyder | Create an image from this poem

Smoky the Bear Sutra

Smokey the Bear Sutra

Once in the Jurassic about 150 million years ago,
 the Great Sun Buddha in this corner of the Infinite
 Void gave a Discourse to all the assembled elements
 and energies: to the standing beings, the walking beings,
 the flying beings, and the sitting beings -- even grasses,
 to the number of thirteen billion, each one born from a
 seed, assembled there: a Discourse concerning
 Enlightenment on the planet Earth. 

 "In some future time, there will be a continent called
 America. It will have great centers of power called
 such as Pyramid Lake, Walden Pond, Mt. Rainier, Big Sur,
 Everglades, and so forth; and powerful nerves and channels
 such as Columbia River, Mississippi River, and Grand Canyon
 The human race in that era will get into troubles all over
 its head, and practically wreck everything in spite of
 its own strong intelligent Buddha-nature." 

 "The twisting strata of the great mountains and the pulsings
 of volcanoes are my love burning deep in the earth.
 My obstinate compassion is schist and basalt and
 granite, to be mountains, to bring down the rain. In that
 future American Era I shall enter a new form; to cure
 the world of loveless knowledge that seeks with blind hunger:
 and mindless rage eating food that will not fill it." 

 And he showed himself in his true form of 


SMOKEY THE BEAR 

•A handsome smokey-colored brown bear standing on his hind legs, showing that he is aroused and
 watchful. 


•Bearing in his right paw the Shovel that digs to the truth beneath appearances; cuts the roots of useless
 attachments, and flings damp sand on the fires of greed and war; 


•His left paw in the Mudra of Comradely Display -- indicating that all creatures have the full right to live to their limits and that deer, rabbits, chipmunks, snakes, dandelions, and lizards all grow in the realm of the Dharma; 


•Wearing the blue work overalls symbolic of slaves and laborers, the countless men oppressed by a
 civilization that claims to save but often destroys; 


•Wearing the broad-brimmed hat of the West, symbolic of the forces that guard the Wilderness, which is the Natural State of the Dharma and the True Path of man on earth: all true paths lead through mountains -- 


•With a halo of smoke and flame behind, the forest fires of the kali-yuga, fires caused by the stupidity of
 those who think things can be gained and lost whereas in truth all is contained vast and free in the Blue Sky and Green Earth of One Mind; 


•Round-bellied to show his kind nature and that the great earth has food enough for everyone who loves her and trusts her; 


•Trampling underfoot wasteful freeways and needless suburbs; smashing the worms of capitalism and
 totalitarianism; 


•Indicating the Task: his followers, becoming free of cars, houses, canned foods, universities, and shoes;
 master the Three Mysteries of their own Body, Speech, and Mind; and fearlessly chop down the rotten
 trees and prune out the sick limbs of this country America and then burn the leftover trash. 


Wrathful but Calm. Austere but Comic. Smokey the Bear will
 Illuminate those who would help him; but for those who would hinder or
 slander him, 


HE WILL PUT THEM OUT. 

Thus his great Mantra: 


Namah samanta vajranam chanda maharoshana
 Sphataya hum traka ham nam 


"I DEDICATE MYSELF TO THE UNIVERSAL DIAMOND
 BE THIS RAGING FURY DESTROYED" 

And he will protect those who love woods and rivers,
 Gods and animals, hobos and madmen, prisoners and sick
 people, musicians, playful women, and hopeful children: 

 And if anyone is threatened by advertising, air pollution, television,
 or the police, they should chant SMOKEY THE BEAR'S WAR SPELL: 


DROWN THEIR BUTTS
 CRUSH THEIR BUTTS
 DROWN THEIR BUTTS
 CRUSH THEIR BUTTS 

And SMOKEY THE BEAR will surely appear to put the enemy out
 with his vajra-shovel. 

•Now those who recite this Sutra and then try to put it in practice will accumulate merit as countless as the sands of Arizona and Nevada. 


•Will help save the planet Earth from total oil slick. 


•Will enter the age of harmony of man and nature. 


•Will win the tender love and caresses of men, women, and beasts. 


•Will always have ripe blackberries to eat and a sunny spot under a pine tree to sit at. 


•AND IN THE END WILL WIN HIGHEST PERFECT ENLIGHTENMENT. 

 thus have we heard. 


Written by Victor Hugo | Create an image from this poem

THE QUIET RURAL CHURCH

 It was a humble church, with arches low, 
 The church we entered there, 
 Where many a weary soul since long ago 
 Had past with plaint or prayer. 
 
 Mournful and still it was at day's decline, 
 The day we entered there; 
 As in a loveless heart, at the lone shrine, 
 The fires extinguished were. 
 
 Scarcely was heard to float some gentlest sound, 
 Scarcely some low breathed word, 
 As in a forest fallen asleep, is found 
 Just one belated bird. 


 A STORM SIMILE. 
 
 ("Oh, regardez le ciel!") 
 
 {June, 1828.} 


 See, where on high the moving masses, piled 
 By the wind, break in groups grotesque and wild, 
 Present strange shapes to view; 
 Oft flares a pallid flash from out their shrouds, 
 As though some air-born giant 'mid the clouds 
 Sudden his falchion drew. 


 





Book: Shattered Sighs