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Written by Charlotte Bronte | Create an image from this poem

Mementos

 ARRANGING long-locked drawers and shelves 
Of cabinets, shut up for years, 
What a strange task we've set ourselves ! 
How still the lonely room appears ! 
How strange this mass of ancient treasures, 
Mementos of past pains and pleasures; 
These volumes, clasped with costly stone, 
With print all faded, gilding gone; 

These fans of leaves, from Indian trees­ 
These crimson shells, from Indian seas­ 
These tiny portraits, set in rings­ 
Once, doubtless, deemed such precious things; 
Keepsakes bestowed by Love on Faith, 
And worn till the receiver's death, 
Now stored with cameos, china, shells, 
In this old closet's dusty cells. 

I scarcely think, for ten long years, 
A hand has touched these relics old; 
And, coating each, slow-formed, appears, 
The growth of green and antique mould. 

All in this house is mossing over; 
All is unused, and dim, and damp; 
Nor light, nor warmth, the rooms discover­ 
Bereft for years of fire and lamp. 

The sun, sometimes in summer, enters 
The casements, with reviving ray; 
But the long rains of many winters 
Moulder the very walls away. 

And outside all is ivy, clinging 
To chimney, lattice, gable grey; 
Scarcely one little red rose springing 
Through the green moss can force its way. 

Unscared, the daw, and starling nestle, 
Where the tall turret rises high, 
And winds alone come near to rustle 
The thick leaves where their cradles lie. 

I sometimes think, when late at even 
I climb the stair reluctantly, 
Some shape that should be well in heaven, 
Or ill elsewhere, will pass by me. 

I fear to see the very faces, 
Familiar thirty years ago, 
Even in the old accustomed places 
Which look so cold and gloomy now. 

I've come, to close the window, hither, 
At twilight, when the sun was down, 
And Fear, my very soul would wither, 
Lest something should be dimly shown. 

Too much the buried form resembling, 
Of her who once was mistress here; 
Lest doubtful shade, or moonbeam trembling, 
Might take her aspect, once so dear. 

Hers was this chamber; in her time 
It seemed to me a pleasant room, 
For then no cloud of grief or crime 
Had cursed it with a settled gloom; 

I had not seen death's image laid 
In shroud and sheet, on yonder bed. 
Before she married, she was blest­ 
Blest in her youth, blest in her worth; 
Her mind was calm, its sunny rest 
Shone in her eyes more clear than mirth. 

And when attired in rich array, 
Light, lustrous hair about her brow, 
She yonder sat­a kind of day 
Lit up­what seems so gloomy now. 
These grim oak walls, even then were grim; 
That old carved chair, was then antique; 
But what around looked dusk and dim 
Served as a foil to her fresh cheek; 
Her neck, and arms, of hue so fair, 
Eyes of unclouded, smiling, light; 
Her soft, and curled, and floating hair, 
Gems and attire, as rainbow bright. 

Reclined in yonder deep recess, 
Ofttimes she would, at evening, lie 
Watching the sun; she seemed to bless 
With happy glance the glorious sky. 
She loved such scenes, and as she gazed, 
Her face evinced her spirit's mood; 
Beauty or grandeur ever raised 
In her, a deep-felt gratitude. 

But of all lovely things, she loved 
A cloudless moon, on summer night; 
Full oft have I impatience proved 
To see how long, her still delight 
Would find a theme in reverie. 
Out on the lawn, or where the trees 
Let in the lustre fitfully, 
As their boughs parted momently, 
To the soft, languid, summer breeze. 
Alas ! that she should e'er have flung 
Those pure, though lonely joys away­ 
Deceived by false and guileful tongue, 
She gave her hand, then suffered wrong; 
Oppressed, ill-used, she faded young, 
And died of grief by slow decay. 

Open that casket­look how bright 
Those jewels flash upon the sight; 
The brilliants have not lost a ray 
Of lustre, since her wedding day. 
But see­upon that pearly chain­ 
How dim lies time's discolouring stain ! 
I've seen that by her daughter worn: 
For, e'er she died, a child was born; 
A child that ne'er its mother knew, 
That lone, and almost friendless grew; 
For, ever, when its step drew nigh, 
Averted was the father's eye; 
And then, a life impure and wild 
Made him a stranger to his child; 
Absorbed in vice, he little cared 
On what she did, or how she fared. 
The love withheld, she never sought, 
She grew uncherished­learnt untaught; 
To her the inward life of thought 
Full soon was open laid. 
I know not if her friendlessness 
Did sometimes on her spirit press, 
But plaint she never made. 

The book-shelves were her darling treasure, 
She rarely seemed the time to measure 
While she could read alone. 
And she too loved the twilight wood, 
And often, in her mother's mood, 
Away to yonder hill would hie, 
Like her, to watch the setting sun, 
Or see the stars born, one by one, 
Out of the darkening sky. 
Nor would she leave that hill till night 
Trembled from pole to pole with light; 
Even then, upon her homeward way, 
Long­long her wandering steps delayed 
To quit the sombre forest shade, 
Through which her eerie pathway lay. 

You ask if she had beauty's grace ? 
I know not­but a nobler face 
My eyes have seldom seen; 
A keen and fine intelligence, 
And, better still, the truest sense 
Were in her speaking mien. 
But bloom or lustre was there none, 
Only at moments, fitful shone 
An ardour in her eye, 
That kindled on her cheek a flush, 
Warm as a red sky's passing blush 
And quick with energy. 
Her speech, too, was not common speech, 
No wish to shine, or aim to teach, 
Was in her words displayed: 
She still began with quiet sense, 
But oft the force of eloquence 
Came to her lips in aid; 
Language and voice unconscious changed, 
And thoughts, in other words arranged, 
Her fervid soul transfused 
Into the hearts of those who heard, 
And transient strength and ardour stirred, 
In minds to strength unused. 
Yet in gay crowd or festal glare, 
Grave and retiring was her air; 
'Twas seldom, save with me alone, 
That fire of feeling freely shone; 
She loved not awe's nor wonder's gaze, 
Nor even exaggerated praise, 
Nor even notice, if too keen 
The curious gazer searched her mien. 
Nature's own green expanse revealed 
The world, the pleasures, she could prize; 
On free hill-side, in sunny field, 
In quiet spots by woods concealed, 
Grew wild and fresh her chosen joys, 
Yet Nature's feelings deeply lay 
In that endowed and youthful frame; 
Shrined in her heart and hid from day, 
They burned unseen with silent flame; 
In youth's first search for mental light, 
She lived but to reflect and learn, 
But soon her mind's maturer might 
For stronger task did pant and yearn; 
And stronger task did fate assign, 
Task that a giant's strength might strain; 
To suffer long and ne'er repine, 
Be calm in frenzy, smile at pain. 

Pale with the secret war of feeling, 
Sustained with courage, mute, yet high; 
The wounds at which she bled, revealing 
Only by altered cheek and eye; 

She bore in silence­but when passion 
Surged in her soul with ceaseless foam, 
The storm at last brought desolation, 
And drove her exiled from her home. 

And silent still, she straight assembled 
The wrecks of strength her soul retained; 
For though the wasted body trembled, 
The unconquered mind, to quail, disdained. 

She crossed the sea­now lone she wanders 
By Seine's, or Rhine's, or Arno's flow; 
Fain would I know if distance renders 
Relief or comfort to her woe. 

Fain would I know if, henceforth, ever, 
These eyes shall read in hers again, 
That light of love which faded never, 
Though dimmed so long with secret pain. 

She will return, but cold and altered, 
Like all whose hopes too soon depart; 
Like all on whom have beat, unsheltered, 
The bitter blasts that blight the heart. 

No more shall I behold her lying 
Calm on a pillow, smoothed by me; 
No more that spirit, worn with sighing, 
Will know the rest of infancy. 

If still the paths of lore she follow, 
'Twill be with tired and goaded will; 
She'll only toil, the aching hollow, 
The joyless blank of life to fill. 

And oh ! full oft, quite spent and weary, 
Her hand will pause, her head decline; 
That labour seems so hard and dreary, 
On which no ray of hope may shine. 

Thus the pale blight of time and sorrow 
Will shade with grey her soft, dark hair 
Then comes the day that knows no morrow, 
And death succeeds to long despair. 

So speaks experience, sage and hoary; 
I see it plainly, know it well, 
Like one who, having read a story, 
Each incident therein can tell. 

Touch not that ring, 'twas his, the sire 
Of that forsaken child; 
And nought his relics can inspire 
Save memories, sin-defiled. 

I, who sat by his wife's death-bed, 
I, who his daughter loved, 
Could almost curse the guilty dead, 
For woes, the guiltless proved. 

And heaven did curse­they found him laid, 
When crime for wrath was rife, 
Cold­with the suicidal blade 
Clutched in his desperate gripe. 

'Twas near that long deserted hut, 
Which in the wood decays, 
Death's axe, self-wielded, struck his root, 
And lopped his desperate days. 

You know the spot, where three black trees, 
Lift up their branches fell, 
And moaning, ceaseless as the seas, 
Still seem, in every passing breeze, 
The deed of blood to tell. 

They named him mad, and laid his bones 
Where holier ashes lie; 
Yet doubt not that his spirit groans, 
In hell's eternity. 

But, lo ! night, closing o'er the earth, 
Infects our thoughts with gloom; 
Come, let us strive to rally mirth, 
Where glows a clear and tranquil hearth 
In some more cheerful room.


Written by Ted Hughes | Create an image from this poem

Lovesong

 He loved her and she loved him
His kisses sucked out her whole past and future or tried to
He had no other appetite
She bit him she gnawed him she sucked
She wanted him complete inside her
Safe and Sure forever and ever
Their little cries fluttered into the curtains

Her eyes wanted nothing to get away
Her looks nailed down his hands his wrists his elbows
He gripped her hard so that life
Should not drag her from that moment
He wanted all future to cease
He wanted to topple with his arms round her
Or everlasting or whatever there was
Her embrace was an immense press
To print him into her bones
His smiles were the garrets of a fairy place
Where the real world would never come
Her smiles were spider bites
So he would lie still till she felt hungry
His word were occupying armies
Her laughs were an assasin's attempts
His looks were bullets daggers of revenge
Her glances were ghosts in the corner with horrible secrets
His whispers were whips and jackboots
Her kisses were lawyers steadily writing
His caresses were the last hooks of a castaway 
Her love-tricks were the grinding of locks
And their deep cries crawled over the floors
Like an animal dragging a great trap
His promises were the surgeon's gag
Her promises took the top off his skull
She would get a brooch made of it
His vows pulled out all her sinews 
He showed her how to make a love-knot
At the back of her secret drawer
Their screams stuck in the wall
Their heads fell apart into sleep like the two halves
Of a lopped melon, but love is hard to stop

In their entwined sleep they exchanged arms and legs
In their dreams their brains took each other hostage

In the morning they wore each other's face
Written by Theodore Roethke | Create an image from this poem

Cuttings

 This urge, wrestle, resurrection of dry sticks,
Cut stems struggling to put down feet,
What saint strained so much,
Rose on such lopped limbs to a new life?
I can hear, underground, that sucking and sobbing,
In my veins, in my bones I feel it --
The small waters seeping upward,
The tight grains parting at last.
When sprouts break out,
Slippery as fish,
I quail, lean to beginnings, sheath-wet.
Written by Alan Seeger | Create an image from this poem

The Torture of Cuauhtemoc

 Their strength had fed on this when Death's white arms 
Came sleeved in vapors and miasmal dew, 
Curling across the jungle's ferny floor, 
Becking each fevered brain. On bleak divides, 
Where Sleep grew niggardly for nipping cold 
That twinged blue lips into a mouthed curse, 
Not back to Seville and its sunny plains 
Winged their brief-biding dreams, but once again, 
Lords of a palace in Tenochtitlan, 
They guarded Montezuma's treasure-hoard. 
Gold, like some finny harvest of the sea, 
Poured out knee deep around the rifted floors, 
Shiny and sparkling, -- arms and crowns and rings: 
Gold, sweet to toy with as beloved hair, -- 
To plunge the lustful, crawling fingers down, 
Arms elbow deep, and draw them out again, 
And watch the glinting metal trickle off, 
Even as at night some fisherman, home bound 
With speckled cargo in his hollow keel 
Caught off Campeche or the Isle of Pines, 
Dips in his paddle, lifts it forth again, 
And laughs to see the luminous white drops 
Fall back in flakes of fire. . . . Gold was the dream 
That cheered that desperate enterprise. And now? . . . 
Victory waited on the arms of Spain, 
Fallen was the lovely city by the lake, 
The sunny Venice of the western world; 
There many corpses, rotting in the wind, 
Poked up stiff limbs, but in the leprous rags 
No jewel caught the sun, no tawny chain 
Gleamed, as the prying halberds raked them o'er. 
Pillage that ran red-handed through the streets 
Came railing home at evening empty-palmed; 
And they, on that sad night a twelvemonth gone, 
Who, ounce by ounce, dear as their own life's blood 
Retreating, cast the cumbrous load away: 
They, when brown foemen lopped the bridges down, 
Who tipped thonged chests into the stream below 
And over wealth that might have ransomed kings 
Passed on to safety; -- cheated, guerdonless -- 
Found (through their fingers the bright booty slipped) 
A city naked, of that golden dream 
Shorn in one moment like a sunset sky. 


Deep in a chamber that no cheerful ray 
Purged of damp air, where in unbroken night 
Black scorpions nested in the sooty beams, 
Helpless and manacled they led him down -- 
Cuauhtemotzin -- and other lords beside -- 
All chieftains of the people, heroes all -- 
And stripped their feathered robes and bound them there 
On short stone settles sloping to the head, 
But where the feet projected, underneath 
Heaped the red coals. Their swarthy fronts illumed, 
The bearded Spaniards, helmed and haubergeoned, 
Paced up and down beneath the lurid vault. 
Some kneeling fanned the glowing braziers; some 
Stood at the sufferers' heads and all the while 
Hissed in their ears: "The gold . . . the gold . . . the gold. 
Where have ye hidden it -- the chested gold? 
Speak -- and the torments cease!" 


They answered not. 
Past those proud lips whose key their sovereign claimed 
No accent fell to chide or to betray, 
Only it chanced that bound beside the king 
Lay one whom Nature, more than other men 
Framing for delicate and perfumed ease, 
Not yet, along the happy ways of Youth, 
Had weaned from gentle usages so far 
To teach that fortitude that warriors feel 
And glory in the proof. He answered not, 
But writhing with intolerable pain, 
Convulsed in every limb, and all his face 
Wrought to distortion with the agony, 
Turned on his lord a look of wild appeal, 
The secret half atremble on his lips, 
Livid and quivering, that waited yet 
For leave -- for leave to utter it -- one sign -- 
One word -- one little word -- to ease his pain. 


As one reclining in the banquet hall, 
Propped on an elbow, garlanded with flowers, 
Saw lust and greed and boisterous revelry 
Surge round him on the tides of wine, but he, 
Staunch in the ethic of an antique school -- 
Stoic or Cynic or of Pyrrho's mind -- 
With steady eyes surveyed the unbridled scene, 
Himself impassive, silent, self-contained: 
So sat the Indian prince, with brow unblanched, 
Amid the tortured and the torturers. 
He who had seen his hopes made desolate, 
His realm despoiled, his early crown deprived him, 
And watched while Pestilence and Famine piled 
His stricken people in their reeking doors, 
Whence glassy eyes looked out and lean brown arms 
Stretched up to greet him in one last farewell 
As back and forth he paced along the streets 
With words of hopeless comfort -- what was this 
That one should weaken now? He weakened not. 
Whate'er was in his heart, he neither dealt 
In pity nor in scorn, but, turning round, 
Met that racked visage with his own unmoved, 
Bent on the sufferer his mild calm eyes, 
And while the pangs smote sharper, in a voice, 
As who would speak not all in gentleness 
Nor all disdain, said: "Yes! And am -I- then 
Upon a bed of roses?" 


Stung with shame -- 
Shame bitterer than his anguish -- to betray 
Such cowardice before the man he loved, 
And merit such rebuke, the boy grew calm; 
And stilled his struggling limbs and moaning cries, 
And shook away his tears, and strove to smile, 
And turned his face against the wall -- and died.
Written by Amy Clampitt | Create an image from this poem

A Hermit Thrush

 Nothing's certain. Crossing, on this longest day, 
the low-tide-uncovered isthmus, scrambling up 
the scree-slope of what at high tide
will be again an island,

to where, a decade since well-being staked 
the slender, unpremeditated claim that brings us 
back, year after year, lugging the 
makings of another picnic—

the cucumber sandwiches, the sea-air-sanctified
fig newtons—there's no knowing what the slamming 
seas, the gales of yet another winter
may have done. Still there,

the gust-beleaguered single spruce tree, 
the ant-thronged, root-snelled moss, grass 
and clover tuffet underneath it, 
edges frazzled raw

but, like our own prolonged attachment, holding. 
Whatever moral lesson might commend itself, 
there's no use drawing one, 
there's nothing here

to seize on as exemplifying any so-called virtue 
(holding on despite adversity, perhaps) or 
any no-more-than-human tendency—
stubborn adherence, say,

to a wholly wrongheaded tenet. Though to 
hold on in any case means taking less and less 
for granted, some few things seem nearly 
certain, as that the longest day

will come again, will seem to hold its breath, 
the months-long exhalation of diminishment 
again begin. Last night you woke me
for a look at Jupiter,

that vast cinder wheeled unblinking
in a bath of galaxies. Watching, we traveled
toward an apprehension all but impossible
to be held onto—

that no point is fixed, that there's no foothold
but roams untethered save by such snells, 
such sailor's knots, such stays
and guy wires as are

mainly of our own devising. From such an 
empyrean, aloof seraphic mentors urge us
to look down on all attachment,
on any bonding, as

in the end untenable. Base as it is, from 
year to year the earth's sore surface
mends and rebinds itself, however
and as best it can, with

thread of cinquefoil, tendril of the magenta
beach pea, trammel of bramble; with easings,
mulchings, fragrances, the gray-green
bayberry's cool poultice—

and what can't finally be mended, the salt air
proceeds to buff and rarefy: the lopped carnage
of the seaward spruce clump weathers
lustrous, to wood-silver.

Little is certain, other than the tide that
circumscribes us that still sets its term
to every picnic—today we stayed too long
again, and got our feet wet—

and all attachment may prove at best, perhaps,
a broken, a much-mended thing. Watching
the longest day take cover under
a monk's-cowl overcast,

with thunder, rain and wind, then waiting,
we drop everything to listen as a 
hermit thrush distills its fragmentary,
hesitant, in the end

unbroken music. From what source (beyond us, or 
the wells within?) such links perceived arrive—
diminished sequences so uninsistingly
not even human—there's

hardly a vocabulary left to wonder, uncertain
as we are of so much in this existence, this 
botched, cumbersome, much-mended,
not unsatisfactory thing.


Written by Bertolt Brecht | Create an image from this poem

From A German War Primer

 AMONGST THE HIGHLY PLACED
It is considered low to talk about food.
The fact is: they have
Already eaten.

The lowly must leave this earth
Without having tasted
Any good meat.

For wondering where they come from and
Where they are going
The fine evenings find them
Too exhausted.

They have not yet seen
The mountains and the great sea
When their time is already up.

If the lowly do not
Think about what's low
They will never rise.

THE BREAD OF THE HUNGRY HAS
ALL BEEN EATEN
Meat has become unknown. Useless
The pouring out of the people's sweat.
The laurel groves have been
Lopped down.
From the chimneys of the arms factories
Rises smoke.

THE HOUSE-PAINTER SPEAKS OF
GREAT TIMES TO COME
The forests still grow.
The fields still bear
The cities still stand.
The people still breathe.

ON THE CALENDAR THE DAY IS NOT
YET SHOWN
Every month, every day
Lies open still. One of those days
Is going to be marked with a cross.

THE WORKERS CRY OUT FOR BREAD
The merchants cry out for markets.
The unemployed were hungry. The employed
Are hungry now.
The hands that lay folded are busy again.
They are making shells.

THOSE WHO TAKE THE MEAT FROM THE TABLE
Teach contentment.
Those for whom the contribution is destined
Demand sacrifice.
Those who eat their fill speak to the hungry
Of wonderful times to come.
Those who lead the country into the abyss
Call ruling too difficult
For ordinary men.

WHEN THE LEADERS SPEAK OF PEACE
The common folk know
That war is coming.
When the leaders curse war
The mobilization order is already written out.

THOSE AT THE TOP SAY: PEACE
AND WAR
Are of different substance.
But their peace and their war
Are like wind and storm.

War grows from their peace
Like son from his mother
He bears
Her frightful features.

Their war kills
Whatever their peace
Has left over.

ON THE WALL WAS CHALKED:
They want war.
The man who wrote it
Has already fallen.

THOSE AT THE TOP SAY:
This way to glory.
Those down below say:
This way to the grave.

THE WAR WHICH IS COMING
Is not the first one. There were
Other wars before it.
When the last one came to an end
There were conquerors and conquered.
Among the conquered the common people
Starved. Among the conquerors
The common people starved too.

THOSE AT THE TOP SAY COMRADESHIP
Reigns in the army.
The truth of this is seen
In the cookhouse.
In their hearts should be
The selfsame courage. But
On their plates
Are two kinds of rations.

WHEN IT COMES TO MARCHING MANY DO NOT
KNOW
That their enemy is marching at their head.
The voice which gives them their orders
Is their enemy's voice and
The man who speaks of the enemy
Is the enemy himself.

IT IS NIGHT
The married couples
Lie in their beds. The young women
Will bear orphans.

GENERAL, YOUR TANK IS A POWERFUL VEHICLE
It smashes down forests and crushes a hundred men.
But it has one defect:
It needs a driver.

General, your bomber is powerful.
It flies faster than a storm and carries more than an elephant.
But it has one defect:
It needs a mechanic.

General, man is very useful.
He can fly and he can kill.
But he has one defect:
He can think.
Written by George Meredith | Create an image from this poem

Meditation under Stars

 What links are ours with orbs that are
So resolutely far:
The solitary asks, and they
Give radiance as from a shield:
Still at the death of day,
The seen, the unrevealed.
Implacable they shine
To us who would of Life obtain
An answer for the life we strain
To nourish with one sign.
Nor can imagination throw
The penetrative shaft: we pass
The breath of thought, who would divine
If haply they may grow
As Earth; have our desire to know;
If life comes there to grain from grass,
And flowers like ours of toil and pain;
Has passion to beat bar,
Win space from cleaving brain;
The mystic link attain,
Whereby star holds on star.

Those visible immortals beam
Allurement to the dream:
Ireful at human hungers brook
No question in the look.
For ever virgin to our sense,
Remote they wane to gaze intense:
Prolong it, and in ruthlessness they smite
The beating heart behind the ball of sight:
Till we conceive their heavens hoar,
Those lights they raise but sparkles frore,
And Earth, our blood-warm Earth, a shuddering prey
To that frigidity of brainless ray.
Yet space is given for breath of thought
Beyond our bounds when musing: more
When to that musing love is brought,
And love is asked of love's wherefore.
'Tis Earth's, her gift; else have we nought:
Her gift, her secret, here our tie.
And not with her and yonder sky?
Bethink you: were it Earth alone
Breeds love, would not her region be
The sole delight and throne
Of generous Deity?

To deeper than this ball of sight
Appeal the lustrous people of the night.
Fronting yon shoreless, sown with fiery sails,
It is our ravenous that quails,
Flesh by its craven thirsts and fears distraught.
The spirit leaps alight,
Doubts not in them is he,
The binder of his sheaves, the sane, the right:
Of magnitude to magnitude is wrought,
To feel it large of the great life they hold:
In them to come, or vaster intervolved,
The issues known in us, our unsolved solved:
That there with toil Life climbs the self-same Tree,
Whose roots enrichment have from ripeness dropped.
So may we read and little find them cold:
Let it but be the lord of Mind to guide
Our eyes; no branch of Reason's growing lopped;
Nor dreaming on a dream; but fortified
By day to penetrate black midnight; see,
Hear, feel, outside the senses; even that we,
The specks of dust upon a mound of mould,
We who reflect those rays, though low our place,
To them are lastingly allied.

So may we read, and little find them cold:
Not frosty lamps illumining dead space,
Not distant aliens, not senseless Powers.
The fire is in them whereof we are born;
The music of their motion may be ours.
Spirit shall deem them beckoning Earth and voiced
Sisterly to her, in her beams rejoiced.
Of love, the grand impulsion, we behold
The love that lends her grace
Among the starry fold.
Then at new flood of customary morn,
Look at her through her showers,
Her mists, her streaming gold,
A wonder edges the familiar face:
She wears no more that robe of printed hours;
Half strange seems Earth, and sweeter than her flowers.
Written by Bertolt Brecht | Create an image from this poem

From A German War Primer

 AMONGST THE HIGHLY PLACED
It is considered low to talk about food.
The fact is: they have
Already eaten.

The lowly must leave this earth
Without having tasted
Any good meat.

For wondering where they come from and
Where they are going
The fine evenings find them
Too exhausted.

They have not yet seen
The mountains and the great sea
When their time is already up.

If the lowly do not
Think about what's low
They will never rise.

THE BREAD OF THE HUNGRY HAS
ALL BEEN EATEN
Meat has become unknown. Useless
The pouring out of the people's sweat.
The laurel groves have been
Lopped down.
From the chimneys of the arms factories
Rises smoke.

THE HOUSE-PAINTER SPEAKS OF
GREAT TIMES TO COME
The forests still grow.
The fields still bear
The cities still stand.
The people still breathe.

ON THE CALENDAR THE DAY IS NOT
YET SHOWN
Every month, every day
Lies open still. One of those days
Is going to be marked with a cross.

THE WORKERS CRY OUT FOR BREAD
The merchants cry out for markets.
The unemployed were hungry. The employed
Are hungry now.
The hands that lay folded are busy again.
They are making shells.

THOSE WHO TAKE THE MEAT FROM THE TABLE
Teach contentment.
Those for whom the contribution is destined
Demand sacrifice.
Those who eat their fill speak to the hungry
Of wonderful times to come.
Those who lead the country into the abyss
Call ruling too difficult
For ordinary men.

WHEN THE LEADERS SPEAK OF PEACE
The common folk know
That war is coming.
When the leaders curse war
The mobilization order is already written out.

THOSE AT THE TOP SAY: PEACE
AND WAR
Are of different substance.
But their peace and their war
Are like wind and storm.

War grows from their peace
Like son from his mother
He bears
Her frightful features.

Their war kills
Whatever their peace
Has left over.

ON THE WALL WAS CHALKED:
They want war.
The man who wrote it
Has already fallen.

THOSE AT THE TOP SAY:
This way to glory.
Those down below say:
This way to the grave.

THE WAR WHICH IS COMING
Is not the first one. There were
Other wars before it.
When the last one came to an end
There were conquerors and conquered.
Among the conquered the common people
Starved. Among the conquerors
The common people starved too.

THOSE AT THE TOP SAY COMRADESHIP
Reigns in the army.
The truth of this is seen
In the cookhouse.
In their hearts should be
The selfsame courage. But
On their plates
Are two kinds of rations.

WHEN IT COMES TO MARCHING MANY DO NOT
KNOW
That their enemy is marching at their head.
The voice which gives them their orders
Is their enemy's voice and
The man who speaks of the enemy
Is the enemy himself.

IT IS NIGHT
The married couples
Lie in their beds. The young women
Will bear orphans.

GENERAL, YOUR TANK IS A POWERFUL VEHICLE
It smashes down forests and crushes a hundred men.
But it has one defect:
It needs a driver.

General, your bomber is powerful.
It flies faster than a storm and carries more than an elephant.
But it has one defect:
It needs a mechanic.

General, man is very useful.
He can fly and he can kill.
But he has one defect:
He can think.
Written by Victor Hugo | Create an image from this poem

Battle Of The Norsemen And The Gaels

 ("Accourez tous, oiseaux de proie!") 
 
 {VII., September, 1825.} 


 Ho! hither flock, ye fowls of prey! 
 Ye wolves of war, make no delay! 
 For foemen 'neath our blades shall fall 
 Ere night may veil with purple pall. 
 The evening psalms are nearly o'er, 
 And priests who follow in our train 
 Have promised us the final gain, 
 And filled with faith our valiant corps. 
 
 Let orphans weep, and widows brood! 
 To-morrow we shall wash the blood 
 Off saw-gapped sword and lances bent, 
 So, close the ranks and fire the tent! 
 And chill yon coward cavalcade 
 With brazen bugles blaring loud, 
 E'en though our chargers' neighing proud 
 Already has the host dismayed. 
 
 Spur, horsemen, spur! the charge resounds! 
 On Gaelic spear the Northman bounds! 
 Through helmet plumes the arrows flit, 
 And plated breasts the pikeheads split. 
 The double-axe fells human oaks, 
 And like the thistles in the field 
 See bristling up (where none must yield!) 
 The points hewn off by sweeping strokes! 
 
 We, heroes all, our wounds disdain; 
 Dismounted now, our horses slain, 
 Yet we advance—more courage show, 
 Though stricken, seek to overthrow 
 The victor-knights who tread in mud 
 The writhing slaves who bite the heel, 
 While on caparisons of steel 
 The maces thunder—cudgels thud! 
 
 Should daggers fail hide-coats to shred, 
 Seize each your man and hug him dead! 
 Who falls unslain will only make 
 A mouthful to the wolves who slake 
 Their month-whet thirst. No captives, none! 
 We die or win! but should we die, 
 The lopped-off hand will wave on high 
 The broken brand to hail the sun! 


 




Written by Czeslaw Milosz | Create an image from this poem

Artificer

 Burning, he walks in the stream of flickering letters, clarinets,
machines throbbing quicker than the heart, lopped-off heads, silk
canvases, and he stops under the sky

and raises toward it his joined clenched fists.

Believers fall on their bellies, they suppose it is a monstrance that
shines,

but those are knuckles, sharp knuckles shine that way, my friends.

He cuts the glowing, yellow buildings in two, breaks the walls into
motley halves;
pensive, he looks at the honey seeping from those huge honeycombs:
throbs of pianos, children's cries, the thud of a head banging against
the floor.
This is the only landscape able to make him feel.

He wonders at his brother's skull shaped like an egg,
every day he shoves back his black hair from his brow,
then one day he plants a big load of dynamite
and is surprised that afterward everything spouts up in the explosion.
Agape, he observes the clouds and what is hanging in them:
globes, penal codes, dead cats floating on their backs, locomotives.
They turn in the skeins of white clouds like trash in a puddle.
While below on the earth a banner, the color of a romantic rose,
flutters,
and a long row of military trains crawls on the weed-covered tracks.

Book: Reflection on the Important Things