Written by
Edgar Bowers |
Every month or so, Sundays, we walked the line,
The limit and the boundary. Past the sweet gum
Superb above the cabin, along the wall—
Stones gathered from the level field nearby
When first we cleared it. (Angry bumblebees
Stung the two mules. They kicked. Thirteen, I ran.)
And then the field: thread-leaf maple, deciduous
Magnolia, hybrid broom, and, further down,
In light shade, one Franklinia Alatamaha
In solstice bloom, all white, most graciously.
On the sunnier slope, the wild plums that my mother
Later would make preserves of, to give to friends
Or sell, in autumn, with the foxgrape, quince,
Elderberry, and muscadine. Around
The granite overhang, moist den of foxes;
Gradually up a long hill, high in pine,
Park-like, years of dry needles on the ground,
And dogwood, slopes the settlers terraced; pine
We cut at Christmas, berries, hollies, anise,
And cones for sale in Mister Haymore’s yard
In town, below the Courthouse Square. James Haymore,
One of the two good teachers at Boys’ High,
Ironic and demanding, chemistry;
Mary Lou Culver taught us English: essays,
Plot summaries, outlines, meters, kinds of clauses
(Noun, adjective, and adverb, five at a time),
Written each day and then revised, and she
Up half the night to read them once again
Through her pince-nez, under a single lamp.
Across the road, on a steeper hill, the settlers
Set a house, unpainted, the porch fallen in,
The road a red clay strip without a bridge,
A shallow stream that liked to overflow.
Oliver Brand’s mules pulled our station wagon
Out of the gluey mire, earth’s rust. Then, here
And there, back from the road, the specimen
Shrubs and small trees my father planted, some
Taller than we were, some in bloom, some berried,
And some we still brought water to. We always
Paused at the weed-filled hole beside the beech
That, one year, brought forth beech nuts by the thousands,
A hole still reminiscent of the man
Chewing tobacco in among his whiskers
My father happened on, who, discovered, told
Of dreaming he should dig there for the gold
And promised to give half of what he found.
During the wars with Germany and Japan,
Descendents of the settlers, of Oliver Brand
And of that man built Flying Fortresses
For Lockheed, in Atlanta; now they build
Brick mansions in the woods they left, with lawns
To paved and lighted streets, azaleas, camellias
Blooming among the pines and tulip trees—
Mercedes Benz and Cadillac Republicans.
There was another stream further along
Divided through a marsh, lined by the fence
We stretched to posts with Mister Garner’s help
The time he needed cash for his son’s bail
And offered all his place. A noble spring
Under the oak root cooled his milk and butter.
He called me “honey,” working with us there
(My father bought three acres as a gift),
His wife pale, hair a country orange, voice
Uncanny, like a ghost’s, through the open door
Behind her, chickens scratching on the floor.
Barred Rocks, our chickens; one, a rooster, splendid
Sliver and grey, red comb and long sharp spurs,
Once chased Aunt Jennie as far as the daphne bed
The two big king snakes were familiars of.
My father’s dog would challenge him sometimes
To laughter and applause. Once, in Stone Mountain,
Travelers, stopped for gas, drove off with Smokey;
Angrily, grievingly, leaving his work, my father
Traced the car and found them way far south,
Had them arrested and, bringing Smokey home,
Was proud as Sherlock Holmes, and happier.
Above the spring, my sister’s cats, black Amy,
Grey Junior, down to meet us. The rose trees,
Domestic, Asiatic, my father’s favorites.
The bridge, marauding dragonflies, the bullfrog,
Camellias cracked and blackened by the freeze,
Bay tree, mimosa, mountain laurel, apple,
Monkey pine twenty feet high, banana shrub,
The owls’ tall pine curved like a flattened S.
The pump house Mort and I built block by block,
Smooth concrete floor, roof pale aluminum
Half-covered by a clematis, the pump
Thirty feet down the mountain’s granite foot.
Mort was the hired man sent to us by Fortune,
Childlike enough to lead us. He brought home,
Although he could not even drive a tractor,
Cheated, a worthless car, which we returned.
When, at the trial to garnishee his wages,
Frank Guess, the judge, Grandmother’s longtime neighbor,
Whose children my mother taught in Cradle Roll,
Heard Mort’s examination, he broke in
As if in disbelief on the bank’s attorneys:
“Gentlemen, must we continue this charade?”
Finally, past the compost heap, the garden,
Tomatoes and sweet corn for succotash,
Okra for frying, Kentucky Wonders, limas,
Cucumbers, squashes, leeks heaped round with soil,
Lavender, dill, parsley, and rosemary,
Tithonia and zinnias between the rows;
The greenhouse by the rock wall, used for cuttings
In late spring, frames to grow them strong for planting
Through winter into summer. Early one morning
Mort called out, lying helpless by the bridge.
His ashes we let drift where the magnolia
We planted as a stem divides the path
The others lie, too young, at Silver Hill,
Except my mother. Ninety-five, she lives
Three thousand miles away, beside the bare
Pacific, in rooms that overlook the Mission,
The Riviera, and the silver range
La Cumbre east. Magnolia grandiflora
And one druidic live oak guard the view.
Proudly around the walls, she shows her paintings
Of twenty years ago: the great oak’s arm
Extended, Zeuslike, straight and strong, wisteria
Tangled among the branches, amaryllis
Around the base; her cat, UC, at ease
In marigolds; the weeping cherry, pink
And white arms like a blessing to the blue
Bird feeder Mort made; cabin, scarlet sweet gum
Superb when tribes migrated north and south.
Alert, still quick of speech, a little blind,
Active, ready for laughter, open to fear,
Pity, and wonder that such things may be,
Some Sundays, I think, she must walk the line,
Aunt Jennie, too, if she were still alive,
And Eleanor, whose story is untold,
Their presences like muses, prompting me
In my small study, all listening to the sea,
All of one mind, the true posterity.
|
Written by
Charles Baudelaire |
O SWARMING city, city full of dreams,
Where in a full day the spectre walks and speaks;
Mighty colossus, in your narrow veins
My story flows as flows the rising sap.
One morn, disputing with my tired soul,
And like a hero stiffening all my nerves,
I trod a suburb shaken by the jar
Of rolling wheels, where the fog magnified
The houses either side of that sad street,
So they seemed like two wharves the ebbing flood
Leaves desolate by the river-side. A mist,
Unclean and yellow, inundated space--
A scene that would have pleased an actor's soul.
Then suddenly an aged man, whose rags
Were yellow as the rainy sky, whose looks
Should have brought alms in floods upon his head,
Without the misery gleaming in his eye,
Appeared before me; and his pupils seemed
To have been washed with gall; the bitter frost
Sharpened his glance; and from his chin a beard
Sword-stiff and ragged, Judas-like stuck forth.
He was not bent but broken: his backbone
Made a so true right angle with his legs,
That, as he walked, the tapping stick which gave
The finish to the picture, made him seem
Like some infirm and stumbling quadruped
Or a three-legged Jew. Through snow and mud
He walked with troubled and uncertain gait,
As though his sabots trod upon the dead,
Indifferent and hostile to the world.
His double followed him: tatters and stick
And back and eye and beard, all were the same;
Out of the same Hell, indistinguishable,
These centenarian twins, these spectres odd,
Trod the same pace toward some end unknown.
To what fell complot was I then exposed?
Humiliated by what evil chance?
For as the minutes one by one went by
Seven times I saw this sinister old man
Repeat his image there before my eyes!
Let him who smiles at my inquietude,
Who never trembled at a fear like mine,
Know that in their decrepitude's despite
These seven old hideous monsters had the mien
Of beings immortal.
Then, I thought, must I,
Undying, contemplate the awful eighth;
Inexorable, fatal, and ironic double;
Disgusting Phoenix, father of himself
And his own son? In terror then I turned
My back upon the infernal band, and fled
To my own place, and closed my door; distraught
And like a drunkard who sees all things twice,
With feverish troubled spirit, chilly and sick,
Wounded by mystery and absurdity!
In vain my reason tried to cross the bar,
The whirling storm but drove her back again;
And my soul tossed, and tossed, an outworn wreck,
Mastless, upon a monstrous, shoreless sea.
|
Written by
Robert William Service |
I
There was Claw-fingered Kitty and Windy Ike living the life of shame,
When unto them in the Long, Long Night came the man-who-had-no-name;
Bearing his prize of a black fox pelt, out of the Wild he came.
His cheeks were blanched as the flume-head foam when the brown spring freshets flow;
Deep in their dark, sin-calcined pits were his sombre eyes aglow;
They knew him far for the fitful man who spat forth blood on the snow.
"Did ever you see such a skin?" quoth he; "there's nought in the world so fine--
Such fullness of fur as black as the night, such lustre, such size, such shine;
It's life to a one-lunged man like me; it's London, it's women, it's wine.
"The Moose-hides called it the devil-fox, and swore that no man could kill;
That he who hunted it, soon or late, must surely suffer some ill;
But I laughed at them and their old squaw-tales. Ha! Ha! I'm laughing still.
"For look ye, the skin--it's as smooth as sin, and black as the core of the Pit.
By gun or by trap, whatever the hap, I swore I would capture it;
By star and by star afield and afar, I hunted and would not quit.
"For the devil-fox, it was swift and sly, and it seemed to fleer at me;
I would wake in fright by the camp-fire light, hearing its evil glee;
Into my dream its eyes would gleam, and its shadow would I see.
"It sniffed and ran from the ptarmigan I had poisoned to excess;
Unharmed it sped from my wrathful lead ('twas as if I shot by guess);
Yet it came by night in the stark moonlight to mock at my weariness.
"I tracked it up where the mountains hunch like the vertebrae of the world;
I tracked it down to the death-still pits where the avalanche is hurled;
From the glooms to the sacerdotal snows, where the carded clouds are curled.
"From the vastitudes where the world protrudes through clouds like seas up-shoaled,
I held its track till it led me back to the land I had left of old--
The land I had looted many moons. I was weary and sick and cold.
"I was sick, soul-sick, of the futile chase, and there and then I swore
The foul fiend fox might scathless go, for I would hunt no more;
Then I rubbed mine eyes in a vast surprise--it stood by my cabin door.
"A rifle raised in the wraith-like gloom, and a vengeful shot that sped;
A howl that would thrill a cream-faced corpse-- and the demon fox lay dead. . . .
Yet there was never a sign of wound, and never a drop he bled.
"So that was the end of the great black fox, and here is the prize I've won;
And now for a drink to cheer me up--I've mushed since the early sun;
We'll drink a toast to the sorry ghost of the fox whose race is run."
II
Now Claw-fingered Kitty and Windy Ike, bad as the worst were they;
In their road-house down by the river-trail they waited and watched for prey;
With wine and song they joyed night long, and they slept like swine by day.
For things were done in the Midnight Sun that no tongue will ever tell;
And men there be who walk earth-free, but whose names are writ in hell--
Are writ in flames with the guilty names of Fournier and Labelle.
Put not your trust in a poke of dust would ye sleep the sleep of sin;
For there be those who would rob your clothes ere yet the dawn comes in;
And a prize likewise in a woman's eyes is a peerless black fox skin.
Put your faith in the mountain cat if you lie within his lair;
Trust the fangs of the mother-wolf, and the claws of the lead-ripped bear;
But oh, of the wiles and the gold-tooth smiles of a dance-hall wench beware!
Wherefore it was beyond all laws that lusts of man restrain,
A man drank deep and sank to sleep never to wake again;
And the Yukon swallowed through a hole the cold corpse of the slain.
III
The black fox skin a shadow cast from the roof nigh to the floor;
And sleek it seemed and soft it gleamed, and the woman stroked it o'er;
And the man stood by with a brooding eye, and gnashed his teeth and swore.
When thieves and thugs fall out and fight there's fell arrears to pay;
And soon or late sin meets its fate, and so it fell one day
That Claw-fingered Kitty and Windy Ike fanged up like dogs at bay.
"The skin is mine, all mine," she cried; "I did the deed alone."
"It's share and share with a guilt-yoked pair", he hissed in a pregnant tone;
And so they snarled like malamutes over a mildewed bone.
And so they fought, by fear untaught, till haply it befell
One dawn of day she slipped away to Dawson town to sell
The fruit of sin, this black fox skin that had made their lives a hell.
She slipped away as still he lay, she clutched the wondrous fur;
Her pulses beat, her foot was fleet, her fear was as a spur;
She laughed with glee, she did not see him rise and follow her.
The bluffs uprear and grimly peer far over Dawson town;
They see its lights a blaze o' nights and harshly they look down;
They mock the plan and plot of man with grim, ironic frown.
The trail was steep; 'twas at the time when swiftly sinks the snow;
All honey-combed, the river ice was rotting down below;
The river chafed beneath its rind with many a mighty throe.
And up the swift and oozy drift a woman climbed in fear,
Clutching to her a black fox fur as if she held it dear;
And hard she pressed it to her breast--then Windy Ike drew near.
She made no moan--her heart was stone--she read his smiling face,
And like a dream flashed all her life's dark horror and disgrace;
A moment only--with a snarl he hurled her into space.
She rolled for nigh an hundred feet; she bounded like a ball;
From crag to crag she carromed down through snow and timber fall; . . .
A hole gaped in the river ice; the spray flashed--that was all.
A bird sang for the joy of spring, so piercing sweet and frail;
And blinding bright the land was dight in gay and glittering mail;
And with a wondrous black fox skin a man slid down the trail.
IV
A wedge-faced man there was who ran along the river bank,
Who stumbled through each drift and slough, and ever slipped and sank,
And ever cursed his Maker's name, and ever "hooch" he drank.
He travelled like a hunted thing, hard harried, sore distrest;
The old grandmother moon crept out from her cloud-quilted nest;
The aged mountains mocked at him in their primeval rest.
Grim shadows diapered the snow; the air was strangely mild;
The valley's girth was dumb with mirth, the laughter of the wild;
The still, sardonic laughter of an ogre o'er a child.
The river writhed beneath the ice; it groaned like one in pain,
And yawning chasms opened wide, and closed and yawned again;
And sheets of silver heaved on high until they split in twain.
From out the road-house by the trail they saw a man afar
Make for the narrow river-reach where the swift cross-currents are;
Where, frail and worn, the ice is torn and the angry waters jar.
But they did not see him crash and sink into the icy flow;
They did not see him clinging there, gripped by the undertow,
Clawing with bleeding finger-nails at the jagged ice and snow.
They found a note beside the hole where he had stumbled in:
"Here met his fate by evil luck a man who lived in sin,
And to the one who loves me least I leave this black fox skin."
And strange it is; for, though they searched the river all around,
No trace or sign of black fox skin was ever after found;
Though one man said he saw the tread of HOOFS deep in the ground.
|
Written by
G K Chesterton |
Impetuously I sprang from bed,
Long before lunch was up,
That I might drain the dizzy dew
From the day's first golden cup.
In swift devouring ecstasy
Each toil in turn was done;
I had done lying on the lawn
Three minutes after one.
For me, as Mr. Wordsworth says,
The duties shine like stars;
I formed my uncle's character,
Decreasing his cigars.
But could my kind engross me? No!
Stern Art-what sons escape her?
Soon I was drawing Gladstone's nose
On scraps of blotting paper.
Then on-to play one-fingered tunes
Upon my aunt's piano.
In short, I have a headlong soul,
I much resemble Hanno.
(Forgive the entrance of the not
Too cogent Carthaginian.
It may have been to make a rhyme;
I lean to that opinion.)
Then my great work of book research
Till dusk I took in hand-
The forming of a final, sound
Opinion on The Strand.
But when I quenched the midnight oil,
And closed the Referee,
Whose thirty volumes folio
I take to bed with me,
I had a rather funny dream,
Intense, that is, and mystic;
I dreamed that, with one leap and yell,
The world became artistic.
The Shopmen, when their souls were still,
Declined to open shops-
And Cooks recorded frames of mind
In sad and subtle chops.
The stars were weary of routine:
The trees in the plantation
Were growing every fruit at once,
In search of sensation.
The moon went for a moonlight stroll,
And tried to be a bard,
And gazed enraptured at itself:
I left it trying hard.
The sea had nothing but a mood
Of 'vague ironic gloom,'
With which t'explain its presence in
My upstairs drawing-room.
The sun had read a little book
That struck him with a notion:
He drowned himself and all his fires
Deep in a hissing ocean.
Then all was dark, lawless, and lost:
I heard great devilish wings:
I knew that Art had won, and snapt
The Covenant of Things.
I cried aloud, and I awoke,
New labours in my head.
I set my teeth, and manfully
Began to lie in bed.
Toiling, rejoicing, sorrowing,
So I my life conduct.
Each morning see some task begun,
Each evening see it chucked.
But still, in sudden moods of dusk,
I hear those great weird wings,
Feel vaguely thankful to the vast
Stupidity of things.
Envoi
Clear was the night: the moon was young
The larkspurs in the plots
Mingled their orange with the gold
Of the forget-me-nots.
The poppies seemed a silver mist:
So darkly fell the gloom.
You scarce had guessed yon crimson streaks
Were buttercups in bloom.
But one thing moved: a little child
Crashed through the flower and fern:
And all my soul rose up to greet
The sage of whom I learn.
I looked into his awful eyes:
I waited his decree:
I made ingenious attempts
To sit upon his knee.
The babe upraised his wondering eyes,
And timidly he said,
"A trend towards experiment
In modern minds is bred.
"I feel the will to roam, to learn
By test, experience, nous,
That fire is hot and ocean deep,
And wolves carnivorous.
"My brain demands complexity,"
The lisping cherub cried.
I looked at him, and only said,
"Go on. The world is wide."
A tear rolled down his pinafore,
"Yet from my life must pass
The simple love of sun and moon,
The old games in the grass;
"Now that my back is to my home
Could these again be found?"
I looked on him and only said,
"Go on. The world is round."
|
Written by
Wallace Stevens |
I
1 Just as my fingers on these keys
2 Make music, so the self-same sounds
3 On my spirit make a music, too.
4 Music is feeling, then, not sound;
5 And thus it is that what I feel,
6 Here in this room, desiring you,
7 Thinking of your blue-shadowed silk,
8 Is music. It is like the strain
9 Waked in the elders by Susanna;
10 Of a green evening, clear and warm,
11 She bathed in her still garden, while
12 The red-eyed elders, watching, felt
13 The basses of their beings throb
14 In witching chords, and their thin blood
15 Pulse pizzicati of Hosanna.
II
16 In the green water, clear and warm,
17 Susanna lay.
18 She searched
19 The touch of springs,
20 And found
21 Concealed imaginings.
22 She sighed,
23 For so much melody.
24 Upon the bank, she stood
25 In the cool
26 Of spent emotions.
27 She felt, among the leaves,
28 The dew
29 Of old devotions.
30 She walked upon the grass,
31 Still quavering.
32 The winds were like her maids,
33 On timid feet,
34 Fetching her woven scarves,
35 Yet wavering.
36 A breath upon her hand
37 Muted the night.
38 She turned --
39 A cymbal crashed,
40 Amid roaring horns.
III
41 Soon, with a noise like tambourines,
42 Came her attendant Byzantines.
43 They wondered why Susanna cried
44 Against the elders by her side;
45 And as they whispered, the refrain
46 Was like a willow swept by rain.
47 Anon, their lamps' uplifted flame
48 Revealed Susanna and her shame.
49 And then, the simpering Byzantines
50 Fled, with a noise like tambourines.
IV
51 Beauty is momentary in the mind --
52 The fitful tracing of a portal;
53 But in the flesh it is immortal.
54 The body dies; the body's beauty lives.
55 So evenings die, in their green going,
56 A wave, interminably flowing.
57 So gardens die, their meek breath scenting
58 The cowl of winter, done repenting.
59 So maidens die, to the auroral
60 Celebration of a maiden's choral.
61 Susanna's music touched the bawdy strings
62 Of those white elders; but, escaping,
63 Left only Death's ironic scraping.
64 Now, in its immortality, it plays
65 On the clear viol of her memory,
66 And makes a constant sacrament of praise.
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