10 Best Famous Lessened Poems

Here is a collection of the top 10 all-time best famous Lessened poems. This is a select list of the best famous Lessened poetry. Reading, writing, and enjoying famous Lessened poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of lessened poems.

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The Embrace

by Mark Doty
 You weren't well or really ill yet either;
just a little tired, your handsomeness
tinged by grief or anticipation, which brought
to your face a thoughtful, deepening grace.

I didn't for a moment doubt you were dead.
I knew that to be true still, even in the dream.
You'd been out—at work maybe?—
having a good day, almost energetic.

We seemed to be moving from some old house
where we'd lived, boxes everywhere, things
in disarray: that was the story of my dream,
but even asleep I was shocked out of narrative

by your face, the physical fact of your face:
inches from mine, smooth-shaven, loving, alert.
Why so difficult, remembering the actual look
of you? Without a photograph, without strain?

So when I saw your unguarded, reliable face,
your unmistakable gaze opening all the warmth
and clarity of you—warm brown tea—we held
each other for the time the dream allowed.

Bless you. You came back so I could see you
once more, plainly, so I could rest against you
without thinking this happiness lessened anything,
without thinking you were alive again.

The Author to Her Book

by Anne Bradstreet
Thou ill-formed offspring of my feeble brain,
Who after birth didst by my side remain,
Till snatched from thence by friends, less wise than true,
Who thee abroad, exposed to public view,
Made thee in rags, halting to th' press to trudge,
Where errors were not lessened (all may judge).
At thy return my blushing was not small,
My rambling brat (in print) should mother call,
I cast thee by as one unfit for light,
Thy visage was so irksome in my sight;
Yet being mine own, at length affection would
Thy blemishes amend, if so I could:
I washed thy face, but more defects I saw,
And rubbing off a spot still made a flaw.
I stretched thy joints to make thee even feet,
Yet still thou run'st more hobbling than is meet;
In better dress to trim thee was my mind,
But nought save homespun cloth i' th' house I find.
In this array 'mongst vulgars may'st thou roam.
In critic's hands beware thou dost not come,
And take thy way where yet thou art not known;
If for thy father asked, say thou hadst none;
And for thy mother, she alas is poor,
Which caused her thus to send thee out of door.

The Widening Spell Of Leaves

by Larry Levis
 --The Carpathian Frontier, October, 1968
 --for my brother

Once, in a foreign country, I was suddenly ill.
I was driving south toward a large city famous
For so little it had a replica, in concrete,
In two-thirds scale, of the Arc de Triomphe stuck
In the midst of traffic, & obstructing it.
But the city was hours away, beyond the hills
Shaped like the bodies of sleeping women.
Often I had to slow down for herds of goats
Or cattle milling on those narrow roads, & for
The narrower, lost, stone streets of villages
I passed through. The pains in my stomach had grown
Gradually sharper & more frequent as the day
Wore on, & now a fever had set up house.
In the villages there wasn't much point in asking
Anyone for help. In those places, where tanks
Were bivouacked in shade on their way back
From some routine exercise along
The Danube, even food was scarce that year.
And the languages shifted for no clear reason
From two hard quarries of Slavic into German,
Then to a shred of Latin spliced with oohs
And hisses. Even when I tried the simplest phrases,
The peasants passing over those uneven stones
Paused just long enough to look up once,
Uncomprehendingly. Then they turned
Quickly away, vanishing quietly into that
Moment, like bark chips whirled downriver.
It was autumn. Beyond each village the wind
Threw gusts of yellowing leaves across the road.
The goats I passed were thin, gray; their hind legs,
Caked with dried ****, seesawed along--
Not even mild contempt in their expressionless,
Pale eyes, & their brays like the scraping of metal.
Except for one village that had a kind
Of museum where I stopped to rest, & saw
A dead Scythian soldier under glass,
Turning to dust while holding a small sword
At attention forever, there wasn't much to look at.
Wind, leaves, goats, the higher passes
Locked in stone, the peasants with their fate
Embroidering a stillness into them,
And a spell over all things in that landscape,
Like . . .
 That was the trouble; it couldn't be
Compared to anything else, not even the sleep
Of some asylum at a wood's edge with the sound
Of a pond's spillway beside it. But as each cramp
Grew worse & lasted longer than the one before,
It was hard to keep myself aloof from the threadbare
World walking on that road. After all,
Even as they moved, the peasants, the herds of goats
And cattle, the spiralling leaves, at least were part
Of that spell, that stillness.
 After a while,
The villages grew even poorer, then thinned out,
Then vanished entirely. An hour later,
There were no longer even the goats, only wind,
Then more & more leaves blown over the road, sometimes
Covering it completely for a second.
And yet, except for a random oak or some brush
Writhing out of the ravine I drove beside,
The trees had thinned into rock, into large,
Tough blonde rosettes of fading pasture grass.
Then that gave out in a bare plateau. . . . And then,
Easing the Dacia down a winding grade
In second gear, rounding a long, funneled curve--
In a complete stillness of yellow leaves filling
A wide field--like something thoughtlessly,
Mistakenly erased, the road simply ended.
I stopped the car. There was no wind now.
I expected that, & though I was sick & lost,
I wasn't afraid. I should have been afraid.
To this day I don't know why I wasn't.
I could hear time cease, the field quietly widen.
I could feel the spreading stillness of the place
Moving like something I'd witnessed as a child,
Like the ancient, armored leisure of some reptile
Gliding, gray-yellow, into the slightly tepid,
Unidentical gray-brown stillness of the water--
Something blank & unresponsive in its tough,
Pimpled skin--seen only a moment, then unseen
As it submerged to rest on mud, or glided just
Beneath the lustreless, calm yellow leaves
That clustered along a log, or floated there
In broken ringlets, held by a gray froth
On the opaque, unbroken surface of the pond,
Which reflected nothing, no one.
 And then I remembered.
When I was a child, our neighbors would disappear.
And there wasn't a pond of crocodiles at all.
And they hadn't moved. They couldn't move. They
Lived in the small, fenced-off backwater
Of a canal. I'd never seen them alive. They
Were in still photographs taken on the Ivory Coast.
I saw them only once in a studio when
I was a child in a city I once loved.
I was afraid until our neighbor, a photographer,
Explained it all to me, explained how far
Away they were, how harmless; how they were praised
In rituals as "powers." But they had no "powers,"
He said. The next week he vanished. I thought
Someone had cast a spell & that the crocodiles
Swam out of the pictures on the wall & grew
Silently & multiplied & then turned into
Shadows resting on the banks of lakes & streams
Or took the shapes of fallen logs in campgrounds
In the mountains. They ate our neighbor, Mr. Hirata. 
They ate his whole family. That is what I believed,
Then. . .that someone had cast a spell. I did not
Know childhood was a spell, or that then there
Had been another spell, too quiet to hear,
Entering my city, entering the dust we ate. . . .
No one knew it then. No one could see it,
Though it spread through lawnless miles of housing tracts,
And the new, bare, treeless streets; it slipped
Into the vacant rows of warehouses & picked
The padlocked doors of working-class bars
And union halls & shuttered, empty diners.
And how it clung! (forever, if one had noticed)
To the brothel with the pastel tassels on the shade
Of an unlit table lamp. Farther in, it feasted
On the decaying light of failing shopping centers;
It spilled into the older, tree-lined neighborhoods,
Into warm houses, sealing itself into books
Of bedtime stories read each night by fathers--
The books lying open to the flat, neglected
Light of dawn; & it settled like dust on windowsills
Downtown, filling the smug cafés, schools, 
Banks, offices, taverns, gymnasiums, hotels,
Newsstands, courtrooms, opium parlors, Basque
Restaurants, Armenian steam baths,
French bakeries, & two of the florists' shops--
Their plate glass windows smashed forever.
Finally it tried to infiltrate the exact
Center of my city, a small square bordered
With palm trees, olives, cypresses, a square
Where no one gathered, not even thieves or lovers.
It was a place which no longer had any purpose,
But held itself aloof, I thought, the way
A deaf aunt might, from opinions, styles, gossip.
I liked it there. It was completely lifeless,
Sad & clear in what seemed always a perfect, 
Windless noon. I saw it first as a child,
Looking down at it from that as yet 
Unvandalized, makeshift studio.
I remember leaning my right cheek against
A striped beach ball so that Mr. Hirata--
Who was Japanese, who would be sent the next week
To a place called Manzanar, a detention camp
Hidden in stunted pines almost above
The Sierra timberline--could take my picture.
I remember the way he lovingly relished 
Each camera angle, the unwobbling tripod, 
The way he checked each aperture against
The light meter, in love with all things
That were not accidental, & I remember
The care he took when focusing; how
He tried two different lens filters before
He found the one appropriate for that
Sensual, late, slow blush of afternoon
Falling through the one broad bay window.
I remember holding still & looking down
Into the square because he asked me to;
Because my mother & father had asked me please
To obey & be patient & allow the man--
Whose business was failing anyway by then--
To work as long as he wished to without any
Irritations or annoyances before
He would have to spend these years, my father said,
Far away, in snow, & without his cameras.
But Mr. Hirata did not work. He played.
His toys gleamed there. That much was clear to me . . . .
That was the day I decided I would never work.
It felt like a conversion. Play was sacred.
My father waited behind us on a sofa made
From car seats. One spring kept nosing through.
I remember the camera opening into the light . . . .
And I remember the dark after, the studio closed,
The cameras stolen, slivers of glass from the smashed
Bay window littering the unsanded floors,
And the square below it bathed in sunlight . . . . All this
Before Mr. Hirata died, months later,
From complications following pneumonia.
His death, a letter from a camp official said,
Was purely accidental. I didn't believe it.
Diseases were wise. Diseases, like the polio
My sister had endured, floating paralyzed
And strapped into her wheelchair all through
That war, seemed too precise. Like photographs . . .
Except disease left nothing. Disease was like
And equation that drank up light & never ended,
Not even in summer. Before my fever broke,
And the pains lessened, I could actually see
Myself, in the exact center of that square.
How still it had become in my absence, & how
Immaculate, windless, sunlit. I could see
The outline of every leaf on the nearest tree,
See it more clearly than ever, more clearly than
I had seen anything before in my whole life:
Against the modest, dark gray, solemn trunk,
The leaves were becoming only what they had to be--
Calm, yellow, things in themselves & nothing
More--& frankly they were nothing in themselves,
Nothing except their little reassurance
Of persisting for a few more days, or returning
The year after, & the year after that, & every
Year following--estranged from us by now--& clear,
So clear not one in a thousand trembled; hushed
And always coming back--steadfast, orderly,
Taciturn, oblivious--until the end of Time.

The Ghosts

by Henry Wadsworth Longfellow
 Never stoops the soaring vulture
On his quarry in the desert,
On the sick or wounded bison,
But another vulture, watching
From his high aerial look-out,
Sees the downward plunge, and follows;
And a third pursues the second,
Coming from the invisible ether,
First a speck, and then a vulture,
Till the air is dark with pinions.
So disasters come not singly;
But as if they watched and waited,
Scanning one another's motions,
When the first descends, the others
Follow, follow, gathering flock-wise
Round their victim, sick and wounded,
First a shadow, then a sorrow,
Till the air is dark with anguish.
Now, o'er all the dreary North-land,
Mighty Peboan, the Winter,
Breathing on the lakes and rivers,
Into stone had changed their waters.
From his hair he shook the snow-flakes,
Till the plains were strewn with whiteness,
One uninterrupted level,
As if, stooping, the Creator
With his hand had smoothed them over.
Through the forest, wide and wailing,
Roamed the hunter on his snow-shoes;
In the village worked the women,
Pounded maize, or dressed the deer-skin;
And the young men played together
On the ice the noisy ball-play,
On the plain the dance of snow-shoes.
One dark evening, after sundown,
In her wigwam Laughing Water
Sat with old Nokomis, waiting
For the steps of Hiawatha
Homeward from the hunt returning.
On their faces gleamed the firelight,
Painting them with streaks of crimson,
In the eyes of old Nokomis
Glimmered like the watery moonlight,
In the eyes of Laughing Water
Glistened like the sun in water;
And behind them crouched their shadows
In the corners of the wigwam,
And the smoke In wreaths above them
Climbed and crowded through the smoke-flue.
Then the curtain of the doorway
From without was slowly lifted;
Brighter glowed the fire a moment,
And a moment swerved the smoke-wreath,
As two women entered softly,
Passed the doorway uninvited,
Without word of salutation,
Without sign of recognition,
Sat down in the farthest corner,
Crouching low among the shadows.
From their aspect and their garments,
Strangers seemed they in the village;
Very pale and haggard were they,
As they sat there sad and silent,
Trembling, cowering with the shadows.
Was it the wind above the smoke-flue,
Muttering down into the wigwam?
Was it the owl, the Koko-koho,
Hooting from the dismal forest?
Sure a voice said in the silence:
"These are corpses clad in garments,
These are ghosts that come to haunt you,
From the kingdom of Ponemah,
From the land of the Hereafter!"
Homeward now came Hiawatha
From his hunting in the forest,
With the snow upon his tresses,
And the red deer on his shoulders.
At the feet of Laughing Water
Down he threw his lifeless burden;
Nobler, handsomer she thought him,
Than when first he came to woo her,
First threw down the deer before her,
As a token of his wishes,
As a promise of the future.
Then he turned and saw the strangers,
Cowering, crouching with the shadows;
Said within himself, "Who are they?
What strange guests has Minnehaha?"
But he questioned not the strangers,
Only spake to bid them welcome
To his lodge, his food, his fireside.
When the evening meal was ready,
And the deer had been divided,
Both the pallid guests, the strangers,
Springing from among the shadows,
Seized upon the choicest portions,
Seized the white fat of the roebuck,
Set apart for Laughing Water,
For the wife of Hiawatha;
Without asking, without thanking,
Eagerly devoured the morsels,
Flitted back among the shadows
In the corner of the wigwam.
Not a word spake Hiawatha,
Not a motion made Nokomis,
Not a gesture Laughing Water;
Not a change came o'er their features;
Only Minnehaha softly
Whispered, saying, "They are famished;
Let them do what best delights them;
Let them eat, for they are famished."
Many a daylight dawned and darkened,
Many a night shook off the daylight
As the pine shakes off the snow-flakes
From the midnight of its branches;
Day by day the guests unmoving
Sat there silent in the wigwam;
But by night, in storm or starlight,
Forth they went into the forest,
Bringing fire-wood to the wigwam,
Bringing pine-cones for the burning,
Always sad and always silent.
And whenever Hiawatha
Came from fishing or from hunting,
When the evening meal was ready,
And the food had been divided,
Gliding from their darksome corner,
Came the pallid guests, the strangers,
Seized upon the choicest portions
Set aside for Laughing Water,
And without rebuke or question
Flitted back among the shadows.
Never once had Hiawatha
By a word or look reproved them;
Never once had old Nokomis
Made a gesture of impatience;
Never once had Laughing Water
Shown resentment at the outrage.
All had they endured in silence,
That the rights of guest and stranger,
That the virtue of free-giving,
By a look might not be lessened,
By a word might not be broken.
Once at midnight Hiawatha,
Ever wakeful, ever watchful,
In the wigwam, dimly lighted
By the brands that still were burning,
By the glimmering, flickering firelight
Heard a sighing, oft repeated,
From his couch rose Hiawatha,
From his shaggy hides of bison,
Pushed aside the deer-skin curtain,
Saw the pallid guests, the shadows,
Sitting upright on their couches,
Weeping in the silent midnight.
And he said: "O guests! why is it
That your hearts are so afflicted,
That you sob so in the midnight?
Has perchance the old Nokomis,
Has my wife, my Minnehaha,
Wronged or grieved you by unkindness,
Failed in hospitable duties?"
Then the shadows ceased from weeping,
Ceased from sobbing and lamenting,
And they said, with gentle voices:
"We are ghosts of the departed,
Souls of those who once were with you.
From the realms of Chibiabos
Hither have we come to try you,
Hither have we come to warn you.
"Cries of grief and lamentation
Reach us in the Blessed Islands;
Cries of anguish from the living,
Calling back their friends departed,
Sadden us with useless sorrow.
Therefore have we come to try you;
No one knows us, no one heeds us.
We are but a burden to you,
And we see that the departed
Have no place among the living.
"Think of this, O Hiawatha!
Speak of it to all the people,
That henceforward and forever
They no more with lamentations
Sadden the souls of the departed
In the Islands of the Blessed.
"Do not lay such heavy burdens
In the graves of those you bury,
Not such weight of furs and wampum,
Not such weight of pots and kettles,
For the spirits faint beneath them.
Only give them food to carry,
Only give them fire to light them.
"Four days is the spirit's journey
To the land of ghosts and shadows,
Four its lonely night encampments;
Four times must their fires be lighted.
Therefore, when the dead are buried,
Let a fire, as night approaches,
Four times on the grave be kindled,
That the soul upon its journey
May not lack the cheerful firelight,
May not grope about in darkness.
"Farewell, noble Hiawatha!
We have put you to the trial,
To the proof have put your patience,
By the insult of our presence,
By the outrage of our actions.
We have found you great and noble.
Fail not in the greater trial,
Faint not In the harder struggle."
When they ceased, a sudden darkness
Fell and filled the silent wigwam.
Hiawatha heard a rustle
As of garments trailing by him,
Heard the curtain of the doorway
Lifted by a hand he saw not,
Felt the cold breath of the night air,
For a moment saw the starlight;
But he saw the ghosts no longer,
Saw no more the wandering spirits
From the kingdom of Ponemah,
From the land of the Hereafter.

The Way Things Work

by Jorie Graham
 is by admitting 
or opening away. 
This is the simplest form 
of current: Blue 
moving through blue; 
blue through purple; 
the objects of desire 
opening upon themselves 
without us; the objects of faith. 
The way things work 
is by solution, 
resistance lessened or 
increased and taken 
advantage of. 
The way things work 
is that we finally believe 
they are there, 
common and able 
o illustrate themselves. 
Wheel, kinetic flow, 
rising and falling water, 
ingots, levers and keys, 
I believe in you, 
cylinder lock, pully, 
lifting tackle and 
crane lift your small head-- 
I believe in you--
your head is the horizon to
my hand. I believe 
forever in the hooks. 
The way things work 
is that eventually 
something catches.

What He Thought

by Heather McHugh
 We were supposed to do a job in Italy
and, full of our feeling for
ourselves (our sense of being
Poets from America) we went
from Rome to Fano, met
the Mayor, mulled a couple
matters over. The Italian literati seemed
bewildered by the language of America: they asked us
what does "flat drink" mean? and the mysterious
"cheap date" (no explanation lessened
this one's mystery). Among Italian writers we

could recognize our counterparts: the academic,
the apologist, the arrogant, the amorous,
the brazen and the glib. And there was one
administrator (The Conservative), in suit
of regulation gray, who like a good tour guide
with measured pace and uninflected tone
narrated sights and histories
the hired van hauled us past.
Of all he was most politic--
and least poetic-- so
it seemed. Our last
few days in Rome
I found a book of poems this
unprepossessing one had written: it was there
in the pensione room (a room he'd recommended)
where it must have been abandoned by
the German visitor (was there a bus of them?) to whom
he had inscribed and dated it a month before. I couldn't
read Italian either, so I put the book
back in the wardrobe's dark. We last Americans

were due to leave
tomorrow. For our parting evening then
our host chose something in a family restaurant,
and there we sat and chatted, sat and chewed, till,
sensible it was our last big chance to be Poetic, make
our mark, one of us asked

"What's poetry?
Is it the fruits and vegetables
and marketplace at Campo dei Fiori

or the statue there?" Because I was
the glib one, I identified the answer
instantly, I didn't have to think-- "The truth
is both, it's both!" I blurted out. But that
was easy. That was easiest
to say. What followed taught me something
about difficulty,

for our underestimated host spoke out
all of a sudden, with a rising passion, and he said:

The statue represents
Giordano Bruno, brought
to be burned in the public square
because of his offence against authority, which was to say
the Church. His crime was his belief
the universe does not revolve around
the human being: God is no
fixed point or central government
but rather is poured in waves, through
all things: all things
move. "If God is not the soul itself,
he is the soul OF THE SOUL of the world." Such was
his heresy. The day they brought him forth to die

they feared he might incite the crowd (the man
was famous for his eloquence). And so his captors
placed upon his face
an iron mask
in which he could not speak.

That is how they burned him.
That is how he died,
without a word,
in front of everyone. And poetry--

(we'd all put down our forks by now, to listen to
the man in gray; he went on softly)-- poetry

is what he thought, but did not say.

Modern Love XXVIII: I Must Be Flattered

by George Meredith
 I must be flattered. The imperious 
Desire speaks out. Lady, I am content 
To play with you the game of Sentiment, 
And with you enter on paths perilous; 
But if across your beauty I throw light, 
To make it threefold, it must be all mine. 
First secret; then avowed. For I must shine 
Envied,--I, lessened in my proper sight! 
Be watchful of your beauty, Lady dear! 
How much hangs on that lamp you cannot tell. 
Most earnestly I pray you, tend it well: 
And men shall see me as a burning sphere; 
And men shall mark you eyeing me, and groan 
To be the God of such a grand sunflower! 
I feel the promptings of Satanic power, 
While you do homage unto me alone.

The Faerie Queene Book III Canto VI

by Edmund Spenser
The birth of faire Belphoebe and
Of Amoret is told.
The Gardins of Adonis fraught
With pleasures manifold.
 
And gentle sprite deforme with rude rusticity.
 But to this faire Belphoebe in her berth
The heauens so fauourable were and free,
Looking with myld aspect vpon the earth,
In th'Horoscope of her natiuitee,
That all the gifts of grace and chastitee
On her they poured forth of plenteous horne;
Ioue laught on Venus from his soueraigne see,
And Phoebus with faire beames did her adorne,
And all the Graces rockt her cradle being borne.

Her berth was of the wombe of Morning dew,
And her conception of the ioyous Prime,
And all her whole creation did her shew
Pure and vnspotted from all loathly crime,
That is ingenerate in fleshly slime.
So was this virgin borne, so was she bred,
So was she trayned vp from time to time,
In all chast vertue, and true bounti-hed
Till to her dew perfection she was ripened.

Her mother was the faire Chrysogonee,
The daughter of Amphisa, who by race
A Faerie was, yborne of high degree,
She bore Belphoebe, she bore in like cace
Faire Amoretta in the second place:
These two were twinnes, & twixt them two did share
The heritage of all celestiall grace.
That all the rest it seem'd they robbed bare
Of bountie, and of beautie, and all vertues rare.

It were a goodly storie, to declare,
By what straunge accident faire Chrysogone
Conceiu'd these infants, and how them she bare,
In this wild forrest wandring all alone,
After she had nine moneths fulfild and gone:
For not as other wemens commune brood,
They were enwombed in the sacred throne
Of her chaste bodie, nor with commune food,
As other wemens babes, they sucked vitall blood.

But wondrously they were begot, and bred
Through influence of th'heauens fruitfull ray,
As it in antique bookes is mentioned.
It was vpon a Sommers shynie day,
When Titan faire his beames did display,
In a fresh fountaine, farre from all mens vew,
She bath'd her brest, the boyling heat t'allay;
She bath'd with roses red, and violets blew,
And all the sweetest flowres, that in the forrest grew.

Till faint through irkesome wearinesse, adowne
Vpon the grassie ground her selfe she layd
To sleepe, the whiles a gentle slombring swowne
Vpon her fell all naked bare displayd;
The sunne-beames bright vpon her body playd,
Being through former bathing mollifide,
And pierst into her wombe, where they embayd
With so sweet sence and secret power vnspide,
That in her pregnant flesh they shortly fructifide.

Miraculous may seeme to him, that reades
So straunge ensample of conception;
But reason teacheth that the fruitfull seades
Of all things liuing, through impression
Of the sunbeames in moyst complexion,
Doe life conceiue and quickned are by kynd:
So after Nilus invndation,
Infinite shapes of creatures men do fynd,
Informed in the mud, on which the Sunne hath shynd.

Great father he of generation
Is rightly cald, th'author of life and light;
And his faire sister for creation
Ministreth matter fit, which tempred right
With heate and humour, breedes the liuing wight.
So sprong these twinnes in wombe of Chrysogone,
Yet wist she nought thereof, but sore affright,
Wondred to see her belly so vpblone,
Which still increast, till she her terme had full outgone.

Whereof conceiuing shame and foule disgrace,
Albe her guiltlesse conscience her cleard,
She fled into the wildernesse a space,
Till that vnweeldy burden she had reard,
And shund dishonor, which as death she feard:
Where wearie of long trauell, downe to rest
Her selfe she set, and comfortably cheard;
There a sad cloud of sleepe her ouerkest,
And seized euery sense with sorrow sore opprest.

It fortuned, faire Venus hauing lost
Her little sonne, the winged god of loue,
Who for some light displeasure, which him crost,
Was from her fled, as flit as ayerie Doue,
And left her blisfull bowre of ioy aboue,
(So from her often he had fled away,
When she for ought him sharpely did reproue,
And wandred in the world in strange aray,
Disguiz'd in thousand shapes, that none might him bewray.)

Him for to seeke, she left her heauenly hous,
The house of goodly formes and faire aspects,
Whence all the world deriues the glorious
Features of beautie, and all shapes select,
With which high God his workmanship hath deckt;
And searched euery way, through which his wings
Had borne him, or his tract she mote detect:
She promist kisses sweet, and sweeter things
Vnto the man, that of him tydings to her brings.

First she him sought in Court, where most he vsed
Whylome to haunt, but there she found him not;
But many there she found, which sore accused
His falsehood, and with foule infamous blot
His cruell deedes and wicked wyles did spot:
Ladies and Lords she euery where mote heare
Complayning, how with his empoysned shot
Their wofull harts he wounded had whyleare,
And so had left them languishing twixt hope and feare.

She then the Citties sought from gate to gate,
And euery one did aske, did he him see;
And euery one her answerd, that too late
He had him seene, and felt the crueltie
Of his sharpe darts and whot artillerie;
And euery one threw forth reproches rife
Of his mischieuous deedes, and said, that hee
Was the disturber of all ciuill life,
The enimy of peace, and author of all strife.

Then in the countrey she abroad him sought,
And in the rurall cottages inquired,
Where also many plaints to her were brought,
How he their heedlesse harts with loue had fyred,
And his false venim through their veines inspyred;
And eke the gentle shepheard swaynes, which sat
Keeping their fleecie flockes, as they were hyred,
She sweetly heard complaine, both how and what
Her sonne had to them doen; yet she did smile thereat.

But when in none of all these she him got,
She gan auize, where else he mote him hyde:
At last she her bethought, that she had not
Yet sought the saluage woods and forrests wyde,
In which full many louely Nymphes abyde,
Mongst whom might be, that he did closely lye,
Or that the loue of some of them him tyde:
For thy, she thither cast her course t'apply,
To search the secret haunts of Dianes company.

Shortly vnto the wastefull woods she came,
Whereas she found the Goddesse with her crew,
After late chace of their embrewed game,
Sitting beside a fountaine in a rew,
Some of them washing with the liquid dew
From off their dainty limbes the dustie sweat,
And soyle which did deforme their liuely hew;
Others lay shaded from the scorching heat;
The rest vpon her person gaue attendance great.

She hauing hong vpon a bough on high
Her bow and painted quiuer, had vnlaste
Her siluer buskins from her nimble thigh,
And her lancke loynes vngirt, and brests vnbraste,
After her heat the breathing cold to taste;
Her golden lockes, that late in tresses bright
Embreaded were for hindring of her haste,
Now loose about her shoulders hong vndight,
And were with sweet Ambrosia all besprinckled light.

Soone as she Venus saw behind her backe,
She was asham'd to be so loose surprized,
And woxe halfe wroth against her damzels slacke,
That had not her thereof before auized,
But suffred her so carelesly disguized
Be ouertaken. Soone her garments loose
Vpgath'ring, in her bosome she comprized,
Well as she might, and to the Goddesse rose,
Whiles all her Nymphes did like a girlond her enclose.

Goodly she gan faire Cytherea greet,
And shortly asked her, what cause her brought
Into that wildernesse for her vnmeet,
From her sweet bowres, and beds with pleasures fraught:
That suddein change she strange aduenture thought.
To whom halfe weeping, she thus answered,
That she her dearest sonne Cupido sought,
Who in his frowardnesse from her was fled;
That she repented sore, to haue him angered.

Thereat Diana gan to smile, in scorne
Of her vaine plaint, and to her scoffing sayd;
Great pittie sure, that ye be so forlorne
Of your gay sonne, that giues ye so good ayd
To your disports: ill mote ye bene apayd.
But she was more engrieued, and replide;
Faire sister, ill beseemes it to vpbrayd
A dolefull heart with so disdainfull pride;
The like that mine, may be your paine another tide.

As you in woods and wanton wildernesse
Your glory set, to chace the saluage beasts,
So my delight is all in ioyfulnesse,
In beds, in bowres, in banckets, and in feasts:
And ill becomes you with your loftie creasts,
To scorne the ioy, that Ioue is glad to seeke;
We both are bound to follow heauens beheasts,
And tend our charges with obeisance meeke:
Spare, gentle sister, with reproch my paine to eeke.

And tell me, if that ye my sonne haue heard,
To lurke emongst your Nymphes in secret wize;
Or keepe their cabins: much I am affeard,
Least he like one of them him selfe disguize,
And turne his arrowes to their exercize:
So may he long himselfe full easie hide:
For he is faire and fresh in face and guize,
As any Nymph (let not it be enuyde,)
So saying euery Nymph full narrowly she eyde.

But Phoebe therewith sore was angered,
And sharply said; Goe Dame, goe seeke your boy,
Where you him lately left, in Mars his bed;
He comes not here, we scorne his foolish ioy,
Ne lend we leisure to his idle toy:
But if I catch him in this company,
By Stygian lake I vow, whose sad annoy
The Gods doe dread, he dearely shall abye:
Ile clip his wanton wings, that he no more shall fly.

Whom when as Venus saw so sore displeased,
She inly sory was, and gan relent,
What she had said: so her she soone appeased,
With sugred words and gentle blandishment,
Which as a fountaine from her sweet lips went,
And welled goodly forth, that in short space
She was well pleasd, and forth her damzels sent,
Through all the woods, to search from place to place,
If any tract of him or tydings they mote trace.

To search the God of loue, her Nymphes she sent
Throughout the wandring forrest euery where:
And after them her selfe eke with her went
To seeke the fugitiue, both farre and nere,
So long they sought, till they arriued were
In that same shadie couert, whereas lay
Faire Crysogone in slombry traunce whilere:
Who in her sleepe (a wondrous thing to say)
Vnwares had borne two babes, as faire as springing day.

Vnwares she them conceiu'd, vnwares she bore:
She bore withouten paine, that she conceiued
Withouten pleasure: ne her need implore
Lucinaes aide: which when they both perceiued,
They were through wonder nigh of sense bereaued,
And gazing each on other, nought bespake:
At last they both agreed, her seeming grieued
Out of her heauy swowne not to awake,
But from her louing side the tender babes to take.

Vp they them tooke, each one a babe vptooke,
And with them carried, to be fostered;
Dame Phoebe to a Nymph her babe betooke,
To be vpbrought in perfect Maydenhed,
And of her selfe her name Belphoebe red:
But Venus hers thence farre away conuayd,
To be vpbrought in goodly womanhed,
And in her litle loues stead, which was strayd,
Her Amoretta cald, to comfort her dismayd.

She brought her to her ioyous Paradize,
Where most she wonnes, wh? she on earth does dwel.
So faire a place, as Nature can deuize:
Whether in Paphos, or Cytheron hill,
Or it in Gnidus be, I wote not well;
But well I wote by tryall, that this same
All other pleasant places doth excell,
And called is by her lost louers name,
The Gardin of Adonis, farre renowmd by fame.

In that same Gardin all the goodly flowres,
Wherewith dame Nature doth her beautifie,
And decks the girlonds of her paramoures,
Are fetcht: there is the first seminarie
Of all things, that are borne to liue and die,
According to their kindes. Long worke it were,
Here to account the endlesse progenie
Of all the weedes, that bud and blossome there;
But so much as doth need, must needs be counted here.

It sited was in fruitfull soyle of old,
And girt in with two walles on either side;
The one of yron, the other of bright gold,
That none might thorough breake, nor ouer-stride:
And double gates it had, which opened wide,
By which both in and out men moten pas;
Th'one faire and fresh, the other old and dride:
Old Genius the porter of them was,
Old Genius, the which a double nature has.

He letteth in, he letteth out to wend,
All that to come into the world desire;
A thousand thousand naked babes attend
About him day and night, which doe require,
That he with fleshly weedes would them attire:
Such as him list, such as eternall fate
Ordained hath, he clothes with sinfull mire,
And sendeth forth to liue in mortall state,
Till they againe returne backe by the hinder gate.

After that they againe returned beene,
They in that Gardin planted be againe;
And grow afresh, as they had neuer seene
Fleshly corruption, nor mortall paine.
Some thousand yeares so doen they there remaine;
And then of him are clad with other hew,
Or sent into the chaungefull world againe,
Till thither they returne, where first they grew:
So like a wheele around they runne from old to new.

Ne needs there Gardiner to set, or sow,
To plant or prune: for of their owne accord
All things, as they created were, doe grow,
And yet remember well the mightie word,
Which first was spoken by th'Almightie lord,
That bad them to increase and multiply:
Ne doe they need with water of the ford,
Or of the clouds to moysten their roots dry;
For in themselues eternall moisture they imply.

Infinite shapes of creatures there are bred,
And vncouth formes, which none yet euer knew,
And euery sort is in a sundry bed
Set by it selfe, and ranckt in comely rew:
Some fit for reasonable soules t'indew,
Some made for beasts, some made for birds to weare,
And all the fruitfull spawne of fishes hew
In endlesse rancks along enraunged were,
That seem'd the Ocean could not containe them there.

Daily they grow, and daily forth are sent
Into the world, it to replenish more;
Yet is the stocke not lessened, nor spent,
But still remaines in euerlasting store,
As it at first created was of yore.
For in the wide wombe of the world there lyes,
In hatefull darkenesse and in deepe horrore,
An huge eternall Chaos, which supplyes
The substances of natures fruitfull progenyes.

All things from thence doe their first being fetch,
And borrow matter, whereof they are made,
Which when as forme and feature it does ketch,
Becomes a bodie, and doth then inuade
The state of life, out of the griesly shade.
That substance is eterne, and bideth so,
Ne when the life decayes, and forme does fade,
Doth it consume, and into nothing go,
But chaunged is, and often altred to and fro.

The substance is not chaunged, nor altered,
But th'only forme and outward fashion;
For euery substance is conditioned
To change her hew, and sundry formes to don,
Meet for her temper and complexion:
For formes are variable and decay,
By course of kind, and by occasion;
And that faire flowre of beautie fades away,
As doth the lilly fresh before the sunny ray.

Great enimy to it, and to all the rest,
That in the Gardin of Adonis springs,
Is wicked Time, who with his scyth addrest,
Does mow the flowring herbes and goodly things,
And all their glory to the ground downe flings,
Where they doe wither, and are fowly mard:
He flyes about, and with his flaggy wings
Beates downe both leaues and buds without regard,
Ne euer pittie may relent his malice hard.

Yet pittie often did the gods relent,
To see so faire things mard, and spoyled quight:
And their great mother Venus did lament
The losse of her deare brood, her deare delight:
Her hart was pierst with pittie at the sight,
When walking through the Gardin, them she spyde,
Yet no'te she find redresse for such despight.
For all that liues, is subiect to that law:
All things decay in time, and to their end do draw.

But were it not, that Time their troubler is,
All that in this delightfull Gardin growes,
Should happie be, and haue immortall blis:
For here all plentie, and all pleasure flowes,
And sweet loue gentle fits emongst them throwes,
Without fell rancor, or fond gealosie;
Franckly each paramour his leman knowes,
Each bird his mate, ne any does enuie
Their goodly meriment, and gay felicitie.

There is continuall spring, and haruest there
Continuall, both meeting at one time:
For both the boughes doe laughing blossomes beare,
And with fresh colours decke the wanton Prime,
And eke attonce the heauy trees they clime,
Which seeme to labour vnder their fruits lode:
The whiles the ioyous birdes make their pastime
Emongst the shadie leaues, their sweet abode,
And their true loues without suspition tell abrode.

Right in the middest of that Paradise,
There stood a stately Mount, on whose round top
A gloomy groue of mirtle trees did rise,
Whose shadie boughes sharpe steele did neuer lop,
Nor wicked beasts their tender buds did crop,
But like a girlond compassed the hight,
And from their fruitfull sides sweet gum did drop,
That all the ground with precious deaw bedight,
Threw forth most dainty odours, & most sweet delight.

And in the thickest couert of that shade,
There was a pleasant arbour, not by art,
But of the trees owne inclination made,
Which knitting their rancke braunches part to part,
With wanton yuie twyne entrayld athwart,
And Eglantine, and Caprifole emong,
Fashiond aboue within their inmost part,
That nether Phoebus beams could through th? throng,
Nor Aeolus sharp blast could worke them any wrong.

And all about grew euery sort of flowre,
To which sad louers were transformd of yore;
Fresh Hyacinthus, Phoebus paramoure,
And dearest loue:
Foolish Narcisse, that likes the watry shore,
Sad Amaranthus, made a flowre but late,
Sad Amaranthus, in whose purple gore
Me seemes I see Amintas wretched fate,
To whom sweet Poets verse hath giuen endlesse date.

There wont faire Venus often to enioy
Her deare Adonis ioyous company,
And reape sweet pleasure of the wanton boy;
There yet, some say, in secret he does ly,
Lapped in flowres and pretious spycery,
By her hid from the world, and from the skill
Of Stygian Gods, which doe her loue enuy;
But she her selfe, when euer that she will,
Possesseth him, and of his sweetnesse takes her fill.

And sooth it seemes they say: for he may not
For euer die, and euer buried bee
In balefull night, where all things are forgot;
All be he subiect to mortalitie,
Yet is eterne in mutabilitie,
And by succession made perpetuall,
Transformed oft, and chaunged diuerslie:
For him the Father of all formes they call;
Therefore needs mote he liue, that liuing giues to all.

There now he liueth in eternall blis,
Ioying his goddesse, and of her enioyd:
Ne feareth he henceforth that foe of his,
Which with his cruell tuske him deadly cloyd:
For that wilde Bore, the which him once annoyd,
She firmely hath emprisoned for ay,
That her sweet loue his malice mote auoyd,
In a strong rocky Caue, which is they say,
Hewen vnderneath that Mount, that none him losen may.

There now he liues in euerlasting ioy,
With many of the Gods in company,
Which thither haunt, and with the winged boy
Sporting himselfe in safe felicity:
Who when he hath with spoiles and cruelty
Ransackt the world, and in the wofull harts
Of many wretches set his triumphes hye,
Thither resorts, and laying his sad darts
Aside, with faire Adonis playes his wanton parts.

And his true loue faire Psyche with him playes,
Faire Psyche to him lately reconcyld,
After long troubles and vnmeet vpbrayes,
With which his mother Venus her reuyld,
And eke himselfe her cruelly exyld:
But now in stedfast loue and happy state
She with him liues, and hath him borne a chyld,
Pleasure, that doth both gods and men aggrate,
Pleasure, the daughter of Cupid and Psyche late.

Hither great Venus brought this infant faire,
The younger daughter of Chrysogonee,
And vnto Psyche with great trust and care
Committed her, yfostered to bee,
And trained vp in true feminitee:
Who no lesse carefully her tendered,
Then her owne daughter Pleasure, to whom shee
Made her companion, and her lessoned
In all the lore of loue, and goodly womanhead.

In which when she to perfect ripenesse grew,
Of grace and beautie noble Paragone,
She brought her forth into the worldes vew,
To be th'ensample of true loue alone,
And Lodestarre of all chaste affectione,
To all faire Ladies, that doe liue on ground.
To Faery court she came, where many one
Admyrd her goodly haueour, and found
His feeble hart wide launched with loues cruell wound.

But she to none of them her loue did cast,
Saue to the noble knight Sir Scudamore,
To whom her louing hart she linked fast
In faithfull loue, t'abide for euer more,
And for his dearest sake endured sore,
Sore trouble of an hainous enimy;
Who her would forced haue to haue forlore
Her former loue, and stedfast loialty,
As ye may elsewhere read that ruefull history.

But well I weene, ye first desire to learne,
What end vnto that fearefull Damozell,
Which fled so fast from that same foster stearne,
Whom with his brethren Timias slew, befell:
That was to weet, the goodly Florimell;
Who wandring for to seeke her louer deare,
Her louer deare, her dearest Marinell,
Into misfortune fell, as ye did heare,
And from Prince Arthur fled with wings of idle feare.
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Book: Diverse Voices: The Poetry of Human Rights and the Pursuit of Peace