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Best Famous Intermixed Poems

Here is a collection of the all-time best famous Intermixed poems. This is a select list of the best famous Intermixed poetry. Reading, writing, and enjoying famous Intermixed poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of intermixed poems.

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Written by Henry David Thoreau | Create an image from this poem

Sic Vita

 I am a parcel of vain strivings tied 
By a chance bond together, 
Dangling this way and that, their links 
Were made so loose and wide, 
Methinks, 
For milder weather.
A bunch of violets without their roots, And sorrel intermixed, Encircled by a wisp of straw Once coiled about their shoots, The law By which I'm fixed.
A nosegay which Time clutched from out Those fair Elysian fields, With weeds and broken stems, in haste, Doth make the rabble rout That waste The day he yields.
And here I bloom for a short hour unseen, Drinking my juices up, With no root in the land To keep my branches green, But stand In a bare cup.
Some tender buds were left upon my stem In mimicry of life, But ah! the children will not know, Till time has withered them, The woe With which they're rife.
But now I see I was not plucked for naught, And after in life's vase Of glass set while I might survive, But by a kind hand brought Alive To a strange place.
That stock thus thinned will soon redeem its hours, And by another year, Such as God knows, with freer air, More fruits and fairer flowers Will bear, While I droop here.


Written by William Shakespeare | Create an image from this poem

Sonnet 101: O truant Muse what shall be thy amends

 O truant Muse, what shall be thy amends
For thy neglect of truth in beauty dyed?
Both truth and beauty on my love depends;
So dost thou too, and therein dignified.
Make answer, Muse.
Wilt thou not haply say, "Truth needs no colour with his colour fixed, Beauty no pencil, beauty's truth to lay, But best is best, if never intermixed"? Because he needs no praise, wilt thou be dumb? Excuse not silence so, for't lies in thee To make him much outlive a gilded tomb And to be praised of ages yet to be.
Then do thy office, Muse; I teach thee how To make him seem, long hence, as he shows now.
Written by Anne Bradstreet | Create an image from this poem

Of the Four Ages of Man

 Lo, now four other act upon the stage,
Childhood and Youth, the Many and Old age:
The first son unto phlegm, grandchild to water,
Unstable, supple, cold and moist's his nature
The second, frolic, claims his pedigree
From blood and air, for hot and moist is he.
The third of fire and choler is compos'd, Vindicative and quarrelsome dispos'd.
The last of earth and heavy melancholy, Solid, hating all lightness and all folly.
Childhood was cloth'd in white and green to show His spring was intermixed with some snow: Upon his head nature a garland set Of Primrose, Daisy and the Violet.
Such cold mean flowers the spring puts forth betime, Before the sun hath thoroughly heat the clime.
His hobby striding did not ride but run, And in his hand an hour-glass new begun, In danger every moment of a fall, And when 't is broke then ends his life and all: But if he hold till it have run its last, Then may he live out threescore years or past.
Next Youth came up in gorgeous attire (As that fond age doth most of all desire), His suit of crimson and his scarf of green, His pride in's countenance was quickly seen; Garland of roses, pinks and gillyflowers Seemed on's head to grow bedew'd with showers.
His face as fresh as is Aurora fair, When blushing she first 'gins to light the air.
No wooden horse, but one of mettle tried, He seems to fly or swim, and not to ride.
Then prancing on the stage, about he wheels, But as he went death waited at his heels, The next came up in a much graver sort, As one that cared for a good report, His sword by's side, and choler in his eyes, But neither us'd as yet, for he was wise; Of Autumn's fruits a basket on his arm, His golden god in's purse, which was his charm.
And last of all to act upon this stage Leaning upon his staff came up Old Age, Under his arm a sheaf of wheat he bore, An harvest of the best, what needs he more? In's other hand a glass ev'n almost run, Thus writ about: "This out, then am I done.
"
Written by Edgar Lee Masters | Create an image from this poem

Henry Layton

 Whoever thou art who passest by
Know that my father was gentle,
And my mother was violent,
While I was born the whole of such hostile halves,
Not intermixed and fused,
But each distinct, feebly soldered together.
Some of you saw me as gentle, Some as violent, Some as both.
But neither half of me wrought my ruin.
It was the falling asunder of halves, Never a part of each other, That left me a lifeless soul.

Book: Reflection on the Important Things