Written by
Andrew Hudgins |
Our Father who art in heaven, I am drunk.
Again. Red wine. For which I offer thanks.
I ought to start with praise, but praise
comes hard to me. I stutter. Did I tell you
about the woman, whom I taught, in bed,
this prayer? It starts with praise; the simple form
keeps things in order. I hear from her sometimes.
Do you? And after love, when I was hungry,
I said, Make me something to eat. She yelled,
Poof! You're a casserole! - and laughed so hard
she fell out of bed. Take care of her.
Next, confession - the dreary part. At night
deer drift from the dark woods and eat my garden.
They're like enormous rats on stilts except,
of course, they're beautiful. But why? What makes
them beautiful? I haven't shot one yet.
I might. When I was twelve I'd ride my bike
out to the dump and shoot the rats. It's hard
to kill your rats, our Father. You have to use
a hollow point and hit them solidly.
A leg is not enough. The rat won't pause.
Yeep! Yeep! it screams, and scrabbles, three-legged, back
into the trash, and I would feel a little bad
to kill something that wants to live
more savagely than I do, even if
it's just a rat. My garden's vanishing.
Perhaps I'll plant more beans, though that
might mean more beautiful and hungry deer.
Who knows?
I'm sorry for the times I've driven
home past a black, enormous, twilight ridge.
Crested with mist it looked like a giant wave
about to break and sweep across the valley,
and in my loneliness and fear I've thought,
O let it come and wash the whole world clean.
Forgive me. This is my favorite sin: despair-
whose love I celebrate with wine and prayer.
Our Father, thank you for all the birds and trees,
that nature stuff. I'm grateful for good health,
food, air, some laughs, and all the other things I've never had to do
without. I have confused myself. I'm glad
there's not a rattrap large enough for deer.
While at the zoo last week, I sat and wept
when I saw one elephant insert his trunk
into another's ass, pull out a lump,
and whip it back and forth impatiently
to free the goodies hidden in the lump.
I could have let it mean most anything,
but I was stunned again at just how little
we ask for in our lives. Don't look! Don't look!
Two young nuns tried to herd their giggling
schoolkids away. Line up, they called, Let's go
and watch the monkeys in the monkey house.
I laughed and got a dirty look. Dear Lord,
we lurch from metaphor to metaphor,
which is -let it be so- a form of praying.
I'm usually asleep by now -the time
for supplication. Requests. As if I'd stayed
up late and called the radio and asked
they play a sentimental song. Embarrassed.
I want a lot of money and a woman.
And, also, I want vanishing cream. You know-
a character like Popeye rubs it on
and disappears. Although you see right through him,
he's there. He chuckles, stumbles into things,
and smoke that's clearly visible escapes
from his invisible pipe. It make me think,
sometimes, of you. What makes me think of me
is the poor jerk who wanders out on air
and then looks down. Below his feet, he sees
eternity, and suddenly his shoes
no longer work on nothingness, and down
he goes. As I fall past, remember me.
|
Written by
Thomas Hardy |
'TWAS a death-bed summons, and forth I went
By the way of the Western Wall, so drear
On that winter night, and sought a gate--
The home, by Fate,
Of one I had long held dear.
And there, as I paused by her tenement,
And the trees shed on me their rime and hoar,
I thought of the man who had left her lone--
Him who made her his own
When I loved her, long before.
The rooms within had the piteous shine
The home-things wear which the housewife miss;
From the stairway floated the rise and fall
Of an infant's call,
Whose birth had brought her to this.
Her life was the price she would pay for that whine--
For a child by the man she did not love.
"But let that rest forever," I said,
And bent my tread
To the chamber up above.
She took my hand in her thin white own,
And smiled her thanks--though nigh too weak--
And made them a sign to leave us there;
Then faltered, ere
She could bring herself to speak.
"'Twas to see you before I go--he'll condone
Such a natural thing now my time's not much--
When Death is so near it hustles hence
All passioned sense
Between woman and man as such!
"My husband is absent. As heretofore
The City detains him. But, in truth,
He has not been kind.... I will speak no blame,
But--the child is lame;
O, I pray she may reach his ruth!
"Forgive past days--I can say no more--
Maybe if we'd wedded you'd now repine!...
But I treated you ill. I was punished. Farewell!
--Truth shall I tell?
Would the child were yours and mine!
"As a wife I was true. But, such my unease
That, could I insert a deed back in Time,
I'd make her yours, to secure your care;
And the scandal bear,
And the penalty for the crime!"
--When I had left, and the swinging trees
Rang above me, as lauding her candid say,
Another was I. Her words were enough:
Came smooth, came rough,
I felt I could live my day.
Next night she died; and her obsequies
In the Field of Tombs, by the Via renowned,
Had her husband's heed. His tendance spent,
I often went
And pondered by her mound.
All that year and the next year whiled,
And I still went thitherward in the gloam;
But the Town forgot her and her nook,
And her husband took
Another Love to his home.
And the rumor flew that the lame lone child
Whom she wished for its safety child of mine,
Was treated ill when offspring came
Of the new-made dame,
And marked a more vigorous line.
A smarter grief within me wrought
Than even at loss of her so dear;
Dead the being whose soul my soul suffused,
Her child ill-used,
I helpless to interfere!
One eve as I stood at my spot of thought
In the white-stoned Garth, brooding thus her wrong,
Her husband neared; and to shun his view
By her hallowed mew
I went from the tombs among
To the Cirque of the Gladiators which faced--
That haggard mark of Imperial Rome,
Whose Pagan echoes mock the chime
Of our Christian time:
It was void, and I inward clomb.
Scarce had night the sun's gold touch displaced
From the vast Rotund and the neighboring dead
When her husband followed; bowed; half-passed,
With lip upcast;
Then, halting, sullenly said:
"It is noised that you visit my first wife's tomb.
Now, I gave her an honored name to bear
While living, when dead. So I've claim to ask
By what right you task
My patience by vigiling there?
"There's decency even in death, I assume;
Preserve it, sir, and keep away;
For the mother of my first-born you
Show mind undue!
--Sir, I've nothing more to say."
A desperate stroke discerned I then--
God pardon--or pardon not--the lie;
She had sighed that she wished (lest the child should pine
Of slights) 'twere mine,
So I said: "But the father I.
"That you thought it yours is the way of men;
But I won her troth long ere your day:
You learnt how, in dying, she summoned me?
'Twas in fealty.
--Sir, I've nothing more to say,
"Save that, if you'll hand me my little maid,
I'll take her, and rear her, and spare you toil.
Think it more than a friendly act none can;
I'm a lonely man,
While you've a large pot to boil.
"If not, and you'll put it to ball or blade--
To-night, to-morrow night, anywhen--
I'll meet you here.... But think of it,
And in season fit
Let me hear from you again."
--Well, I went away, hoping; but nought I heard
Of my stroke for the child, till there greeted me
A little voice that one day came
To my window-frame
And babbled innocently:
"My father who's not my own, sends word
I'm to stay here, sir, where I belong!"
Next a writing came: "Since the child was the fruit
Of your passions brute,
Pray take her, to right a wrong."
And I did. And I gave the child my love,
And the child loved me, and estranged us none.
But compunctions loomed; for I'd harmed the dead
By what I'd said
For the good of the living one.
--Yet though, God wot, I am sinner enough,
And unworthy the woman who drew me so,
Perhaps this wrong for her darling's good
She forgives, or would,
If only she could know!
|
Written by
Sylvia Plath |
You come in late, wiping your lips.
What did I leave untouched on the doorstep---
White Nike,
Streaming between my walls?
Smilingly, blue lightning
Assumes, like a meathook, the burden of his parts.
The police love you, you confess everything.
Bright hair, shoe-black, old plastic,
Is my life so intriguing?
Is it for this you widen your eye-rings?
Is it for this the air motes depart?
They rae not air motes, they are corpuscles.
Open your handbag. What is that bad smell?
It is your knitting, busily
Hooking itself to itself,
It is your sticky candies.
I have your head on my wall.
Navel cords, blue-red and lucent,
Shriek from my belly like arrows, and these I ride.
O moon-glow, o sick one,
The stolen horses, the fornications
Circle a womb of marble.
Where are you going
That you suck breath like mileage?
Sulfurous adulteries grieve in a dream.
Cold glass, how you insert yourself
Between myself and myself.
I scratch like a cat.
The blood that runs is dark fruit---
An effect, a cosmetic.
You smile.
No, it is not fatal.
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