Written by
Matsuo Basho |
Following are several translations
of the 'Old Pond' poem, which may be
the most famous of all haiku:
Furuike ya
kawazu tobikomu
mizu no oto
-- Basho
Literal Translation
Fu-ru (old) i-ke (pond) ya,
ka-wa-zu (frog) to-bi-ko-mu (jumping into)
mi-zu (water) no o-to (sound)
The old pond--
a frog jumps in,
sound of water.
Translated by Robert Hass
Old pond...
a frog jumps in
water's sound.
Translated by William J. Higginson
An old silent pond...
A frog jumps into the pond,
splash! Silence again.
Translated by Harry Behn
There is the old pond!
Lo, into it jumps a frog:
hark, water's music!
Translated by John Bryan
The silent old pond
a mirror of ancient calm,
a frog-leaps-in splash.
Translated by Dion O'Donnol
old pond
frog leaping
splash
Translated by Cid Corman
Antic pond--
frantic frog jumps in--
gigantic sound.
Translated by Bernard Lionel Einbond
MAFIA HIT MAN POET: NOTE FOUND PINNED TO LAPEL
OF DROWNED VICTIM'S DOUBLE-BREASTED SUIT!!!
'Dere wasa dis frogg
Gone jumpa offa da logg
Now he inna bogg.'
-- Anonymous
Translated by George M. Young, Jr.
Old pond
leap -- splash
a frog.
Translated by Lucien Stryck
The old pond,
A frog jumps in:.
Plop!
Translated by Allan Watts
The old pond, yes, and
A frog is jumping into
The water, and splash.
Translated by G.S. Fraser
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Written by
Seamus Heaney |
As you plaited the harvest bow
You implicated the mellowed silence in you
In wheat that does not rust
But brightens as it tightens twist by twist
Into a knowable corona,
A throwaway love-knot of straw.
Hands that aged round ashplants and cane sticks
And lapped the spurs on a lifetime of game cocks
Harked to their gift and worked with fine intent
Until your fingers moved somnambulant:
I tell and finger it like braille,
Gleaning the unsaid off the palpable,
And if I spy into its golden loops
I see us walk between the railway slopes
Into an evening of long grass and midges,
Blue smoke straight up, old beds and ploughs in hedges,
An auction notice on an outhouse wall--
You with a harvest bow in your lapel,
Me with the fishing rod, already homesick
For the big lift of these evenings, as your stick
Whacking the tips off weeds and bushes
Beats out of time, and beats, but flushes
Nothing: that original townland
Still tongue-tied in the straw tied by your hand.
The end of art is peace
Could be the motto of this frail device
That I have pinned up on our deal dresser--
Like a drawn snare
Slipped lately by the spirit of the corn
Yet burnished by its passage, and still warm.
|
Written by
Stephen Dunn |
This is not the way I am.
Really, I am much taller in person,
the hairline I conceal reaches back
to my grandfather, and the shyness my wife
will not believe in has always been why
I was bold on first dates. My father a crack salesman.
I've saved his pines, the small acclamations
I used to show my friends. And the billyclub
I keep by my bed was his, too; an heirloom.
I am somewhat older than you can tell.
The early deaths have decomposed
behind my eyes, leaving lines apparently caused
by smiling. My voice still reflects the time
I believed in prayer as a way of getting
what I wanted. I am none of my clothes.
My poems are approximately true.
The games I play and how I play them
are the arrows you should follow: they'll take you
to the enormous body of a child. It is not
that simple. At parties I have been known to remove
from the bookshelf the kind of book
that goes best with my beard.
My habits in bed are so perverse that they differentiate me
from no one. And I prefer soda, the bubbles just after
it's opened, to anyone who just lies there. Be careful:
I would like to make you believe in me.
When I come home at night after teaching myself
to students, I want to search the phone book
for their numbers, call them, and pick their brains.
Oh, I am much less flamboyant than this.
If you ever meet me, I'll be the one with the lapel
full of carnations.
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Written by
Carl Sandburg |
EVERY year Emily Dickinson sent one friend
the first arbutus bud in her garden.
In a last will and testament Andrew Jackson
remembered a friend with the gift of George
Washington’s pocket spy-glass.
Napoleon too, in a last testament, mentioned a silver
watch taken from the bedroom of Frederick the Great,
and passed along this trophy to a particular friend.
O. Henry took a blood carnation from his coat lapel
and handed it to a country girl starting work in a
bean bazaar, and scribbled: “Peach blossoms may or
may not stay pink in city dust.”
So it goes. Some things we buy, some not.
Tom Jefferson was proud of his radishes, and Abe
Lincoln blacked his own boots, and Bismarck called
Berlin a wilderness of brick and newspapers.
So it goes. There are accomplished facts.
Ride, ride, ride on in the great new blimps—
Cross unheard-of oceans, circle the planet.
When you come back we may sit by five hollyhocks.
We might listen to boys fighting for marbles.
The grasshopper will look good to us.
So it goes …
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Written by
Carl Sandburg |
JOY … weaving two violet petals for a coat lapel … painting on a slab of night sky a Christ face … slipping new brass keys into rusty iron locks and shouldering till at last the door gives and we are in a new room … forever and ever violet petals, slabs, the Christ face, brass keys and new rooms.
are we near or far?… is there anything else?… who comes back?… and why does love ask nothing and give all? and why is love rare as a tailed comet shaking guesses out of men at telescopes ten feet long? why does the mystery sit with its chin on the lean forearm of women in gray eyes and women in hazel eyes?
are any of these less proud, less important, than a cross-examining lawyer? are any of these less perfect than the front page of a morning newspaper?
the answers are not computed and attested in the back of an arithmetic for the verifications of the lazy
there is no authority in the phone book for us to call and ask the why, the wherefore, and the howbeit it’s … a riddle … by God.
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