Written by
Kenneth Koch |
(sign at a railroad crossing in Kenya)
In a poem, one line may hide another line,
As at a crossing, one train may hide another train.
That is, if you are waiting to cross
The tracks, wait to do it for one moment at
Least after the first train is gone. And so when you read
Wait until you have read the next line—
Then it is safe to go on reading.
In a family one sister may conceal another,
So, when you are courting, it's best to have them all in view
Otherwise in coming to find one you may love another.
One father or one brother may hide the man,
If you are a woman, whom you have been waiting to love.
So always standing in front of something the other
As words stand in front of objects, feelings, and ideas.
One wish may hide another. And one person's reputation may hide
The reputation of another. One dog may conceal another
On a lawn, so if you escape the first one you're not necessarily safe;
One lilac may hide another and then a lot of lilacs and on the Appia
Antica one tomb
May hide a number of other tombs. In love, one reproach may hide another,
One small complaint may hide a great one.
One injustice may hide another—one colonial may hide another,
One blaring red uniform another, and another, a whole column. One bath
may hide another bath
As when, after bathing, one walks out into the rain.
One idea may hide another: Life is simple
Hide Life is incredibly complex, as in the prose of Gertrude Stein
One sentence hides another and is another as well. And in the laboratory
One invention may hide another invention,
One evening may hide another, one shadow, a nest of shadows.
One dark red, or one blue, or one purple—this is a painting
By someone after Matisse. One waits at the tracks until they pass,
These hidden doubles or, sometimes, likenesses. One identical twin
May hide the other. And there may be even more in there! The obstetrician
Gazes at the Valley of the Var. We used to live there, my wife and I, but
One life hid another life. And now she is gone and I am here.
A vivacious mother hides a gawky daughter. The daughter hides
Her own vivacious daughter in turn. They are in
A railway station and the daughter is holding a bag
Bigger than her mother's bag and successfully hides it.
In offering to pick up the daughter's bag one finds oneself confronted by
the mother's
And has to carry that one, too. So one hitchhiker
May deliberately hide another and one cup of coffee
Another, too, until one is over-excited. One love may hide another love
or the same love
As when "I love you" suddenly rings false and one discovers
The better love lingering behind, as when "I'm full of doubts"
Hides "I'm certain about something and it is that"
And one dream may hide another as is well known, always, too. In the
Garden of Eden
Adam and Eve may hide the real Adam and Eve.
Jerusalem may hide another Jerusalem.
When you come to something, stop to let it pass
So you can see what else is there. At home, no matter where,
Internal tracks pose dangers, too: one memory
Certainly hides another, that being what memory is all about,
The eternal reverse succession of contemplated entities. Reading
A Sentimental Journey look around
When you have finished, for Tristram Shandy, to see
If it is standing there, it should be, stronger
And more profound and theretofore hidden as Santa Maria Maggiore
May be hidden by similar churches inside Rome. One sidewalk
May hide another, as when you're asleep there, and
One song hide another song; a pounding upstairs
Hide the beating of drums. One friend may hide another, you sit at the
foot of a tree
With one and when you get up to leave there is another
Whom you'd have preferred to talk to all along. One teacher,
One doctor, one ecstasy, one illness, one woman, one man
May hide another. Pause to let the first one pass.
You think, Now it is safe to cross and you are hit by the next one. It
can be important
To have waited at least a moment to see what was already there.
|
Written by
Walt Whitman |
1
ELEMENTAL drifts!
How I wish I could impress others as you have just been impressing me!
As I ebb’d with an ebb of the ocean of life,
As I wended the shores I know,
As I walk’d where the ripples continually wash you, Paumanok,
Where they rustle up, hoarse and sibilant,
Where the fierce old mother endlessly cries for her castaways,
I, musing, late in the autumn day, gazing off southward,
Alone, held by this eternal Self of me, out of the pride of which I utter my poems,
Was seiz’d by the spirit that trails in the lines underfoot,
In the rim, the sediment, that stands for all the water and all the land of the globe.
Fascinated, my eyes, reverting from the south, dropt, to follow those slender winrows,
Chaff, straw, splinters of wood, weeds, and the sea-gluten,
Scum, scales from shining rocks, leaves of salt-lettuce, left by the tide:
Miles walking, the sound of breaking waves the other side of me,
Paumanok, there and then, as I thought the old thought of likenesses,
These you presented to me, you fish-shaped island,
As I wended the shores I know,
As I walk’d with that eternal Self of me, seeking types.
2
As I wend to the shores I know not,
As I list to the dirge, the voices of men and women wreck’d,
As I inhale the impalpable breezes that set in upon me,
As the ocean so mysterious rolls toward me closer and closer,
I, too, but signify, at the utmost, a little wash’d-up drift,
A few sands and dead leaves to gather,
Gather, and merge myself as part of the sands and drift.
O baffled, balk’d, bent to the very earth,
Oppress’d with myself that I have dared to open my mouth,
Aware now, that, amid all that blab whose echoes recoil upon me, I have not once had the
least
idea who or what I am,
But that before all my insolent poems the real ME stands yet untouch’d, untold,
altogether
unreach’d,
Withdrawn far, mocking me with mock-congratulatory signs and bows,
With peals of distant ironical laughter at every word I have written,
Pointing in silence to these songs, and then to the sand beneath.
Now I perceive I have not understood anything—not a single object—and that no
man
ever can.
I perceive Nature, here in sight of the sea, is taking advantage of me, to dart upon me,
and
sting me,
Because I have dared to open my mouth, to sing at all.
3
You oceans both! I close with you;
We murmur alike reproachfully, rolling our sands and drift, knowing not why,
These little shreds indeed, standing for you and me and all.
You friable shore, with trails of debris!
You fish-shaped island! I take what is underfoot;
What is yours is mine, my father.
I too Paumanok,
I too have bubbled up, floated the measureless float, and been wash’d on your shores;
I too am but a trail of drift and debris,
I too leave little wrecks upon you, you fish-shaped island.
I throw myself upon your breast, my father,
I cling to you so that you cannot unloose me,
I hold you so firm, till you answer me something.
Kiss me, my father,
Touch me with your lips, as I touch those I love,
Breathe to me, while I hold you close, the secret of the murmuring I envy.
4
Ebb, ocean of life, (the flow will return,)
Cease not your moaning, you fierce old mother,
Endlessly cry for your castaways—but fear not, deny not me,
Rustle not up so hoarse and angry against my feet, as I touch you, or gather from you.
I mean tenderly by you and all,
I gather for myself, and for this phantom, looking down where we lead, and following me
and
mine.
Me and mine!
We, loose winrows, little corpses,
Froth, snowy white, and bubbles,
(See! from my dead lips the ooze exuding at last!
See—the prismatic colors, glistening and rolling!)
Tufts of straw, sands, fragments,
Buoy’d hither from many moods, one contradicting another,
From the storm, the long calm, the darkness, the swell;
Musing, pondering, a breath, a briny tear, a dab of liquid or soil;
Up just as much out of fathomless workings fermented and thrown;
A limp blossom or two, torn, just as much over waves floating, drifted at random;
Just as much for us that sobbing dirge of Nature;
Just as much, whence we come, that blare of the cloud-trumpets;
We, capricious, brought hither, we know not whence, spread out before you,
You, up there, walking or sitting,
Whoever you are—we too lie in drifts at your feet.
|
Written by
Johann Wolfgang von Goethe |
HE.
CANST thou give, oh fair and matchless maiden,
'Neath the shadow of the lindens yonder,--
Where I'd fain one moment cease to wander,--
Food and drink to one so heavy laden?
SHE.
Wouldst thou find refreshment, traveller weary,
Bread, ripe fruit and cream to meet thy wishes,--
None but Nature's plain and homely dishes,--
Near the spring may soothe thy wanderings dreary.
HE.
Dreams of old acquaintance now pass through me,
Ne'er-forgotten queen of hours of blisses.
Likenesses I've often found, but this is
One that quite a marvel seemeth to me!
SHE.
Travellers often wonder beyond measure,
But their wonder soon see cause to smother;
Fair and dark are often like each other,
Both inspire the mind with equal pleasure.
HE.
Not now for the first time I surrender
To this form, in humble adoration;
It was brightest midst the constellation
In the hail adorn'd with festal splendour.
SHE.
Be thou joyful that 'tis in my power
To complete thy strange and merry story!
Silks behind her, full of purple glory,
Floated, when thou saw'st her in that hour.
HE.
No, in truth, thou hast not sung it rightly!
Spirits may have told thee all about it;
Pearls and gems they spoke of, do not doubt it,--
By her gaze eclipsed,--it gleam'd so brightly!
SHE.
This one thing I certainly collected:
That the fair one--(say nought, I entreat thee!)
Fondly hoping once again to meet thee,
Many a castle in the air erected.
HE.
By each wind I ceaselessly was driven,
Seeking gold and honour, too, to capture!
When my wand'rings end, then oh, what rapture,
If to find that form again 'tis given!
SHE.
'Tis the daughter of the race now banish'd
That thou seest, not her likeness only;
Helen and her brother, glad though lonely,
Till this farm of their estate now vanish'd.
HE.
But the owner surely is not wanting
Of these plains, with ev'ry beauty teeming?
Verdant fields, broad meads, and pastures gleaming,
Gushing springs, all heav'nly and enchanting.
SHE.
Thou must hunt the world through, wouldst thou find him!--
We have wealth enough in our possession,
And intend to purchase the succession,
When the good man leaves the world behind him.
HE.
I have learnt the owner's own condition,
And, fair maiden, thou indeed canst buy it;
But the cost is great, I won't deny it,--
Helen is the price,--with thy permission!
SHE.
Did then fate and rank keep us asunder,
And must Love take this road, and no other?
Yonder comes my dear and trusty brother;
What will he say to it all, I wonder?
1803.*
|