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Best Famous Injury Poems

Here is a collection of the all-time best famous Injury poems. This is a select list of the best famous Injury poetry. Reading, writing, and enjoying famous Injury poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of injury poems.

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Written by Allen Ginsberg | Create an image from this poem

Wild Orphan

Blandly mother 
takes him strolling 
by railroad and by river 
-he's the son of the absconded 
hot rod angel- 
and he imagines cars 
and rides them in his dreams, 

so lonely growing up among 
the imaginary automobiles 
and dead souls of Tarrytown 

to create 
out of his own imagination 
the beauty of his wild 
forebears-a mythology 
he cannot inherit.
Will he later hallucinate his gods? Waking among mysteries with an insane gleam of recollection? The recognition- something so rare in his soul, met only in dreams -nostalgias of another life.
A question of the soul.
And the injured losing their injury in their innocence -a cock, a cross, an excellence of love.
And the father grieves in flophouse complexities of memory a thousand miles away, unknowing of the unexpected youthful stranger bumming toward his door.
- New York, April 13, 1952


Written by Kahlil Gibran | Create an image from this poem

A Lovers Call XXVII

 Where are you, my beloved? Are you in that little 
Paradise, watering the flowers who look upon you 
As infants look upon the breast of their mothers? 


Or are you in your chamber where the shrine of 
Virtue has been placed in your honor, and upon 
Which you offer my heart and soul as sacrifice? 


Or amongst the books, seeking human knowledge, 
While you are replete with heavenly wisdom? 


Oh companion of my soul, where are you? Are you 
Praying in the temple? Or calling Nature in the 
Field, haven of your dreams? 


Are you in the huts of the poor, consoling the 
Broken-hearted with the sweetness of your soul, and 
Filling their hands with your bounty? 


You are God's spirit everywhere; 
You are stronger than the ages.
Do you have memory of the day we met, when the halo of You spirit surrounded us, and the Angels of Love Floated about, singing the praise of the soul's deed? Do you recollect our sitting in the shade of the Branches, sheltering ourselves from Humanity, as the ribs Protect the divine secret of the heart from injury? Remember you the trails and forest we walked, with hands Joined, and our heads leaning against each other, as if We were hiding ourselves within ourselves? Recall you the hour I bade you farewell, And the Maritime kiss you placed on my lips? That kiss taught me that joining of lips in Love Reveals heavenly secrets which the tongue cannot utter! That kiss was introduction to a great sigh, Like the Almighty's breath that turned earth into man.
That sigh led my way into the spiritual world, Announcing the glory of my soul; and there It shall perpetuate until again we meet.
I remember when you kissed me and kissed me, With tears coursing your cheeks, and you said, "Earthly bodies must often separate for earthly purpose, And must live apart impelled by worldly intent.
"But the spirit remains joined safely in the hands of Love, until death arrives and takes joined souls to God.
"Go, my beloved; Love has chosen you her delegate; Over her, for she is Beauty who offers to her follower The cup of the sweetness of life.
As for my own empty arms, your love shall remain my Comforting groom; you memory, my Eternal wedding.
" Where are you now, my other self? Are you awake in The silence of the night? Let the clean breeze convey To you my heart's every beat and affection.
Are you fondling my face in your memory? That image Is no longer my own, for Sorrow has dropped his Shadow on my happy countenance of the past.
Sobs have withered my eyes which reflected your beauty And dried my lips which you sweetened with kisses.
Where are you, my beloved? Do you hear my weeping From beyond the ocean? Do you understand my need? Do you know the greatness of my patience? Is there any spirit in the air capable of conveying To you the breath of this dying youth? Is there any Secret communication between angels that will carry to You my complaint? Where are you, my beautiful star? The obscurity of life Has cast me upon its bosom; sorrow has conquered me.
Sail your smile into the air; it will reach and enliven me! Breathe your fragrance into the air; it will sustain me! Where are you, me beloved? Oh, how great is Love! And how little am I!
Written by Katherine Philips | Create an image from this poem

The World

 Wee falsely think it due unto our friends,
That we should grieve for their too early ends:
He that surveys the world with serious eys,
And stripps Her from her grosse and weak disguise,
Shall find 'tis injury to mourn their fate;
He only dy's untimely who dy's Late.
For if 'twere told to children in the womb, To what a stage of mischief they must come Could they foresee with how much toile and sweat Men court that Guilded nothing, being Great; What paines they take not to be what they seem, Rating their blisse by others false esteem, And sacrificing their content, to be Guilty of grave and serious Vanity; How each condition hath its proper Thorns, And what one man admires, another Scorns; How frequently their happiness they misse, And so farre from agreeing what it is, That the same Person we can hardly find, Who is an houre together in a mind; Sure they would beg a period of their breath, And what we call their birth would count their Death.
Mankind is mad; for none can live alone Because their joys stand by comparison: And yet they quarrell at Society, And strive to kill they know not whom, nor why, We all live by mistake, delight in Dreames, Lost to ourselves, and dwelling in extreames; Rejecting what we have, though ne're so good, And prizing what we never understood.
compar'd to our boystrous inconstancy Tempests are calme, and discords harmony.
Hence we reverse the world, and yet do find The God that made can hardly please our mind.
We live by chance, and slip into Events; Have all of Beasts except their Innocence.
The soule, which no man's pow'r can reach, a thing That makes each women Man, each man a King.
Doth so much loose, and from its height so fall, That some content to have no Soule at all.
"Tis either not observ'd, or at the best By passion fought withall, by sin deprest.
Freedome of will (god's image) is forgot; And if we know it, we improve it not.
Our thoughts, thou nothing can be more our own, Are still unguided, verry seldom known.
Time 'scapes our hands as water in a Sieve, We come to dy ere we begin to Live.
Truth, the most suitable and noble Prize, Food of our spirits, yet neglected ly's.
Errours and shaddows ar our choice, and we Ow our perdition to our Own decree.
If we search Truth, we make it more obscure; And when it shines, we can't the Light endure; For most men who plod on, and eat, and drink, Have nothing less their business then to think; And those few that enquire, how small a share Of Truth they fine! how dark their notions are! That serious evenness that calmes the Brest, And in a Tempest can bestow a rest, We either not attempt, or elce [sic] decline, By every triffle snatch'd from our design.
(Others he must in his deceits involve, Who is not true unto his own resolve.
) We govern not our selves, but loose the reins, Courting our bondage to a thousand chains; And with as man slaverys content, As there are Tyrants ready to Torment, We live upon a Rack, extended still To one extreme, or both, but always ill.
For since our fortune is not understood, We suffer less from bad then from the good.
The sting is better drest and longer lasts, As surfeits are more dangerous than fasts.
And to compleat the misery to us, We see extreames are still contiguous.
And as we run so fast from what we hate, Like Squibs on ropes, to know no middle state; So (outward storms strengthen'd by us) we find Our fortune as disordred as our mind.
But that's excus'd by this, it doth its part; A treacherous world befits a treacherous heart.
All ill's our own; the outward storms we loath Receive from us their birth, or sting, or both; And that our Vanity be past a doubt, 'Tis one new vanity to find it out.
Happy are they to whom god gives a Grave, And from themselves as from his wrath doeth save.
'Tis good not to be born; but if we must, The next good is, soone to return to Dust: When th'uncag'd soule, fled to Eternity, Shall rest and live, and sing, and love, and See.
Here we but crawle and grope, and play and cry; Are first our own, then others Enemy: But there shall be defac'd both stain and score, For time, and Death, and sin shall be no more.
Written by William Shakespeare | Create an image from this poem

Sonnet 108: Whats in the brain that ink may character

 What's in the brain that ink may character
Which hath not figured to thee my true spirit?
What's new to speak, what now to register,
That may express my love, or thy dear merit?
Nothing, sweet boy, but yet, like prayers divine,
I must each day say o'er the very same,
Counting no old thing old—thou mine, I thine—
Even as when first I hallowed thy fair name.
So that eternal love in love's fresh case Weighs not the dust and injury of age, Nor gives to necessary wrinkles place, But makes antiquity for aye his page, Finding the first conceit of love there bred Where time and outward form would show it dead.
Written by Anne Bradstreet | Create an image from this poem

Before the Birth of One of Her Children

 All things within this fading world hath end,
Adversity doth still our joys attend;
No ties so strong, no friends so dear and sweet,
But with death's parting blow are sure to meet.
The sentence past is most irrevocable, A common thing, yet oh, inevitable.
How soon, my Dear, death may my steps attend, How soon't may be thy lot to lose thy friend, We both are ignorant, yet love bids me These farewell lines to recommend to thee, That when the knot's untied that made us one, I may seem thine, who in effect am none.
And if I see not half my days that's due, What nature would, God grant to yours and you; The many faults that well you know I have Let be interred in my oblivious grave; If any worth or virtue were in me, Let that live freshly in thy memory And when thou feel'st no grief, as I no harmes, Yet love thy dead, who long lay in thine arms, And when thy loss shall be repaid with gains Look to my little babes, my dear remains.
And if thou love thyself, or loved'st me, These O protect from stepdame's injury.
And if chance to thine eyes shall bring this verse, With some sad sighs honor my absent hearse; And kiss this paper for thy dear love's sake, Who with salt tears this last farewell did take.


Written by Anne Kingsmill Finch | Create an image from this poem

Moral Song

 Would we attain the happiest State, 
That is design'd us here; 
No Joy a Rapture must create, 
No Grief beget Despair.
No Injury fierce Anger raise, No Honour tempt to Pride; No vain Desires of empty Praise Must in the Soul abide.
No Charms of Youth, or Beauty move The constant, settl'd Breast: Who leaves a Passage free to Love, Shall let in, all the rest.
In such a Heart soft Peace will live, Where none of these abound; The greatest Blessing, Heav'n do's give, Or can on Earth be found.
Written by Robert Lowell | Create an image from this poem

Dolphin

 My Dolphin, you only guide me by surprise,
a captive as Racine, the man of craft,
drawn through his maze of iron composition
by the incomparable wandering voice of Ph?dre.
When I was troubled in mind, you made for my body caught in its hangman's-knot of sinking lines, the glassy bowing and scraping of my will.
.
.
.
I have sat and listened to too many words of the collaborating muse, and plotted perhaps too freely with my life, not avoiding injury to others, not avoiding injury to myself-- to ask compassion .
.
.
this book, half fiction, an eelnet made by man for the eel fighting my eyes have seen what my hand did.
Written by Sylvia Plath | Create an image from this poem

Full Fathom Five

 Old man, you surface seldom.
Then you come in with the tide's coming When seas wash cold, foam- Capped: white hair, white beard, far-flung, A dragnet, rising, falling, as waves Crest and trough.
Miles long Extend the radial sheaves Of your spread hair, in which wrinkling skeins Knotted, caught, survives The old myth of orgins Unimaginable.
You float near As kneeled ice-mountains Of the north, to be steered clear Of, not fathomed.
All obscurity Starts with a danger: Your dangers are many.
I Cannot look much but your form suffers Some strange injury And seems to die: so vapors Ravel to clearness on the dawn sea.
The muddy rumors Of your burial move me To half-believe: your reappearance Proves rumors shallow, For the archaic trenched lines Of your grained face shed time in runnels: Ages beat like rains On the unbeaten channels Of the ocean.
Such sage humor and Durance are whirlpools To make away with the ground- Work of the earth and the sky's ridgepole.
Waist down, you may wind One labyrinthine tangle To root deep among knuckles, shinbones, Skulls.
Inscrutable, Below shoulders not once Seen by any man who kept his head, You defy questions; You defy godhood.
I walk dry on your kingdom's border Exiled to no good.
Your shelled bed I remember.
Father, this thick air is murderous.
I would breathe water.
Written by Francois Villon | Create an image from this poem

The Debate Between Villon And His Heart

 Who's that I hear?—It's me—Who?—Your heart
Hanging on by the thinnest thread
I lose all my strength, substance, and fluid
When I see you withdrawn this way all alone
Like a whipped cur sulking in the corner
Is it due to your mad hedonism?—
What's it to you?—I have to suffer for it—
Leave me alone—Why?—I'll think about it—
When will you do that?—When I've grown up—
I've nothing more to tell you—I'll survive without it—

What's your idea?—To be a good man—
You're thirty, for a mule that's a lifetime
You call that childhood?—No—Madness
Must have hold of you—By what, the halter?—
You don't know a thing—Yes I do—What?—Flies in milk
One's white, one's black, they're opposites—
That's all?—How can I say it better?
If that doesn't suit you I'll start over—
You're lost—Well I'll go down fighting—
I've nothing more to tell you—I'll survive without it—

I get the heartache, you the injury and pain
If you were just some poor crazy idiot
I'd be able to make excuses for you
You don't even care, all's one to you, foul or fair
Either your head's harder than a rock
Or you actually prefer misery to honor
Now what do you say to that?—
Once I'm dead I'll rise above it—
God, what comfort—What wise eloquence—
I've nothing more to tell you—I'll survive without it—

Why are you miserable?—Because of my miseries
When Saturn packed my satchel I think
He put in these troubles—That's mad
You're his lord and you talk like his slave
Look what Solomon wrote in his book
"A wise man" he says "has authority
Over the planets and their influence"—
I don't believe it, as they made me I'll be—
What are you saying?—Yes that's what I think—
I've nothing more to tell you—I'll survive without it—

Want to live?—God give me the strength—
It's necessary.
.
.
—What is?—To feel remorse Lots of reading—What kind?—Read for knowledge Leave fools alone—I'll take your advice— Or will you forget?—I've got it fixed in mind— Now act before things go from bad to worse I've nothing more to tell you—I'll survive without it.
Written by Ted Hughes | Create an image from this poem

Old Age Gets Up

 Stirs its ashes and embers, its burnt sticks

An eye powdered over, half melted and solid again
Ponders
Ideas that collapse
At the first touch of attention

The light at the window, so square and so same
So full-strong as ever, the window frame
A scaffold in space, for eyes to lean on

Supporting the body, shaped to its old work
Making small movements in gray air
Numbed from the blurred accident
Of having lived, the fatal, real injury
Under the amnesia

Something tries to save itself-searches
For defenses-but words evade
Like flies with their own notions

Old age slowly gets dressed
Heavily dosed with death's night
Sits on the bed's edge

Pulls its pieces together
Loosely tucks in its shirt

Book: Shattered Sighs