Written by
Edwin Arlington Robinson |
He took a frayed hat from his head,
And “Peace on Earth” was what he said.
“A morsel out of what you’re worth,
And there we have it: Peace on Earth.
Not much, although a little more
Than what there was on earth before
I’m as you see, I’m Ichabod,—
But never mind the ways I’ve trod;
I’m sober now, so help me God.”
I could not pass the fellow by.
“Do you believe in God?” said I;
“And is there to be Peace on Earth?”
“Tonight we celebrate the birth,”
He said, “of One who died for men;
The Son of God, we say. What then?
Your God, or mine? I’d make you laugh
Were I to tell you even half
That I have learned of mine today
Where yours would hardly seem to stay.
Could He but follow in and out
Some anthropoids I know about,
The god to whom you may have prayed
Might see a world He never made.”
“Your words are flowing full,” said I;
“But yet they give me no reply;
Your fountain might as well be dry.”
“A wiser One than you, my friend,
Would wait and hear me to the end;
And for his eyes a light would shine
Through this unpleasant shell of mine
That in your fancy makes of me
A Christmas curiosity.
All right, I might be worse than that;
And you might now be lying flat;
I might have done it from behind,
And taken what there was to find.
Don’t worry, for I’m not that kind.
‘Do I believe in God?’ Is that
The price tonight of a new hat?
Has he commanded that his name
Be written everywhere the same?
Have all who live in every place
Identified his hidden face?
Who knows but he may like as well
My story as one you may tell?
And if he show me there be Peace
On Earth, as there be fields and trees
Outside a jail-yard, am I wrong
If now I sing him a new song?
Your world is in yourself, my friend,
For your endurance to the end;
And all the Peace there is on Earth
Is faith in what your world is worth,
And saying, without any lies,
Your world could not be otherwise.”
“One might say that and then be shot,”
I told him; and he said: “Why not?”
I ceased, and gave him rather more
Than he was counting of my store.
“And since I have it, thanks to you,
Don’t ask me what I mean to do,”
Said he. “Believe that even I
Would rather tell the truth than lie—
On Christmas Eve. No matter why.”
His unshaved, educated face,
His inextinguishable grace.
And his hard smile, are with me still,
Deplore the vision as I will;
For whatsoever he be at,
So droll a derelict as that
Should have at least another hat.
|
Written by
Mark Doty |
Over the terminal,
the arms and chest
of the god
brightened by snow.
Formerly mercury,
formerly silver,
surface yellowed
by atmospheric sulphurs
acid exhalations,
and now the shining
thing's descendant.
Obscure passages,
dim apertures:
these clouded windows
show a few faces
or some empty car's
filmstrip of lit flames
--remember them
from school,
how they were supposed
to teach us something?--
waxy light hurrying
inches away from the phantom
smudge of us, vague
in spattered glass. Then
daylight's soft charcoal
lusters stone walls
and we ascend to what
passes for brightness,
this February,
scumbled sky
above graduated zones
of decline:
dead rowhouses,
charred windows'
wet frames
around empty space,
a few chipboard polemics
nailed over the gaps,
speeches too long
and obsessive for anyone
on this train to read,
sealing the hollowed interiors
--some of them grand once,
you can tell by
the fillips of decoration,
stone leaves, the frieze
of sunflowers.
Desolate fields--open spaces,
in a city where you
can hardly turn around!--
seem to center
on little flames,
something always burning
in a barrel or can
As if to represent
inextinguishable,
dogged persistence?
Though whether what burns
is will or rage or
harsh amalgam
I couldn't say.
But I can tell you this,
what I've seen that
won my allegiance most,
though it was also
the hallmark of our ruin,
and quick as anything
seen in transit:
where Manhattan ends
in the narrowing
geographical equivalent
of a sigh (asphalt,
arc of trestle, dull-witted
industrial tanks
and scaffoldings, ancient now,
visited by no one)
on the concrete
embankment just
above the river,
a sudden density
and concentration
of trash, so much
I couldn't pick out
any one thing
from our rising track
as it arced onto the bridge
over the fantastic
accumulation of jetsam
and contraband
strewn under
the uncompromising
vault of heaven.
An unbelievable mess,
so heaped and scattered
it seemed the core
of chaos itself--
but no, the junk was arranged
in rough aisles,
someone's intimate
clutter and collection,
no walls but still
a kind of apartment
and a fire ribboned out
of a ruined stove,
and white plates
were laid out
on the table beside it.
White china! Something
was moving, and
--you understand
it takes longer to tell this
than to see it, only
a train window's worth
of actuality--
I knew what moved
was an arm,
the arm of the (man
or woman?) in the center
of that hapless welter
in layer upon layer
of coats blankets scarves
until the form
constituted one more
gray unreadable;
whoever
was lifting a hammer,
and bringing it down
again, tapping at
what work
I couldn't say;
whoever, under
the great exhausted dome
of winter light,
which the steep
and steel surfaces of the city
made both more soft
and more severe,
was making something,
or repairing,
was in the act
(sheer stubborn nerve of it)
of putting together.
Who knows what.
(And there was more,
more I'd take all spring
to see. I'd pick my seat
and set my paper down
to study him again
--he, yes, some days not
at home though usually
in, huddled
by the smoldering,
and when my eye wandered
--five-second increments
of apprehension--I saw
he had a dog!
Who lay half in
half out his doghouse
in the rain, golden head
resting on splayed paws.
He had a ruined car,
and heaps of clothes,
and things to read--
was no emblem,
in other words,
but a citizen,
who'd built a citizen's
household, even
on the literal edge,
while I watched
from my quick,
high place, hurtling
over his encampment
by the waters of Babylon.)
Then we were gone,
in the heat and draft
of our silver, rattling
over the river
into the South Bronx,
against whose greasy
skyline rose that neoned
billboard for cigarettes
which hostages
my attention, always,
as it is meant to do,
its motto ruby
in the dark morning:
ALIVE WITH PLEASURE.
|
Written by
Kahlil Gibran |
He is a link between this and the coming world.
He is
A pure spring from which all thirsty souls may drink.
He is a tree watered by the River of Beauty, bearing
Fruit which the hungry heart craves;
He is a nightingale, soothing the depressed
Spirit with his beautiful melodies;
He is a white cloud appearing over the horizon,
Ascending and growing until it fills the face of the sky.
Then it falls on the flows in the field of Life,
Opening their petals to admit the light.
He is an angel, send by the goddess to
Preach the Deity's gospel;
He is a brilliant lamp, unconquered by darkness
And inextinguishable by the wind. It is filled with
Oil by Istar of Love, and lighted by Apollon of Music.
He is a solitary figure, robed in simplicity and
Kindness; He sits upon the lap of Nature to draw his
Inspiration, and stays up in the silence of the night,
Awaiting the descending of the spirit.
He is a sower who sows the seeds of his heart in the
Prairies of affection, and humanity reaps the
Harvest for her nourishment.
This is the poet -- whom the people ignore in this life,
And who is recognized only when he bids the earthly
World farewell and returns to his arbor in heaven.
This is the poet -- who asks naught of
Humanity but a smile.
This is the poet -- whose spirit ascends and
Fills the firmament with beautiful sayings;
Yet the people deny themselves his radiance.
Until when shall the people remain asleep?
Until when shall they continue to glorify those
Who attain greatness by moments of advantage?
How long shall they ignore those who enable
Them to see the beauty of their spirit,
Symbol of peace and love?
Until when shall human beings honor the dead
And forget the living, who spend their lives
Encircled in misery, and who consume themselves
Like burning candles to illuminate the way
For the ignorant and lead them into the path of light?
Poet, you are the life of this life, and you have
Triumphed over the ages of despite their severity.
Poet, you will one day rule the hearts, and
Therefore, your kingdom has no ending.
Poet, examine your crown of thorns; you will
Find concealed in it a budding wreath of laurel.
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