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Best Famous James Tate Poems

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Written by James Tate | Create an image from this poem

Dream On

 Some people go their whole lives
without ever writing a single poem.
Extraordinary people who don't hesitate to cut somebody's heart or skull open.
They go to baseball games with the greatest of ease.
and play a few rounds of golf as if it were nothing.
These same people stroll into a church as if that were a natural part of life.
Investing money is second nature to them.
They contribute to political campaigns that have absolutely no poetry in them and promise none for the future.
They sit around the dinner table at night and pretend as though nothing is missing.
Their children get caught shoplifting at the mall and no one admits that it is poetry they are missing.
The family dog howls all night, lonely and starving for more poetry in his life.
Why is it so difficult for them to see that, without poetry, their lives are effluvial.
Sure, they have their banquets, their celebrations, croquet, fox hunts, their sea shores and sunsets, their cocktails on the balcony, dog races, and all that kissing and hugging, and don't forget the good deeds, the charity work, nursing the baby squirrels all through the night, filling the birdfeeders all winter, helping the stranger change her tire.
Still, there's that disagreeable exhalation from decaying matter, subtle but everpresent.
They walk around erect like champions.
They are smooth-spoken and witty.
When alone, rare occasion, they stare into the mirror for hours, bewildered.
There was something they meant to say, but didn't: "And if we put the statue of the rhinoceros next to the tweezers, and walk around the room three times, learn to yodel, shave our heads, call our ancestors back from the dead--" poetrywise it's still a bust, bankrupt.
You haven't scribbled a syllable of it.
You're a nowhere man misfiring the very essence of your life, flustering nothing from nothing and back again.
The hereafter may not last all that long.
Radiant childhood sweetheart, secret code of everlasting joy and sorrow, fanciful pen strokes beneath the eyelids: all day, all night meditation, knot of hope, kernel of desire, pure ordinariness of life seeking, through poetry, a benediction or a bed to lie down on, to connect, reveal, explore, to imbue meaning on the day's extravagant labor.
And yet it's cruel to expect too much.
It's a rare species of bird that refuses to be categorized.
Its song is barely audible.
It is like a dragonfly in a dream-- here, then there, then here again, low-flying amber-wing darting upward then out of sight.
And the dream has a pain in its heart the wonders of which are manifold, or so the story is told.


Written by James Tate | Create an image from this poem

Loyalty

 This is the hardest part:
When I came back to life
I was a good family dog
and not too friendly to strangers.
I got a thirty-five dollar raise in salary, and through the pea-soup fogs I drove the General, and introduced him at rallies.
I had a totalitarian approach and was a massive boost to his popularity.
I did my best to reduce the number of people.
The local bourgeoisie did not exist.
One of them was a mystic and walked right over me as if I were a bed of hot coals.
This is par for the course- I will be employing sundry golf metaphors henceforth, because a dog, best friend and chief advisor to the General, should.
While dining with the General I said, "Let's play the back nine in a sacred rage.
Let's tee-off over the foredoomed community and putt ourselves thunderously, touching bottom.
" He drank it all in, rugged and dusky.
I think I know what he was thinking.
He held his automatic to my little head and recited a poem about my many weaknesses, for which I loved him so.
Written by James Tate | Create an image from this poem

Days of Pie and Coffee

 A motorist once said to me, 
and this was in the country, 
on a county lane, a motorist 
slowed his vehicle as I was 
walking my dear old collie,
Sithney, by the side of the road, 
and the motorist came to a halt 
mildly alarming both Sithney and myself, 
not yet accustomed to automobiles, 
and this particular motorist 
sent a little spasm of fright up our spines, 
which in turn panicked the driver a bit 
and it seemed as if we were off to a bad start, 
and that's when Sithney began to bark 
and the man could not be heard, that is, 
if he was speaking or trying to speak 
because I was commanding Sithnewy to be silent, 
though, indeed I was sympathetic 
to his emotional excitement.
It was, as I recall, a day of prodigious beauty.
April 21, 1932--clouds like the inside of your head explained.
Bluebirds, too numerous to mention.
The clover calling you by name.
And fields oozing green.
And this motorist from nowhere moving his lips like the wings of a butterfly and nothing coming out, and Sithney silent now.
He was no longer looking at us, but straight ahead where his election was in doubt.
"That's a fine dog," he said.
"Collies are made in heaven.
" Well, if I were a voting man I'd vote for you, I said.
"A bedoozling day to be lost in the country, I say.
Leastways, I am a misplaced individual.
" We introduced ourselves and swapped a few stories.
He was a veteran and a salesmen who didn't believe in his product-- I've forgotten what it was--hair restorer, parrot feed--and he enjoyed nothing more then a a day spent meandering the back roads in his jalopy.
I gave him directions to the Denton farm, but I doubt that he followed them, he didn't seem to be listening, and it was getting late and Sithney had an idea of his own and I don't know why I am remembering this now, just that he summed himself up by saying "I've missed too many boats" and all these years later I keep thinking that was a man who loved to miss boats, but he didn't miss them that much.
Written by James Tate | Create an image from this poem

The Definition of Gardening

 Jim just loves to garden, yes he does.
He likes nothing better than to put on his little overalls and his straw hat.
He says, "Let's go get those tools, Jim.
" But then doubt begins to set in.
He says, "What is a garden, anyway?" And thoughts about a "modernistic" garden begin to trouble him, eat away at his resolve.
He stands in the driveway a long time.
"Horticulture is a groping in the dark into the obscure and unfamiliar, kneeling before a disinterested secret, slapping it, punching it like a Chinese puzzle, birdbrained babbling gibberish, dig and destroy, pull out and apply salt, hoe and spray, before it spreads, burn roots, where not desired, with gloved hands, poisonous, the self-sacrifice of it, the self-love, into the interior, thunderclap, excruciating, through the nose, the earsplitting necrology of it, the withering, shrivelling, the handy hose holder and Persian insect powder and smut fungi, the enemies of the iris, wireworms are worse than their parents, there is no way out, flowers as big as heads, pock-marked, disfigured, blinking insolently at me, the me who so loves to garden because it prevents the heaving of the ground and the untimely death of porch furniture, and dark, murky days in a large city and the dream home under a permanent storm is also a factor to keep in mind.
"
Written by James Tate | Create an image from this poem

A Knock On The Door

 They ask me if I've ever thought about the end of
the world, and I say, "Come in, come in, let me
give you some lunch, for God's sake.
" After a few bites it's the afterlife they want to talk about.
"Ouch," I say, "did you see that grape leaf skeletonizer?" Then they're talking about redemption and the chosen few sitting right by His side.
"Doing what?" I ask.
"Just sitting?" I am surrounded by burned up zombies.
"Let's have some lemon chiffon pie I bought yesterday at the 3 Dog Bakery.
" But they want to talk about my soul.
I'm getting drowsy and see butterflies everywhere.
"Would you gentlemen like to take a nap, I know I would.
" They stand and back away from me, out the door, walking toward my neighbors, a black cloud over their heads and they see nothing without end.


Written by James Tate | Create an image from this poem

Never Again The Same

 Speaking of sunsets,
last night's was shocking.
I mean, sunsets aren't supposed to frighten you, are they? Well, this one was terrifying.
Sure, it was beautiful, but far too beautiful.
It wasn't natural.
One climax followed another and then another until your knees went weak and you couldn't breathe.
The colors were definitely not of this world, peaches dripping opium, pandemonium of tangerines, inferno of irises, Plutonian emeralds, all swirling and churning, swabbing, like it was playing with us, like we were nothing, as if our whole lives were a preparation for this, this for which nothing could have prepared us and for which we could not have been less prepared.
The mockery of it all stung us bitterly.
And when it was finally over we whimpered and cried and howled.
And then the streetlights came on as always and we looked into one another's eyes-- ancient caves with still pools and those little transparent fish who have never seen even one ray of light.
And the calm that returned to us was not even our own.
Written by James Tate | Create an image from this poem

Non-Stop

 It seemed as if the enormous journey 
was finally approaching its conclusion.
From the window of the train the last trees were dissipating, a child-like sailor waved once, a seal-like dog barked and died.
The conductor entered the lavatory and was not seen again, although his harmonica-playing was appreciated.
He was not without talent, some said.
A botanist with whom I had become acquainted actually suggested we form a group or something.
I was looking for a familiar signpost in his face, or a landmark that would indicate the true colors of his tribe.
But, alas, there was not a glass of water anywhere or even the remains of a trail.
I got a bewildered expression of my own and slinked to the back of the car where a nun started to tickle me.
She confided to me that it was her cowboy pride that got her through .
.
.
Through what? I thought, but drew my hand close to my imaginary vest.
"That's a beautiful vest," she said, as I began crawling down the aisle.
At last, I pressed my face against the window: A little fog was licking its chop, as was the stationmaster licking something.
We didn't stop.
We didn't appear to be arriving, and yet we were almost out of landscape.
No creeks or rivers.
Nothing even remotely reminding one of a mound.
O mound! Thou ain't around no more.
A heap of abstract geometrical symbols, that's what it's coming to, I thought.
A nothing you could sink your teeth into.
"Relief's on the way," a little know-nothing boy said to me.
"Imagine my surprise," I said and reached out to muss his hair.
But he had no hair and it felt unlucky touching his skull like that.
"Forget what I said," he said.
"What did you say?" I asked in automatic compliance.
And then it got very dark and quiet.
I closed my eyes and dreamed of an emu I once loved.
Written by James Tate | Create an image from this poem

Restless Leg Syndrome

 After the burial 
we returned to our units 
and assumed our poses.
Our posture was the new posture and not the old sick posture.
When we left our stations it was just to prove we could, not a serious departure or a search for yet another beginning.
We were done with all that.
We were settled in, as they say, though it might have been otherwise.
What a story! After the burial we returned to our units and here is where I am experiencing that lag kicking syndrome thing.
My leg, for no apparent reason, flies around the room kicking stuff, well, whatever is in its way, like a screen or a watering can.
Those are just two examples and indeed I could give many more.
I could construct a catalogue of the things it kicks, perhaps I will do that later.
We'll just have to see if it's really wanted.
Or I could do a little now and then return to listing later.
It kicked the scrimshaw collection, yes it did.
It kicked the ocelot, which was rude and uncalled for, and yes hurtful.
It kicked the guacamole right out of its bowl, which made for a grubby and potentially dangerous workplace.
I was out testing the new speed bump when it kicked the Viscountess, which she probably deserved, and I was happy, needless to say, to not be a witness.
The kicking subsided for a while, nobody was keeping track of time at that time so it is impossible to fill out the forms accurately.
Suffice it to say we remained at our units on constant alert.
And then it kicked over the little cow town we had set up for punching and that sort of thing, a covered wagon filled with cover girls.
But now it was kicked over and we had a moment of silence, but it was clear to me that many of our minions were getting tetchy and some of them were getting tetchier.
And then it kicked a particularly treasured snuff box which, legend has it, once belonged to somebody named Bob Mackey, so we were understandably saddened and returned to our units rather weary.
No one seemed to think I was in the least bit culpable.
It was my leg, of course, that was doing the actual kicking, of that I am almost certain.
At any rate, we decided to bury it.
After the burial we returned to our units and assumed our poses.
A little bit of time passed, not much, and then John's leg started acting suspicious.
It looked like it wanted to kick the replica of the White House we keep on hand just for situations such as this.
And then, sure enough, it did.
Written by James Tate | Create an image from this poem

Like A Scarf

 The directions to the lunatic asylum were confusing,
more likely they were the random associations
and confused ramblings of a lunatic.
We arrived three hours late for lunch and the lunatics were stacked up on their shelves, quite neatly, I might add, giving credit where credit is due.
The orderlies were clearly very orderly, and they should receive all the credit that is their due.
When I asked one of the doctors for a corkscrew he produced one without a moment's hesitation.
And it was a corkscrew of the finest craftsmanship, very shiny and bright not unlike the doctor himself.
"We'll be conducting our picnic under the great oak beginning in just a few minutes, and if you'd care to join us we'd be most honored.
However, I understand you have your obligations and responsibilities, and if you would prefer to simply visit with us from time to time, between patients, our invitation is nothing if not flexible.
And, we shan't be the least slighted or offended in any way if, due to your heavy load, we are altogether deprived of the pleasure of exchanging a few anecdotes, regarding the mentally ill, depraved, diseased, the purely knavish, you in your bughouse, if you'll pardon my vernacular, O yes, and we in our crackbrain daily rounds, there are so many gone potty everywhere we roam, not to mention in one's own home, dead moonstruck.
Well, well, indeed we would have many notes to compare if you could find the time to join us after your injections.
" My invitation was spoken in the evenest tones, but midway though it I began to suspect I was addressing an imposter.
I returned the corkscrew in a nonthreatening manner.
What, for instance, I asked myself, would a doctor, a doctor of the mind, be doing with a cordscrew in his pocket? This was a very sick man, one might even say dangerous.
I began moving away cautiously, never taking my eyes off of him.
His right eyelid was twitching guiltily, or at least anxiously, and his smock flapping slightly in the wind.
Several members of our party were mingling with the nurses down by the duck pond, and my grip on the situation was loosening, the planks in my picnic platform were rotting.
I was thinking about the potato salad in an unstable environment.
A weeping spell was about to overtake me.
I was very close to howling and gnashing the gladiola.
I noticed the great calm of the clouds overhead.
And below, several nurses appeared to me in need of nursing.
The psychopaths were stirring from their naps, I should say, their postprandial slumbers.
They were lumbering through the pines like inordinately sad moose.
Who could eat liverwurst at a time like this? But, then again, what's a picnic without pathos? Lacking a way home, I adjusted the flap in my head and duck-walked down to the pond and into the pond and began gliding around in circles, quacking, quacking like a scarf.
Inside the belly of that image I began recycling like a sorry whim, sincerest regrets are always best.
Written by James Tate | Create an image from this poem

Success Comes To Cow Creek

 I sit on the tracks,
a hundred feet from
earth, fifty from the
water.
Gerald is inching toward me as grim, slow, and determined as a season, because he has no trade and wants none.
It's been nine months since I last listened to his fate, but I know what he will say: he's the fire hydrant of the underdog.
When he reaches my point above the creek, he sits down without salutation, and spits profoundly out past the edge, and peeks for meaning in the ripple it brings.
He scowls.
He speaks: when you walk down any street you see nothing but coagulations of **** and vomit, and I'm sick of it.
I suggest suicide; he prefers murder, and spits again for the sake of all the great devout losers.
A conductor's horn concerto breaks the air, and we, two doomed pennies on the track, shove off and somersault like anesthetized fleas, ruffling the ideal locomotive poised on the water with our light, dry bodies.
Gerald shouts terrifically as he sails downstream like a young man with a destination.
I swim toward shore as fast as my boots will allow; as always, neglecting to drown.

Book: Shattered Sighs