Written by
Robinson Jeffers |
I. Reference to a Passage in Plutarch's Life of Sulla
The people buying and selling, consuming pleasures, talking in the archways,
Were all suddenly struck quiet
And ran from under stone to look up at the sky: so shrill and mournful,
So fierce and final, a brazen
Pealing of trumpets high up in the air, in the summer blue over Tuscany.
They marvelled; the soothsayers answered:
"Although the Gods are little troubled toward men, at the end of each period
A sign is declared in heaven
Indicating new times, new customs, a changed people; the Romans
Rule, and Etruria is finished;
A wise mariner will trim the sails to the wind."
I heard yesterday
So shrill and mournful a trumpet-blast,
It was hard to be wise.... You must eat change and endure; not be much troubled
For the people; they will have their happiness.
When the republic grows too heavy to endure, then Caesar will carry It;
When life grows hateful, there's power ...
II. To the Children
Power's good; life is not always good but power's good.
So you must think when abundance
Makes pawns of people and all the loaves are one dough.
The steep singleness of passion
Dies; they will say, "What was that?" but the power triumphs.
Loveliness will live under glass
And beauty will go savage in the secret mountains.
There is beauty in power also.
You children must widen your minds' eyes to take mountains
Instead of faces, and millions
Instead of persons; not to hate life; and massed power
After the lone hawk's dead.
III
That light blood-loving weasel, a tongue of yellow
Fire licking the sides of the gray stones,
Has a more passionate and more pure heart
In the snake-slender flanks than man can imagine;
But he is betrayed by his own courage,
The man who kills him is like a cloud hiding a star.
Then praise the jewel-eyed hawk and the tall blue heron;
The black cormorants that fatten their sea-rock
With shining slime; even that ruiner of anthills
The red-shafted woodpecker flying,
A white star between blood-color wing-clouds,
Across the glades of the wood and the green lakes of shade.
These live their felt natures; they know their norm
And live it to the brim; they understand life.
While men moulding themselves to the anthill have choked
Their natures until the souls the in them;
They have sold themselves for toys and protection:
No, but consider awhile: what else? Men sold for toys.
Uneasy and fractional people, having no center
But in the eyes and mouths that surround them,
Having no function but to serve and support
Civilization, the enemy of man,
No wonder they live insanely, and desire
With their tongues, progress; with their eyes, pleasure; with their hearts, death.
Their ancestors were good hunters, good herdsmen and swordsman,
But now the world is turned upside down;
The good do evil, the hope's in criminals; in vice
That dissolves the cities and war to destroy them.
Through wars and corruptions the house will fall.
Mourn whom it falls on. Be glad: the house is mined, it will fall.
IV
Rain, hail and brutal sun, the plow in the roots,
The pitiless pruning-iron in the branches,
Strengthen the vines, they are all feeding friends
Or powerless foes until the grapes purple.
But when you have ripened your berries it is time to begin to perish.
The world sickens with change, rain becomes poison,
The earth is a pit, it Is time to perish.
The vines are fey, the very kindness of nature
Corrupts what her cruelty before strengthened.
When you stand on the peak of time it is time to begin to perish.
Reach down the long morbid roots that forget the plow,
Discover the depths; let the long pale tendrils
Spend all to discover the sky, now nothing is good
But only the steel mirrors of discovery . . .
And the beautiful enormous dawns of time, after we perish.
V
Mourning the broken balance, the hopeless prostration of the earth
Under men's hands and their minds,
The beautiful places killed like rabbits to make a city,
The spreading fungus, the slime-threads
And spores; my own coast's obscene future: I remember the farther
Future, and the last man dying
Without succession under the confident eyes of the stars.
It was only a moment's accident,
The race that plagued us; the world resumes the old lonely immortal
Splendor; from here I can even
Perceive that that snuffed candle had something . . . a fantastic virtue,
A faint and unshapely pathos . . .
So death will flatter them at last: what, even the bald ape's by-shot
Was moderately admirable?
VI. Palinode
All summer neither rain nor wave washes the cormorants'
Perch, and their droppings have painted it shining white.
If the excrement of fish-eaters makes the brown rock a snow-mountain
At noon, a rose in the morning, a beacon at moonrise
On the black water: it is barely possible that even men's present
Lives are something; their arts and sciences (by moonlight)
Not wholly ridiculous, nor their cities merely an offense.
VII
Under my windows, between the road and the sea-cliff, bitter wild grass
Stands narrowed between the people and the storm.
The ocean winter after winter gnaws at its earth, the wheels and the feet
Summer after summer encroach and destroy.
Stubborn green life, for the cliff-eater I cannot comfort you, ignorant which color,
Gray-blue or pale-green, will please the late stars;
But laugh at the other, your seed shall enjoy wonderful vengeances and suck
The arteries and walk in triumph on the faces.
|
Written by
Sarojini Naidu |
Jaya Surya
GOLDEN sun of victory, born
In my life's unclouded morn,
In my lambent sky of love,
May your growing glory prove
Sacred to your consecration,
To my heart and to my nation.
Sun of victory, may you be
Sun of song and liberty.
Padmaja
Lotus-maiden, you who claim
All the sweetness of your name,
Lakshmi, fortune's queen, defend you,
Lotus-born like you, and send you
Balmy moons of love to bless you,
Gentle joy-winds to caress you.
Lotus-maiden, may you be
Fragrant of all ecstasy.
Ranadheera
Little lord of battle, hail
In your newly-tempered mail!
Learn to conquer, learn to fight
In the foremost flanks of right,
Like Valmiki's heroes bold,
Rubies girt in epic gold.
Lord of battle, may you be,
Lord of love and chivalry.
Lilamani
Limpid jewel of delight
Severed from the tender night
Of your sheltering mother-mine,
Leap and sparkle, dance and shine,
Blithely and securely set
In love's magic coronet.
Living jewel, may you be
Laughter-bound and sorrow-free.
|
Written by
Pablo Neruda |
You've asked me what the lobster is weaving there with
his golden feet?
I reply, the ocean knows this.
You say, what is the ascidia waiting for in its transparent
bell? What is it waiting for?
I tell you it is waiting for time, like you.
You ask me whom the Macrocystis alga hugs in its arms?
Study, study it, at a certain hour, in a certain sea I know.
You question me about the wicked tusk of the narwhal,
and I reply by describing
how the sea unicorn with the harpoon in it dies.
You enquire about the kingfisher's feathers,
which tremble in the pure springs of the southern tides?
Or you've found in the cards a new question touching on
the crystal architecture
of the sea anemone, and you'll deal that to me now?
You want to understand the electric nature of the ocean
spines?
The armored stalactite that breaks as it walks?
The hook of the angler fish, the music stretched out
in the deep places like a thread in the water?
I want to tell you the ocean knows this, that life in its
jewel boxes
is endless as the sand, impossible to count, pure,
and among the blood-colored grapes time has made the
petal
hard and shiny, made the jellyfish full of light
and untied its knot, letting its musical threads fall
from a horn of plenty made of infinite mother-of-pearl.
I am nothing but the empty net which has gone on ahead
of human eyes, dead in those darknesses,
of fingers accustomed to the triangle, longitudes
on the timid globe of an orange.
I walked around as you do, investigating
the endless star,
and in my net, during the night, I woke up naked,
the only thing caught, a fish trapped inside the wind.
|
Written by
John Keats |
Song of the Indian Maid
O SORROW!
Why dost borrow
The natural hue of health, from vermeil lips?¡ª
To give maiden blushes
To the white rose bushes? 5
Or is it thy dewy hand the daisy tips?
O Sorrow!
Why dost borrow
The lustrous passion from a falcon-eye?¡ª
To give the glow-worm light? 10
Or, on a moonless night,
To tinge, on siren shores, the salt sea-spry?
O Sorrow!
Why dost borrow
The mellow ditties from a mourning tongue?¡ª 15
To give at evening pale
Unto the nightingale,
That thou mayst listen the cold dews among?
O Sorrow!
Why dost borrow 20
Heart's lightness from the merriment of May?¡ª
A lover would not tread
A cowslip on the head,
Though he should dance from eve till peep of day¡ª
Nor any drooping flower 25
Held sacred for thy bower,
Wherever he may sport himself and play.
To Sorrow
I bade good morrow,
And thought to leave her far away behind; 30
But cheerly, cheerly,
She loves me dearly;
She is so constant to me, and so kind:
I would deceive her
And so leave her, 35
But ah! she is so constant and so kind.
Beneath my palm-trees, by the river side,
I sat a-weeping: in the whole world wide
There was no one to ask me why I wept,¡ª
And so I kept 40
Brimming the water-lily cups with tears
Cold as my fears.
Beneath my palm-trees, by the river side,
I sat a-weeping: what enamour'd bride,
Cheated by shadowy wooer from the clouds, 45
But hides and shrouds
Beneath dark palm-trees by a river side?
And as I sat, over the light blue hills
There came a noise of revellers: the rills
Into the wide stream came of purple hue¡ª 50
'Twas Bacchus and his crew!
The earnest trumpet spake, and silver thrills
From kissing cymbals made a merry din¡ª
'Twas Bacchus and his kin!
Like to a moving vintage down they came, 55
Crown'd with green leaves, and faces all on flame;
All madly dancing through the pleasant valley,
To scare thee, Melancholy!
O then, O then, thou wast a simple name!
And I forgot thee, as the berried holly 60
By shepherds is forgotten, when in June
Tall chestnuts keep away the sun and moon:¡ª
I rush'd into the folly!
Within his car, aloft, young Bacchus stood,
Trifling his ivy-dart, in dancing mood, 65
With sidelong laughing;
And little rills of crimson wine imbrued
His plump white arms and shoulders, enough white
For Venus' pearly bite;
And near him rode Silenus on his ass, 70
Pelted with flowers as he on did pass
Tipsily quaffing.
'Whence came ye, merry Damsels! whence came ye,
So many, and so many, and such glee?
Why have ye left your bowers desolate, 75
Your lutes, and gentler fate?'¡ª
'We follow Bacchus! Bacchus on the wing,
A-conquering!
Bacchus, young Bacchus! good or ill betide,
We dance before him thorough kingdoms wide:¡ª 80
Come hither, lady fair, and join¨¨d be
To our wild minstrelsy!'
'Whence came ye, jolly Satyrs! whence came ye,
So many, and so many, and such glee?
Why have ye left your forest haunts, why left 85
Your nuts in oak-tree cleft?'¡ª
'For wine, for wine we left our kernel tree;
For wine we left our heath, and yellow brooms,
And cold mushrooms;
For wine we follow Bacchus through the earth; 90
Great god of breathless cups and chirping mirth!
Come hither, lady fair, and join¨¨d be
To our mad minstrelsy!'
Over wide streams and mountains great we went,
And, save when Bacchus kept his ivy tent, 95
Onward the tiger and the leopard pants,
With Asian elephants:
Onward these myriads¡ªwith song and dance,
With zebras striped, and sleek Arabians' prance,
Web-footed alligators, crocodiles, 100
Bearing upon their scaly backs, in files,
Plump infant laughers mimicking the coil
Of seamen, and stout galley-rowers' toil:
With toying oars and silken sails they glide,
Nor care for wind and tide. 105
Mounted on panthers' furs and lions' manes,
From rear to van they scour about the plains;
A three days' journey in a moment done;
And always, at the rising of the sun,
About the wilds they hunt with spear and horn, 110
On spleenful unicorn.
I saw Osirian Egypt kneel adown
Before the vine-wreath crown!
I saw parch'd Abyssinia rouse and sing
To the silver cymbals' ring! 115
I saw the whelming vintage hotly pierce
Old Tartary the fierce!
The kings of Ind their jewel-sceptres vail,
And from their treasures scatter pearl¨¨d hail;
Great Brahma from his mystic heaven groans, 120
And all his priesthood moans,
Before young Bacchus' eye-wink turning pale.
Into these regions came I, following him,
Sick-hearted, weary¡ªso I took a whim
To stray away into these forests drear, 125
Alone, without a peer:
And I have told thee all thou mayest hear.
Young Stranger!
I've been a ranger
In search of pleasure throughout every clime; 130
Alas! 'tis not for me!
Bewitch'd I sure must be,
To lose in grieving all my maiden prime.
Come then, Sorrow,
Sweetest Sorrow! 135
Like an own babe I nurse thee on my breast:
I thought to leave thee,
And deceive thee,
But now of all the world I love thee best.
There is not one, 140
No, no, not one
But thee to comfort a poor lonely maid;
Thou art her mother,
And her brother,
Her playmate, and her wooer in the shade. 145
|
Written by
Anne Sexton |
Oh sharp diamond, my mother!
I could not count the cost
of all your faces, your moods--
that present that I lost.
Sweet girl, my deathbed,
my jewel-fingered lady,
your portrait flickered all night
by the bulbs of the tree.
Your face as calm as the moon
over a mannered sea,
presided at the family reunion,
the twelve grandchildren
you used to wear on your wrist,
a three-months-old baby,
a fat check you never wrote,
the red-haired toddler who danced the twist,
your aging daughters, each one a wife,
each one talking to the family cook,
each one avoiding your portrait,
each one aping your life.
Later, after the party,
after the house went to bed,
I sat up drinking the Christmas brandy,
watching your picture,
letting the tree move in and out of focus.
The bulbs vibrated.
They were a halo over your forehead.
Then they were a beehive,
blue, yellow, green, red;
each with its own juice, each hot and alive
stinging your face. But you did not move.
I continued to watch, forcing myself,
waiting, inexhaustible, thirty-five.
I wanted your eyes, like the shadows
of two small birds, to change.
But they did not age.
The smile that gathered me in, all wit,
all charm, was invincible.
Hour after hour I looked at your face
but I could not pull the roots out of it.
Then I watched how the sun hit your red sweater, your withered neck,
your badly painted flesh-pink skin.
You who led me by the nose, I saw you as you were.
Then I thought of your body
as one thinks of murder--
Then I said Mary--
Mary, Mary, forgive me
and then I touched a present for the child,
the last I bred before your death;
and then I touched my breast
and then I touched the floor
and then my breast again as if,
somehow, it were one of yours.
|
Written by
Sylvia Plath |
Viciousness in the kitchen!
The potatoes hiss.
It is all Hollywood, windowless,
The fluorescent light wincing on and off like a terrible migraine,
Coy paper strips for doors --
Stage curtains, a widow's frizz.
And I, love, am a pathological liar,
And my child -- look at her, face down on the floor,
Little unstrung puppet, kicking to disappear --
Why she is schizophrenic,
Her face is red and white, a panic,
You have stuck her kittens outside your window
In a sort of cement well
Where they crap and puke and cry and she can't hear.
You say you can't stand her,
The bastard's a girl.
You who have blown your tubes like a bad radio
Clear of voices and history, the staticky
Noise of the new.
You say I should drown the kittens. Their smell!
You say I should drown my girl.
She'll cut her throat at ten if she's mad at two.
The baby smiles, fat snail,
From the polished lozenges of orange linoleum.
You could eat him. He's a boy.
You say your husband is just no good to you.
His Jew-Mama guards his sweet sex like a pearl.
You have one baby, I have two.
I should sit on a rock off Cornwall and comb my hair.
I should wear tiger pants, I should have an affair.
We should meet in another life, we should meet in air,
Me and you.
Meanwhile there's a stink of fat and baby crap.
I'm doped and thick from my last sleeping pill.
The smog of cooking, the smog of hell
Floats our heads, two venemous opposites,
Our bones, our hair.
I call you Orphan, orphan. You are ill.
The sun gives you ulcers, the wind gives you T.B.
Once you were beautiful.
In New York, in Hollywood, the men said: 'Through?
Gee baby, you are rare.'
You acted, acted for the thrill.
The impotent husband slumps out for a coffee.
I try to keep him in,
An old pole for the lightning,
The acid baths, the skyfuls off of you.
He lumps it down the plastic cobbled hill,
Flogged trolley. The sparks are blue.
The blue sparks spill,
Splitting like quartz into a million bits.
O jewel! O valuable!
That night the moon
Dragged its blood bag, sick
Animal
Up over the harbor lights.
And then grew normal,
Hard and apart and white.
The scale-sheen on the sand scared me to death.
We kept picking up handfuls, loving it,
Working it like dough, a mulatto body,
The silk grits.
A dog picked up your doggy husband. He went on.
Now I am silent, hate
Up to my neck,
Thick, thick.
I do not speak.
I am packing the hard potatoes like good clothes,
I am packing the babies,
I am packing the sick cats.
O vase of acid,
It is love you are full of. You know who you hate.
He is hugging his ball and chain down by the gate
That opens to the sea
Where it drives in, white and black,
Then spews it back.
Every day you fill him with soul-stuff, like a pitcher.
You are so exhausted.
Your voice my ear-ring,
Flapping and sucking, blood-loving bat.
That is that. That is that.
You peer from the door,
Sad hag. 'Every woman's a whore.
I can't communicate.'
I see your cute décor
Close on you like the fist of a baby
Or an anemone, that sea
Sweetheart, that kleptomaniac.
I am still raw.
I say I may be back.
You know what lies are for.
Even in your Zen heaven we shan't meet.
|
Written by
Mary Darby Robinson |
I.
Dark was the dawn, and o'er the deep
The boist'rous whirlwinds blew;
The Sea-bird wheel'd its circling sweep,
And all was drear to view--
When on the beach that binds the western shore
The love-lorn ZELMA stood, list'ning the tempest's roar.
II.
Her eager Eyes beheld the main,
While on her DRACO dear
She madly call'd, but call'd in vain,
No sound could DRACO hear,
Save the shrill yelling of the fateful blast,
While ev'ry Seaman's heart, quick shudder'd as it past.
III.
White were the billows, wide display'd
The clouds were black and low;
The Bittern shriek'd, a gliding shade
Seem'd o'er the waves to go !
The livid flash illum'd the clam'rous main,
While ZELMA pour'd, unmark'd, her melancholy strain.
IV.
"Be still!" she cried, "loud tempest cease!
"O ! spare the gallant souls:
"The thunder rolls--the winds increase--
"The Sea, like mountains, rolls!
"While, from the deck, the storm worn victims leap,
"And o'er their struggling limbs, the furious billows sweep.
V.
"O! barb'rous Pow'r! relentless Fate!
"Does Heav'n's high will decree
"That some should sleep on beds of state,--
"Some, in the roaring Sea ?
"Some, nurs'd in splendour, deal Oppression's blow,
"While worth and DRACO pine--in Slavery and woe!
VI.
"Yon Vessel oft has plough'd the main
"With human traffic fraught;
"Its cargo,--our dark Sons of pain--
"For worldly treasure bought !
"What had they done?--O Nature tell me why--
"Is taunting scorn the lot, of thy dark progeny?
VII.
"Thou gav'st, in thy caprice, the Soul
"Peculiarly enshrin'd;
"Nor from the ebon Casket stole
"The Jewel of the mind!
"Then wherefore let the suff'ring *****'s breast
"Bow to his fellow, MAN, in brighter colours drest.
VIII.
"Is it the dim and glossy hue
"That marks him for despair?--
"While men with blood their hands embrue,
"And mock the wretch's pray'r?
"Shall guiltless Slaves the Scourge of tyrants feel,
"And, e'en before their GOD ! unheard, unpitied kneel.
IX.
"Could the proud rulers of the land
"Our Sable race behold;
"Some bow'd by torture's Giant hand
"And others, basely sold !
"Then would they pity Slaves, and cry, with shame,
"Whate'er their TINTS may be, their SOULS are still the same!
X.
"Why seek to mock the Ethiop's face?
"Why goad our hapless kind?
"Can features alienate the race--
"Is there no kindred mind?
"Does not the cheek which vaunts the roseate hue
"Oft blush for crimes, that Ethiops never knew?
XI.
"Behold ! the angry waves conspire
"To check the barb'rous toil!
"While wounded Nature's vengeful ire--
"Roars, round this trembling Isle!
"And hark ! her voice re-echoes in the wind--
"Man was not form'd by Heav'n, to trample on his kind!
XII.
"Torn from my Mother's aching breast,
"My Tyrant sought my love--
"But, in the Grave shall ZELMA rest,
"E'er she will faithless prove--
"No DRACO!--Thy companion I will be
"To that celestial realm, where Negros shall be free!
XIII.
"The Tyrant WHITE MAN taught my mind--
"The letter'd page to trace;--
"He taught me in the Soul to find
"No tint, as in the face:
"He bade my Reason, blossom like the tree--
"But fond affection gave, the ripen'd fruits to thee.
XIV.
"With jealous rage he mark'd my love
"He sent thee far away;--
"And prison'd in the plantain grove--
"Poor ZELMA pass'd the day--
"But ere the moon rose high above the main,
"ZELMA, and Love contriv'd, to break the Tyrant's chain.
XV.
"Swift, o'er the plain of burning Sand
"My course I bent to thee;
"And soon I reach'd the billowy strand
"Which bounds the stormy Sea.--
"DRACO! my Love! Oh yet, thy ZELMA'S soul
"Springs ardently to thee,--impatient of controul.
XVI.
"Again the lightning flashes white--
"The rattling cords among!
"Now, by the transient vivid light,
"I mark the frantic throng!
"Now up the tatter'd shrouds my DRACO flies--
While o'er the plunging prow, the curling billows rise.
XVII.
"The topmast falls--three shackled slaves--
"Cling to the Vessel's side!
"Now lost amid the madd'ning waves--
"Now on the mast they ride--
"See ! on the forecastle my DRACO stands
"And now he waves his chain, now clasps his bleeding hands.
XVIII.
"Why, cruel WHITE-MAN! when away
"My sable Love was torn,
"Why did you let poor ZELMA stay,
On Afric's sands to mourn?
"No ! ZELMA is not left, for she will prove
"In the deep troubled main, her fond--her faithful LOVE."
XIX.
The lab'ring Ship was now a wreck,
The shrouds were flutt'ring wide!
The rudder gone, the lofty deck
Was rock'd from side to side--
Poor ZELMA'S eyes now dropp'd their last big tear,
While, from her tawny cheek, the blood recoil'd with fear.
XX.
Now frantic, on the sands she roam'd,
Now shrieking stop'd to view
Where high the liquid mountains foam'd,
Around the exhausted crew--
'Till, from the deck, her DRACO'S well known form
Sprung mid the yawning waves, and buffetted the Storm.
XXI.
Long, on the swelling surge sustain'd
Brave DRACO sought the shore,
Watch'd the dark Maid, but ne'er complain'd,
Then sunk, to gaze no more!
Poor ZELMA saw him buried by the wave--
And, with her heart's true Love, plung'd in a wat'ry grave.
|
Written by
Robinson Jeffers |
The universe expands and contracts like a great heart.
It is expanding, the farthest nebulae
Rush with the speed of light into empty space.
It will contract, the immense navies of stars and galaxies,
dust clouds and nebulae
Are recalled home, they crush against each other in one
harbor, they stick in one lump
And then explode it, nothing can hold them down; there is no
way to express that explosion; all that exists
Roars into flame, the tortured fragments rush away from each
other into all the sky, new universes
Jewel the black breast of night; and far off the outer nebulae
like charging spearmen again
Invade emptiness.
No wonder we are so fascinated with
fireworks
And our huge bombs: it is a kind of homesickness perhaps for
the howling fireblast that we were born from.
But the whole sum of the energies
That made and contain the giant atom survives. It will
gather again and pile up, the power and the glory--
And no doubt it will burst again; diastole and systole: the
whole universe beats like a heart.
Peace in our time was never one of God's promises; but back
and forth, live and die, burn and be damned,
The great heart beating, pumping into our arteries His
terrible life.
He is beautiful beyond belief.
And we, God's apes--or tragic children--share in the beauty.
We see it above our torment, that's what life's for.
He is no God of love, no justice of a little city like Dante's
Florence, no anthropoid God
Making commandments,: this is the God who does not care
and will never cease. Look at the seas there
Flashing against this rock in the darkness--look at the
tide-stream stars--and the fall of nations--and dawn
Wandering with wet white feet down the Caramel Valley to
meet the sea. These are real and we see their beauty.
The great explosion is probably only a metaphor--I know not
--of faceless violence, the root of all things.
|
Written by
Margaret Atwood |
Your lungs fill & spread themselves,
wings of pink blood, and your bones
empty themselves and become hollow.
When you breathe in you’ll lift like a balloon
and your heart is light too & huge,
beating with pure joy, pure helium.
The sun’s white winds blow through you,
there’s nothing above you,
you see the earth now as an oval jewel,
radiant & seablue with love.
It’s only in dreams you can do this.
Waking, your heart is a shaken fist,
a fine dust clogs the air you breathe in;
the sun’s a hot copper weight pressing straight
down on the think pink rind of your skull.
It’s always the moment just before gunshot.
You try & try to rise but you cannot.
|
Written by
T S (Thomas Stearns) Eliot |
Macavity's a Mystery Cat: he's called the Hidden Paw--
For he's the master criminal who can defy the Law.
He's the bafflement of Scotland Yard, the Flying Squad's despair:
For when they reach the scene of crime--Macavity's not there!
Macavity, Macavity, there's no on like Macavity,
He's broken every human law, he breaks the law of gravity.
His powers of levitation would make a fakir stare,
And when you reach the scene of crime--Macavity's not there!
You may seek him in the basement, you may look up in the air--
But I tell you once and once again, Macavity's not there!
Macavity's a ginger cat, he's very tall and thin;
You would know him if you saw him, for his eyes are sunken in.
His brow is deeply lined with thought, his head is highly doomed;
His coat is dusty from neglect, his whiskers are uncombed.
He sways his head from side to side, with movements like a snake;
And when you think he's half asleep, he's always wide awake.
Macavity, Macavity, there's no one like Macavity,
For he's a fiend in feline shape, a monster of depravity.
You may meet him in a by-street, you may see him in the square--
But when a crime's discovered, then Macavity's not there!
He's outwardly respectable. (They say he cheats at cards.)
And his footprints are not found in any file of Scotland Yard's.
And when the larder's looted, or the jewel-case is rifled,
Or when the milk is missing, or another Peke's been stifled,
Or the greenhouse glass is broken, and the trellis past repair--
Ay, there's the wonder of the thing! Macavity's not there!
And when the Foreign Office finds a Treaty's gone astray,
Or the Admiralty lose some plans and drawings by the way,
There may be a scap of paper in the hall or on the stair--
But it's useless of investigate--Macavity's not there!
And when the loss has been disclosed, the Secret Service say:
"It must have been Macavity!"--but he's a mile away.
You'll be sure to find him resting, or a-licking of his thumbs,
Or engaged in doing complicated long division sums.
Macavity, Macavity, there's no one like Macacity,
There never was a Cat of such deceitfulness and suavity.
He always has an alibit, or one or two to spare:
And whatever time the deed took place--MACAVITY WASN'T THERE!
And they say that all the Cats whose wicked deeds are widely known
(I might mention Mungojerrie, I might mention Griddlebone)
Are nothing more than agents for the Cat who all the time
Just controls their operations: the Napoleon of Crime!
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