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Best Famous Instantaneous Poems

Here is a collection of the all-time best famous Instantaneous poems. This is a select list of the best famous Instantaneous poetry. Reading, writing, and enjoying famous Instantaneous poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of instantaneous poems.

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Written by Weldon Kees | Create an image from this poem

A Distance From The Sea

 To Ernest Brace

"And when the seven thunders had uttered their voices, I was
about to write: and I heard a voice from heaven saying unto
me, Seal up those things which the seven thunders uttered, and
write them not." --REVELATIONS, x, 4.

That raft we rigged up, under the water,
Was just the item: when he walked,
With his robes blowing, dark against the sky,
It was as though the unsubstantial waves held up
His slender and inviolate feet. The gulls flew over,
Dropping, crying alone; thin ragged lengths of cloud
Drifted in bars across the sun. There on the shore
The crowd's response was instantaneous. He
Handled it well, I thought--the gait, the tilt of the head, just right.
Long streaks of light were blinding on the waves.
And then we knew our work well worth the time:
The days of sawing, fitting, all those nails,
The tiresome rehearsals, considerations of execution.
But if you want a miracle, you have to work for it,
Lay your plans carefully and keep one jump
Ahead of the crowd. To report a miracle
Is a pleasure unalloyed; but staging one requires
Tact, imagination, a special knack for the job
Not everyone possesses. A miracle, in fact, means work.
--And now there are those who have come saying
That miracles were not what we were after. But what else
Is there? What other hope does life hold out
But the miraculous, the skilled and patient
Execution, the teamwork, all the pain and worry every miracle involves?

Visionaries tossing in their beds, haunted and racked
By questions of Messiahship and eschatology,
Are like the mist rising at nightfall, and come,
Perhaps to even less. Grave supernaturalists, devoted worshippers
Experience the ecstasy (such as it is), but not
Our ecstasy. It was our making. Yet sometimes
When the torrent of that time
Comes pouring back, I wonder at our courage
And our enterprise. It was as though the world
Had been one darkening, abandoned hall
Where rows of unlit candles stood; and we
Not out of love, so much, or hope, or even worship, but
Out of the fear of death, came with our lights
And watched the candles, one by one, take fire, flames
Against the long night of our fear. We thought
That we could never die. Now I am less convinced.
--The traveller on the plain makes out the mountains
At a distance; then he loses sight. His way
Winds through the valleys; then, at a sudden turning of a path,
The peaks stand nakedly before him: they are something else
Than what he saw below. I think now of the raft
(For me, somehow, the summit of the whole experience)
And all the expectations of that day, but also of the cave
We stocked with bread, the secret meetings
In the hills, the fake assassins hired for the last pursuit,
The careful staging of the cures, the bribed officials,
The angels' garments, tailored faultlessly,
The medicines administered behind the stone,
That ultimate cloud, so perfect, and so opportune.
Who managed all that blood I never knew.

The days get longer. It was a long time ago.
And I have come to that point in the turning of the path
Where peaks are infinite--horn-shaped and scaly, choked with 

thorns.
But even here, I know our work was worth the cost.
What we have brought to pass, no one can take away.
Life offers up no miracles, unfortunately, and needs assistance.
Nothing will be the same as once it was,
I tell myself.--It's dark here on the peak, and keeps on getting 
darker.
It seems I am experiencing a kind of ecstasy.
Was it sunlight on the waves that day? The night comes down.
And now the water seems remote, unreal, and perhaps it is.


Written by Kathleen Raine | Create an image from this poem

Shells

 Reaching down arm-deep into bright water 
I gathered on white sand under waves 
Shells, drifted up on beaches where I alone 
Inhabit a finite world of years and days. 
I reached my arm down a myriad years 
To gather treasure from the yester-milliennial sea-floor, 
Held in my fingers forms shaped on the day of creation. 

Building their beauty in three dimensions 
Over which the world recedes away from us, 
And in the fourth, that takes away ourselves 
From moment to moment and from year to year 
From first to last they remain in their continuous present. 
The helix revolves like a timeless thought, 
Instantaneous from apex to rim 
Like a dance whose figure is limpet or murex, 
cowrie or golden winkle. 

They sleep on the ocean floor like humming-tops 
Whose music is the mother-of-pearl octave of the rainbow, 
Harmonious shells that whisper forever in our ears, 
The world that you inhabit has not yet been created.
Written by Francesco Petrarch | Create an image from this poem

Canzone XVIII

CANZONE XVIII.

Qual più diversa e nova.

HE COMPARES HIMSELF TO ALL THAT IS MOST STRANGE IN CREATION.

Whate'er most wild and newWas ever found in any foreign land,If viewed and valued true,Most likens me 'neath Love's transforming hand.Whence the bright day breaks through,Alone and consortless, a bird there flies,Who voluntary dies,To live again regenerate and entire:So ever my desire,Alone, itself repairs, and on the crestOf its own lofty thoughts turns to our sun,There melts and is undone,And sinking to its first state of unrest,So burns and dies, yet still its strength resumes,And, Phœnix-like, afresh in force and beauty blooms.
Where Indian billows sweep,A wondrous stone there is, before whose strengthStout navies, weak to keepTheir binding iron, sink engulf'd at length:So prove I, in this deepOf bitter grief, whom, with her own hard pride,That fair rock knew to guideWhere now my life in wreck and ruin drives:Thus too the soul deprives,By theft, my heart, which once so stonelike was,It kept my senses whole, now far dispersed:For mine, O fate accurst!A rock that lifeblood and not iron draws,Whom still i' the flesh a magnet living, sweet,Drags to the fatal shore a certain doom to meet.
Neath the far Ethiop skiesA beast is found, most mild and meek of air,Which seems, yet in her eyesDanger and dool and death she still does bear:[Pg 134]Much needs he to be wiseTo look on hers whoever turns his mien:Although her eyes unseen,All else securely may be viewed at willBut I to mine own illRun ever in rash grief, though well I knowMy sufferings past and future, still my mindIts eager, deaf and blindDesire o'ermasters and unhinges so,That in her fine eyes and sweet sainted face,Fatal, angelic, pure, my cause of death I trace.
In the rich South there flowsA fountain from the sun its name that wins,This marvel still that shows,Boiling at night, but chill when day begins;Cold, yet more cold it growsAs the sun's mounting car we nearer see:So happens it with me(Who am, alas! of tears the source and seat),When the bright light and sweet,My only sun retires, and lone and drearMy eyes are left, in night's obscurest reign,I burn, but if againThe gold rays of the living sun appear,My slow blood stiffens, instantaneous, strange;Within me and without I feel the frozen change!
Another fount of fameSprings in Epirus, which, as bards have told,Kindles the lurking flame,And the live quenches, while itself is cold.My soul, that, uncontroll'd,And scathless from love's fire till now had pass'd,Carelessly left at lastNear the cold fair for whom I ceaseless sigh,Was kindled instantly:Like martyrdom, ne'er known by day or night,A heart of marble had to mercy shamed.Which first her charms inflamedHer fair and frozen virtue quenched the light;That thus she crushed and kindled my heart's fire,Well know I who have felt in long and useless ire.
[Pg 135]Beyond our earth's known brinks,In the famed Islands of the Blest, there beTwo founts: of this who drinksDies smiling: who of that to live is free.A kindred fate Heaven linksTo my sad life, who, smilingly, could dieFor like o'erflowing joy,But soon such bliss new cries of anguish stay.Love! still who guidest my way,Where, dim and dark, the shade of fame invites,Not of that fount we speak, which, full each hour,Ever with larger powerO'erflows, when Taurus with the Sun unites;So are my eyes with constant sorrow wet,But in that season most when I my Lady met.
Should any ask, my Song!Or how or where I am, to such reply:Where the tall mountain throwsIts shade, in the lone vale, whence Sorga flows,He roams, where never eyeSave Love's, who leaves him not a step, is by,And one dear image who his peace destroys,Alone with whom to muse all else in life he flies.
Macgregor.
Written by John Berryman | Create an image from this poem

Dream Song 115: Her properties like her of course and frisky and new

 Her properties, like her of course & frisky & new:
a stale cake sold to kids, a 7-foot weed
inside in the Great Neck night,
a record ('great'), her work all over as u-
sual rejected. She odd in a bakery.
The owner stand beside her

and she have to sell to the brother & sister jumping
without say 'One week old.' Her indifference
to the fate of her manuscripts
(which flash) to a old hand is truly somefing.
I guess: she'll take the National Book Award
presently, with like flare & indifference.

A massive, unpremeditated, instantaneous
transfer of solicitude from the thing to the creature
Henry sometimes felt.
A state of chancy mind when facts stick out
frequent was his, while that this shrugging girl,
keen, do not quit, he knelt.

(Having so swiftly, and been by, let down.)

Book: Radiant Verses: A Journey Through Inspiring Poetry