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Best Famous Jim Poems

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Written by William Wordsworth | Create an image from this poem

We Are Seven

  A simple child, dear brother Jim,  That lightly draws its breath,  And feels its life in every limb,  What should it know of death?

  I met a little cottage girl,  She was eight years old, she said;  Her hair was thick with many a curl  That cluster'd round her head.

  She had a rustic, woodland air,  And she was wildly clad;  Her eyes were fair, and very fair,  —Her beauty made me glad.

  "Sisters and brothers, little maid,  How many may you be?"  "How many? seven in all," she said,  And wondering looked at me.

  "And where are they, I pray you tell?"  She answered, "Seven are we,  And two of us at Conway dwell,  And two are gone to sea."

  "Two of us in the church-yard lie,  My sister and my brother,  And in the church-yard cottage, I  Dwell near them with my mother."

  "You say that two at Conway dwell,  And two are gone to sea,  Yet you are seven; I pray you tell  Sweet Maid, how this may be?"

  Then did the little Maid reply,  "Seven boys and girls are we;  Two of us in the church-yard lie,  Beneath the church-yard tree."

  "You run about, my little maid,  Your limbs they are alive;  If two are in the church-yard laid,  Then ye are only five."

  "Their graves are green, they may be seen,"  The little Maid replied,  "Twelve steps or more from my mother's door,  And they are side by side."

  "My stockings there I often knit,  My 'kerchief there I hem;  And there upon the ground I sit—  I sit and sing to them."

  "And often after sunset, Sir,  When it is light and fair,  I take my little porringer,  And eat my supper there."

  "The first that died was little Jane;  In bed she moaning lay,  Till God released her of her pain,  And then she went away."

  "So in the church-yard she was laid,  And all the summer dry,  Together round her grave we played,  My brother John and I."

  "And when the ground was white with snow,  And I could run and slide,  My brother John was forced to go,  And he lies by her side."

  "How many are you then," said I,  "If they two are in Heaven?"  The little Maiden did reply,  "O Master! we are seven."

  "But they are dead; those two are dead!  Their spirits are in heaven!"  'Twas throwing words away; for still  The little Maid would have her will,  And said, "Nay, we are seven!"

ANECDOTE for FATHERS,   Shewing how the practice of Lying may be taught.

  I have a boy of five years old,  His face is fair and fresh to see;  His limbs are cast in beauty's mould,  And dearly he loves me.

  One morn we stroll'd on our dry walk,  Our quiet house all full in view,  And held such intermitted talk  As we are wont to do.

  My thoughts on former pleasures ran;  I thought of Kilve's delightful shore,  My pleasant home, when Spring began,  A long, long year before.

  A day it was when I could bear  To think, and think, and think again;  With so much happiness to spare,  I could not feel a pain.

  My boy was by my side, so slim  And graceful in his rustic dress!  And oftentimes I talked to him  In very idleness.

  The young lambs ran a pretty race;  The morning sun shone bright and warm;  "Kilve," said I, "was a pleasant place,  And so is Liswyn farm."

  "My little boy, which like you more,"  I said and took him by the arm—  "Our home by Kilve's delightful shore,  Or here at Liswyn farm?"

  "And tell me, had you rather be,"  I said and held-him by the arm,  "At Kilve's smooth shore by the green sea,  Or here at Liswyn farm?"

  In careless mood he looked at me,  While still I held him by the arm,  And said, "At Kilve I'd rather be  Than here at Liswyn farm."

  "Now, little Edward, say why so;  My little Edward, tell me why;"  "I cannot tell, I do not know."  "Why this is strange," said I.

  "For, here are woods and green hills warm:  There surely must some reason be  Why you would change sweet Liswyn farm,  For Kilve by the green sea."

  At this, my boy hung down his head,  He blush'd with shame, nor made reply;  And five times to the child I said,  "Why, Edward, tell me, why?"

  His head he raised—there was in sight,  It caught his eye, he saw it plain—  Upon the house-top, glittering bright,  A broad and gilded vane.

  Then did the boy his tongue unlock,  And thus to me he made reply;  "At Kilve there was no weather-cock,  And that's the reason why."

  Oh dearest, dearest boy! my heart  For better lore would seldom yearn  Could I but teach the hundredth part  Of what from thee I learn.

LINES  Written at a small distance from my House, and sent by  my little boy to the person to whom they are addressed.

  It is the first mild day of March:  Each minute sweeter than before,  The red-breast sings from the tall larch  That stands beside our door.

  There is a blessing in the air,  Which seems a sense of joy to yield  To the bare trees, and mountains bare,  And grass in the green field.

  My Sister! ('tis a wish of mine)  Now that our morning meal is done,  Make haste, your morning task resign;  Come forth and feel the sun.

  Edward will come with you, and pray,  Put on with speed your woodland dress,  And bring no book, for this one day  We'll give to idleness.

  No joyless forms shall regulate  Our living Calendar:  We from to-day, my friend, will date  The opening of the year.

  Love, now an universal birth,  From heart to heart is stealing,  From earth to man, from man to earth,  —It is the hour of feeling.

  One moment now may give us more  Than fifty years of reason;  Our minds shall drink at every pore  The spirit of the season.

  Some silent laws our hearts may make,  Which they shall long obey;  We for the year to come may take  Our temper from to-day.

  And from the blessed power that rolls  About, below, above;  We'll frame the measure of our souls,  They shall be tuned to love.

  Then come, my sister I come, I pray,  With speed put on your woodland dress,  And bring no book; for this one day  We'll give to idleness.



Written by Robert Frost | Create an image from this poem

A Girls Garden

 A NEIGHBOR of mine in the village
 Likes to tell how one spring
When she was a girl on the farm, she did
 A childlike thing.

One day she asked her father
 To give her a garden plot
To plant and tend and reap herself,
 And he said, "Why not?"

In casting about for a corner
 He thought of an idle bit
Of walled-off ground where a shop had stood,
 And he said, "Just it."

And he said, "That ought to make you
 An ideal one-girl farm,
And give you a chance to put some strength
 On your slim-jim arm."

It was not enough of a garden,
 Her father said, to plough;
So she had to work it all by hand,
 But she don't mind now.

She wheeled the dung in the wheelbarrow
 Along a stretch of road;
But she always ran away and left
 Her not-nice load.

And hid from anyone passing.
 And then she begged the seed.
She says she thinks she planted one
 Of all things but weed.

A hill each of potatoes,
 Radishes, lettuce, peas,
Tomatoes, beets, beans, pumpkins, corn,
 And even fruit trees

And yes, she has long mistrusted
 That a cider apple tree
In bearing there to-day is hers,
 Or at least may be.

Her crop was a miscellany
 When all was said and done,
A little bit of everything,
 A great deal of none.

Now when she sees in the village
 How village things go,
Just when it seems to come in right,
 She says, "I know!

It's as when I was a farmer--"
 Oh, never by way of advice!
And she never sins by telling the tale
 To the same person twice.
Written by Gil Scott-Heron | Create an image from this poem

The revolution will not be televised

You will not be able to stay home, brother
 You will not be able to plug in, turn on and cop out
 You will not be able to lose yourself on skag
 And skip out for beer during commercials
 Because the revolution will not be televised

The revolution will not be televised
 The revolution will not be brought to you by Xerox
 In 4 parts without commercial interruptions
 The revolution will not show you pictures of Nixon
 Blowing a bugle and leading a charge by John Mitchell
 General Abrams and Spiro Agnew to eat hog maws
 Confiscated from a Harlem sanctuary
 The revolution will not be televised

 The revolution will not be brought to you by the
 Schaefer Award Theater and will not star Natalie Woods
 And Steve McQueen or Bullwinkle and Julia
 The revolution will not give your mouth sex appeal
 The revolution will not get rid of the nubs
 The revolution will not make you look five pounds thinner
 Because the revolution will not be televised, Brother

There will be no pictures of you and Willie May
 Pushing that shopping cart down the block on the dead run
 Or trying to slide that color TV into a stolen ambulance
 NBC will not be able predict the winner at 8:32
 Or report from 29 districts
 The revolution will not be televised

 There will be no pictures of pigs shooting down
 Brothers on the instant replay
 There will be no pictures of pigs shooting down
 Brothers on the instant replay

There will be no pictures of Whitney Young
 Being run out of Harlem on a rail with a brand new process
 There will be no slow motion or still life of Roy Wilkens
 Strolling through Watts in a red, black and green
 Liberation jumpsuit that he had been saving
 For just the proper occasion

 Green Acres, The Beverly Hillbillies and Hooter ville Junction
 Will no longer be so damned relevant
 And women will not care if Dick finally gets down with Jane
 On search for tomorrow because black people
 Will be in the street looking for a brighter day
 The revolution will not be televised

There will be no highlights on the eleven o'clock news
 And no pictures of hairy armed women liberationists
 And Jackie Onassis blowing her nose
 The theme song will not be written by Jim Webb
 Francis Scott Key, nor sung by Glen Campbell, Tom Jones
 Johnny Cash, Englebert Humperdink or the Rare Earth
 The revolution will not be televised

 The revolution will not be right back after a message
 About a white tornado, white lightning, or white people
 You will not have to worry about a dove in your bedroom
 The tiger in your tank or the giant in your toilet bowl
 The revolution will not go better with Coke
 The revolution will not fight the germs that may cause bad breath
 The revolution will put you in the driver's seat

The revolution will not be televised, will not be televised
 Will not be televised, will not be televised
 The revolution will be no re-run brothers
 The revolution will be live


Written by Langston Hughes | Create an image from this poem

Merry-Go-Round

 COLORED CHILD AT CARNIVAL

Where is the Jim Crow section 
On this merry-go-round, 
Mister, cause I want to ride?
Down South where I come from 
White and colored 
Can't sit side by side. 
Down South on the train 
There's a Jim Crow car. 
On the bus we're put in the back--
But there ain't no back 
To a merry-go-round! 
Where's the horse 
For a kid that's black?
Written by William Topaz McGonagall | Create an image from this poem

A Tale of the Sea

 A pathetic tale of the sea I will unfold,
Enough to make one's blood run cold;
Concerning four fishermen cast adrift in a dory.
As I've been told I'll relate the story.
T'was on the 8th April on the afternoon of that day
That the village of Louisburg was thrown into a wild state or dismay, 

And the villagers flew to the beach in a state of wild uproar
And in a dory they found four men were cast ashore.
Then the villagers, in surprise assembled about the dory,
And they found that the bottom of the boat was gory;
Then their hearts were seized with sudden dread,
when they discovered that two of the men were dead. 

And the two survivors were exhausted from exposure, hunger, and cold,
Which used the spectators to shudder when them they did behold;
And with hunger the poor men couldn't stand on their feet,
They felt so weakly on their legs for want of meat. 

They were carried to a boarding-house without delay,
But those that were looking on were stricken with dismay,
When the remains of James and Angus McDonald were found in the boat,
Likewise three pieces or flesh in a pool or blood afloat. 

Angus McDonald's right arm was missing from the elbow,
and the throat was cut in a sickening manner which filled the villagers hearts with woe,
Especially when they saw two pieces of flesh had been cut from each thigh,
'Twas then the kind-hearted villagers did murmur and sigh. 

Angus McDonald must have felt the pangs of hunger before he did try
to cut two pieces of fiesh from James McDonald's thigh,
But, Oh heaven! the pangs of hunger are very hard to thole,
And anything that's eatable is precious unto an hungry soul. 

Alas it is most pitiful and horrible to think
That with hunger christians will each other's blood drink
And eat each other's flesh to save themselves from starvation;
But the pangs or hunger makes them mad, and drives them to desperation. 

An old American soldier that had passed through the Civil War,
Declared the scene surpassed anything he's seen by far,
And at the sight, the crowd in horror turned away,
which no doubt they will remember for many a day. 

Colin Chisholm, one of the survivors was looking very pale,
Stretched on a sofa at the boarding-house, making his wail:
Poor fellow! his feet was greatly swollen, and with a melancholy air,
He gave the following account of the distressing affair: 

We belonged to the American fishing schooner named "Cicely",
And our captain was a brave man, called McKenzie;
And the vessel had fourteen hands altogether
And during the passage we had favourable weather. 

'Twas on March the 17th we sailed from Gloucester on the Wednesday
And all our hearts felt buoyant and gay;
And we arrived on the Western banks on the succeeding Tuesday,
While the time unto us seemed to pass merrily away. 

About eight O'clock in the morning, we left the vessel in a dory,
And I hope all kind christians will take heed to my story;
Well, while we were at our work, the sky began to frown,
And with a dense fog we were suddenly shut down 

Then we hunted and shouted, and every nerve did strain,
Thinking to find our schooner but, alas! it was all in vain:
Because the thick fog hid the vessel from our view,
And to keep ourselves warm we closely to each other drew. 

We had not one drop of water , nor provisions of any kind,
Which, alas soon began to tell on our mind;
Especially upon James McDonald who was very thinly clad,
And with the cold and hunger he felt almost mad. 

And looking from the stern where he was lying,
he said Good bye, mates, Oh! I am dying!
Poor fellow we kept his body thinking the rest of us would be saved,
Then, with hunger, Angus McDonald began to cry and madly raved. 

And he cried, Oh, God! send us some kind of meat,
Because I'm resolved to have something to eat;
Oh! do not let us starve on the briny flood
Or else I will drink of poor Jim's blood. 

Then he suddenly seized his knife and cut off poor Jim's arm,
Not thinking in his madness he'd done any harm;
Then poor Jim's blood he did drink and his flesh did eat,
Declaring that the blood tasted like cream, and was a treat. 

Then he asked me to taste it, saying It was good without doubt,
Then I tasted it, but in disgust I instantly spat it out;
Saying, if I was to die within an hour on the briny flood,
I would neither eat the flesh nor drink the blood. 

Then in the afternoon again he turned to me,
Saying, I'm going to cut Jim's throat for more blood d'ye see;
Then I begged of him, for God's sake not to cut the throat of poor Jim,
But he cried, Ha! ha! to save my own life I consider it no sin. 

I tried to prevent him but he struck me without dismay
And cut poor Jim's throat in defiance of me, or all I could say,
Also a piece of flesh from each thigh, and began to eat away,
But poor fellow he sickened about noon, and died on the Sunday. 

Now it is all over and I will thank all my life,
Who has preserved me and my mate, McEachern, in the midst of danger and strife;
And I hope that all landsmen of low and high degree,
Will think of the hardships of poor mariners while at sea.


Written by Jim Carroll | Create an image from this poem

8 Fragments For Kurt Cobain

 1/
Genius is not a generous thing
In return it charges more interest than any amount of royalties can cover
And it resents fame
With bitter vengeance 

Pills and powdres only placate it awhile
Then it puts you in a place where the planet's poles reverse
Where the currents of electricity shift 

Your Body becomes a magnet and pulls to it despair and rotten teeth,
Cheese whiz and guns 

Whose triggers are shaped tenderly into a false lust
In timeless illusion 

2/
The guitar claws kept tightening, I guess on your heart stem.
The loops of feedback and distortion, threaded right thru
Lucifer's wisdom teeth, and never stopped their reverbrating
In your mind 

And from the stage
All the faces out front seemed so hungry
With an unbearably wholesome misunderstanding

From where they sat, you seemed so far up there
High and live and diving

And instead you were swamp crawling
Down, deeper
Until you tasted the Earth's own blood
And chatted with the Buzzing-eyed insects that heroin breeds 

3/
You should have talked more with the monkey
He's always willing to negotiate
I'm still paying him off...
The greater the money and fame
The slower the Pendulum of fortune swings

Your will could have sped it up...
But you left that in a plane
Because it wouldn't pass customs and immigration

4/
Here's synchronicity for you:

Your music's tape was inside my walkman
When my best friend from summer camp
Called with the news about you

I listened them...
It was all there!
Your music kept cutting deeper and deeper valleys of sound
Less and less light
Until you hit solid rock

The drill bit broke
and the valley became
A thin crevice, impassible in time,
As time itself stopped. 

And the walls became cages of brilliant notes
Pressing in...
Pressure
That's how diamonds are made
And that's WHERE it sometimes all collapses
Down in on you

5/
Then I translated your muttered lyrics
And the phrases were curious:
Like "incognito libido"
And "Chalk Skin Bending"

The words kept getting smaller and smaller
Until
Separated from their music
Each letter spilled out into a cartridge
Which fit only in the barrel of a gun

6/
And you shoved the barrel in as far as possible
Because that's where the pain came from
That's where the demons were digging

The world outside was blank
Its every cause was just a continuation
Of another unsolved effect

7/
But Kurt...
Didn't the thought that you would never write another song
Another feverish line or riff
Make you think twice?
That's what I don't understand
Because it's kept me alive, above any wounds

8/
If only you hadn't swallowed yourself into a coma in Roma...
You could have gone to Florence
And looked into the eyes of Bellinni or Rafael's Portraits

Perhaps inside them
You could have found a threshold back to beauty's arms
Where it all began...

No matter that you felt betrayed by her

That is always the cost
As Frank said,
Of a young artist's remorseless passion

Which starts out as a kiss
And follows like a curse
Written by Ellis Parker Butler | Create an image from this poem

Jabed Meeker Humorist

 Twain? Oh, yes, I’ve heard Mark Twain
Heard him down to Pleasant Plain;
Funny? Yes, I guess so. Folks
Seemed to laugh loud at his jokes—
Laughed to beat the band; but I
Couldn’t rightly make out why.
Guess his humor ain’t refined.
Quite enough to suit my mind.
Mark’s all right—right clever speaker—
But he can’t touch Jabed Meeker;
And one thing that makes it *****
Is that Jabed lives right here.

You ain’t met him? Son, you’ve missed
The most funniest humorist
I’ve met with in my born days—
Funniest talker, anyways,
When it comes to repartee—
That’s the humor catches me!

Like a specimen? Huh! Well,
Take, for instance, his umbrell;
Wouldn’t think, until he spoke,
He could turn that to a joke;
Mark Twain couldn’t, bet you that!
That’s where Meeker beats Mark flat!

Just imagine three or four
Fellers in Jim Beemer’s store—
‘Long comes Meeker, and some feller
Says, “See Meeker’s bum umbreller.”
Quick as lightning Meeker ‘d yell:
“Don’t you guy my bumberell!
Where’s the feller dares to hoot
At this sping-spang bumbershoot?
Show me some one dares to call
Bad names at my bumbersoll!”
Right like that! Right off the reel!
Say, you’d ought to heard us squeal!
Then, before we’d got our breath,
Meeker, solemn sad as death,
Says: “Stand up there ‘gainst that wall,
Para-bumber-shooter-soll!”

Twain? All right! But just give me
Some one slick at repartee!
Written by David Lehman | Create an image from this poem

Sestina

 for Jim Cummins 

In Iowa, Jim dreamed that Della Street was Anne Sexton's
twin. Dave drew a comic strip called the "Adventures of Whitman," 
about a bearded beer-guzzler in Superman uniform. Donna dressed 
 like Wallace Stevens 
in a seersucker summer suit. To town came Ted Berrigan, 
saying, "My idea of a bad poet is Marvin Bell."
But no one has won as many prizes as Philip Levine. 

At the restaurant, people were talking about Philip Levine's
latest: the Pulitzer. A toast was proposed by Anne Sexton. 
No one saw the stranger, who said his name was Marvin Bell, 
pour something into Donna's drink. "In the Walt Whitman 
Shopping Center, there you feel free," said Ted Berrigan, 
pulling on a Chesterfield. Everyone laughed, except T. S. Eliot. 

I asked for directions. "You turn right on Gertrude Stein,
then bear left. Three streetlights down you hang a Phil Levine 
and you're there," Jim said. When I arrived I saw Ted Berrigan 
with cigarette ash in his beard. Graffiti about Anne Sexton
decorated the men's room walls. Beth had bought a quart of Walt 
 Whitman. 
Donna looked blank. "Walt who?" The name didn't ring a Marvin Bell. 

You laugh, yet there is nothing inherently funny about Marvin Bell. 
You cry, yet there is nothing inherently scary about Robert Lowell. 
You drink a bottle of Samuel Smith's Nut Brown Ale, as thirsty as 
 Walt Whitman. 
You bring in your car for an oil change, thinking, this place has the aura 
 of Philip Levine. 
Then you go home and write: "He kissed her Anne Sexton, and she 
 returned the favor, caressing his Ted Berrigan." 

Donna was candid. "When the spirit of Ted Berrigan 
comes over me, I can't resist," she told Marvin Bell, 
while he stood dejected at the xerox machine. Anne Sexton
came by to circulate the rumor that Robert Duncan 
had flung his drink on a student who had called him Philip Levine. 
The cop read him the riot act. "I don't care," he said, "if you're Walt 
 Whitman." 

Donna told Beth about her affair with Walt Whitman. 
"He was indefatigable, but he wasn't Ted Berrigan."
The Dow Jones industrials finished higher, led by Philip Levine, 
up a point and a half on strong earnings. Marvin Bell 
ended the day unchanged. Analyst Richard Howard
recommended buying May Swenson and selling Anne Sexton.

In the old days, you liked either Walt Whitman or Anne Sexton, 
not both. Ted Berrigan changed that just by going to a ballgame with 
 Marianne Moore.
And one day Philip Levine looked in the mirror and saw Marvin Bell.
Written by Amy Lowell | Create an image from this poem

The Cross-Roads

 A bullet through his heart at dawn. On 
the table a letter signed
with a woman's name. A wind that goes howling round the 
house,
and weeping as in shame. Cold November dawn peeping through 
the windows,
cold dawn creeping over the floor, creeping up his cold legs,
creeping over his cold body, creeping across his cold face.
A glaze of thin yellow sunlight on the staring eyes. Wind 
howling
through bent branches. A wind which never dies down. Howling, 
wailing.
The gazing eyes glitter in the sunlight. The lids are 
frozen open
and the eyes glitter.

The thudding of a pick on hard earth. A spade grinding 
and crunching.
Overhead, branches writhing, winding, interlacing, unwinding, scattering;
tortured twinings, tossings, creakings. Wind flinging 
branches apart,
drawing them together, whispering and whining among them. A 
waning,
lobsided moon cutting through black clouds. A stream 
of pebbles and earth
and the empty spade gleams clear in the moonlight, then is rammed 
again
into the black earth. Tramping of feet. Men 
and horses.
Squeaking of wheels.
"Whoa! Ready, Jim?"
"All ready."
Something falls, settles, is still. Suicides 
have no coffin.
"Give us the stake, Jim. Now."
Pound! Pound!
"He'll never walk. Nailed to the ground."
An ash stick pierces his heart, if it buds the 
roots will hold him.
He is a part of the earth now, clay to clay. Overhead 
the branches sway,
and writhe, and twist in the wind. He'll never walk with 
a bullet
in his heart, and an ash stick nailing him to the cold, black ground.

Six months he lay still. Six months. And the 
water welled up in his body,
and soft blue spots chequered it. He lay still, for the 
ash stick
held him in place. Six months! Then her face 
came out of a mist of green.
Pink and white and frail like Dresden china, lilies-of-the-valley
at her breast, puce-coloured silk sheening about her. Under 
the young
green leaves, the horse at a foot-pace, the high yellow wheels of 
the chaise
scarcely turning, her face, rippling like grain a-blowing,
under her puce-coloured bonnet; and burning beside her, flaming 
within
his correct blue coat and brass buttons, is someone. What 
has dimmed the sun?
The horse steps on a rolling stone; a wind in the branches makes 
a moan.
The little leaves tremble and shake, turn and quake, over and over,
tearing their stems. There is a shower of young leaves,
and a sudden-sprung gale wails in the trees.
The yellow-wheeled chaise is rocking -- rocking, 
and all the branches
are knocking -- knocking. The sun in the sky is a flat, 
red plate,
the branches creak and grate. She screams and cowers, 
for the green foliage
is a lowering wave surging to smother her. But she sees 
nothing.
The stake holds firm. The body writhes, the body squirms.
The blue spots widen, the flesh tears, but the stake wears well
in the deep, black ground. It holds the body in the still, 
black ground.

Two years! The body has been in the ground two years. It 
is worn away;
it is clay to clay. Where the heart moulders, a greenish 
dust, the stake
is thrust. Late August it is, and night; a night flauntingly 
jewelled
with stars, a night of shooting stars and loud insect noises.
Down the road to Tilbury, silence -- and the slow flapping of large 
leaves.
Down the road to Sutton, silence -- and the darkness of heavy-foliaged 
trees.
Down the road to Wayfleet, silence -- and the whirring scrape of 
insects
in the branches. Down the road to Edgarstown, silence 
-- and stars like
stepping-stones in a pathway overhead. It is very quiet 
at the cross-roads,
and the sign-board points the way down the four roads, endlessly 
points
the way where nobody wishes to go.
A horse is galloping, galloping up from Sutton. Shaking 
the wide,
still leaves as he goes under them. Striking sparks with 
his iron shoes;
silencing the katydids. Dr. Morgan riding to a child-birth 
over Tilbury way;
riding to deliver a woman of her first-born son. One 
o'clock from
Wayfleet bell tower, what a shower of shooting stars! And 
a breeze
all of a sudden, jarring the big leaves and making them jerk up 
and down.
Dr. Morgan's hat is blown from his head, the horse swerves, and 
curves away
from the sign-post. An oath -- spurs -- a blurring of 
grey mist.
A quick left twist, and the gelding is snorting and racing
down the Tilbury road with the wind dropping away behind him.
The stake has wrenched, the stake has started, 
the body, flesh from flesh,
has parted. But the bones hold tight, socket and ball, 
and clamping them down
in the hard, black ground is the stake, wedged through ribs and 
spine.
The bones may twist, and heave, and twine, but the stake holds them 
still
in line. The breeze goes down, and the round stars shine, 
for the stake
holds the fleshless bones in line.

Twenty years now! Twenty long years! The body 
has powdered itself away;
it is clay to clay. It is brown earth mingled with brown 
earth. Only flaky
bones remain, lain together so long they fit, although not one bone 
is knit
to another. The stake is there too, rotted through, but 
upright still,
and still piercing down between ribs and spine in a straight line.
Yellow stillness is on the cross-roads, yellow 
stillness is on the trees.
The leaves hang drooping, wan. The four roads point four 
yellow ways,
saffron and gamboge ribbons to the gaze. A little swirl 
of dust
blows up Tilbury road, the wind which fans it has not strength to 
do more;
it ceases, and the dust settles down. A little whirl 
of wind
comes up Tilbury road. It brings a sound of wheels and 
feet.
The wind reels a moment and faints to nothing under the sign-post.
Wind again, wheels and feet louder. Wind again -- again 
-- again.
A drop of rain, flat into the dust. Drop! -- Drop! Thick 
heavy raindrops,
and a shrieking wind bending the great trees and wrenching off their 
leaves.
Under the black sky, bowed and dripping with rain, 
up Tilbury road,
comes the procession. A funeral procession, bound for 
the graveyard
at Wayfleet. Feet and wheels -- feet and wheels. And 
among them
one who is carried.
The bones in the deep, still earth shiver and pull. There 
is a quiver
through the rotted stake. Then stake and bones fall together
in a little puffing of dust.
Like meshes of linked steel the rain shuts down 
behind the procession,
now well along the Wayfleet road.
He wavers like smoke in the buffeting wind. His 
fingers blow out like smoke,
his head ripples in the gale. Under the sign-post, in 
the pouring rain,
he stands, and watches another quavering figure drifting down
the Wayfleet road. Then swiftly he streams after it. It 
flickers
among the trees. He licks out and winds about them. Over, 
under,
blown, contorted. Spindrift after spindrift; smoke following 
smoke.
There is a wailing through the trees, a wailing of fear,
and after it laughter -- laughter -- laughter, skirling up to the 
black sky.
Lightning jags over the funeral procession. A heavy clap 
of thunder.
Then darkness and rain, and the sound of feet and wheels.
Written by James Tate | Create an image from this poem

The Definition of Gardening

 Jim just loves to garden, yes he does. 
He likes nothing better than to put on 
his little overalls and his straw hat. 
He says, "Let's go get those tools, Jim." 
But then doubt begins to set in.
He says, "What is a garden, anyway?"
And thoughts about a "modernistic" garden
begin to trouble him, eat away at his resolve. 
He stands in the driveway a long time. 
"Horticulture is a groping in the dark 
into the obscure and unfamiliar, 
kneeling before a disinterested secret, 
slapping it, punching it like a Chinese puzzle,
birdbrained babbling gibberish, dig and
destroy, pull out and apply salt, 
hoe and spray, before it spreads, burn roots, 
where not desired, with gloved hands, poisonous, 
the self-sacrifice of it, the self-love, 
into the interior, thunderclap, excruciating, 
through the nose, the earsplitting necrology 
of it, the withering, shrivelling, 
the handy hose holder and Persian insect powder 
and smut fungi, the enemies of the iris, 
wireworms are worse than their parents, 
there is no way out, flowers as big as heads, 
pock-marked, disfigured, blinking insolently 
at me, the me who so loves to garden 
because it prevents the heaving of the ground 
and the untimely death of porch furniture, 
and dark, murky days in a large city 
and the dream home under a permanent storm 
is also a factor to keep in mind."

Book: Reflection on the Important Things