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Best Famous Invest Poems

Here is a collection of the all-time best famous Invest poems. This is a select list of the best famous Invest poetry. Reading, writing, and enjoying famous Invest poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of invest poems.

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Written by Wendell Berry | Create an image from this poem

Manifesto: The Mad Farmer Liberation Front

 Love the quick profit, the annual raise,
vacation with pay.
Want more of everything ready-made.
Be afraid to know your neighbors and to die.
And you will have a window in your head.
Not even your future will be a mystery any more.
Your mind will be punched in a card and shut away in a little drawer.
When they want you to buy something they will call you.
When they want you to die for profit they will let you know.
So, friends, every day do something that won't compute.
Love the Lord.
Love the world.
Work for nothing.
Take all that you have and be poor.
Love someone who does not deserve it.
Denounce the government and embrace the flag.
Hope to live in that free republic for which it stands.
Give your approval to all you cannot understand.
Praise ignorance, for what man has not encountered he has not destroyed.
Ask the questions that have no answers.
Invest in the millenium.
Plant sequoias.
Say that your main crop is the forest that you did not plant, that you will not live to harvest.
Say that the leaves are harvested when they have rotted into the mold.
Call that profit.
Prophesy such returns.
Put your faith in the two inches of humus that will build under the trees every thousand years.
Listen to carrion -- put your ear close, and hear the faint chattering of the songs that are to come.
Expect the end of the world.
Laugh.
Laughter is immeasurable.
Be joyful though you have considered all the facts.
So long as women do not go cheap for power, please women more than men.
Ask yourself: Will this satisfy a woman satisfied to bear a child? Will this disturb the sleep of a woman near to giving birth? Go with your love to the fields.
Lie down in the shade.
Rest your head in her lap.
Swear allegiance to what is nighest your thoughts.
As soon as the generals and the politicos can predict the motions of your mind, lose it.
Leave it as a sign to mark the false trail, the way you didn't go.
Be like the fox who makes more tracks than necessary, some in the wrong direction.
Practice resurrection.


Written by Phillis Wheatley | Create an image from this poem

To S. M. a young African Painter on seeing his Works

To show the lab'ring bosom's deep intent,
And thought in living characters to paint,
When first thy pencil did those beauties give,
And breathing figures learnt from thee to live,
How did those prospects give my soul delight,
A new creation rushing on my sight?
Still, wond'rous youth! each noble path pursue,
On deathless glories fix thine ardent view:
Still may the painter's and the poet's fire
To aid thy pencil, and thy verse conspire!
And may the charms of each seraphic theme
Conduct thy footsteps to immortal fame!
High to the blissful wonders of the skies
Elate thy soul, and raise thy wishful eyes.
Thrice happy, when exalted to survey That splendid city, crown'd with endless day, Whose twice six gates on radiant hinges ring: Celestial Salem blooms in endless spring.
Calm and serene thy moments glide along, And may the muse inspire each future song! Still, with the sweets of contemplation bless'd, May peace with balmy wings your soul invest! But when these shades of time are chas'd away, And darkness ends in everlasting day, On what seraphic pinions shall we move, And view the landscapes in the realms above? There shall thy tongue in heav'nly murmurs flow, And there my muse with heav'nly transport glow: No more to tell of Damon's tender sighs, Or rising radiance of Aurora's eyes, For nobler themes demand a nobler strain, And purer language on th' ethereal plain.
Cease, gentle muse! the solemn gloom of night Now seals the fair creation from my sight.
Written by Eugene Field | Create an image from this poem

Ballad of women i love

 Prudence Mears hath an old blue plate
Hid away in an oaken chest,
And a Franklin platter of ancient date
Beareth Amandy Baker's crest;
What times soever I've been their guest,
Says I to myself in an undertone:
"Of womenfolk, it must be confessed,
These do I love, and these alone.
" Well, again, in the Nutmeg State, Dorothy Pratt is richly blest With a relic of art and a land effete-- A pitcher of glass that's cut, not pressed.
And a Washington teapot is possessed Down in Pelham by Marthy Stone-- Think ye now that I say in jest "These do I love, and these alone?" Were Hepsy Higgins inclined to mate, Or Dorcas Eastman prone to invest In Cupid's bonds, they could find their fate In the bootless bard of Crockery Quest.
For they've heaps of trumpery--so have the rest Of those spinsters whose ware I'd like to own; You can see why I say with such certain zest, "These do I love, and these alone.
"
Written by John Milton | Create an image from this poem

Light

 HAIL holy light, ofspring of Heav'n first-born, 
Or of th' Eternal Coeternal beam 
May I express thee unblam'd? since God is light, 
And never but in unapproached light 
Dwelt from Eternitie, dwelt then in thee, 
Bright effluence of bright essence increate.
Or hear'st thou rather pure Ethereal stream, Whose Fountain who shall tell? before the Sun, Before the Heavens thou wert, and at the voice Of God, as with a Mantle didst invest The rising world of waters dark and deep, Won from the void and formless infinite.
Thee I re-visit now with bolder wing, Escap't the Stygian Pool, though long detain'd In that obscure sojourn, while in my flight Through utter and through middle darkness borne With other notes then to th' Orphean Lyre I sung of Chaos and Eternal Night, Taught by the heav'nly Muse to venture down The dark descent, and up to reascend, Though hard and rare: thee I revisit safe, And feel thy sovran vital Lamp; but thou Revisit'st not these eyes, that rowle in vain To find thy piercing ray, and find no dawn; So thick a drop serene hath quencht thir Orbs, Or dim suffusion veild.
Yet not the more Cease I to wander where the Muses haunt Cleer Spring, or shadie Grove, or Sunnie Hill, Smit with the love of sacred song; but chief Thee Sion and the flowrie Brooks beneath That wash thy hallowd feet, and warbling flow, Nightly I visit: nor somtimes forget Those other two equal'd with me in Fate, So were I equal'd with them in renown.
Blind Thamyris and blind Maeonides, And Tiresias and Phineus Prophets old.
Then feed on thoughts, that voluntarie move Harmonious numbers; as the wakeful Bird Sings darkling, and in shadiest Covert hid Tunes her nocturnal Note.
Thus with the Year Seasons return, but not to me returns Day, or the sweet approach of Ev'n or Morn, Or sight of vernal bloom, or Summers Rose, Or flocks, or herds, or human face divine; But cloud in stead, and ever-during dark Surrounds me, from the chearful waies of men Cut off, and for the Book of knowledg fair Presented with a Universal blanc Of Natures works to mee expung'd and ras'd, And wisdome at one entrance quite shut out.
So much the rather thou Celestial light Shine inward, and the mind through all her powers Irradiate, there plant eyes, all mist from thence Purge and disperse, that I may see and tell Of things invisible to mortal sight.
Written by Edwin Arlington Robinson | Create an image from this poem

Lost Anchors

 Like a dry fish flung inland far from shore, 
There lived a sailor, warped and ocean-browned, 
Who told of an old vessel, harbor-drowned, 
And out of mind a century before, 
Where divers, on descending to explore 
A legend that had lived its way around 
The world of ships, in the dark hulk had found 
Anchors, which had been seized and seen no more.
Improving a dry leiure to invest Their misadventure with a manifest Analogy that he may read who runs, The sailor made it old as ocean grass-- Telling of much that once had come to pass With him, whose mother should have had no sons.


Written by Robert William Service | Create an image from this poem

The Joy Of Being Poor

 I

Let others sing of gold and gear, the joy of being rich;
But oh, the days when I was poor, a vagrant in a ditch!
When every dawn was like a gem, so radiant and rare,
And I had but a single coat, and not a single care;
When I would feast right royally on bacon, bread and beer,
And dig into a stack of hay and doze like any peer;
When I would wash beside a brook my solitary shirt,
And though it dried upon my back I never took a hurt;
When I went romping down the road contemptuous of care,
And slapped Adventure on the back -- by Gad! we were a pair;
When, though my pockets lacked a coin, and though my coat was old,
The largess of the stars was mine, and all the sunset gold;
When time was only made for fools, and free as air was I,
And hard I hit and hard I lived beneath the open sky;
When all the roads were one to me, and each had its allure .
.
.
Ye Gods! these were the happy days, the days when I was poor.
II Or else, again, old pal of mine, do you recall the times You struggled with your storyettes, I wrestled with my rhymes; Oh, we were happy, were we not? -- we used to live so "high" (A little bit of broken roof between us and the sky); Upon the forge of art we toiled with hammer and with tongs; You told me all your rippling yarns, I sang to you my songs.
Our hats were frayed, our jackets patched, our boots were down at heel, But oh, the happy men were we, although we lacked a meal.
And if I sold a bit of rhyme, or if you placed a tale, What feasts we had of tenderloins and apple-tarts and ale! And yet how often we would dine as cheerful as you please, Beside our little friendly fire on coffee, bread and cheese.
We lived upon the ragged edge, and grub was never sure, But oh, these were the happy days, the days when we were poor.
III Alas! old man, we're wealthy now, it's sad beyond a doubt; We cannot dodge prosperity, success has found us out.
Your eye is very dull and drear, my brow is creased with care, We realize how hard it is to be a millionaire.
The burden's heavy on our backs -- you're thinking of your rents, I'm worrying if I'll invest in five or six per cents.
We've limousines, and marble halls, and flunkeys by the score, We play the part .
.
.
but say, old chap, oh, isn't it a bore? We work like slaves, we eat too much, we put on evening dress; We've everything a man can want, I think .
.
.
but happiness.
Come, let us sneak away, old chum; forget that we are rich, And earn an honest appetite, and scratch an honest itch.
Let's be two jolly garreteers, up seven flights of stairs, And wear old clothes and just pretend we aren't millionaires; And wonder how we'll pay the rent, and scribble ream on ream, And sup on sausages and tea, and laugh and loaf and dream.
And when we're tired of that, my friend, oh, you will come with me; And we will seek the sunlit roads that lie beside the sea.
We'll know the joy the gipsy knows, the freedom nothing mars, The golden treasure-gates of dawn, the mintage of the stars.
We'll smoke our pipes and watch the pot, and feed the crackling fire, And sing like two old jolly boys, and dance to heart's desire; We'll climb the hill and ford the brook and camp upon the moor .
.
.
Old chap, let's haste, I'm mad to taste the Joy of Being Poor.
Written by Thomas Hardy | Create an image from this poem

Her Immortality

 UPON a noon I pilgrimed through
A pasture, mile by mile,
Unto the place where I last saw
My dead Love's living smile.
And sorrowing I lay me down Upon the heated sod: It seemed as if my body pressed The very ground she trod.
I lay, and thought; and in a trance She came and stood me by-- The same, even to the marvellous ray That used to light her eye.
"You draw me, and I come to you, My faithful one," she said, In voice that had the moving tone It bore in maidenhead.
She said: "'Tis seven years since I died: Few now remember me; My husband clasps another bride; My children mothers she.
My brethren, sisters, and my friends Care not to meet my sprite: Who prized me most I did not know Till I passed down from sight.
" I said: "My days are lonely here; I need thy smile alway: I'll use this night my ball or blade, And join thee ere the day.
" A tremor stirred her tender lips, Which parted to dissuade: "That cannot be, O friend," she cried; "Think, I am but a Shade! "A Shade but in its mindful ones Has immortality; By living, me you keep alive, By dying you slay me.
"In you resides my single power Of sweet continuance here; On your fidelity I count Through many a coming year.
" --I started through me at her plight, So suddenly confessed: Dismissing late distaste for life, I craved its bleak unrest.
"I will not die, my One of all!-- To lengthen out thy days I'll guard me from minutest harms That may invest my ways!" She smiled and went.
Since then she comes Oft when her birth-moon climbs, Or at the seasons' ingresses Or anniversary times; But grows my grief.
When I surcease, Through whom alone lives she, Ceases my Love, her words, her ways, Never again to be!
Written by Ralph Waldo Emerson | Create an image from this poem

Painting And Sculpture

 The sinful painter drapes his goddess warm,
Because she still is naked, being drest;
The godlike sculptor will not so deform
Beauty, which bones and flesh enough invest.
Written by Sophie Hannah | Create an image from this poem

Rondeau Redoublé

 I know the rules and hear myself agree
Not to invest beyond this one night stand.
I know your patter: in, out, like the sea.
The sharp north wind must blow away the sand.
Soon my supply will meet your last demand And you will have no further use for me.
I will not swim against the tide, to land.
I know the rules.
I hear myself agree.
I've kept a stash of hours, just two or three To smuggle off your coast like contraband.
We will both manage (you more easily) Not to invest beyond this one night stand.
To narrow-minded friends I will expand On cheap not being the same as duty free.
I'll say this was exactly what I planned.
I know your pattern: in, out, like the sea.
It's not as if we were designed to be Strolling along the beach front, hand in hand.
Things change, of natural necessity.
The sharp north wind must blow away the sand And every storm to rage, however grand, Will end in pain and shipwreck and debris And each time there's a voice I have to strand On a bare rock, hardened against its plea; I know the rules.
Written by Phillis Wheatley | Create an image from this poem

To S.M. A Young African Painter On Seeing His Works

 O show the lab'ring bosom's deep intent,
And thought in living characters to paint,
When first thy pencil did those beauties give,
And breathing figures learnt from thee to live,
How did those prospects give my soul delight,
A new creation rushing on my sight?
Still, wond'rous youth! each noble path pursue,
On deathless glories fix thine ardent view:
Still may the painter's and the poet's fire 
To aid thy pencil, and thy verse conspire!
And may the charms of each seraphic theme
Conduct thy footsteps to immortal fame!
High to the blissful wonders of the skies
Elate thy soul, and raise thy wishful eyes.
Thrice happy, when exalted to survey That splendid city, crown'd with endless day, Whose twice six gates on radiant hinges ring: Celestial Salem blooms in endless spring.
Calm and serene thy moments glide along, And may the muse inspire each future song! Still, with the sweets of contemplation bless'd, May peace with balmy wings your soul invest! But when these shades of time are chas'd away, And darkness ends in everlasting day, On what seraphic pinions shall we move, And view the landscapes in the realms above? There shall thy tongue in heav'nly murmurs flow, And there my muse with heav'nly transport glow: No more to tell of Damon's tender sighs, Or rising radiance of Aurora's eyes, For nobler themes demand a nobler strain, And purer language on th' ethereal plain.
Cease, gentle muse! the solemn gloom of night Now seals the fair creation from my sight.

Book: Shattered Sighs