Written by
William Butler Yeats |
My Soul. I summon to the winding ancient stair;
Set all your mind upon the steep ascent,
Upon the broken, crumbling battlement,
Upon the breathless starlit air,
"Upon the star that marks the hidden pole;
Fix every wandering thought upon
That quarter where all thought is done:
Who can distinguish darkness from the soul
My Self. The consecretes blade upon my knees
Is Sato's ancient blade, still as it was,
Still razor-keen, still like a looking-glass
Unspotted by the centuries;
That flowering, silken, old embroidery, torn
From some court-lady's dress and round
The wodden scabbard bound and wound
Can, tattered, still protect, faded adorn
My Soul. Why should the imagination of a man
Long past his prime remember things that are
Emblematical of love and war?
Think of ancestral night that can,
If but imagination scorn the earth
And interllect is wandering
To this and that and t'other thing,
Deliver from the crime of death and birth.
My Self. Montashigi, third of his family, fashioned it
Five hundred years ago, about it lie
Flowers from I know not what embroidery -
Heart's purple - and all these I set
For emblems of the day against the tower
Emblematical of the night,
And claim as by a soldier's right
A charter to commit the crime once more.
My Soul. Such fullness in that quarter overflows
And falls into the basin of the mind
That man is stricken deaf and dumb and blind,
For intellect no longer knows
Is from the Ought, or knower from the Known -
That is to say, ascends to Heaven;
Only the dead can be forgiven;
But when I think of that my tongue's a stone.
II
My Self. A living man is blind and drinks his drop.
What matter if the ditches are impure?
What matter if I live it all once more?
Endure that toil of growing up;
The ignominy of boyhood; the distress
Of boyhood changing into man;
The unfinished man and his pain
Brought face to face with his own clumsiness;
The finished man among his enemies? -
How in the name of Heaven can he escape
That defiling and disfigured shape
The mirror of malicious eyes
Casts upon his eyes until at last
He thinks that shape must be his shape?
And what's the good of an escape
If honour find him in the wintry blast?
I am content to live it all again
And yet again, if it be life to pitch
Into the frog-spawn of a blind man's ditch,
A blind man battering blind men;
Or into that most fecund ditch of all,
The folly that man does
Or must suffer, if he woos
A proud woman not kindred of his soul.
I am content to follow to its source
Every event in action or in thought;
Measure the lot; forgive myself the lot!
When such as I cast out remorse
So great a sweetness flows into the breast
We must laugh and we must sing,
We are blest by everything,
Everything we look upon is blest.
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Written by
Elizabeth Bishop |
The state with the prettiest name,
the state that floats in brackish water,
held together by mangrave roots
that bear while living oysters in clusters,
and when dead strew white swamps with skeletons,
dotted as if bombarded, with green hummocks
like ancient cannon-balls sprouting grass.
The state full of long S-shaped birds, blue and white,
and unseen hysterical birds who rush up the scale
every time in a tantrum.
Tanagers embarrassed by their flashiness,
and pelicans whose delight it is to clown;
who coast for fun on the strong tidal currents
in and out among the mangrove islands
and stand on the sand-bars drying their damp gold wings
on sun-lit evenings.
Enormous turtles, helpless and mild,
die and leave their barnacled shells on the beaches,
and their large white skulls with round eye-sockets
twice the size of a man's.
The palm trees clatter in the stiff breeze
like the bills of the pelicans. The tropical rain comes down
to freshen the tide-looped strings of fading shells:
Job's Tear, the Chinese Alphabet, the scarce Junonia,
parti-colored pectins and Ladies' Ears,
arranged as on a gray rag of rotted calico,
the buried Indian Princess's skirt;
with these the monotonous, endless, sagging coast-line
is delicately ornamented.
Thirty or more buzzards are drifting down, down, down,
over something they have spotted in the swamp,
in circles like stirred-up flakes of sediment
sinking through water.
Smoke from woods-fires filters fine blue solvents.
On stumps and dead trees the charring is like black velvet.
The mosquitoes
go hunting to the tune of their ferocious obbligatos.
After dark, the fireflies map the heavens in the marsh
until the moon rises.
Cold white, not bright, the moonlight is coarse-meshed,
and the careless, corrupt state is all black specks
too far apart, and ugly whites; the poorest
post-card of itself.
After dark, the pools seem to have slipped away.
The alligator, who has five distinct calls:
friendliness, love, mating, war, and a warning--
whimpers and speaks in the throat
of the Indian Princess.
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Written by
Kahlil Gibran |
The tempest calmed after bending the branches of the trees and leaning heavily upon the grain in the field. The stars appeared as broken remnants of lightning, but now silence prevailed over all, as if Nature's war had never been fought.
At that hour a young woman entered her chamber and knelt by her bed sobbing bitterly. Her heart flamed with agony but she could finally open her lips and say, "Oh Lord, bring him home safely to me. I have exhausted my tears and can offer no more, oh Lord, full of love and mercy. My patience is drained and calamity is seeking possession of my heart. Save him, oh Lord, from the iron paws of War; deliver him from such unmerciful Death, for he is weak, governed by the strong. Oh Lord, save my beloved, who is Thine own son, from the foe, who is Thy foe. Keep him from the forced pathway to Death's door; let him see me, or come and take me to him."
Quietly a young man entered. His head was wrapped in bandage soaked with escaping life.
He approached he with a greeting of tears and laughter, then took her hand and placed against it his flaming lips. And with a voice with bespoke past sorrow, and joy of union, and uncertainty of her reaction, he said, "Fear me not, for I am the object of your plea. Be glad, for Peace has carried me back safely to you, and humanity has restored what greed essayed to take from us. Be not sad, but smile, my beloved. Do not express bewilderment, for Love has power that dispels Death; charm that conquers the enemy. I am your one. Think me not a specter emerging from the House of Death to visit your Home of Beauty.
"Do not be frightened, for I am now Truth, spared from swords and fire to reveal to the people the triumph of Love over War. I am Word uttering introduction to the play of happiness and peace."
Then the young man became speechless and his tears spoke the language of the heart; and the angels of Joy hovered about that dwelling, and the two hearts restored the singleness which had been taken from them.
At dawn the two stood in the middle of the field contemplating the beauty of Nature injured by the tempest. After a deep and comforting silence, the soldier said to his sweetheart, "Look at the Darkness, giving birth to the Sun."
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Written by
Mary Darby Robinson |
LUBIN and KATE, as gossips tell,
Were Lovers many a day;
LUBIN the damsel lov'd so well,
That folks pretend to say
The silly, simple, doting Lad,
Was little less than loving mad:
A malady not known of late--
Among the little-loving Great!
KATE liked the youth; but woman-kind
Are sometimes giv'n to range.
And oft, the giddy Sex, we find,
(They know not why)
When most they promise, soonest change,
And still for conquest sigh:
So 'twas with KATE; she, ever roving
Was never fix'd, though always loving!
STEPHEN was LUBIN'S rival; he
A rustic libertine was known;
And many a blushing simple She,
The rogue had left,--to sigh alone!
KATE cared but little for the rover,
Yet she resolv'd to have her way,
For STEPHEN was the village Lover,
And women pant for Sov'reign sway.
And he, who has been known to ruin,--
Is always sought, and always wooing.
STEPHEN had long in secret sigh'd;
And STEPHEN never was deny'd:
Now, LUBIN was a modest swain,
And therefore, treated with disdain:
For, it is said, in Love and War ,--
The boldest, most successful are!
Vows, were to him but fairy things
Borne on capricious Fancy's wings;
And promises, the Phantom's Airy
Which falsehood form'd to cheat th' unwary;
For still deception was his trade,
And though his traffic well was known,
Still, every trophy was his own
Which the proud Victor, Love, display'd.
In short, this STEPHEN was the bane
Of ev'ry maid,--and ev'ry swain!
KATE had too often play'd the fool,
And now, at length, was caught;
For she, who had been pleas'd to rule,
Was now, poor Maiden, taught!
And STEPHEN rul'd with boundless sway,
The rustic tyrant of his day.
LUBIN had giv'n inconstant KATE,
Ten pounds , to buy her wedding geer:
And now, 'tis said, tho' somewhat late,
He thought his bargain rather dear.
For, Lo ! The day before the pair
Had fix'd, the marriage chain to wear,
A GYPSY gang, a wand'ring set,
In a lone wood young LUBIN met.
All round him press with canting tale,
And, in a jargon, well design'd
To cheat the unsuspecting mind,
His list'ning ears assail.
Some promis'd riches; others swore
He should, by women, be ador'd;
And never sad, and never poor--
Live like a Squire, or Lord;--
Do what he pleas'd, and ne'er be brought
To shame,--for what he did, or thought;
Seduce mens wives and daughters fair,
Spend wealth, while others toil'd in vain,
And scoff at honesty, and swear,--
And scoff, and trick, and swear again!
ONE roguish Girl, with sparkling eyes,
To win the handsome LUBIN tries;
She smil'd, and by her speaking glance,
Enthrall'd him in a wond'ring trance;
He thought her lovelier far than KATE,
And wish'd that she had been his mate;
For when the FANCY is on wing,
VARIETY'S a dangerous thing:
And PASSIONS, when they learn to stray
Will seldom seldom keep the beaten way.
The gypsy-girl, with speaking eyes,
Observ'd her pupil's fond surprize,
She begg'd that he her hand would cross,
With Sixpence; and that He should know
His future scene of gain and loss,
His weal and woe.--
LUBIN complies. And straight he hears
That he had many long, long years;
That he a maid inconstant, loves,
Who, to another slyly roves.
That a dark man his bane will be--
"And poison his domestic hours;
"While a fair woman, treach'rously--
"Will dress his brow--with thorns and flow'rs!"
It happen'd, to confirm his care--
STEPHEN was dark ,--and KATE was fair!
Nay more that "home his bride would bring
"A little, alien, prattling thing
"In just six moons!" Poor LUBIN hears
All that confirms his jealous fears;
Perplex'd and frantic, what to do
The cheated Lover scarcely knew.
He flies to KATE, and straight he tells
The wonder that in magic dwells!
Speaks of the Fortune-telling crew,
And how all things the Vagrants knew;
KATE hears: and soon determines, she
Will know her future destiny.
Swift to the wood she hies, tho' late
To read the tablet of her Fate.
The Moon its crystal beam scarce shew'd
Upon the darkly shadow'd road;
The hedge-row was the feasting-place
Where, round a little blazing wood,
The wand'ring, dingy, gabbling race,
Crowded in merry mood.
And now she loiter'd near the scene.
Now peep'd the hazle copse between;
Fearful that LUBIN might be near
The story of her Fate to hear.--
She saw the feasting circle gay
By the stol'n ******'s yellow light;
She heard them, as in sportive play,
They chear'd the sullen gloom of night.
Nor was sly KATE by all unseen
Peeping, the hazle copse between.
And now across the thicket side
A tatter'd, skulking youth she spied;
He beckon'd her along, and soon,
Hid safely from the prying moon,
His hand with silver, thrice she crosses--
"Tell me," said she, "my gains and losses?"
"You gain a fool ," the youth replies,
"You lose a lover too."
The false one blushes deep, and sighs,
For well the truth she knew!
"You gave to STEPHEN, vows; nay more
"You gave him favors rare:
"And LUBIN is condemn'd to share
"What many others shar'd before!
"A false, capricious, guilty heart,
"Made up of folly, vice, and art,
"Which only takes a wedded mate
"To brand with shame, an husband's fate."
"Hush! hush!" cried KATE, for Heav'n's sake be
"As secret as the grave--
"For LUBIN means to marry me--
"And if you will not me betray,
"I for your silence well will pay;
"Five pounds this moment you shall have."--
"I will have TEN!" the gypsy cries--
"The fearful, trembling girl complies.
But, what was her dismay, to find
That LUBIN was the gypsy bold;
The cunning, fortune-telling hind
Who had the artful story told--
Who thus, was cur'd of jealous pain,--
"And got his TEN POUNDS back again!
Thus, Fortune pays the LOVER bold!
But, gentle Maids, should Fate
Have any secret yet untold,--
Remember, simple KATE!
|
Written by
Vachel Lindsay |
(The poem shows the Master, with his work done, singing to free his heart in Heaven.)
I heard Immanuel singing
Within his own good lands,
I saw him bend above his harp.
I watched his wandering hands
Lost amid the harp-strings;
Sweet, sweet I heard him play.
His wounds were altogether healed.
Old things had passed away.
All things were new, but music.
The blood of David ran
Within the Son of David,
Our God, the Son of Man.
He was ruddy like a shepherd.
His bold young face, how fair.
Apollo of the silver bow
Had not such flowing hair.
I saw Immanuel singing
On a tree-girdled hill.
The glad remembering branches
Dimly echoed still
The grand new song proclaiming
The Lamb that had been slain.
New-built, the Holy City
Gleamed in the murmuring plain.
The crowning hours were over.
The pageants all were past.
Within the many mansions
The hosts, grown still at last,
In homes of holy mystery
Slept long by crooning springs
Or waked to peaceful glory,
A universe of Kings.
He left his people happy.
He wandered free to sigh
Alone in lowly friendship
With the green grass and the sky.
He murmured ancient music
His red heart burned to sing
Because his perfect conquest
Had grown a weary thing.
No chant of gilded triumph—
His lonely song was made
Of Art's deliberate freedom;
Of minor chords arrayed
In soft and shadowy colors
That once were radiant flowers:—
The Rose of Sharon, bleeding
In Olive-shadowed bowers:—
And all the other roses
In the songs of East and West
Of love and war and worshipping,
And every shield and crest
Of thistle or of lotus
Or sacred lily wrought
In creeds and psalms and palaces
And temples of white thought:—
All these he sang, half-smiling
And weeping as he smiled,
Laughing, talking to his harp
As to a new-born child:—
As though the arts forgotten
But bloomed to prophecy
These careless, fearless harp-strings,
New-crying in the sky.
"When this his hour of sorrow
For flowers and Arts of men
Has passed in ghostly music,"
I asked my wild heart then—
What will he sing to-morrow,
What wonder, all his own
Alone, set free, rejoicing,
With a green hill for his throne?
What will he sing to-morrow
What wonder all his own
Alone, set free, rejoicing,
With a green hill for his throne?
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